Trivia: Though he's had a very successful career as a television actor, tall, black-haired, and youthful-looking Scott Baio might be best remembered for dating seemingly every hot, blonde starlet to enter Hollywood. He made his first television appearance as a teen in 1976. He became a regular on the nostalgic sitcom Happy Days in 1977, playing the role of Fonzie's tough little cousin, Chachi, and became a favorite with many preteen girls. Later, he and fellow Happy Days cohort, Erin Moran, starred in the short-lived spin-off series Joanie Loves Chachi (1982-1983). When that failed, the two returned to their original series and remained with it through its demise in 1984. Baio was then cast in the lead of a new sitcom, Charles in Charge, as a conscientious young man who earns money for college by playing nanny to two lively teenage girls and their younger brother. The show ended in 1990, and the following year, Baio headlined another short-lived sitcom as the janitor/love interest on Baby Talk. In 1993, he played his first dramatic role in a series when he was cast opposite Dick Van Dyke in Diagnosis Murder. In the fall of 1997, Baio again returned to sitcom work with the Fox series Rewind in which he plays a marketing executive with a sense of déjà vu that leads him to return to his adolescent years during the '70s. Baio's movie work has been more sporadic. He made his first feature-film appearance as Bugsy in Bugsy Malone (1976). Most of his subsequent film work has been in such low-budget efforts as Skatetown (1979), Zapped (1982), and I Love New York (1988).In 2005, Baio took a recurring role on the cult hit Arrested Development, as lawyer Bob Loblaw. His deadpan delivery was a hit with audiences, as was the subtle in-joke of his appearing with fellow 80's teen star Jason Bateman. In 2007, Baio capitalized on his laundry list of hot and famous ex girlfriends with his own reality show, Scott Baio is 45 And Single. The series followed him as he faced up to his playboy past, working with a life coach to face up to his fear of marriage with the goal of proposing to his long-term girlfriend. The show was popular enough to create a follow-up series, Scott Baio is 46 and Pregnant.

Trivia: Born in Missouri, entertainer Dick Van Dyke was raised in Danville, Illinois, where repeated viewings of Laurel & Hardy comedies at his local movie palace inspired him to go into show business. Active in high school and community plays in his teens, Van Dyke briefly put his theatrical aspirations aside upon reaching college age. He toyed with the idea of becoming a Presbyterian minister; then, after serving in the Air Force during World War II, opened up a Danville advertising agency. When this venture failed, it was back to show biz, first as a radio announcer for local station WDAN, and later as half of a record-pantomime act called The Merry Mutes (the other half was a fellow named Philip Erickson). While hosting a TV morning show in New Orleans, Van Dyke was signed to a contract by the CBS network. He spent most of his time subbing for other CBS personalities and emceeing such forgotten endeavors as Cartoon Theatre. After making his acting debut as a hayseed baseball player on The Phil Silvers Show, Van Dyke left CBS to free-lance. He hosted a few TV game shows before his career breakthrough as co-star of the 1959 Broadway review The Girls Against the Boys. The following year, he starred in the musical comedy Bye Bye Birdie, winning a Tony Award for his portrayal of mother-dominated songwriter Albert Peterson (it would be his last Broadway show until the short-lived 1980 revival of The Music Man). In 1961, he was cast as comedy writer Rob Petrie on The Dick Van Dyke Show, which after a shaky start lasted five seasons and earned its star three Emmies.He made his movie bow in the 1963 filmization of Bye Bye Birdie, then entered into a flexible arrangement with Walt Disney Studios. His best known films from that era include Mary Poppins (1964), Lt. Robin Crusoe, USN and The Comic, in which he played an amalgam of several self-destructive silent movie comedians. His TV specials remained popular in the ratings, and it was this fact that led to the debut of The New Dick Van Dyke Show in 1971. Despite the creative input of the earlier Dick Van Dyke Show's maven Carl Reiner, the later series never caught on, and petered out after three seasons. A chronic "people pleaser," Van Dyke was loath to display anger or frustration around his co-workers or fans, so he began taking solace in liquor; by 1972, he had become a full-fledged alcoholic. Rather than lie to his admirers or himself any longer, he underwent treatment and publicly admitted his alcoholism -- one of the first major TV stars ever to do so. Van Dyke's public confession did little to hurt his "nice guy" public image, and, now fully and permanently sober, he continued to be sought out for guest-star assignments and talk shows. In 1974, he starred in the TV movie The Morning After, playing an ad executive who destroys his reputation, his marriage and his life thanks to booze. After that Van Dyke, further proved his versatility when he began accepting villainous roles, ranging from a cold-blooded wife murderer in a 1975 Columbo episode to the corrupt district attorney in the 1990 film Dick Tracy. He also made several stabs at returning to weekly television, none of which panned out--until 1993, when he starred as Dr. Mark Sloan in the popular mystery series Diagnosis Murder. He made a few more movie appearances after Diagnosis Murder came to an end, most notably as a retired security guard in the hit family film Night at the Museum. As gifted at writing and illustrating as he is at singing, dancing and clowning, Van Dyke has penned two books, Faith, Hope and Hilarity and Those Funny Kids. From 1992 to 1994, he served as chairman of the Nickelodeon cable service, which was then sweeping the ratings by running Dick Van Dyke Show reruns in prime time. Van Dyke is the brother of award-winning TV personality Jerry Van Dyke, and the father of actor Barry Van Dyke.

Trivia: Was enrolled in ballet school at age 8 by her foster mother. Received a full scholarship to the American Ballet School in New York. Danced professionally with numerous ballet companies, including the American Ballet Theater II, Ballet Hispanico of New York, Contemporary Ballet, Twyla Tharp Workshop and the Julliard School of Music Dance Extension Program with Anthony Tudor. Began acting while pursuing a modeling career and landed a recurring role on The Cosby Show. Originated the character Drucilla on The Young and the Restless in 1990 and won several NAACP Image Awards and three Daytime Emmy nominations for her portrayal. Worked simultaneously on The Young and the Restless and Diagnosis Murder. Authored a memoir in 2007 titled The Women Who Raised Me as a tribute to the women who helped her through foster care. Her real-life son, Jasper Armstrong Marsalis, played her child on Diagnosis Murder. Founded the Rowell Foster Children's Positive Plan, an organization dedicated to providing foster children opportunities in the arts and sports.

Trivia: Lead actor, onscreen from 18 Again (1988).

Trivia: At first intending to become a minister, actor/monologist Andy Griffith (born June 1st, 1926) became active with the Carolina Playmakers, the prestigious drama-and-music adjunct of the University of North Carolina--Chapel Hill. He spent several seasons portraying Sir Walter Raleigh in the summertime outdoor drama The Lost Colony, spending the rest of the years as a schoolteacher. Griffith continued performing fitfully as an after-dinner speaker on the men's club circuit, developing hilariously bucolic routines on subjects ranging from Shakespeare to football. Under the aegis of agent/producer Richard O. Linke, Griffith returned to acting, attaining stardom in the role of bumptious Air Force rookie Will Stockdale in the TV and Broadway productions of No Time For Sergeants. Before committing Sergeants to film, Griffith made his movie debut in director Elia Kazan's A Face in the Crowd, in which he portrayed an outwardly folksy but inwardly vicious TV personality (patterned, some say, after Arthur Godfrey).After filming Face in the Crowd, No Time for Sergeants and Onionhead for Warner Bros. during the years 1957 and 1958, Griffith starred in a 1959 Broadway musical version of Destry Rides Again; as an added source of income, Griffith ran a North Carolina supermarket. On February 15, 1960 he first appeared as Andy Taylor, the laid-back sheriff of Mayberry, North Carolina, on an episode of The Danny Thomas Show. This one-shot was of course the pilot film for the Emmy-winning The Andy Griffith Show, in which Griffith starred from 1960 through 1968. Eternally easygoing on camera, Griffith, who owned 50% of the series, ruled his sitcom set with an iron hand, though he was never as hard on the other actors as he was on himself; to this day, he remains close to fellow Griffith stars Don Knotts and Ron Howard. An unsuccessful return to films with 1969's Angel in My Pocket was followed by an equally unsuccessful 1970 TV series Headmaster. For the next 15 years, Griffith confined himself to guest-star appearances, often surprising his fans by accepting cold-blooded villainous roles. In 1985, he made a triumphal return to series television in Matlock, playing a folksy but very crafty Southern defense attorney. A life-threatening disease known as Gillian-Barre syndrome curtailed his activities in the late 1980s, but as of 1995 Andy Griffith was still raking in the ratings with his infrequent Matlock two-hour specials. The actor worked on and off throughout the late nineties and early 2000s, and co-starred with Keri Russell and Nathan Fillion in the romantic comedy Waitress in 2007.

Trivia: During the 1970s, '80s, and '90s, Patrick Duffy quickly evolved into one of prime time's old standbys for handsome, sturdy, dependable, and reliable leading men. Two key patterns hallmarked the majority of Duffy's career choices: he culled his broadest appeal and most substantial workload on television in lieu of the big screen, and exceedingly rare were those occasions in which he played a villain. In terms of audience recognition, Duffy maintained his strongest ties with two ongoing series roles -- his famous portrayal of Southfork Ranch stalwart Bobby Ewing on the blockbuster CBS prime-time soap Dallas (1978-1991), and a subsequent tenure as Frank Lambert on the ABC "TGIF" Friday-night sitcom Step by Step (1991-1998). Born born March 17, 1949, in Townsend, MT, as the second child of two saloonkeepers, Duffy grew up in dire poverty. He attended high school in Everett, WA, then attended the actor's training program at the nearby University of Washington, graduating in 1971. The actor relocated to Southern California and began receiving screen credit only a few years after college, initially with roles in telemovies such as the 1976 Last of Mrs. Lincoln and the lead in the short-lived television series Man from Atlantis (as a half-man, half-fish). Dallas, of course, brought Duffy his big break, and as its ratings shot skyward, turning it into not simply the number one program on the air but an international phenomenon, Duffy's character became intertwined with the program's legacy. The series' premise is by now iconic -- it dealt with the Ewing family, a wealthy Texas oil clan with a history rooted in scandal. Its patriarch, John Ross "Jock" Ewing Sr. (Jim Davis), had driven himself into fabulous wealth by cheating his business partner out of a fortune and his one true love, with whom he started a family and launched an entire oil dynasty. Passing on the family torch were three sons: J.R. Ewing (Larry Hagman), the megalomaniacal evil brother; Bobby Ewing (Duffy), the decent and moral brother, who had married the daughter of his father's partner; and the weak-willed Gary (Ted Shackelford), who grappled continually with emotional problems and quickly snagged his own series.As Bobby, Duffy attained popularity second only to that of co-star Hagman -- popularity that prompted national headlines when Duffy opted to leave the program at the end of the 1984-1985 season. Series producer created and aired a scenario where he was killed by a hit-and-run driver, but the audience demand for Bobby Ewing grew so overwhelming during the following season that -- in an obvious bid to re-boost ratings and extend Dallas' longevity -- Hagman personally summoned Duffy to re-join the series. The writers then reposited the entire 1985-1986 season as the bad dream of Bobby's on-camera wife, Pam (Victoria Principal)! It may have seemed far-fetched to many, but as an attempt to bring the actor back to the program and draw a larger audience, it worked like a charm.Not long after Dallas finally wrapped in May 1991, Duffy turned up on ABC's aforementioned Step by Step, a kind of unofficial update of The Brady Bunch; he played Frank Lambert, a divorced Wisconsin contractor with several kids who impulsively married a widowed beautician (Suzanne Somers) with several tykes of her own. Episodes dealt with the complications wrought when the two clans moved under the same roof together. As produced by William Bickley and Michael Warren, that program also connected with a large audience. It folded in 1998.Duffy acted in several Dallas telemovies during Step by Step's run, and then ushered in guest roles on numerous additional series, including Touched by an Angel, Justice League, and Family Guy. Additional made-for-television feature credits in the late '90s and early to mid-2000s included such outings as Heart of Fire (1997), Don't Look Behind You (1998), Desolation Canyon (2006), and Falling in Love with the Girl Next Door (2006). Duffy landed another series assignment in 2006 with an ongoing role -- that of Stephen Logan Sr. -- on the CBS daytime drama The Bold and the Beautiful.

Trivia: Learned to read music and play the accordion by the age of 5. At 11, demonstrated the steel guitar at a music trade show in Chicago, where she was discovered by country performer Joe Maphis. Her family formed its own group when she was 14. A member of the band was drummer Ken Dudney, whom she would later marry. Signed with Columbia Records in 1969, scoring her first hit with a cover of Otis Redding's "I've Been Loving You Too Long." Inducted into the Grand Ole Opry in 1972. After her family band broke up, she formed the Do-Rites with her sisters, Louise and Irlene. In 1979, won Country Music Association's Female Vocalist of the Year. Headlined the NBC variety series Barbara Mandrell & the Mandrell Sisters (1980-82). Was the first artist to win CMA Entertainer of the Year for two consecutive years (1980 and '81). Penned her autobiography, Get to the Heart: My Story (1990), which was later made into a TV movie, Get to the Heart: The Barbara Mandrell Story (1997).

Trivia: Attended The Theatre School at DePaul University at the same time as Gillian Anderson; the pair performed together in Scenes From American Life while both at school. Appeared in a Steppenwolf Theatre production of A View From the Bridge shortly after graduating from DePaul. Was a vocal coach on Backdraft. Wrote and produced the film Bloodworth (2011). Appears in the 2012 music video for Miranda Lambert's "Fastest Girl in Town." Plays the guitar in a bluegrass band called Sacred Cowboy.

Trivia: Supporting actor, onscreen from the early '70s.

Trivia: Grammy award-winning country music singer Reba McEntire was raised on a ranch in Oklahoma, where her father competed in rodeos. Immersed in Southern country culture from birth, McEntire learned to ride as well as to sing from an early age, and she formed a singing group with her brother and sister when she was young called the Singing McEntires. She enrolled at Southeastern Oklahoma State University in Durant in the mid-'70s, where she majored in teaching, but in 1975, after singing a crowd-pleasing rendition of the "Star Spangled Banner" at a local rodeo, McEntire was inspired to travel to Nashville to pursue a music career. She scored a major-label record deal and released her first album the same year she got married.It took a few years for her career to truly take off, but by the mid-'80s, McEntire was one of the most successful country singers in the industry. Though she was divorced in 1987, she remarried Narvel Blackstock, her then-manager and steel guitar player in 1989. Soon, the singer decided to branch out in her creative pursuits, appearing in the horror comedy Tremors with Kevin Bacon in 1990, the same year she gave birth to her son. Her warmth and charisma shone through onscreen, and McEntire began to cultivate a second career in acting, appearing in projects like 1994's North and 1995's Buffalo Girls. In 2001, the singer decided to switch career focuses for a while and pursue acting full-time, playing a single mom on her own sitcom, Reba. The show was a huge hit, earned her a Golden Globe nomination, and would continue to run for six seasons. She attempted to return to television in 2012 on ABC's Malibu Country, but the show was cancelled after the first season.

Trivia: With his trademark heavyset figure and attitude of manic glee, the genial Dom DeLuise rose to prominence as one of America's most beloved comedic character actors. Born Dominick DeLuise in Brooklyn in 1933, the future star attended the High School for the Performing Arts in Manhattan, then graduated from Tufts University in Boston. DeLuise wasted no time in making a beeline for television, and though early efforts were low-profiled, including a turn as Tinker the Toymaker on the daytime children's show Tinker's Workshop and the portrayal of a bumbling detective named Kenny Ketchum on The Shari Lewis Show, DeLuise's popularity spread, carrying him swiftly into other formats and venues. DeLuise initially graduated to primetime variety courtesy of The Garry Moore show, where he enjoyed recurring sketches as an inept magician named Dominick the Great. He then appeared on innumerable subsequent variety programs (often as a regular contributor) including The Glen Campbell Goodtime Hour, The Dean Martin Show, and The Flip Wilson Show. The comic made the leap into filmdom as early as the earnest Cold War thriller Fail-Safe (1964) (as an edgy flier), but drama didn't serve him well. He found a much stronger suit in comedy, initially courtesy of Mel Brooks, who cast him in films beginning with The Twelve Chairs (1970), as a shifty priest, Father Fyodor. Their collaborations extended to the 1976 Silent Movie (as studio man Dom Bell), the 1981 History of the World, Part I (as Emperor Nero), the 1986 Spaceballs (as the voice of Pizza the Hut), and the 1993 Robin Hood: Men in Tights (as the godfather-like Don Giovanni). The actor received additional screen exposure via friendships with Gene Wilder (in whose outings The Adventures of Sherlock Holmes' Smarter Brother and The World's Greatest Lover he co-starred) and Burt Reynolds, who -- in one of either's finest moments -- cast DeLuise as an around-the-bend asylum resident who tries to assist Reynolds' character with a suicide bid in the jet-black comedy The End (1978). Unfortunately, additional Reynolds collaborations didn't fare so well -- they included such schlocky vehicles as the Cannonball Run series -- but helped DeLuise maintain a familiar profile. He teamed with Mel Brooks' wife, Anne Bancroft, for a starring role in that actress' directorial debut, the comedy-drama Fatso (1980), but it earned mostly lukewarm reviews. In the meantime, DeLuise himself took the director's chair for the nutty caper comedy Hot Stuff, which gleaned a generally positive critical and public reception. As time rolled on, DeLuise unfortunately drifted into filmic material that suffered from serious lapses in quality and judgment, witness his performances as a porn lord in Bob Clark's wretched buddy farce Loose Cannons and convict Dr. Animal Cannibal Pizza in the horror send-up Silence of the Hams, both enormous box office flops. Taking critical and public reactions to these efforts as a cue, the comic accepted fewer and few assignments as the misfires happened and instead began to place a strong emphasis on his own cooking skills; the gifted chef authored two well-received cookbooks, the 1988 Eat This...It'll Make You Feel Better! and the 1997 Eat This Too!...It'll Also Make You Feel Better. DeLuise also published a series of books for children, such as the 1990 Charlie the Caterpillar and the 2007 The Pouch Potato. Dom DeLuise died in May 2009 at the age of 75. He was survived by his wife since 1965, actress Carol Arthur, and three sons, Peter, Michael, and David.

Trivia: Japanese actor Mako, born Makoto Iwamatsu, has spent most of his professional career in the United States. His first important film appearance was as Po-Han, Steve McQueen's assistant machinist, in The Sand Pebbles (1966), a performance that earned him an Oscar nomination. He remained in films into the 1990s, playing choice character parts in such films as Hawaiians (1967), Conan the Destroyer (1984), and Rising Sun (1993). Mako's TV credits include the role of Major Oshira on the weekly Hawaiian Heat (1984) and the 1990 TV movie Hiroshima: Out of the Ashes.

Trivia: Born in Kulm, North Dakota and educated at Glendale College and Immaculate Heart College, Angeline Brown acquired her professional name Angie Dickinson when she married college football star Gene Dickinson. A beauty contest winner, Dickinson entered films with an unbilled bit in the 1954 Warner Bros. musical Lucky Me. Her earliest films consisted mostly of "B" Westerns (at one point, she dubbed in actress Sarita Montiel's voice in 1957's Run of the Arrow) and television (Dickinson was rather nastily murdered in very first episode of Mike Hammer). She moved to the A-list when selected by Howard Hawks to play the female lead in Rio Bravo (1958). The film gave Dickinson ample opportunity to display her celebrated legs, which, for publicity purposes, were reportedly insured by Lloyd's of London. She went on to star in films both famous and forgettable: one of the roles for which she is best remembered is as the mistress of gangster Ronald Reagan (!) in The Killers (1964). In 1974, Dickinson jump-started her flagging career as the star of the TV cop drama Police Woman, which lasted four seasons and represented a tremendous step up in popularity for Dickinson. On that program, the actress played Suzanne "Pepper" Anderson, an undercover agent with the LAPD's criminal conspiracy division, whose assignments nearly always included donning a crafty and sexy guise in order to nab an underworld criminal.At about the same time, Dickinson also moved into motion pictures and (after years of consciously avoiding nude scenes), went au naturel for exploitation king Roger Corman in that producer's depression-era romp Big Bad Mama, which unsurprisingly became a cult favorite. (Years later, in 1987, she teamed up with Z-grade shlockmeister Jim Wynorski for New World's Big Bad Mama II). Brian DePalma's Psycho-influenced thriller Dressed to Kill (1980) brought the actress greater visibility, and like the Corman assignments, required Angie to do erotic nudity (though in this case, the below-the-waist shower shots were reportedly performed by a body double).In later years, Dickinson leaned more heavily on starring and supporting turns in made-for-television productions, including a telemovie follow-up to Police Woman, Police Woman: The Freeway Killings (1987); the Oliver Stone miniseries Wild Palms (1993); the direct-to-video thriller The Maddening (1995) (opposite longtime friend and colleague Burt Reynolds); and the prime-time soaper Danielle Steele's Rememberance (1996). The next decade found the septuagenarian actress unexpectedly returning to A-list Hollywood features, albeit in small supporting roles; these included Duets (2000), Pay it Forward (2000) and Ocean's Eleven (2001) (in a cameo as herself, nodding to her involvement in the original).Angie Dickinson was married to composer Burt Bacharach from 1965 to 1980.

Trivia: Fred Dryer has spent the bulk of his acting career on television, but he has also appeared in a few feature films, beginning with The Starmaker (1981). Prior to becoming a performer, Dryer had been a professional football player. On television, he is best remembered for two roles, that of Sam Malone's irritating buddy, Dave Richards, in three episodes of the NBC sitcom Cheers and as fearless Detective Sergeant Rick Hunter in the series Hunter (1984). Other film appearances include Cannonball Run II (1984) and Day of Reckoning (1994).

Trivia: Elliot Gould was one of Hollywood's hottest actors of the early '70s and though he reached the peak of his popularity years ago, he remains a steadily employed supporting and character actor. Gould's lifelong involvement in show business is partially the result of his mother. In classical stage mother fashion, she made an eight-year-old Gould take numerous classes in performing, singing, and dance, including ballet. She enrolled him in Manhattan's Professional Children's School and then had him perform in hospitals, temples, and sometimes on television. Gould was also a child model. During summers, Gould performed at Catskill mountain resorts. When he was 18, he made it into a Broadway chorus line. Working odd jobs in between minor stage gigs, Gould did not get his big break until he joined the chorus line of the musical Irma La Douce. From there he won the leading role opposite Barbra Streisand in I Can Get It for You Wholesale. Though the two leads got good reviews, the show did not and rapidly closed. During its short run, Gould and Streisand fell in love, and in 1963, married. The following year, Gould made an inauspicious feature-film debut playing a deaf-mute in The Confession (1964). He did much better in his second film, The Night They Raided Minsky's (1968). While Gould's career seemed jammed in neutral, his wife's popularity hit the stratosphere, and for a time, he helped arrange her television appearances. By 1967, after years of being called Mr. Streisand and undergoing analysis, Gould untied the knot with Streisand. Gould became a star in 1969 when his co-starring role in the sex comedy Bob and Carol and Ted and Alice earned him a Best Supporting Actor nomination. After playing Trapper John in Robert Altman's counterculture classic M*A*S*H, Gould at last made it to the big league. Tall, curly-haired, more homely than handsome, laid-back, unconventional, sensitive, and unabashedly Jewish, Gould was tremendously popular with young adults who strongly identified with the often confused and neurotic characters he played. Gould's subsequent few films, notably Getting Straight (1970) and Little Murders, reinforced his counterculture image. For a while, he seemed to be everywhere, but by 1973, his career had already begun tapering off. A powerfully subtle performance as Philip Marlow in Altman's Long Goodbye (1973) proved that Gould had talent to spare, but over the next few years, he chose several independent, under the radar films, like California Split and Capricorn One. Over the coming decades, Gould would eventually find an ideal level of fame and activity, appearing in a massive number of films, like Dangerous Love, Bugsy, Ocean's Eleven (and its sequels), and Contagion. Gould would also enjoy a beloved recurring role on the massively successful sitom Friends as the father of Ross and Monica Geller.

Trivia: To hear him tell it, Robert Vaughn has spent most of his acting career getting very well paid for being artistically frustrated. Born in Manhattan and raised in Minnesota, Vaughn went straight from college drama classes to his first film, the juvenile delinquent opus No Time to Be Young (1957). Ever on the search for "meaningful" roles, Vaughn signed to play a survivor of a nuclear apocalypse in what he assumed would be a serious, politically potent drama: the film was released as Teenage Caveman (1957). Though Oscar-nominated for his performance as a crippled, alcoholic war veteran in The Young Philadelphians (1959), Vaughn didn't rise to full stardom until 1964, where he was signed to play ultra-cool secret agent Napoleon Solo in the TV espionage series The Man From U.N.C.L.E. (1964-1968). He swore at that time that he'd never, ever subject himself to the rigors of another television series, but in 1972 he was back to the weekly grind in the British series The Protectors. In films, Vaughn has been most effective as an icy, corporate heavy, notably in Bullitt (1968) and Superman III (1982). On-stage, Vaughn has exhibited a special fondness for Shakespeare (Hamlet in particular); he was given an excellent opportunity to recite the Bard's prose on film when he played Casca in Julius Caesar (1970). A dyed-in-the-wool liberal activist, Vaughn worked on his Masters and Ph.D. in political science at L.A. City College during his U.N.C.L.E. years; his doctoral thesis was later expanded into the 1972 history of the HUAC, Only Victims. Vaughn later had several recurring roles on TV shows like The Nanny and Law & Order and the British series Hustle and Coronation Street. He died in 2016, just shy of his 84th birthday.

Trivia: American actress Adrienne Barbeau was encouraged by her mother to take dancing and singing lessons. Adrienne was active in theatre both in high school and at Foothills Junior College; by age 19 she was touring Pacific military bases as a member of the San Jose Light Opera. After an unprepossessing job with a termite-control company, Adrienne set out for New York, paying the bills with a variety of jobs including go-go dancing in New Jersey nightclubs. In 1968 she was cast as Hodel in the long-running Broadway production Fiddler on the Roof, and three years later was featured in Grease, winning a Tony nomination through her rendition of "Look at Me, I'm Sandra Dee." From here, Adrienne was hired by Norman Lear to replace first-choice actress Marcia Rodd in the role of the divorced daughter on the controversial TV sitcom Maude. She played the role from 1972 through the series' cancellation in 1978, after which she began a whole new career as a successful horror-film star and sexy pin-up model. Adrienne married film director John Carpenter in 1979; most of her subsequent screen appearances were in such Carpenter-directed terrors as The Fog (1980), Escape from New York (1981) and Creepshow (1982). Perhaps Adrienne Barbeau's most enjoyable performance was as the Marlon Brando counterpart (!) in an uproarious distaff parody of Apocalypse Now, sublimely titled Cannibal Women in the Avocado Jungle of Death (1989). Barbeau would continue to act over the coming decades, appearing on TV shows like The Drew Carey Show, Carnivale, and the soap General Hospital.

Trivia: Though Leslie Easterbrook has only one major feature film role to her credit, it happens to come courtesy of one of the most durable comedy franchises of the 1980s (and briefly into the 1990s). Playing off her looks, Easterbrook first gained notice as Marilyn Monroe-wannabe Rhonda Lee on the hit sitcom Laverne and Shirley from 1980 to 1983. Along with a supporting role in the sex comedy Private Resort (1984), Easterbrook further made her bombshell mark as Sgt. Callahan in the hit misfit comedy Police Academy that same year. Though she returned to TV on the daytime serial Ryan's Hope from 1985 to 1987 and played a substantial part in the TV docudrama The Taking of Flight 847: The Uli Derickson Story (1988), Easterbrook also reprised the role of Callahan in all six of the Police Academy sequels. After the franchise ended in 1994, Easterbrook continued to appear frequently as a guest star on primetime TV, acted in the TV movie Two Voices (1997), and displayed her vocal talents in musical theater.

Trivia: Best known to audiences as Mr. Miyagi, Ralph Macchio's mentor in the "wax on, wax off" school of combat in the 1984 hit The Karate Kid, Noriyuki "Pat" Morita is the most prominent Japanese-American actor of his generation. Morita is also well known for having played Arnold, the amiable diner owner on the hit television series Happy Days, for two non-consecutive seasons (1975-1976 and 1982-1983). His status as one of the most familiar actors of Asian descent kept him working in a variety of projects throughout the 1980s and '90s.Having spent part of his youth in a Japanese internment camp during World War II, Morita nonetheless emerged with his sense of humor intact, giving up work as a computer programmer to concentrate on stand-up comedy in the early '60s. After a number of nightclub and TV variety show appearances, Morita found his first film role in 1967's Thoroughly Modern Millie as a stereotypical ethnic henchman. His natural affability soon began shining through, winning Morita his role on Happy Days for the 1975-1976 season. As Arnold, Morita interacted with Richie, Fonzie, and company with a memorable combination of good humor and exasperation. He returned to the gig in 1982-1983 after a failed attempt to front his own series (the critically lambasted Mr. T and Tina in 1976), a number of small film roles, and guest appearances on such shows as The Love Boat and Magnum P.I. His major pop culture breakthrough was the role of janitor and karate master Mr. Miyagi in The Karate Kid. An eccentric tutor who at first appears to be using his student for an endless variety of household chores, Miyagi soon reveals the method behind his training, turning the scrawny Daniel (Macchio) into a confident fighter, while also instilling an important message that violence should remain a last resort. The exceedingly popular film made Morita a household name, and audiences were left with the indelible image of a jolly and wise old soul trying desperately to catch a fly with a pair of chopsticks. Morita reprised the role for the two sequels starring Macchio in (1986 and 1989), as well as The Next Karate Kid, which starred future Oscar winner Hilary Swank, in 1994.In the late '80s, Morita found the success that had previously eluded him in television solo efforts with the two-season detective series Ohara (1987-1989). In 1987, he also wrote and starred in the World War II romance Captive Hearts, a film about a pilot shot down over Japan who falls in love with a village woman. Morita plays the village elder who saves the young pilot from execution.Morita spent the 1990s continuing to work regularly as a character actor in both television and movies. His film roles included Honeymoon in Vegas (1992), Even Cowgirls Get the Blues (1993,) and vocal work as the Emperor in Disney's Mulan (1998). He guest starred on such shows as The Fresh Prince of Bel Air, Diagnosis Murder, and The Hughleys, and had a recurring role as Mr. Tanaka on Baywatch.

Trivia: "My name is Orson Bean. Harvard '47, Yale Nothing." Actually, that oft-repeated introduction is a double deception: actor Orson Bean didn't go to Harvard, and his name isn't really Orson Bean. As a boy magician, Dallas Frederick Burrows borrowed the first half of his stage name from another prestidigitator of note, Orson Welles. Bean made his legitimate stage bow in 1945, then worked up a nightclub comedy act which premiered in New York at the now-defunct Blue Angel (in 1954, he hosted a summer-replacement TV series emanating from this celebrated nightspot). Landing on Broadway in the 1953 production Men of Distinction, Bean won a Theatre World Award for his work in the 1954 revue John Murray Anderson's Almanac, and Critics' Circle Awards for his performances in Mister Roberts and Say Darling. His later stage credits included Broadway's Subways are for Sleeping (1962) and Never too Late (1964) not to mention his extensive tours in the Neil Simon-Burt Bacharah musical Promises, Promises. In films from 1955, Bean's best-received screen performance was as the testifying army physician in Otto Preminger's Anatomy of a Murder (1959). An inescapable presence on TV, Bean has participated in virtually every quiz show known to man, from the familiar (To Tell the Truth, I've Got a Secret) to the obscure (Laugh Line). He was also a regular as the ineffectual Reverend Brim on the Norman Lear syndicated series Mary Hartman, Mary Hartman (1977) and Forever Fernword (1978), and more recently was seen on a weekly basis as cranky general store owner Loren Bray on Dr. Quinn, Medicine Women (1993- ). Outside of his showbiz activities, Bean has proven a difficult subject to categorize: blacklisted for his outspoken liberal views in the early 1950s, he was an ardent supporter of Richard M. Nixon in 1968. A man of many interests, Orson Bean was the founder of the arts-oriented 15th Street School of New York, the author of the oddball 1971 volume Me and the Orgon, and one of the charter members of The Sons of the Desert, the famed Laurel & Hardy appreciation society.

Trivia: Citing Danny Kaye as one of his foremost idols, American actor Arye Gross has done well for himself in a variety of supporting roles in television and film; like Kaye, he shows a particular talent for playing affable, if quirky, young men. While his feature debut was rather unremarkable -- he was credited as, simply, "Turbo" in 1984's forgettable The Exterminator 2 -- he was able to achieve top billing throughout the late '80s and mid-'90s for his performances in House 2: The Second Story (1987), The Couch Trip (1988), Coupe de Ville (1990), For the Boys (1991), and Hexed (1993). 1992's A Midnight Clear earned him particular acclaim for his role as a GI alongside Ethan Hawke and Gary Sinise. However, it wasn't until 1994, when Gross landed the part of good-hearted but somewhat hapless Adam on the award-winning sitcom Ellen, that he found prominent mainstream recognition. Gross continued to work in film during Ellen's four-year run -- in 1996, he was able to act with Kirsten Dunst and Nick Nolte in Keith Gordon's war-themed satire Mother Night, and during that same year, he played Tadpole opposite Tony Curtis in The Continued Adventures of Reptile Man and His Faithful Sidekick Tadpole. Several years later, critics praised Gross' performance as a metropolitan artist forced to return to his hometown in Montana in Big Eden. After appearing in Seven Girlfriends (2000) and Burning Down the House (2001), Gross played the ill-fated, would-be criminal Howard Marks in Steven Spielberg's Minority Report. In 2003, Gross could be seen in a recurring role on HBO's hit series Six Feet Under.

Trivia: Lead actor Gary Graham first appeared onscreen in the late '80s.

Trivia: Longtime character actor Ray Wise is beloved by genre fans for his over-the-top roles in Swamp Thing, RoboCop, Twin Peaks (both the series and the feature), and Jeepers Creepers 2, yet one look at the actor's diverse filmography reveals that it's Wise's diverse body of small-screen work that has been his bread and butter throughout the years.As an adolescent, Wise became keenly aware of his love for acting, and displayed his ambition by appearing in as many plays as possible throughout high school. A college theater major who spent most of his summer breaks in summer stock, Wise was well and ready to enter the professional world after receiving his degree in 1970. As with many other aspiring actors, Wise was drawn to the bright lights of Broadway and New York City, landing a job on the soap opera Love of Life after being in town for only two weeks. During the six years that he was acting on Love of Life, Wise would moonlight with stage roles both on and off-Broadway in addition to dabbling in repertory theater. When Love of Life was canceled in 1976, it was time to expand into features with supporting roles in Swamp Thing and Cat People (both 1982). Throughout the 1980s, Wise appeared on some of the most popular series on television, including Dallas, Trapper John, M.D., Knots Landing, and Moonlighting -- occasionally returning for a recurring role. While his part in Paul Verhoeven's over-the-top sci-fi action flick RoboCop offered the busy actor a chance to truly explore his inner villain, it was another menacing role that would propel Wise's career in the 1990s.Cast as grieving father Leland Palmer in the surreal David Lynch series Twin Peaks, Wise captivated television viewers with his emotionally charged performance -- Palmer was a challenging character, and few actors could have brought him to life quite as effectively as Wise. In 1992, Wise reprised the role of Leland Palmer for the polarizing feature Twin Peaks: Fire Walk With Me, with subsequent performances in Bob Roberts and Powder, as well as on television in Star Trek: Voyager and Beverly Hills 90210, proving his highest-profile works of the decade. While by the year 2000 it appeared as if Wise had settled into a comfortable small-screen groove thanks to his numerous television credits, roles as a frightened father in the underappreciated, Twilight Zone-flavored frightener Dead End and a monster-fighting farmer in Jeepers Creepers 2 (which re-teamed him with Powder director Victor Salva) both gave genre fans cause to celebrate. In 2005, Wise took an affecting turn as communist witch-hunt victim Don Hollenbeck in director George Clooney's Oscar-nominated drama Good Night, and Good Luck, and the following year he had a recurring role as Vice President Hal Gardner in the hit Fox series 24. With additional small-screen roles in The Closer, CSI, Law & Order: SVU, and the supernatural series Reaper (on which he played the Devil himself) serving well to balance out feature work in Peaceful Warrior, Pandemic, and One Missed Call, it appeared that Wise remained as comfortable as ever fluctuating between work in film and television. He continued to work steadily on small and big-screen projects like Pandemic, One Missed Call, Crazy Eyes, Mad Men, and Tim and Eric's Billion Dollar Movie.

Trivia: Ken Kercheval couldn't always count on his acting income to keep groceries in his icebox during his early years in show business. During slack times, Kercheval took a wide variety of part-time jobs: encyclopedia salesman, airline reservation clerk, sewer-line dynamiter, even cemetery plot peddler. When times were good, Kercheval appeared on stage by night, and in such New York-based soap operas as Search for Tomorrow, The Secret Storm and How to Survive a Marriage. He was also a journeyman film actor, essaying supporting roles in such productions as Pretty Poison (1968), The Seven Ups (1971) and Network (1976). Beginning in 1978, Kercheval played lawyer Cliff Barnes, the long-suffering brother-in-law of Bobby Ewing (Patrick Duffy) on TV's Dallas. Evidently Barnes' retainer was generous enough for him to ignore the endless humiliations doled out by the shifty J. R. Ewing (Larry Hagman), inasmuch as Kercheval and Hagman were the only Dallas regulars to appear continuously until the series' cancellation. During Dallas' run, Ken Kercheval occasionally moonlighted in made-for-TV films, notably in the role of Buffalo Bill in 1984's Calamity Jane.

Trivia: Born in Connecticut, Kim Greist spent her late teen years in Europe as a professional model. She returned to the U.S. at age 20, launching an acting career in the off-Broadway comedy Second Prize, Two Months in Moscow; her later stage credits included appearances in the New York Shakespeare Festival. In 1984, Greist made her movie bow in the scuzzy horror epic CHUD; the following year, she was cast in what remains her best film role: the elusive blonde "fantasy girl" of futuristic bureaucrat Jonathan Pryce in director Terry Gilliam's Brazil. Kim Geist has continued to appear in films and television into the 1990s, with substantial roles in such productions as Homeward Bound: The Incredible Journey (1993) and Roswell (1994).

Trivia: Best known to filmgoers for his role as the excitable, trigger-happy Eugene Tackleberry in the long-running Police Academy series, character actor David Graf was highly regarded among filmmakers for his notable and generous contributions to the Screen Actors Guild.Born in Lancaster, OH, in 1960, Graf attended Otterbien College in Westerville before making an early appearance as a struggling actor on the popular game show The $20,000 Pyramid with actress Patty Duke. Taking small roles in such popular sitcoms as M*A*S*H and The Dukes of Hazard in the early '80s, Graf made his film debut in 1981's Four Friends. His big break would come three years later, with his debut as Sgt. Tackleberry in Police Academy, launching a lasting character in a series that would span nearly a decade and six sequels. Keeping frequent work in television through the course of appearing in films such as Guarding Tess (1994) and The Brady Bunch Movie (1995), Graf held recurring roles in the popular Beauty and the Beast, High Tide, and later in the highly praised White House drama The West Wing. Graf also became involved with such Star Trek spin-offs as Star Trek: Deep Space Nine and Star Trek: Voyager.As a Hollywood representative of the Screen Actors Guild, Graf won the respect of his fellow actors through his tireless efforts to ensure their fair treatment in the vast and intimidating Hollywood system. Fellow board members praised his many active roles in various organizations dedicated to the betterment of conditions within the acting community, noting his service as a testament to Graf's genuine and selfless concern. While attending a family wedding in Phoenix, AZ, in 2001, Graf suffered a fatal heart attack -- just eight days before his 51st birthday.

Trivia: Towering American character actor Charles Napier has the distinction of being one of the few actors to transcend a career start in "nudies" and sustain a successful mainstream career. Napier, clothed and otherwise, was first seen in such Russ Meyer gropey-feeley epics as Cherry, Harry and Raquel (1969) and Beyond the Valley of the Dolls (1970). Graduating from this exuberant tawdriness, Napier became a dependable film and TV villain, playing nasty characters in films like Handle With Care (1977) and Rambo (1984). Napier would continue to become an ever more familiar face throughout the 80's and 90's, with roles in movies like The Blues Brothers (1980), Married to the Mob (1990), Ernest Goes to Jail (1991) and the-Oscar winning Silence of the Lambs (1991), Philadelphia (1994), The Cable Guy (1996), and Austin Powers: The Spy Who Shagged Me (1999) - just to name a few. He would also remain active in the realm of TV, appearing on shows like Walker, Texas Ranger and Roswell. The new millennium would find Napier playing roles on shows like Curb Your Enthusiasm and CSI: Crime Scene Investigation, as well as lending his voice to animated shows like The Simpsons, Squidbillies, and Archer. Napier passed away in October of 2011 at the age of 75.

Trivia: Northwestern University drama student Shelley Long began picking up work in Chicago TV commercials in the mid-1970s. She went on to host the WMAQ-TV "magazine" program Sorting it Out, and honed her comic timing with the Second City troupe. While her actual film debut was in 1980's A Small Circle of Friends, Long prefers to list the 1981 spoof Caveman as her first film. After a handful of TV guest appearances (notably as one of Alan Alda's lady friends on MASH) and an attention-grabbing performance as a freewheeling hooker in Night Shift (1982), Long was cast as the pretentious, garrulous waitress Diane Chambers on the weekly sitcom Cheers. She won an Emmy for this role, but all was not roses on the Cheers set. According to most sources, Diane's overbearing personality spilled over into Long's off-camera behavior; when she left the series in 1987, many of the cast members, especially star Ted Danson, breathed a rather loud and public sigh of relief. Shelley Long's post-Cheers efforts to establish herself as a movie star have thus far fallen short of expectations; her most successful film assignment to date has been as retro housewife Carol Brady in 1995's The Brady Bunch: The Movie. She reprised the role of Carol in the 1996 sequel A Very Brady Sequel. She returned to the part of Diane Chambers with a guest appearance on Frasier in 1996, and she would play Carol Brady again in A Very Brady Sequel that same year. At the beginning of the next decade she had a memorable turn in Robert Altman's Dr. T & the Women, and she would appear again on Frasier in the part that made her famous. There was a third Brady Bunch movie in 2002. She appeared in light fare such as Honeymoon with Mom and A Holiday Engagement.

Trivia: Like many New York actors, Martin Kove was willing to go unbilled to pick up extra paychecks in such East Coast-filmed efforts as Little Murders (1971) and Last House on the Left (1972). By 1984, Kove was pulling down third billing in such films as The Karate Kid, wherein he played Kreese, the "bad" karate expert who trained the film's principal heavy William Zabka for his bout against the simon-pure Ralph Macchio (Kove replaced Chuck Norris, who turned down the role of Kreese because he didn't want karate trainers to be shown in an unsympathetic light). Martin Kove's work on series TV has included the roles of detective Victor Isbecki on Cagney and Lacey and an extraterrestrial named Jesse on Hard Time on Planet Earth.

Trivia: American actor Cliff DeYoung began a stop-and-start film career with Pilgrimage in 1972; most of his work for the next several years was on stage and in television. DeYoung starred in the very brief 1975 TV series Sunshine, playing a widowed musician raising a young stepdaughter; the series was a spin-off of the 1973 TV movie of the same name, which also starred DeYoung. The actor also played the lead role of a blinded Vietnam vet in the Joseph Papp-produced CBS drama special Sticks and Bones (1973) which was blacked out by many affiliates due to its vitriolic antiwar stance. Three years later, DeYoung played Charles Lindbergh (to whom he bore a daunting resemblance) in the 1976 made-for-TV Lindbergh Kidnapping Case. After his attention-grabbing appearance in the 1983 horror film The Hunger, Cliff DeYoung concentrated on movie roles, with occasional returns to TV in such productions as the 1985 miniseries Robert Kennedy and His Times.

Trivia: Tall, straight-laced American actor Robert Culp parlayed his appearance and demeanor into a series of clean-cut character roles, often (though not always) with a humorous, mildly sarcastic edge. He was perhaps best known for three accomplishments: his turn as a Southern California documentary filmmaker who decides, along with his wife (Natalie Wood) to suddenly go counterculture with an "open marriage" in Paul Mazursky's Bob & Carol & Ted & Alice (1969); his iconic three-season role as an undercover agent in the espionage-themed series I Spy (1965-8); and his three-season run as Bill Maxwell on Stephen Cannell's superhero spoof series The Greatest American Hero (1981-3). Born in Oakland, California in 1930, Culp attended several West Coast colleges while training for a dramatic career. At 21, he made his Broadway debut in He Who Gets Slapped. Within six years, he was starring in his own Friday night CBS Western, Trackdown (1957-9) as Hoby Gilman, an 1870s era Texas Ranger. During the two-year run of this program, Culp began writing scripts, a habit he'd carry over to other series, notably The Rifleman and Gunsmoke. These all represented fine and noble accomplishments for a young actor, but as indicated, I Spy delivered a far greater impact to the young actor's career: it made Culp (along with his co-star, Bill Cosby) a bona fide celebrity. The men co-starred in the NBC adventure yarn as, respectively, Kelly Robinson and Alexander Scott, undercover agents involved in globetrotting missions for the U.S. government. Both actors brought to the program a sharp yet subtle sense of humor that (coupled with its exotic locations) made it one of the major discoveries of the 1965-6 prime-time line-up. During the second of I Spy's three seasons, Culp made his directorial debut by helming episodes of Spy; he went on to direct installments of several other TV programs. The success of Bob & Carol at the tail end of the 1960s proved that Culp could hold his own as a movie star, and he later directed and co-starred in 1972 theatrical feature Hickey and Boggs, which reunited him with Cosby, albeit to much lesser acclaim. Unfortunately, as the years rolled on, Culp proved susceptible to the lure of parts in B-pictures, such as Sky Riders (1976), Flood! (1976) and Hot Rod (1979), though he delivered a fine portrayal in television's critically-acclaimed Roots: The Next Generations (1979). Culp rebounded further with the semicomic role of CIA chief Maxwell on American Hero, but many now-infamous behind-the-scenes issues (and external issues, such as the shooting of Ronald Reagan) beleaguered that program and ended its run after only three seasons. In the years that followed, Culp vacillated between exploitation roles, in tripe such as Big Bad Mama 2 and Silent Night, Deadly Night 3, and more respectable, mainstream guest turns in television series including The Cosby Show and Murder, She Wrote. He enjoyed one of his most prestigious assignments with a supporting role in the big screen John Grisham-Alan Pakula thriller The Parallax View (1993), opposite Denzel Washington and Julia Roberts. In the years that followed, Culp's on-camera presence grew less and less frequent, though he did make a cameo in the 1996 Leslie Nielsen laugher Spy Hard. Television continued to provide some of Culp's finest work: he rejoined old friend Cosby for a 1994 I Spy TV-movie reunion and made guest appearances in such series as Lonesome Dove, Law & Order and The Dead Zone. Following a period of semi-retirement, Culp died suddenly and rather arbitrarily, when he sustained a head injury during a fall outside of his Hollywood home in March 2010. He was 79 years old.

Trivia: Through eight decades, actor Dick Van Patten retained the cherubic, chipmunk-cheeked countenance of his child-star days. Born into a family of actors, Van Patten was seven when he made his Broadway bow, playing Melvyn Douglas' son in Tapestry in Gray; that same year, he first stepped before a radio microphone. He would ultimately appear in over 20 Broadway productions, including Thornton Wilder's The Skin of Our Teeth. His co-star in this endeavor was Tallulah Bankhead, who declared that "Dickie" was the only child actor she could tolerate because he could read The Racing Form. In 1941, Van Patten and his younger sister Joyce made their joint film debut in Reg'lar Fellers, repeating their roles from the radio version of the same property. He would not again appear in a film until 1968's Charly, by which time he had played eldest son Nels Hansen in the pioneering TV sitcom Mama had made a smooth transition to adult parts in the role of Mister Roberts' Ensign Pulver, and had co-starred in such New York stage presentations as The Tender Trap, Will Success Spoil Rock Hunter? and Don't Drink the Water. An avid tennis player, Van Patten met producer/director Mel Brooks on the courts; their personal relationship blossomed into a professional one, with Van Patten playing Friar Tuck in Brooks' 1975 TV series When Things Were Rotten and appearing in several of Brooks' theatrical features. From 1977 through 1981, Van Patten starred as Tom Bradford on the TV "dramedy" Eight is Enough. His other series-TV assignments include The Partners (1971), The New Dick Van Dyke Show (1973-74 season) and WIOU (1990). In addition to his sibling relationship with Joyce Van Patten, Dick Van Patten is the half-brother Timothy Van Patten and the father of James and Vincent Van Patten--actors all. Van Patten died in 2015, at age 86.

Trivia: If television and movie buffs with a keen eye suspect that they may have seen actress Amy Yasbeck somewhere before, it could be from her early roles on the long-running soap opera mainstay Days of Our Lives or a mid-'90s stint on Wings, but it's possible that Yasbeck's recognition factor reaches back even further into the pop culture public conscience. As a child, the pretty actress was featured on the box of the wildly popular Easy Bake Oven.Born and raised the daughter of a grocery store proprietor father and a homemaker in Cincinnati, OH, Yasbeck got her break in show business after moving to New York City, where she was discovered by an agent while working in a restaurant. Moving to Los Angeles shortly after she began auditioning for roles, the aspiring actress made her television debut on Love, American Style before taking a villainous turn as Olivia in Days of Our Lives. As her small-screen career began gaining momentum with roles in Dallas, Magnum P.I., and The Cosby Show, Yasbeck also appeared early on in such features as House II: The Second Story (1987), Pretty Woman, and Problem Child (both 1990), on the set of which she met future husband John Ritter. Her versatile ability to transform herself into a given character regardless of apparent physical disparities was later evidenced in Yasbeck's role as Maid Marian in Mel Brooks' zany parody Robin Hood: Men in Tights. Though her role description called for a buxom blond actress of British persuasion, the artifices of a wig, a phony accent, and some creative costume-stuffing won the actress the role while simultaneously winning the favor of director Brooks (who later cast Yasbeck opposite Wings co-star Steven Webber in Dracula: Dead and Loving It [1995]). Drifting between television (Alright, Already, I've Got a Secret) and film (Odd Couple II, Denial [both 1998]). Throughout the next decade she made regular guest appearances in various TV series including Just Shoot Me!, That's So Raven, and Hot in Cleveland.

Trivia: The son of actors Bill Williams and Barbara Hale, curly-haired leading man William Katt is fond of noting that he made his movie "debut" while residing in his mother's womb during filming of Lorna Doone (1951). After attending Orange Coast College, Katt pursued a career as a musician. He then made his formal acting bow in summer stock and small TV roles. Among Katt's film credits are the role of the high-school jock date of telekinetic wallflower Sissy Spacek in Carrie (1977), and one-half of the title role in Butch and Sundance, The Early Days (1979). From 1981 through 1983, Katt played the reluctant-superhero protagonist (originally named Ralph Hinkley, redubbed Ralph Hanley after the '81 assassination attempt on Ronald Reagan) on TV's Greatest American Hero. Beginning in 1987, Katt played the recurring role of detective Paul Drake Jr. in the periodic Perry Mason TV movies, co-starring with his mother Barbara Hale, who resumed her "Della Street" characterization from the original 1961-66 Mason run. Katt also worked on the scripts of several of these latter-day Masons. More recently, William Katt was a regular on the 1991 Farrah Fawcett-Ryan O'Neal TV sitcom Good Sports.

Trivia: A student of dance since she was four, Elizabeth Berkely has been in show business since the age of nine. She got her start in television appearing in over a dozen series, the best-known of which is Saved By the Bell, in which she played proto-feminist high school student Jesse Spano from 1989 to 1991. Berkely made her feature film debut billed as Macrame Girl in the Patrick Swayze/Keanu Reeves vehicle Point Break (1991). In 1995, Berkely gained national notoriety and proved that she had come a long way since Jesse Spano when she played the trashy, determined, and frequently naked lead in the Joe Esterhaz-penned, Paul Verhoeven-directed Showgirls (1995), a glitzy exploitation film that, while one of the year's biggest stinkers, gained popularity on the midnight movie circuit, especially among drag queens. While such negative publicity as was received by Showgirls can be instant death to a budding career, Berkely has continued to appear in films such as The First Wives Club (1996), and such television series' as The L Word and CSI Miami.

Trivia: The daughter of actor Will Geer, Ellen Geer began her own stage career in the early 1960s. Among Ellen's first film roles were a nun in Richard Lester's Petulia (1968). and a hippie named Sunshine in Hal Ashby's Harold and Maude (1971). In 1971, Geer appeared as a regular on the brief TV sitcom The Jimmy Stewart Show, playing Stewart's daughter. Three years later, she co-starred with her father in the theatrical feature The Silence (1974), and also collaborated on the screenplay. Ellen Geer's more recent credits include the part of Rose in Patriot Games (1992) and its sequel, A Clear and Present Danger (1994).

Trivia: American actress Catherine Hicks was educated at St. Mary's Notre Dame and Cornell University; after several seasons of stage work, she launched a lengthy TV career. Hicks was seen regularly on the sitcom The Bad News Bears (1978) and starred in the quasi-fantasy detective series Tucker's Witch (1979); she also portrayed Dr. Faith Coleridge on the ABC daytime drama Ryan's Hope. On two occasions, Catherine has had the uneviable task of recreating roles essayed by well-known actresses in earlier films. She played the Gene Tierney role in Bill Murray's remake of The Razor's Edge (1984), and the Barbara Parkins role in the made-for-TV Jacqueline Susann's Valley of the Dolls (1990). In most films, Hicks has provided strong support to the name-above-the-title stars, notably in Peggy Sue Got Married (1986) Star Trek IV: The Voyage Home (1984) and Garbo Talks (1984). Leading roles came to Catherine Hicks in several films of the late '80s and early '90s: In She's Out of Control (1989), Catherine is Tony Danza's lady friend, and in Child's Play (1988) she's the unlucky mom of the unluckier kid (Alex Vincent) who owns the malevolent "Chucky" doll.

Trivia: Jim Metzler has appeared on stage since the 1970s, and in films from 1981's Four Friends. Bright, handsome and possessed of above-average talent, Metzler has proven a valuable asset to such so-so films as 976 Evil (1988) and Circuitry Man (1990). The actor has been offered better opportunities on TV; he was top billed as Dr. Andy Fenton in the 1983 series Cutter to Houston, and was seen as science teacher Dan Braden in the 1985 weekly The Best Times. Jim Metzler also co-starred as James Huntoon on the hit 1985 miniseries North and South and its 1986 sequel.