Trivia: The younger brother of actor Dana Andrews, Steve Forrest served in World War II while his brother (17 years Steve's senior) was starring in such films as The Purple Heart (1944) and Laura (1944). Upon his return to America, Steve went to Hollywood to pay a social call on Dana, decided he liked the movie colony, and opted to stick around for a while. Though he'd previously played bits in such films as Crash Dive (using his given name of William Andrews), Forrest never seriously considered acting as a profession until enrolling at UCLA. He tried regional theatre work and scriptwriting then received a brief but showy bit part in MGM's The Bad and the Beautiful (1952). This led to further film work in second leads then several years' worth of villainous roles. When asked why he accepted so many bad-guy assignments, Forrest would cite the comment once made to him by Clark Gable: "The hero gets the girl but the heavy gets the attention". By 1969, however, Forrest felt as though he'd worn out his welcome as a heavy, and began regularly turning down roles, holding out for heroic parts. In 1975, he was cast as Lieutenant Dan "Hondo" Harrison on the popular TV action series S.W.A.T., which might have run for years had it not been axed under pressure from the anti-violence brigades. More recently, Steve Forrest lampooned his rugged, rough'n'ready image in the 1987 film comedy Amazon Women of the Moon.In the years to follow, Forrest would remain beloved for his man's man presence on screen, appearing occasionally on shows like Colombo and Murder, She Wrote. Forrest passed away in 2013 at the age of 87.

Trivia: One of the most prolific and ubiquitous television actors of the latter 20th century in addition to his service as a tireless spokesperson for the disease that was eventually the cause of his untimely demise, Robert Urich was once referred to as the "Teflon Television Man" for his uncanny ability to appear unscathed from the ambitious small-screen failures in which he frequently appeared. His presence in over 15 weekly television series during his 30-year career made him a household name, and his brave struggle against a rare and devastating form of soft-tissue cancer known as Synovial Cell Sarcoma instilled inspiration into countless cancer patients waging a seemingly never-ending uphill battle. Born in Toronto, OH, on December 19, 1946, Urich's youthful athleticism earned him a four-year scholarship to the Florida State University, where he would excel as a defensive lineman and graduated with a B.A. in communications. After next earning an M.A. in broadcast research and management from Michigan State University, Urich settled in Chicago and worked briefly as a radio sales agent and a meteorologist. A fateful late evening while working as a sales account representative at WGN Radio found Urich asked to perform in a Jewish bond drive, with the role sparking an epiphany that he had finally found his true calling. Continuing to develop his skills on community theater stages, the blossoming actor spent the following 18 months performing at the Windy City's Ivanhoe, Arlington Park, and Pheasant Run theaters. A blessing in disguise followed shortly thereafter when executives found out about his moonlighting and fired him from the station, freeing him to pursue his life's calling full-time. Aided in his early career by friend Burt Reynolds, it wasn't long before Urich was spotted by an agent and relocating to Los Angeles to make his television debut in the television series Bob & Carol & Ted & Alice (1973). Landing a small role in the Clint Eastwood film Magnum Force the same year, Urich's career continued to gain momentum with roles in such popular small-screen series as Soap, S.W.A.T., and alongside Tom Selleck in Bunco. Propelled to stardom with his role in the made-for-television film Vega$ (1978) and the subsequent series of the same name that followed, Urich would also appear infrequently in film, though his true calling remained on the small screen, where his presence spanned nearly every genre and format. The early '80s found him landing increasingly frequent roles in television, and after gaining fame as a detective in Spenser for Hire in 1985 and appearing in such films as Ice Pirates (1984) and Turk 182! (1985), Urich was the recipient of a Cable Ace Award for his seven-year stint as host of National Geographic Explorer. Frequently returning to his Spencer persona for made-for-television movies following the show's cancellation, the busy star would also continue to shine in such popular television efforts as Lonesome Dove (1989) and as host to such special event programs as A Musical Christmas at Walt Disney World (1993) and Alien Encounters From New Tomorrowland (1995). It was during the filming of the small-screen Western series The Lazarus Man (1996) that tragedy struck, and Urich's discovery of a mysterious lump proved the beginning of the end for the handsome and rugged actor who to this point had seemed indestructible. Having received a star on the Hollywood walk of fame the year before, Urich's career seemed to be going stronger than ever; unfortunately his body was entering the early stages Synovial Cell Sarcoma. During an intensive eight-month cycle of surgery, chemotherapy, and radiation therapy, Urich spoke open and honestly about his cancer, and the production of The Lazarus Man was shut down. Urich would later charge that show's producers with a breach-of-contract suit in which he claimed that he was able to perform under the specifications of the contract that both parties had signed, and following a settlement the resilient actor returned to television in 1997 in the ABC medical anthology Vital Signs. Teaming with his wife, Heather Menzies, to establish the Robert and Heather Urich Fund for Sarcoma research at the University of Michigan, the actor continued to appear upbeat in public appearances, during which he spoke of his treatment and condition in efforts to instill hope in others going through similar hardships. Seemingly as busy as ever as his cancer went into remission in the following years, Urich came back strong with numerous roles including The Love Boat: The Next Wave (1998) and Emril (2001). It was also during this time that Urich would also become the spokesperson for the American Cancer Society. In early 2002 the cancer that Urich had struggled so bravely to overcome sadly returned with a vengeance. Unfortunately there was little that could be done to combat the brutally aggressive cancer this time around, and in April of that year, Urich succumbed to its ravaging effects. Passing on the eve of his final television appearance in Night of the Wolf, Urich continued to serve as an inspirational figure even after his painful demise, his bravery giving strength to millions who had bore witness to his struggle. Although the enduring actor, who had admitted to frequent feelings of invincibility, would return to the small screen no more, the fund he created ensured that future generations would not face their dark endeavors without the benefit of extensive medical research and care.

Trivia: Blonde American leading lady Lara Parker came directly from the stage to daytime drama. Not so unusual, that: what was unusual is that Parker was not your typical long-suffering soap ingenue. She was, in fact, a witch--not a witch by disposition, but by birth, for she played glamorous 200-year-old Angelique on the Gothic serial Dark Shadows (1966-71). Lara was later more conventionally cast as Linda Vandenburg on another daytime cliffhanger, Capitol (1982-1987). Most recently, Lara Parker appeared in the 1990 TV movie The China Lake Murders.

Trivia: Tall, balding, good-looking actor Michael Conrad came to prominence in the role of Sgt. Esterhaus on the TV series Hill Street Blues. He had many supporting roles in movies.

Trivia: American actor Nicholas Cortland is best known for the work he did with the American Conservatory Theater in San Francisco in 1976. Cortland also worked on television and in films of the '70s and '80s such as The Day of the Locust (1975) and New York Nights (1984).

Trivia: African-American actor Timothy Brown entered films and TV in the late 1960s and remained active until 1988. Brown appeared in guest spots on several TV programs, most notably the pilot for Jack Webb's O'Hara: US Treasury (1971). What could have been his longest-lasting TV stint turned out to last but a single season. In 1972, Brown was cast as Spearchucker Jones, the only black member of the 4077th, on the first season of M*A*S*H. Spearchucker had been a minor character in the 1970 film version of M*A*S*H, with Fred Williamson in the part; the character had very little to do in the movie until the climactic football game. No such gridiron activity was deemed necessary for the TV M*A*S*H, nor was Spearchucker alotted much screen time (Alan Alda, Wayne Rogers and company were carrying the ball), so Timothy Brown was out of the series after only one year. M*A*S*H of course weathered the loss, and lasted until 1983.

Trivia: The year (give or take a few) was 1929: Stepping on to the stage of New York's Mecca Theatre was 3-year-old Rose Marie Mazetta, offering a surprisingly full-throated rendition of the torch ballad "What Can I Say, Dear, After I Say I'm Sorry." By the time she'd finished dancing her Charleston, Rose Marie had won a trip to Atlantic City and a spot on a major radio program. Amazingly, Rose Marie's father, a professional singer-musician, had nothing to do with this star-making turn: the girl had been entered in the contest by her next-door neighbors. By 1932, Rose Marie--or rather, "Baby Rose Marie"--was one of the hottest stars on the NBC radio network. Her raspy, insinuating singing style was mature beyond her years, so much so that some people wrote into NBC, angrily accusing them of passing off an adult midget as a child. She successfully toured in vaudeville, was spotlighted in a handful of movies (the best-known was 1933's International House), then disappeared completely at the age of 12. No, Rose Marie wasn't washed up; her family had moved from New York to New Jersey and had placed their daughter in a convent school. Resuming her career at 17 as "Miss Rose Marie," the former child sensation endured a few lean years before establishing herself as a comedienne. Wearying of traversing the nightclub circuit by the 1950s--she now had a husband and daughter to look after--Rose Marie began accepting guest-star assignments on such dramatic TV series as Jim Bowie, Gunsmoke and M Squad. She was also seen in continuing roles on the video sitcoms Love That Bob and My Sister Eileen, and was co-starred with Phil Silvers in the 1953 Broadway musical Top Banana. In 1961, Carl Reiner cast Rose Marie as wisecracking, man-chasing Sally Rogers on The Dick Van Dyke Show. The close-knit camaraderie of her Dick Van Dyke co-stars helped her survive the untimely death of her husband, jazz musician Bobby Guy. Rose Marie's post-Van Dyke projects have included such films as Don't Worry, We'll Think of a Title (1966) and Cheaper to Keep Her (1980), frequent appearances on the daytime quiz show The Hollywood Squares, and regular roles on the prime time TVers The Doris Day Show (1969-71, as Myrna Gibbons), Scorch (1992, as Edna Bracken) and Hardball (1994, as Marge Schott-like baseball club owner Mitzi Balzer).

Trivia: Loni Anderson's first acting appearance, at age 10, was in the auditorium of her St. Paul grammar school. An art student at the University of Minnesota, Loni worked her way through her freshman year by winning beauty contests. Married and divorced at 18, Loni was compelled to take a teaching job to support herself and her infant daughter, but she was able to eventually complete her college education. Still a brunette in the early stages of her professional career, Loni acted in Midwestern repertory companies and TV commercials before coming to Hollywood with her second husband in 1975. Three years later, a newly blonde Loni was cast as "look but don't touch" radio station receptionist Jennifer Marlowe on the popular sitcom WKRP in Cincinnati. After the series' cancellation in 1982, Loni appeared in films and starred in two subsequent series, Partners in Crime (1984) and Easy Street (1986), as well as a syndicated WKRP revival in 1990. One of the uncrowned queens of the TV movies, Loni has starred in the made-for-television biopics of Jayne Mansfield and Thelma Todd, and through the auspices of her own production company appeared in TV remakes of Leave Her to Heaven and Sorry Wrong Number. Loni Anderson's most recent husband was film superstar Burt Reynolds, whom she met on the set of Stroker Ace (1983); after several months of well-publicized courtroom histrionics (most stemming from a custody battle over their adopted son), Loni and Burt's marriage came to a comparatively swift and silent end in 1994.She would work in frequently from that point on, though she starred in 3 Ninjas: High Noon at Mega Mountain and appeared in the SNL adaptation A Night at the Roxbury. In 2011 she was one of the people who appeared in the affectionate documentary Carol Channing: Larger Than Life.