Trivia: The only child of a London policeman, Roger Moore started out working as a film extra to support his first love, painting, but soon found he preferred acting, and so enrolled in the Royal Academy of Dramatic Art. He began his film, radio and stage career just after World War II (his early credits are often confused with American actor Roger Moore, a minor Columbia contractee of the 1940s), and also performed with a military entertainment unit. Though in childhood Moore had been mercilessly teased by friends and family alike for being fat, by the time he was ready to start his career, he had become an exceptionally handsome man with a toned, well-muscled body. Signed on the basis of his good looks to an MGM contract in 1954, Moore began making appearances in American films, none of which amounted to much dramatically; his biggest success of the 1950s was as star of the British-filmed TV series Ivanhoe. Signed by Warner Bros. Television for the 1959 adventure weekly The Alaskans, Moore became the latest of a long line of James Garner surrogates on Maverick, appearing during the 1960-1961 season as cousin Beau. After a few years making European films, Moore was chosen to play Simon Templar in the TV-series version of Leslie Charteris' The Saint (an earlier attempt at a Saint series with David Niven had fallen through). Moore remained with the series from 1963-1967, occasionally directing a few episodes (he was never completely comfortable as simply an actor, forever claiming that he was merely getting by on his face and physique). After another British TV series, 1971's The Persuaders, Moore was selected to replace Sean Connery in the James Bond films. His initial Bond effort was 1973's Live and Let Die, but the consensus (in which the actor heartily concurred) was that Moore didn't truly "grow" into the character until 1977's The Spy Who Loved Me. Few of Moore's non-Bond movie appearances of the 1970s and 1980s were notably successful, save for an amusing part as a Jewish mama's boy who thinks he's Bond in Burt Reynolds' Cannonball Run (1981). Moore's last 007 film was 1985's A View to a Kill. In 1991, he was made a special representative of UNICEF, an organization with which he'd been active since the 1960s. Relegated mainly to a series of flops through the 1990s, Moore appeared in such efforts as The Quest (1996) and Spice World (1997) and gained most of his exposure that decade as a television talk show and documentary host. In early May of 2003, fans were dismayed to hear that Moore collapsed onstage during a Broadway performance of The Play That I Wrote. Rushed to a nearby hospital afer insisting on finishing his performance in the small role, reports noted that Moore's subsequent recovery seemed to be coming along smoothly. He lent his distinctive voice to family films such as Here Comes Peter Cottontail and Cats & Dogs, The Revenge of Kitty Galore. Moore died in 2017, at age 89.

Trivia: Anglo-Indian character actor, onscreen from the '50s; he often plays Arabs and Asians.

Trivia: British actor David Prowse began weightlifting at the age of 16 and became his country's champion in that field five years later, holding on to the title for two years. Theatrical producers and filmakers found the imposed Prowse to be an excellent type for supernatural roles; he was cast as Death in the play -- Don't Let Summer Come -- principally because the role required Prowse to pick up and carry off one of the cast members. Following a bit in his first film, Casino Royale (1967), Prowse settled into horror films. He wasn't quite able to carry on the Karloff tradition as the Monster in The Horror of Frankenstein (1970) due to rather unimaginative makeup and uninspired direction. The actor's subsquent monster in Frankenstein and the Monster From Hell (1972) was more effective (with a truly disgusting makeup job), as was his role as wheelchair-bound Patrick Magee's foreboding bodyguard in A Clockwork Orange (1971). Prowse's widest international exposure occured in three films in which neither his voice was heard nor his face seen. He was paid $12,000 for his role as Darth Vader in Star Wars (1977) Prowse had his voice dubbed by James Earl Jones, who received $10,000. Both Prowse and Jones repeated their work in the Star Wars sequels Empire Strikes Back (1980) and Return of the Jedi (1983); but when David Prowse's black helmet mask was finally pulled off in Return of the Jedi (1983), the closeup was of an entirely different actor with a whole new voice!