Trivia: Yes, Karen Valentine is her real name; her Portuguese grandfather had Anglicized his surname of Valentin long before Karen was born. Her lifelong "nice-girl" reputation had its roots in her wholesome upbringing on a Sebastopol, California chicken ranch, and her straight-A high-school years, when she was a member in good standing of the Future Teachers of America. Unhappy with being regarded as too squeaky-clean for words, Valentine went out of her way to perform "hot" musical numbers while competing in such talent-and-beauty contests as Miss Teenage Santa Rosa and Miss Sonoma Country. While she never made Miss America, she did manage to make two appearances on the Ed Sullivan Show before reaching the age of 20. While acting in summer stock, she continued seeking out roles that would allow her to shed her goody-goody image. To keep her checkbook balanced between acting assignments, she worked as a model, waitress and switchboard operator. In 1969, Valentine was cast as well-meaning if slightly klutzy student teacher Alice Johnson on the weekly TV series Room 222, winning an Emmy Award for her efforts. A proven audience favorite, she starred in such lightweight TV-movies as Gidget Grows Up (1970), The Girl Who Came Gift-Wrapped (1972) and Coffee, Tea or Me (1973), and was a regular contributor to such daytime programs as Dinah's Place and The Hollywood Squares. Once her star had begun to fade, Valentine was finally able to break loose from her "America's sweetheart" image and attempt to play roles with depth and bite. But such TV series as Karen (1975) and Our Time (1985) were not enthusiastically received by viewers, nor were her laudable dramatic performances in such made-for-TV fare as Muggable Mary, Street Cop (1982) world-beaters in the ratings. From the mid-1970s to the late 1980s, Karen Valentine maintained an on-and-off relationship with the Disney studios, co-starring in such theatrical features as Hot Lead and Cold Feet and The North Avenue Irregulars (1979), and in Disney Sunday Movie TV presentations bearing titles like Skeezer (1987) and Perfect People (1988).

Trivia: Jockey turned singer/actor, Davy Jones played the adorable mop-top Davy on the mid-to-late '60s phenom television series, The Monkees. He and his fellow manufactured bandmates Peter Tork, Mickey Dolenz, and Michael Nesmith made one film together -- Head (1968). After the group's demise, Jones occasionally played himself as a guest star on television (Brady Bunch) and in commercials. In 1995, he again played himself in The Brady Bunch Movie. Jones and all the other Monkees, except Nesmith, periodically got back together for tours and reunion concerts.

Trivia: Actor's Studio graduate Arch Johnson was first seen off-Broadway in 1952's Down in the Valley, and on-Broadway the following year in Mrs. McThing. Johnson's most famous Broadway role was bigoted NYPD detective Schrank in West Side Story (1956). In films from 1953, the burly Johnson was usually cast as western heavies, occasionally with a swarthy tongue in cheek and a roguish twinkle in the eye. Some of his non-western movie assignments include The Sting (1973), Walking Tall (1977) and The Buddy Holly Story (1978). In the spring of 1961, Arch Johnson was seen as Captain Gus Honochek on the weekly TV version of The Asphalt Jungle.

Trivia: Whenever Monte Markham guest-stars on a TV whodunit these days, chances are it was Markham who "done it." Long before he became everybody's favorite mystery killer, however, Markham was a likeable leading man in the Jimmy Stewart mode. A graduate of the University of Georgia, Markham started out as a stage actor. In 1967, he landed the starring role in his first-ever TV series, playing the dual role of a "quick-frozen" 99-year-old man and his 33-year-old grandson on The Second Hundred Years. Two years later, he essayed the Gary Cooper role in the weekly TV version of Mr. Deeds Goes to Town. And in 1973, he played the title character in the ill-advised New Perry Mason. That same year, Markham made his Broadway debut in Irene, winning a Theatre World Award for his performance. In the 1980s, he played Clint Ogden in the prime-time serial Dallas (1981) and Carter Robinson in the syndicated soap opera Rituals (1984); he also briefly hosted the daily informational series Breakaway (1984). Contemporary TV viewers know Markham as Captain Don Thorpe in Baywatch and Mr. Parker in Melrose Place. In addition to his extensive acting credits, Monte Markham has directed two feature films, Defense Play (1988) and Neon City (1992).

Trivia: After rising to fame in a series of hit Woody Allen comedies, Diane Keaton went on to enjoy a successful film career both as an actress and as a director. Born Diane Hall on January 5, 1946, in Los Angeles, she studied acting at Manhattan's Neighborhood Playhouse School of the Theater and in 1968 understudied in Hair. On Broadway she met actor/director Allen and appeared in his 1969 stage hit Play It Again, Sam. In 1970, Keaton made her film debut in the comedy Lovers and Other Strangers and rose to fame as the paramour of Al Pacino's Michael Corleone in the 1972 blockbuster The Godfather. That same year, she and Allen -- with whom Keaton had become romantically involved offscreen -- reprised Play It Again, Sam for the cameras, and in 1973 he directed her in Sleeper. The Godfather Part II followed, as did Allen's Love and Death. All of these films enjoyed great success, and Keaton stood on the verge of becoming a major star; however, when her next two pictures -- 1976's I Will, I Will for Now and Harry and Walter Go to New York -- both flopped, she returned to the stage to star in The Primary English Class.In 1977, Allen released his fourth film with Keaton, Annie Hall. A clearly autobiographical portrait of the couple's real-life romance, it was a landmark, bittersweet, soul-searching tale which brought a new level of sophistication to comedy in films. Not only did the film itself win an Academy Award for Best Picture, but Keaton garnered Best Actress honors. That same year, she also headlined the controversial drama Looking for Mr. Goodbar. Two more films with Allen, 1978's Bergmanesque Interiors and the 1979 masterpiece Manhattan followed; however, when the couple separated, Keaton began a romance with Warren Beatty, with whom she co-starred in the 1981 epic Reds; she earned a Best Actress nomination for her work in Beatty's film. Continuing to pursue more dramatic projects, she next co-starred in 1982's Shoot the Moon, followed by a pair of box-office disappointments, The Little Drummer Girl and Mrs. Soffel. The 1986 Crimes of the Heart was a minor success, and a year later she made her directorial debut with the documentary Heaven. Keaton's next starring role in the domestic comedy Baby Boom (1987) was a smash, and after close to a decade apart, she and Allen reunited for Radio Days, in which she briefly appeared as a singer. Upon starring in 1988's disappointing The Good Mother, she began splitting her time between acting and directing. In between appearing in films including 1990's The Godfather Part III, 1991's hit Father of the Bride, and 1992's telefilm Running Mates, she helmed music videos, afterschool specials (1990's The Girl with the Crazy Brother), and TV features (1991's Wildflower). She even directed an episode of the David Lynch cult favorite Twin Peaks. After stepping in for Mia Farrow in Allen's 1993 picture Manhattan Murder Mystery, Keaton essayed the title role in the 1994 TV biopic Amelia Earhart: the Final Flight and in 1995 made her feature-length directorial debut with the quirky drama Unstrung Heroes. After co-starring with Bette Midler and Goldie Hawn in the 1996 comedy smash The First Wives Club, she earned another Oscar nomination for her work in Marvin's Room. In 1998, Keaton starred in The Only Thrill and followed that in 1999 with The Other Sister. She subsequently stepped into another familial role in 2000's Hanging Up with Meg Ryan and Lisa Kudrow. Despite participating amongst a star-studded cast including veterans Goldie Hawn, Garry Shandling, Charlton Heston, and Warren Beatty, 2001's Town & Country was not particularly well-received among audiences or critics. In 2003, Keaton played Jack Nicholson's love interest in director Nancy Meyers's Something's Gotta Give (for which she received a Best Actress Oscar nomination) and executive produced director Gus Van Sant's avant-garde Elephant), which won Best Director and Golden Palm awards at the 2003 Cannes Film Festival. Keaton would spend the ensuing years appearing frequently on screen in films like Because I Said So, Mad Money, and Darling Companion.