Trivia: The son of Yugoslav immigrants, Karl Malden labored in the steel mills of Gary, Indiana before enrolling in Arkansas State Teachers College. While not a prime candidate for stardom with his oversized nose and bullhorn voice, Malden attended Chicago's Goodman Dramatic School, then moved to New York, where he made his Broadway bow in 1937. Three years later he made his film debut in a microscopic role in They Knew What They Wanted (1940), which also featured another star-to-be, Tom Ewell. While serving in the Army Air Force during World War II, Malden returned to films in the all-serviceman epic Winged Victory (1944), where he was billed as Corporal Karl Malden. This led to a brief contract with 20th Century-Fox -- but not to Hollywood, since Malden's subsequent film appearances were lensed on the east coast. In 1947, Malden created the role of Mitch, the erstwhile beau of Blanche Dubois, in Tennessee Williams' Broadway play A Streetcar Named Desire; he repeated the role in the 1951 film version, winning an Oscar in the process. For much of his film career, Malden has been assigned roles that called for excesses of ham; even his Oscar-nominated performance in On the Waterfront (1954) was decidedly "Armour Star" in concept and execution. In 1957, he directed the Korean War melodrama Time Limit, the only instance in which the forceful and opinionated Malden was officially credited as director. Malden was best known to TV fans of the 1970s as Lieutenant Mike Stone, the no-nonsense protagonist of the longrunning cop series The Streets of San Francisco. Still wearing his familiar Streets hat and overcoat, Malden supplemented his income with a series of ads for American Express. His commercial catchphrases "What will you do?" and "Don't leave home without it!" soon entered the lexicon of TV trivia -- and provided endless fodder for such comedians as Johnny Carson. From 1989-92, Malden served as president of the Academy of Motion Picture Arts and Sciences.

Trivia: Major star and producer, and member of one of Hollywood's most prominent families to boot, Michael Douglas was born to movie icon Kirk Douglas and British actress Diana Dill on September 25, 1944, in New Brunswick, NJ. From the age of eight he was raised in Connecticut by his mother and a stepfather, but spent time with his father during vacations from military school. It was while on location with his father that the young Douglas began learning about filmmaking. In 1962, he worked as an assistant director on Lonely Are the Brave, and was so taken with the cinema that he passed up the opportunity to study at Yale for that of studying drama at the University of California at Santa Barbara. At one point he and actor/director/producer Danny De Vito roomed together, and have remained friends ever since. Douglas also studied drama in New York for a while, and made his film debut as an actor playing a pacifist hippie draft evader who decides to fight in Vietnam in Hail Hero! (1969). He appeared in several more dramas, notably Summertree (1971). In 1972, he was cast as volatile rookie police inspector Steve Keller on The Streets of San Francisco. Douglas appeared in the series and occasionally directed episodes of it through 1976. In 1975, Douglas became one of the hottest producers in Tinseltown when he produced Milos Forman's tour de force adaptation of Ken Kesey's One Flew Over the Cuckoo's Nest, which starred Jack Nicholson in one of his best roles. Originally, Douglas' father Kirk owned the film rights to the story. Having appeared in the Broadway version, the elder Douglas had wanted to star in a film adaptation for years, but had no luck getting it produced. The younger Douglas persuaded his father to sell him the rights and give up the notion of starring in the film. The result: a box-office smash that earned five Oscars, including Best Picture. After this triumph, Douglas resumed acting and began developing his screen persona. His was a decidedly paradoxical persona: though ruggedly handsome with an honest, emotive face reminiscent of his father's, onscreen Douglas retained an oily quality that was unusual in someone possessing such physical characteristics. He became known for characters that were sensitive yet arrogant and had something of a bad-boy quality. Through the '70s, Douglas appeared in more films, most notably The China Syndrome, which he also produced. In 1984, Douglas teamed with Kathleen Turner to appear in Romancing the Stone, an offbeat romantic adventure in the vein of Indiana Jones. Co-starring old friend Danny De Vito, it was a major box-office hit and revitalized Douglas' acting career, which had started to flag. Turner, Douglas and De Vito re-teamed the following year for an equally entertaining sequel, The Jewel of the Nile. It was in 1987 that Douglas played one of his landmark roles, that of a reprehensible yuppie who pays a terrible price for a moment's weakness with the mentally unbalanced Glenn Close in the runaway hit Fatal Attraction. The performance marked Douglas' entrance into edgier roles, and that same year he played an amoral corporate raider in Oliver Stone's Wall Street, for which he earned his first Oscar as an actor. In 1989, Douglas reunited with Kathleen Turner to appear in Danny De Vito's War of the Roses, one of the darkest ever celluloid glances at marital breakdown. By the end of the decade, Douglas had become one of Hollywood's most in-demand and highly paid stars. Douglas found success exploring the darker realms of his persona in Black Rain (1989) and the notorious Basic Instinct (1992). One of his darkest and most repugnantly intriguing roles came in 1993's Falling Down, in which he played an average Joe driven to cope with his powerlessness through acts of horrible violence. In 1995, Douglas lightened up to play a lonely, widowed president in The American President, and returned to adventure with 1996's box-office bomb The Ghost and the Darkness. In 1997 he appeared in the David Fincher thriller The Game, and followed that with another behind-the-scenes role, this time as executive producer for the John Travolta/Nicholas Cage thriller Face/Off. Returning to acting in 1998, Douglas starred with Gwyneth Paltrow in A Perfect Murder, a remake of Hitchcock's classic Dial M for Murder. As the new millenium rolled in, Douglas remained a force on screen, most memorably in films like the critically acclaimed Wonder Boys, and Steven Soderbergh's drug-war epic Traffic -- a critical and box office smash. Douglas had other life successes as well, such as his marriage to longtime girlfriend Catherine Zeta-Jones in 2000, and the birth of their subsuquent children. Around this time, Douglas formed a new production company, Further Films. which saw its first wide release in 2001 with the ensemble comedy One Night at McCool's. In 2003 he made It Runs in the Family, a comedy concerning three generations of a dysfunctional family attempting to reconcile their longtime differences. Fiction reflected reality in the film due to the involvement of father Kirk and son Cameron portraying, conveniently enough, Michael's father and son respectively. The 2010's would see Douglas playing roles in films like The Sentinel , King of California, You, Me and Dupree, and the long awaited sequel Wall Street: Money Never Sleeps. In 2013, he played Liberace in the HBO TV movie Behind the Candelabra, which earned Douglas an Emmy award.

Trivia: Born in New York City on May 4, 1903, Luther Adler was the product of a well-known Yiddish theatre family. His stage debut came at the age of five when he appeared in Schmendrick. Although primarily a stage actor, Adler's film credits contain character portrayals that are both potent and noteworthy, as evidenced in the 1951 film The Magic Face, where he plays an impersonator who murders Hitler and then takes his place. Here Adler shines in what would otherwise be an average picture. His first movie role came in 1937 with Lancer Spy and continued over the next four decades, with credits in some two dozen films. His sister Stella is well-known as an acting teacher, and his brother Jay starred in occasional films until his death in 1978. Adler was married to Sylvia Sidney from 1938 to 1947. Other memorable films include: D.O.A. (1950); The Desert Fox (1951); The Last Angry Man (1959); Voyage of the Damned (1976).

Trivia: American actor George Murdock's uneven facial features enabled him to play many an offbeat part in his early professional years, none more offbeat than the ventriloquist's dummy come to life in the 1962 Twilight Zone episode "The Dummy." Murdock went on to play obnoxious and intrusive authority figures. He made Sammy Jackson's life hell as Captain Krupnick in the 1964 sitcom version of No Time for Sergeants, and fifteen years later did same for Hal Linden as an internal-affairs snoop on Barney Miller. In his later years, Murdock landed one of his best-known parts, as God in the disastrous Star Trek V: The Final Frontier.

Trivia: Trained at the Royal Academy of Arts and Music in Vienna, Celia Lovsky gained popularity on the Austrian and German stage in the 1920s. When Hitler assumed power in 1933, Lovsky left for France in the company of her then-husband, actor Peter Lorre. Resettling in Hollywood in 1935, she put her career on hold during her marriage to Lorre, returning to films after their divorce (they remained friends and confidants until Lorre's death in 1964). From 1947 until her retirement in the 1960s, Lovsky was most often seen in maternal roles: George Sanders' mother in Death of a Scoundrel (1956), James Cagney's mother in Man of 1000 Faces (1957), Sal Mineo's mother in The Gene Krupa Story (1959), and so on. Star Trek devotees will remember Celia Lovsky as the Queen of Vulcana in the 1967 episode "Amok Time."

Trivia: Nature obviously intended for Sam Jaffe to spend much of his screen career playing eccentric scientists and peppery little old men. As a child, Jaffe appeared in Yiddish stage productions with his mother, a prominent actress. He gave up the theater to study engineering at Columbia University, then served for several years as a mathematics teacher in the Bronx. He returned to acting in 1915 and never left, despite efforts by the more rabid communist-hunters of the 1950s to prevent the gently liberal-minded Jaffe from earning a living. Jaffe's now-familiar shock of wild, white hair was first put on view before the cameras in 1934's The Scarlet Empress, in which he played the insane Grand Duke Peter (several critics compared Jaffe's erratic behavior and bizarre appearance to Harpo Marx). Still only in his mid-40s, Jaffe went on to play the centuries-old High Lama in Capra's Lost Horizon (1937). In 1939, he essayed the title character in Gunga Din, though Hollywood protocol dictated that top billing go to Cary Grant, Victor McLaglen and Douglas Fairbanks Jr. Jaffe was Oscar-nominated for his performance as Doc, the "brains" in the 1950 crime film The Asphalt Jungle. His resemblance to Albert Einstein (minus the bushy moustache, of course) led to Jaffe being cast in Einsteinlike roles in Gentleman's Agreement (1947) and The Day the Earth Stood Still (1951). Jaffe was the lifelong best friend of Edward G. Robinson, with whom he appeared in the made-for-TV film The Old Man Who Cried Wolf (1971). TV viewers with long memories will recall Sam Jaffe as snowy-haired father-figure Dr. Zorba on the 1960s TV series Ben Casey, in which Jaffe was co-starred with his second wife, Bettye Ackerman.

Trivia: German-born John Ericson trained for an acting career at New York's American Academy of the Dramatic Arts. Ericson possessed a brash, bristly personality and handsome, sensitive features. He appeared in a series of popular films including the outlaw drama Pretty Boy Floyd (1960) and the lyrical romances Teresa (1952) and Rhapsody (1953). In 1965, Ericson co-starred with Anne Francis on the TV private eye series Honey West.

Trivia: Sensitive stage and film leading man John Kerr was able to pass as a teenager well into his 20s. Kerr made his Broadway debut in the high-school comedy Bernardine (1953). Two years later, he scored a huge success in the role of emotionally overwrought, sexually ambivalent college freshman Tom Robinson Lee in Robert Anderson's play Tea and Sympathy; he brilliantly repeated this role in the watered-down 1956 film version. Kerr's only other film roles of note were the doomed Lieutenant Cable in South Pacific (1958) and the imperiled victim of torture-prone Vincent Price in The Pit and the Pendulum (1961). After portraying district attorneys in two separate TV series, Arrest and Trial (1963) and Peyton Place (1966), Kerr evidently decided he enjoyed the world of jurisprudence and became a full-time lawyer. John Kerr remained available for the occasional cameo role into the 1980s. He died in 2013 at age 81.

Trivia: Canadian actor Henry Corden played numerous character roles in U.S. films, on stage and on television. He was typically cast as a comical, avaricious Arab. Corden had a distinctive voice and frequently voiced children's cartoons.

Trivia: Dapper character actor Rolfe Sedan was nine times out of ten cast as a foreigner, usually a French maître d' or Italian tradesman. In truth, Sedan was born in New York City. He'd planned to study scientific agriculture, but was sidetracked by film and stage work in New York; he then embarked on a vaudeville career as a dialect comic. Sedan began appearing in Hollywood films in the late '20s, frequently cast in support of such major comedy attractions as Laurel and Hardy, Charlie Chase, the Marx Brothers, and Harold Lloyd. He was proudest of his work in a handful of films directed by Ernst Lubitsch, notably Bluebeard's Eighth Wife (1938). Though distressed that he never made it to the top ranks, Sedan remained very much in demand for comedy cameos into the 1980s. Rolfe Sedan's television work included the recurring role of Mr. Beasley the postman on The Burns and Allen Show, and the part of Chef Boy-Ar-Dee in several TV commercials of the mid-'70s.

Trivia: A veteran of the Yiddish Art Theater, Robert H. Harris made his first Broadway appearance in 1937. He gained TV fame in 1953 as Jake on the long-running dramedy The Goldbergs, remaining with the series until 1954. He also directed quite a few live productions during television's Golden Age, and co-starred as Dr. LeMoyne Snyder in the weekly crime drama Court of Last Resort (1957). Usually seen in featured roles in films, Robert H. Harris was afforded a starring part as a vengeful Hollywood makeup man in the quickie American-International horror flick How to Make a Monster (1958).