Trivia: The stepdaughter of the fire chief of Salisbury, MD, Linda Hamilton began her acting career with local children's theater groups. After college training and dramatic lessons conducted by former director Nicholas Ray, Hamilton was cast in a handful of inexpensive film programs. She briefly costarred in the prime-time TV soap opera Secrets of Midland Heights (1980) which led to an equally short stint on the weekly series King's Crossing (1982). Hamilton's stock in the film industry rose substantially when she was cast as Sarah Connor, the target for the homicidal intentions of futuristic android Arnold Schwarzenegger in The Terminator (1984). No shivering ingenue, the agile and athletic Hamilton proved a formidable foe for the forces of evil in both The Terminator and its sequel, Terminator 2: Judgment Day, where at times she came off tougher than the "kinder, gentler" Arnold. From 1987-1989, Hamilton starred as Catherine Chandler on the cult TV fantasy series Beauty and the Beast, eventually leaving the show to have her first child. In 1995 Hamilton earned a Golden Globe nomination for her performance as a single mother who learns she has contracted AIDS in A Mother's Prayer, and though with the exception of Dante's Peak (1997) she stuck mainly to made-for-television movies in the following decade, notable guest spots on Showtime's Weeds and NBC's Chuck served as strong reminders of her onscreen charisma. Married to actor Bruce Abbot throughout much of the '80s, Hamilton later wed Terminator 2 director James Cameron, though their union ended after just two years.

Trivia: Jo Anderson has appeared on stage, television, and in feature films of the '80s and '90s. Fans of the defunct television series Northern Exposure will remember her for playing Roslyn, one of the founders of the town of Cicely on the memorable episode "Cicely" in 1992.

Trivia: Ron Perlman grew up in the Washington Heights section of New York City, where his father was a radio/TV repairman and his mother an employee with the city's Department of Health. A profoundly unhandsome youth, Perlman was nonetheless very active in high school theater by virtue of his height (6-foot-2) and his deep, rolling voice. He continued studying drama at Lehman College and later at the University of Minnesota, where he graduated with a master's degree in theater arts. He went to work with New York's Classic Stage Company, an organization specializing in Elizabethan and Restoration plays. Perlman starred in several Manhattan and touring productions staged by Tom O'Horgan of Hair fame before accepting his first film role as a Neanderthal man in 1981's Quest for Fire. Emotionally drained, Perlman backed off from acting after finishing the movie, but was soon back in the groove, essaying such attention-getting roles as the hunchbacked Salvatore in The Name of the Rose (1986). Most often cast as brooding, inarticulate, villainous characters in films (such as Pap in 1993's The Adventures of Huck Finn), Perlman became best known for his performance as the beneficent, albeit hideously ugly, sewer-dwelling Vincent in the late-'80s TV series Beauty and the Beast. Though this remained the actor's defining role for years after the show's run had drawn to a close, he was busier than ever through the '90s. Appearing in everything from obscure arthouse hits (Cronos [1993] and The City of Lost Children [1995]) to voice-over work for television (Aladdin) and video games (Fallout, A Post Nuclear Role Playing Game) to overblown Hollywood blockbusters (Alien Resurrection), Perlman left few stones unturned in terms of flexibility and experimentation in new media. He continued this trend into the early 2000s, alternating between various arenas with remarkable ease and refusing to be pigeonholed, appearing in such high-profile releases as Titan A.E. (2000), Enemy at the Gates (2001), and Blade II (2002). Though his recognition factor seemed higher than ever, few could foresee the opportunity just ahead when Blade II and Cronos director Guillermo del Toro announced that Perlman would star in the film adaptation of Mike Mignola's popular comic book Hellboy, although it seemed highly unlikely that studios would invest the millions of dollars needed to bring the comic to life with an actor of such minimal "marquee value." They wanted Vin Diesel for the role, but del Toro, with the blessing and encouragement of character originator Mignola, eventually won out to have Perlman play the Nazi-creation-turned-superhero in the 2004 fantasy-action film.

Trivia: Halliwell's Filmgoers Companion states that British character actor Roy Dotrice had "a strong line in senile characterizations". Maybe so, but he certainly seemed chillingly cogent in his portrayal of Mozart's father in the Oscar-winning Amadeus. In films since 1965's The Heroes of Telemark, Dotrice has been equally busy on television: he was a regular on such series as Space: 1999 (1975-76), Going to Extremes (1986), Wizards (1986) and Beauty and the Beast (1987-1990, as "The Beast's" Father). Roy Dotrice is the father of actresses Karen and Michele Dotrice.

Trivia: The daughter of actor Will Geer, Ellen Geer began her own stage career in the early 1960s. Among Ellen's first film roles were a nun in Richard Lester's Petulia (1968). and a hippie named Sunshine in Hal Ashby's Harold and Maude (1971). In 1971, Geer appeared as a regular on the brief TV sitcom The Jimmy Stewart Show, playing Stewart's daughter. Three years later, she co-starred with her father in the theatrical feature The Silence (1974), and also collaborated on the screenplay. Ellen Geer's more recent credits include the part of Rose in Patriot Games (1992) and its sequel, A Clear and Present Danger (1994).

Trivia: Lead actor, onscreen from The Final Terror (1981).