Trivia: Though perhaps best remembered for playing the suave, mysterious Mr. Roarke on the popular television series Fantasy Island (1978-1984), and for his car commercials in which he seductively exhorted the pleasures of the upholstery ("Rich, Corinthian leather") in his distinctive Spanish accent, Ricardo Montalban once played romantic leads in major features of the '40s and '50s. He also had a successful career on-stage. Born Ricardo Gonzalo Pedro Montalban y Merino in Mexico City, Montalban spent part of his youth in the U.S. The tall, dark, handsome, and curly haired actor first worked as a bit player on Broadway before returning to Mexico in the early '40s and launching a film career there. By 1947, he had returned to the States and signed with MGM. That year, Montalban played his first leading role opposite Cyd Charisse in the romantic musical Fiesta (1947). It would be the first of many roles in which he would play a passionate singing and dancing "Latin Lover." He and Charisse again teamed up as dancers in the Esther Williams musical water extravaganza in On an Island With You (1948). At one point, it was a toss-up between Montalban and fellow MGM "LL" Fernando Lamas as to which was more popular. It would not be until 1949 before Montalban had the opportunity to play a non-romantic role as a border agent who gets revenge upon the killers of his partner in Border Incident. His second serious role in Battleground (1949) ranks among his best performances. By the late '50s, he had become a character actor, often cast in ethnic roles, notably that of a genteel Japanese Kabuki actor in Sayonara (1957). He had occasionally appeared on television since the late '50s, but did not appear regularly until the mid-'70s. In 1976, Montalban earned an Emmy for his portrayal of a Sioux chief in the television miniseries How the West Was Won. In the early '70s he was part of a touring troupe that read dramatic excerpts from Shaw's Don Juan in Hell. In 1982, Montalban reprised a role he had made famous on the original Star Trek TV series as the ruthless Khan to star in the second Star Trek feature, The Wrath of Khan. In the '80s, Montalban only sporadically appeared in feature films. His television career also slowed, though he occasionally appeared on series such as The Colbys (1985-1987) and Heaven Help Us! (1994). Montalban has written an autobiography, Reflections: A Life in Two Worlds (1980). Confined to a wheelchair after a 1993 spinal operation left him paralyzed from the waist down, Montalban remiained in good health despite being in constant pain, and continued to play an active role in promoting Nostros - a non-profit organization founded by Montalban in 1970 and dedicated to improving the image of Latinos within the entertainment industry. In the late 1990s and early 2000s Moltalban's career recieved something of a second wind when he began performing vocal work on such animated television series' as Freakazoid!, Dora the Explorer, and Kim Possible, with a role as the kindly grandfather in Robert Rodriguez's Spy Kids 2: Island of Lost Dreams and Spy Kids 3-D: Game Over even giving the wheelchair-bound actor an opportunity to triumphantly rise once again thanks to the magic of special effects. Additional vocal work in the 2006 animated family adventure The Ant Bully continued to keep Montalban busy despite his physical limitations. His brother, Carlos Montalban, was also an actor.

Trivia: Christopher Hewett spent much of his four-decade acting career toiling in roles into which he could melt -- it was only when he found a part, near the end of his career, into which he could inject a large part of himself, that he became a star. Born in England in 1922, he was the son of a former actress, and at age seven made his stage debut, in Ireland, in a production of A Midsummer Night's Dream. He attended Wimbledon College and served in the Royal Air Force from 1938 until 1940. Hewett became an actor after his discharge, joining the Oxford Repertory Company, where he spent the next few years learning his craft in repertory work, eventually playing over 100 roles. In 1951, at the age of 29, he made his first screen appearance in Pool of London, and he was seen as a police detective later that same year in the classic Ealing comedy The Lavender Hill Mob. Hewett left England in 1954 and moved to New York, where he made his Broadway debut in the original cast of My Fair Lady two years later. He was primarily associated with New York theater for the next 20 years, apart from a notable screen appearance in Mel Brooks' The Producers, portraying Roger DeVries, the flamboyantly gay (and transvestite) director chosen by Max Bialystock (Zero Mostel) to direct his production of "Springtime for Hitler." Hewett dominated most of the scenes in which he appeared with his flamboyant, brilliantly comic performance, and his scenes included the side-splittingly funny audition of the various Hitlers, and the scene introducing Dick Shawn's character, L.S.D. The movie was a modest success on its original release, but has since become a major cult hit and something of a pop-culture phenomenon, partly owing to the immense success of Brooks' theatrical adaptation of the same story. Hewett was delightfully looney and very visible in the role, but it was such an outre screen credit, and the movie itself such a cult item in its first decade or so in release, that it led to little else in film or television for years after. Brooks subsequently used Hewett in The Elephant Man, and he started getting occasional television work, in series such as the original E.R. (1984), and as a regular on Fantasy Island (1983-1984) for one season. Hewett, by then in his sixties and somewhat overweight, had developed a persona that could be comical or villainous, yet always seemingly jovial. In 1985, he won the title role in the series Mr. Belvedere, loosely based on the film Sitting Pretty. As prissy, fastidious housekeeper/valet Lynn Belvedere, taking care of the family that had hired him, Hewett endeared himself to millions of viewers for four seasons, and was regularly covered in the television gossip columns, his ballooning weight at times eliciting public expressions of concern from his fellow cast members. He also worked in one-off appearances on Murder, She Wrote and other series. When the series finished its run in 1990, he had achieved television stardom and name recognition far beyond anything he had known -- modern viewers were often startled to realize, on seeing The Producers, that it was Hewett playing the director of the seemingly ill-starred play. He continued to make occasional television and movie appearances for the next decade. Hewett died from complications of diabetes at the age of 79.

Trivia: American actress Katherine Helmond spent nearly thirty years becoming an overnight success. Working fitfully in New York and regional theatre throughout the '50s and '60s, Helmond made ends meet by working as a drama teacher. Her first fleeting film appearances were in the Manhattan-based Believe in Me and The Hospital, both shot in 1971. She received a sizeable role in 1975's The Hindenburg, which utilized local repertory actors from throughout the midwest; she also worked with Hitchcock in 1976's Family Plot. In 1977, Katherine was cast as Jessica Tate, the scatterbrained, hedonistic matriarch on the TV sitcom Soap. She remained with the series until its cancellation in 1981; Soap left poor Jessica Tate facing a firing squad, and didn't reveal her fate until Helmond's guest appearance on the Soap spinoff Benson, wherein she played Jessica's ghost. In 1983, Katherine enrolled in the American Film Institute's Directing Workshop; she helmed the short subject Bankrupt and also several episodes of TV's Who's the Boss, in which she played Mona Robinson from 1984 through 1990. Keeping her hand in films, Katherine Helmond became a favorite of ex-Monty Python director Terry Gilliam, who cast the actress as a vain matron undergoing a really radical facelift in 1984's Brazil.

Trivia: Born to a Syrian-Lebanese family in Brooklyn, Victor Tayback grew up learning how to aggressively defend himself and those he cared about, qualities that he'd later carry over into his acting work. Moving to California with his family, the 16-year-old Tayback made the varsity football team at Burbank High. Despite numerous injuries, he continued his gridiron activities at Glendale Community College, until he quit school over a matter of principle (he refused to apologize to his coach for breaking curfew). After four years in the navy, Tayback enrolled at the Frederick A. Speare School of Radio and TV Broadcasting, hoping to become a sportscaster. Instead, he was sidetracked into acting, working as a cab driver, bank teller and even a "Kelly Girl" between performing gigs. Shortly after forming a little-theatre group called the Company of Angels, Tayback made his movie debut in Door-to-Door Maniac (1961), a fact he tended to exclude from his resumé in later years. His professional life began to improve in 1967, when he won an audition to play Sid Caesar's look-alike in a TV pilot. Throughout the early 1970s the bulging, bald-domed actor made a comfortable living in TV commercials and TV guest-star assignments, and as a regular on the detective series Griff (1973) and Khan (1975). In 1975, he was cast in the secondary role of Mel Sharples, the potty-mouthed short-fused owner of a greasy spoon diner, in the theatrical feature Alice Doesn't Live Here Anymore. When the film evolved into the weekly TV sitcom Alice in 1976, Tayback was engaged to recreate his "Mel" characterization. He remained with the program for the next nine years. In contrast to his gruff, abusive screen character, Tayback was dearly loved by the rest of the Alice cast, who regarded him a Big Brother and Father Confessor rolled into one. Five years after Alice's cancellation, Vic Tayback died of cancer at the age of 61; one of his last screen assignments was the voice of Carface in the animated feature All Dogs Go to Heaven.

Trivia: Best known to audiences as reporter Amy Allen on the hit series The A-Team, Chicago native Melinda Culea began her career in show business as a model in the early '80s. Unsatisfied with mere posing, she soon left her agency in New York to pursue a career as a TV actress in L.A., where she scored roles on numerous shows like Family Ties, St. Elsewhere, and Knots Landing.