Trivia: One of the precious few actors of the "pretty boy" school to survive past the 1950s, Robert Wagner was the son of a Detroit steel executive. When his family moved to Los Angeles, Wagner's original intention of becoming a businessman took second place to his fascination with the film industry. Thanks to his dad's connections, he was able to make regular visits to the big studios. Inevitably, a talent scout took notice of Wagner's boyish handsomeness, impressive physique, and easygoing charm. After making his unbilled screen debut in The Happy Years (1950), Wagner was signed by 20th Century Fox, which carefully built him up toward stardom. He played romantic leads with ease, but it wasn't until he essayed the two scene role of a shellshocked war veteran in With a Song in My Heart (1952) that studio executives recognized his potential as a dramatic actor. He went on to play the title roles in Prince Valiant (1954) and The True Story of Jesse James (1956), and shocked his bobby-soxer fan following by effectively portraying a cold-blooded murderer in A Kiss Before Dying (1955). In the early '60s, however, Wagner suffered a series of personal and professional reverses. His "ideal" marriage to actress Natalie Wood had dissolved, and his film career skidded to a stop after The Pink Panther (1964). Two years of unemployment followed before Wagner made a respectable comeback as star of the lighthearted TV espionage series It Takes a Thief (1968-1970). For the rest of his career, Wagner would enjoy his greatest success on TV, first in the mid-'70s series Switch, then opposite Stefanie Powers in the internationally popular Hart to Hart, which ran from 1979 through 1983 and has since been sporadically revived in TV-movie form (a 1986 series, Lime Street, was quickly canceled due to the tragic death of Wagner's young co-star, Savannah Smith). On the domestic front, Wagner was briefly wed to actress Marion Marshall before remarrying Natalie Wood in 1972; after Wood's death in 1981, Wagner found lasting happiness with his third wife, Jill St. John, a longtime friend and co-worker. Considered one of Hollywood's nicest citizens, Robert Wagner has continued to successfully pursue a leading man career into his sixties; he has also launched a latter-day stage career, touring with his Hart to Hart co-star Stefanie Power in the "readers' theater" presentation Love Letters. He found success playing a henchman to Dr. Evil in the Austin Powers movies, and in 2007 he began playing Teddy, a recurring role on the hit CBS series Two and a Half Men.

Trivia: Born Stefania Federkiewicz, she is a lead actress of routine Hollywood films of the '60s and '70s. Soon after graduating from Hollywood High, she debuted onscreen in 1961; early in her career she was billed as Taffy Paul. She starred in the TV series Girl from U.N.C.L.E. and Hart to Hart. From 1966-74 she was married to actor Gary Lockwood, then she became the constant companion of aging actor William Holden; following his death in 1981, she continued being active with the William Holden Wildlife Foundation, which worked to create a big-game preserve and study center in Kenya.

Trivia: Raised in New Orleans' French Quarter, Ray Walston relocated to Houston, where he first set foot on stage in a community production of High Tor. Walston went on to spend six years at the Houston Civic Theater then three more at the Cleveland Playhouse. Moving to New York, he worked as linotype operator at the New York Times before landing small parts in theatrical productions ranging from Maurice Evans' G.I. Hamlet to The Insect Comedy. He won Theater World's "Most Promising Newcomer" award for his portrayal of Mr. Kramer in the original 1948 production of Summer and Smoke. In 1950, he was cast as "big dealer" Luther Billis in the touring and London companies of South Pacific, and it was this that led to a major role in Rodgers & Hammerstein's 1953 Broadway musical Me and Juliet. Two years later, he was cast in his breakthrough role: the puckish Mr. Applegate, aka The Devil, in the Adler-Ross musical smash Damn Yankees. He won a Tony Award for his performance, as well as the opportunity to repeat the role of Applegate in the 1958 film version of Yankees; prior to this triumph, he'd made his film debut in Kiss Them for Me (1957) and recreated Luther Billis in the 1958 filmization of South Pacific. A favorite of director Billy Wilder, Walston was cast as philandering executive Dobisch in The Apartment (1960) and replaced an ailing Peter Sellers as would-be songwriter Orville J. Spooner in Kiss Me, Stupid (1960). Having first appeared on television in 1950, Walston resisted all entreaties to star in a weekly series until he was offered the title role in My Favorite Martian (1963-1966). While he was gratified at the adulation he received for his work on this series (he was particularly pleased by the response from his kiddie fans), Walston later insisted that Martian had "ruined" him in Hollywood, forever typecasting him as an erudite eccentric. By the 1970s, however, Walston was popping up in a wide variety of roles in films like The Sting (1974) and Silver Streak (1977). For the past two decades or so, he has been one of moviedom's favorite curmudgeons, playing such roles as Poopdeck Pappy in Popeye (1980) and officious high school teacher Mr. Hand, who reacts with smoldering rage as his class is interrupted by a pizza delivery in Fast Times at Ridgemont High (1982). He would re-create this last-named role in the weekly sitcom Fast Times (1985), one of several TV assignments of the 1970s and 1980s. In 1995, Ray Walston reacted with schoolboy enthusiasm upon winning an Emmy award for his portrayal of irascible Wisconsin judge Henry Bone on the cult-fave TVer Picket Fences.