Trivia: After attending Trinity University and the University of San Antonio, brunette Jaclyn Smith flourished as a model and cover girl. Making her first film appearance in 1969, Smith endured such negligible movie projects as The Moonshiners (1974) before achieving stardom as Kelly Garrett, showgirl-turned-PI, on the spectacularly successful TV series Charlie's Angels. She was the only member of the original Angels to remain with the series from its debut in 1976 to its final telecast in 1981. Like her Charlie's Angels cohorts Cheryl Ladd and Farrah Fawcett, Smith went on to a busy career in made-for-TV movies, efficiently playing the title roles in Jacqueline Bouvier Kennedy (1982) and Florence Nightingale (1985). In 1989, she returned to the weekly-TV grind as star of the mystery series Christine Cromwell. That same year, a random sampling of Hollywood insiders (technicians, grips, "gofers", etc.) voted Smith as one of the nicest and most cooperative actresses in the business (parenthetically, her Charlie's Angels co-star Kate Jackson was elected one of the least likeable performers in Tinseltown). Jaclyn Smith was previously married to actors Roger Davis and Dennis Cole, and cinematographer Tony Richmond. Her fourth marriage was to Dr. Bradley Allen in 1998.

Trivia: In an industry of prima donnas, actress Barbara Stanwyck was universally recognized as a consummate professional; a supremely versatile performer, her strong screen presence established her as a favorite of directors, including Cecil B. De Mille, Fritz Lang, and Frank Capra. Born Ruby Stevens July 16, 1907, in Brooklyn, NY, she was left orphaned at the age of four and raised by her showgirl sister. Upon quitting school a decade later, she began dancing in local speakeasies and at the age of 15 became a Ziegfeld chorus girl. In 1926, Stanwyck made her Broadway debut in The Noose, becoming a major stage star in her next production, Burlesque. MGM requested a screen test, but she rejected the offer. She did, however, agree to a supporting role in 1927's Broadway Nights, and after completing her stage run in 1929 appeared in the drama The Locked Door. With her husband, comedian Frank Fay, Stanwyck traveled to Hollywood. After unsuccessfully testing at Warner Bros., she appeared in Columbia's low-budget Mexicali Rose, followed in 1930 by Capra's Ladies of Leisure, the picture which shot her to stardom. A long-term Columbia contract was the result, and the studio soon loaned Stanwyck to Warners for 1931's Illicit. It was a hit, as was the follow-up Ten Cents a Dance. Reviewers were quite taken with her, and with a series of successful pictures under her belt, she sued Columbia for a bigger salary; a deal was struck to share her with Warners, and she split her time between the two studios for pictures including Miracle Woman, Night Nurse, and Forbidden, a major hit which established her among the most popular actresses in Hollywood. Over the course of films like 1932's Shopworn, Ladies They Talk About, and Baby Face, Stanwyck developed an image as a working girl, tough-minded and often amoral, rarely meeting a happy ending; melodramas including 1934's Gambling Lady and the following year's The Woman in Red further established the persona, and in Red Salute she even appeared as a student flirting with communism. Signing with RKO, Stanwyck starred as Annie Oakley; however, her contract with the studio was non-exclusive, and she also entered into a series of multi-picture deals with the likes of Fox (1936's A Message to Garcia) and MGM (His Brother's Wife, co-starring Robert Taylor, whom she later married).For 1937's Stella Dallas, Stanwyck scored the first of four Academy Award nominations. Refusing to be typecast, she then starred in a screwball comedy, Breakfast for Two, followed respectively by the downcast 1938 drama Always Goodbye and the caper comedy The Mad Miss Manton. After the 1939 De Mille Western Union Pacific, she co-starred with William Holden in Golden Boy, and with Henry Fonda she starred in Preston Sturges' outstanding The Lady Eve. For the 1941 Howard Hawks comedy Ball of Fire, Stanwyck earned her second Oscar nomination. Another superior film, Capra's Meet John Doe, completed a very successful year. Drama was the order of the day for the next few years, as she starred in pictures like The Gay Sisters and The Great Man's Lady. In 1944, she delivered perhaps her most stunning performance in Billy Wilder's classic noir Double Indemnity. Stanwyck's stunning turn as a femme fatale secured her a third Oscar bid and helped make her, according to the IRS, the highest-paid woman in America. It also won her roles in several of the decade's other great film noirs, including 1946's The Strange Love of Martha Ivers and 1949's The File on Thelma Jordon. In between, Stanwyck also starred in the 1948 thriller Sorry, Wrong Number, her final Academy Award-nominated performance. The 1950s, however, were far less kind, and strong roles came her way with increasing rarity. With Anthony Mann she made The Furies and with Lang she appeared opposite Marilyn Monroe in 1952's Clash by Night, but much of her material found her typecast -- in 1953's All I Desire, she portrayed a heartbroken mother not far removed from the far superior Stella Dallas, while in 1954's Blowing Wild she was yet another tough-as-nails, independent woman. Outside of the all-star Executive Suite, Stanwyck did not appear in another major hit; she let her hair go gray, further reducing her chances of winning plum parts, and found herself cast in a series of low-budget Westerns. Only Samuel Fuller's 1957 picture Forty Guns, a film much revered by the Cahiers du Cinema staff, was of any particular notice. It was also her last film for five years. In 1960, she turned to television to host The Barbara Stanwyck Show, winning an Emmy for her work.Stanwyck returned to cinemas in 1962, portraying a lesbian madam in the controversial Walk on the Wild Side. Two years later, she co-starred with Elvis Presley in Roustabout. That same year, she appeared in the thriller The Night Walker, and with that, her feature career was over. After rejecting a role in Hush...Hush, Sweet Charlotte, she returned to television to star in the long-running Western series The Big Valley, earning another Emmy for her performance as the matriarch of a frontier family. Upon the show's conclusion, Stanwyck made a TV movie, The House That Would Not Die. She then appeared in two more, 1971's A Taste of Evil and 1973's The Letters, before vanishing from the public eye for the remainder of the decade. In 1981, she was awarded an honorary Oscar; two years later, she was also the recipient of a Lincoln Center Life Achievement Award. Also in 1983, Stanwyck returned to television to co-star in the popular miniseries The Thorn Birds. Two years later, she headlined The Colbys, a spin-off of the hugely successful nighttime soap opera Dynasty. It was her last project before retiring. Stanwyck died January 20, 1990.

Trivia: Actress/singer Cheryl Jean Stopelmoor billed herself as Cherie Moore when she performed as a backup singer on the 1970 Hanna-Barbera animated TVer Josie and the Pussycats. She reverted to her given name when appearing as a regular on the prime-time programs The Ken Berry WOW Show and Search (both 1972), and in various TV guest assignments. Stopelmoor was occasionally written up in fan and industry magazines of the period, more because of her unusual name than her acting skills (often, her last name was longer than the parts she played). Stopelmoor finally became a star when she adopted her married name of Ladd (her husband of many years was actor David Ladd, son of film luminary Alan Ladd) and replaced Farrah Fawcett on the highly-rated ABC "jiggle" show Charlie's Angels. She played blonde angel Kris Munroe from 1977 through 1981, then concentrated on made-for-TV films, wherein she was permitted plenty of creative input. Ladd's TV movies found her cast as both victim (A Death in California) and victimizer (When She Was Bad); arguably her best outing was the title role in the 1983 TV biopic Grace Kelly. She has since returned to series TV from time to time, playing Liane DeViller on Crossing (1986) and Holli Holliday on the syndicated Baywatch wannabe One West Waikiki (1994). Tirelessly active in civic and charitable endeavors, Cheryl Ladd was at one time Goodwill ambassador to Childhelp USA.

Trivia: A professional model since her teens, Shelley Hack made her film bow in Woody Allen's Annie Hall (1977). She's the blonde passerby on the street who confesses to Woody that she's too shallow to understand what he's saying. We heard (and saw) a lot more from Hack when, in 1979, she replaced Kate Jackson on the long-running TV jigglefest Charlie's Angels. Shelley played Tiffany Welles for a single season, until she herself was replaced by Tanya Roberts. Shelley Hack survived on screen a lot longer than many people would have predicted back in 1980, co-starring in the TV weeklies Cutter to Houston (1983) and Jack and Mike (1986-87), and delivering an excellent performance in Martin Scorcese's controversial theatrical film King of Comedy (1982).

Trivia: Forceful leading actor Robert Loggia left plans for a journalistic career behind when he began his studies at New York's Actors Studio. His first important Broadway assignment was 1955's The Man with the Golden Arm; one year later, he made his first film, Somebody Up There Likes Me. In 1958 he enjoyed a brief flurry of TV popularity as the title character in "The Nine Lives of Elfego Baca," a multipart western originally telecast on Walt Disney Presents. His next weekly TV assignment was as a good-guy burglar in 1967's T.H.E. Cat. A fitfully successful movie leading man, Loggia truly came into his own when he cast off his toupee and became a character actor, often in roles requiring quiet menace. As Richard Gere's bullying father, Loggia dominated the precredits scenes of An Officer and a Gentleman (1981), and was equally effective as the villain in Curse of the Pink Panther (1982) and as mafia functionaries in Scarface (1983) and Prizzi's Honor (1985). He was nominated for an Oscar for his portrayal of a two-bit detective in The Jagged Edge (1985). The most likeable Robert Loggia screen character thus far is his toy manufacturer in Big (1988), the film in which Loggia and Tom Hanks exuberantly dance to the tune of "Heart and Soul" on a gigantic keyboard. Loggia would remain an active force on screen for decades to come, appearing in movies like Opportunity Knocks, Independence Day, and Return to Me, as well as TV shows like Mancuso, FBI, Wild Palms, and Queens Supreme. Loggia passed away in 2015, at age 85.

Trivia: On stage from 1957, American actor Andy Romano made his film bow two years later. Romano's earlier assignments included the part of J.D., a member of Eric Von Zipper's "Rat Pack," in several of American-International's Beach Party movies. He later played lawmen and crooks, both comic and otherwise. On TV, Andy Romano played Detective Joe Caruso in Get Christie Love! (1975) and Frank Richards in Friends (the 1979 "teen angst" sitcom, not the current NBC hit).

Trivia: Lead actress, onscreen from the '70s.

Trivia: A native of Mount Vernon, NY, American actress Roz Kelly enjoyed a brief run of fame in the 1970s and very early '80s, juggling roles in features and television with equal aplomb. On the big screen, projects included Brian De Palma's counterculture comedy Greetings! (1968), the Barbra Streisand/George Segal farce The Owl and the Pussycat (1970), and the slasher outing New Year's Evil (1980); in terms of television work, Kelly is undoubtedly best known for her portrayal of "Pinky" Tuscadero, the leather-wearing, motorcycle-riding girlfriend of Fonzie on the popular period situation comedy Happy Days.

Trivia: American actress Farrah Fawcett was an art student at the University of Texas before she deduced that she could make more money posing for pictures than painting them. A supermodel before that phrase had fallen into common usage, Fawcett moved from Wella Balsam shampoo ads into acting, making her first film Myra Breckenridge in 1970. She worked in TV bits and full supporting parts, obtaining steady employment in 1974 with a small recurring role on the cop series Harry O, but true stardom was still some two years down the road. In 1976, producer Aaron Spelling cast Fawcett, Kate Jackson and Jaclyn Smith in a pilot for an adventure series titled Charlie's Angels. The pilot graduated to a series, and the rest was TV history; during her Charlie's Angels tenure Fawcett was the most visible of the three actresses, adorning magazine covers and pin-up posters (including one particularly iconic image), which set sales records. There were even Farrah Fawcett dolls before the first season of Charlie's Angels was over.Now in the hands of high-profile agents and advisors, Fawcett (billed Farrah Fawcett-Majors after her marriage to Lee Majors) decided she'd outgrown Angels and left the series, even though she had another year on her contract. While the studio drew up legal papers to block her move, she was replaced by Cheryl Ladd. Fawcett settled her dispute by agreeing to a set number of guest appearances on the program. Some industry cynics suggested that Fawcett would have problems sustaining her popularity. Certainly such lukewarm film projects as Sunburn (1979), Somebody Killed Her Husband (1978) and Saturn 3 (1980) seemed to bear this theory out. But Fawcett took matters into her own hands and decided to make her own opportunities--and like many other performers who strive to be taken seriously, she chose the most extreme, demanding method of proving her acting mettle. Playing a vengeful rape victim in both the play and 1986 film version of Extremities (an apt title) and making a meal of her role as a battered wife who murders her husband out of self-defense in the TV movie The Burning Bed (1984), Fawcett confounded her detractors and demonstrated she was a more-than-capable actress. Other TV movie appearances of varying quality cast her as everything from a child killer to a Nazi hunter to famed LIFE photographer Margaret Bourke-White. Never as big a name as she was in 1976, Fawcett nonetheless affirmed her reputation as an actress of importance. Her fans were even willing to forgive her misbegotten fling at situation comedy in the 1991 series Good Sports, in which she co-starred with her longtime "significant other" Ryan O'Neal. Fawcett died in 2009 at age 62, following a lengthy and well-publicized battle with cancer.

Trivia: Willowy brunette actress Kate Jackson spent her early adulthood in summer stock, in training at the American Academy of Dramatic Arts, and as a page and tour guide at the NBC studios in Rockefeller Center. Anxious to burst forth with reams of dialogue as a film and TV actress, Jackson found herself in the utterly non-speaking role of a glamorous ghost on the mid-1960s daytime TV serial Dark Shadows. She was allowed to flap her gums a little more often as Jill Danko on TV's The Rookies (1973-76). Full stardom arrived for Jackson when she was cast as Sabrina Duncan, "the smart one" on the prime time jigglefest Charlie's Angels; she remained with this series from 1976 through 1979. Her last regular weekly TV effort was Scarecrow and Mrs. King (1983-1987) in which she played an average housewife who moonlighted as a secret agent. Though Jackson has made sporadic film appearances, it is safe to say that her greater fame rests upon her small-screen work. Jackson received an outpouring of industry sympathy and support when she battled breast cancer in the early 1990s. Kate Jackson has been a prolific and popular TV commercial spokesperson, and narrated Trouble in Mind, a series documenting the effects of mental illness, from 1999 to 2000.

Trivia: After experience as a model and off-Broadway actress, curvaceous Tanya Roberts began appearing in film roles that relied almost exclusively on his physical attributes. In 1979's Tourist Trap, for example, the camera took a near-fetishist interest in her long and well-toned legs. Even in her big-budget movie appearances, her acting was not her strong suit, nor was it expected to be, especially in such escapist fare as Beastmaster (1982) and Sheena, Queen of the Jungle (1984). In 1980, Roberts was hired to play streetwise Julie Rogers, the last of a long line of replacement actresses in TV's Charlie's Angels (she was replacing the recently departed Shelley Hack). After her single Angels season, Roberts went back to movies, primarily horror films and high-class, soft-focus erotica. Tanya Roberts exhibited an engaging flair for self-parody as luscious secretary Velda in the made-for-TV Mike Hammer: Murder Me, Murder You (1983); but when time came to develop the film into a series, Roberts had other commitments, and was replaced by Lindsay Bloom.