Trivia: One of the most endearing goofballs to ever grace the stages of Saturday Night Live, affectionately offensive funnyman Adam Sandler has often been cited as the writer/performer who almost single-handedly rescued the long-running late-night television staple when the chips were down and it appeared to have run its course. Though his polarizing antics have divided audiences and critics who often dismiss him as lowbrow and obnoxious, Sandler's films, as well as the films of his Happy Madison production company, have performed consistently well at the box office despite harsh and frequent critical lashings.Born in Brooklyn on September 9th, 1966, it may come as no surprise that Sandler was a shameless class clown who left his classmates in stitches and his teachers with a handful. Never considering to utilize his gift of humor to pursue a career, Sandler eventually realized his potential when at the age of 17 his brother encouraged him to take the stage at an amateur comedy competition. A natural at making the audience laugh, the aspiring comedian nurtured his talents while attending New York University and studying for a Fine Arts Degree. With early appearances on The Cosby Show and the MTV game show Remote Control providing the increasingly busy Sandler with a loyal following, an early feature role coincided with his "discovery" by SNL cast member Dennis Miller at an L.A. comedy club. As the unfortunately named Shecky Moskowitz, his role as a struggling comedian in Going Overboard (1989) served as an interesting parallel to his actual career trajectory but did little to display his true comic talents.It wasn't until SNL producers took Miller's praise to heart and hired the fledgling comic as writer on the program that Sandler's talents were truly set to shine. Frequent appearances as Opera Man and Canteen Boy soon elevated him to player status, and it wasn't long before Sandler was the toast of the SNL cast in the mid-'90s. While appearing in SNL and sharpening his feature skills in such efforts as Shakes the Clown (1991) and Coneheads (1993), Sandler signed a recording contract with Warner Bros., and the release of the Grammy-nominated They're All Gonna Laugh at You proved the most appropriate title imaginable as his career began to soar. Striking an odd balance between tasteless vulgarity and innocent charm, the album found Sandler gaining footing as an artist independent of the SNL universe and fueled his desire -- as numerous cast members had before him -- to strike out on his own. Though those who had attempted a departure for feature fame in the past had met with decidedly mixed results, Sandler's loyal and devoted fan base proved strong supporters of such early solo feature efforts as Billy Madison (1996) and, especially, Happy Gilmore (1996).His mixture of grandma-loving sweetness and pure, unfiltered comedic rage continued with his role as a slow-witted backwoods mama's boy turned football superstar in The Waterboy (1998), and that same year found Sandler expanding his persona to more sensitive territory in The Wedding Singer. Perhaps his most appealing character up to that point, The Wedding Singer's combination of '80s nostalgia and a warmer, more personable persona found increasing support among those who had previously distanced themselves from his polarizing performances. As the decade rolled on, Sandler also appeared in the action-oriented Bulletproof (1996) and the even more affectionate Big Daddy (1999). In 2002, Sandler starred in a re-imagining of Mr. Deeds Goes to Town, titled simply Mr. Deeds.Beginning in the late nineties, Sandler's Happy Madison production company launched such efforts as Deuce Bigalow: Male Gigolo (1999), Little Nicky (2000), The Animal and Joe Dirt (both 2001). Deuce Bigalow: European Gigolo appeared in (2005), and Grandma's Boy in (2006). Despite critical castigation for scraping the bottom of the barrel with these efforts, Sandler's commercial instinct remained intact; the films all hit big at the box office and drew an ever-loyal base of fans who gravitated to any feature with Sandler's name attached.The early 2000s also saw Sandler attempting to branch out in a number of unusual directions, which included the animated "Hanukkah Musical" 8 Crazy Nights (2002). Sandler also began dipping his toes into the realm of drama with a starring role in the eccentric, critically acclaimed tragicomedy Punch-Drunk Love (2002), directed by Paul Thomas Anderson. Sandler also starred in the Jim Brooks-helmed comedy/drama Spanglish (2004), an unsually subdued and gentle turn away from the irascible types that Sandler usually played. The critical receptions were, again uneven, as reviewers loathed 8 Crazy Nights, justifiably praised Punch-Drunk across the board, and espoused mixed feelings about Spanglish.Perhaps well aware of the extent of these risks that he was taking with his career, Sandler continued to sustain his popularity with a steady (and reliable) stream of crowd-pleasing star vehicles throughout the early 2000s. 2002's self-produced Sandler vehicle Anger Management (which teamed him up with a maniacal Jack Nicholson); the 2004 effort 50 First Dates, in which he co-starred with fellow Wedding Singer alum Drew Barrymore; and the 2005 remake of Robert Aldrich's The Longest Yard all made box office gold. In 2006, Sandler starred in yet another hit: Click, a surrealistic comedy directed by Frank Coraci, co-starring Sean Astin, Kate Beckinsale and Christopher Walken. The film was a big hit and, having spent the past few years playing it safe, Sandler decided it was a good time to take another chance. He signed on to star with Don Cheadle in the 2007 drama Reign Over Me, playing a man who lost his wife and children in the 9/11 attacks, and is headed for complete self-destruction. The critics weren't as enamored with this dramatic attempt as they were with Punch-Drunk Love, but Sandler was mostly well received even when the film wasn't. Always tempering his risks with more predictable career moves, the actor next signed on to appear alongside King of Queens star Kevin James in the buddy movie I Now Pronounce You Chuck and Larry, a comedy about two straight firefighters who pretend to be a gay couple to receive domestic partner benefits.On a seemingly never-ending roll with his broadly appealing comedic roles, Sandler next played an Israeli secret agent and skilled beautician in 2008's You Don't Mess with the Zohan. He followed this up with a turn in the kids comedy Bedtime Stories in 2009, before adding a dash of dramatic acting to a humorous role once more, with the 2009 Judd Apatow flick Funny People. For Sandler's next project, he reteamed with Cuck and Larry co-star Kevin James for the 2010 romp Grown Ups, before cozying up to Jennifer Aniston for the romantic comedy Just Go With It in 2011. Despite his beautiful co-star, Just Go With It did poorly at the box office, and so for his next movie, the funnyman chose a more bankable supporting actor: himself, playing both a man and his own annoying twin sister in the 2012 comedy Jack and Jill.

Trivia: Actress Patricia Arquette is the granddaughter of Cliff Arquette, the daughter of character actor Lewis Arquette, and the sister of actors Rosanna Arquette, David Arquette and Alexis Arquette. Inaugurating her own film career in the mid-'80s, the actress came into her own with a gallery of fine portrayals in the '90s. In 1993 alone, she was seen as the hero's cousin/inamorata in Ethan Frome; the strung-out heroine in the stylishly violent road movie True Romance; and the hero's lesbian sister in Inside Monkey Zetterland. Arquette closed out 1994 on a fine note with her sympathetic portrayal of Kathy O'Hara, the second wife of Hollywood's "world's worst director," in Tim Burton's Ed Wood. The following year included a starring role in John Boorman's Beyond Rangoon and a marriage to actor Nicolas Cage. In 1996, Arquette had lead roles in a number of films, most notably David O. Russell's Flirting With Disaster, in which she played Ben Stiller's put-upon wife. She then switched gears with starring roles in David Lynch's Lost Highway and the thriller Nightwatch. She tried her hand at a Western in 1998, playing the object of Woody Harrelson's and Billy Crudup's desires in Stephen Frears' The Hi-Lo Country. Despite an interesting premise and excellent cast, the film flopped, but Arquette continued to work steadily the following year, with lead roles in the black comedy Goodbye Lover; Stigmata, in which she starred opposite Gabriel Byrne as the unwitting target of a supernatural phenomenon; and Martin Scorsese's Bringing out the Dead, a film starring Arquette's then-husband Cage as a burnt-out paramedic.Following the weightiness of the creepy Stigmata and the disturbing Bringing Out the Dead, Arquette took things in a decidedly lighter direction with her next two projects. In 2000, she played Adam Sandler's love-interest in the comedy Little Nicky, while the following year found her opposite Tim Robbins in the off-the-wall Human Nature. Written by Being John Malkovich scribe Charlie Kaufman, Human Nature was the feature debut from acclaimed music-video director Michel Gondry and featured Arquette as a woman cursed with a coat of fur covering her body.As the decade progressed, audiences could see Arquette in projects ranging from the star-studded documentary Searching for Debra Winger to the sleeper family film Holes. Then in 2005, Arquette found a truly resonant role, starring the psychic Allison Dubois on the extremely popular supernatural drama Medium. The show would run from 2005 to 2011, and Arquette would follow it up with a role alongside Bill Murray and Jason Schwartzman in A Glimpse Inside the Mind of Charles Swan III.In 2014, Arquette enjoyed the biggest critical success of her career playing the mother in Richard Linklater's universally praised Boyhood. Shot over the course of 12 years, the movie scored Arquette numerous year-end accolades, including an Oscar nomination for Best Supporting Actress.

Trivia: Sporting a Brooklyn accent and bulldog features, Harvey Keitel first gained recognition with a series of gritty roles in the early films of Martin Scorsese, and he was for a long time cast as one lowlife thug after another. His career experienced a renaissance in the 1990s, when roles in such films as Thelma & Louise, Bad Lieutenant, and The Piano demonstrated his versatility and his willingness to let it all hang out (literally) in the service of an authentic characterization.A product of Brooklyn, where he was born on May 13, 1939, Keitel grew up as something of a delinquent. At the age of 16, his truancy was put to an end when he was sent to Lebanon with the Marine Corps. Upon his return, he sold shoes and nurtured an interest in acting. He studied the craft with Lee Strasberg and Stella Adler and began appearing in off-off-Broadway productions. When he was 26, fate struck in the form of a casting ad placed by Scorsese, at that time a fledgling student director at New York University; Keitel's response to the ad began a collaboration that would last for years and produce some of the more memorable moments in film history. Keitel and Scorsese made their onscreen feature debuts with Who's That Knocking at My Door? (1968), in which the former played the latter's alter ego. Five years later, they collaborated on Mean Streets; that and their subsequent collaborations of the '70s, Alice Doesn't Live Here Anymore (1974) and Taxi Driver (1976), were some of the decade's most memorable films. Unfortunately, despite these achievements, Keitel's career suffered a great blow when he lost the lead in Francis Ford Coppola's Apocalypse Now to Martin Sheen. He spent much of the '80s appearing in obscure and/or forgettable films, save for Scorsese's controversial The Last Temptation of Christ (1988), and by the time he was cast in Thelma & Louise in 1991, he was in a career slump. 1991 and 1992 marked a turning point in Keitel's career: his role in Thelma and Louise as a sympathetic detective -- much like his role in that same year's Mortal Thoughts -- helped him break through the stereotypes surrounding him, and his Oscar nomination for his portrayal of gangster Mickey Cohen in Bugsy (1991) put him back in the forefront. Keitel's work in 1992's Bad Lieutenant, Reservoir Dogs, and Sister Act further established him as an actor of previously unappreciated versatility, and in 1993 he proved this versatility when he starred in Jane Campion's exotic art drama The Piano, in which he famously appeared in the nude as Holly Hunter's lover.Keitel continued to demonstrate his ability to play both hard-boiled gangsters and rough-edged nice guys throughout the rest of the decade, turning in one solid performance after another in such films as Pulp Fiction (1994), Clockers (1995), and Copland (1997). One of his most memorable characterizations, cigar shop owner Auggie Wren, came from his collaboration with Paul Auster on Smoke and Blue in the Face (both 1995); he also worked with Auster on his 1998 romantic drama Lulu on the Bridge. In 1999, Keitel could be seen in variety of films, notably Tony Bui's Three Seasons, in which he played an American soldier searching for his lost daughter in Vietnam, and Jane Campion's Holy Smoke, in which he played a man sent to deprogram Kate Winslet of the teachings she received while part of a religious cult.In 2001, Keitel's performance as the contemptuous Major Steve Arnold in Taking Sides was met with rave reviews; the same year, Keitel played a Holocaust victim in The Grey Zone. Keitel worked on and off throughout the 2000s, and landed a regular role in ABC's short-lived series Life on Mars in 2008.

Trivia: Welsh actor Rhys Ifans has not only one of the most distinctive names in the film industry but also one of its most idiosyncratic appearances. Tall, lanky, and snaggletoothed, Ifans can go from raving freak to persuasive romantic interest in less time than it takes to pronounce his name correctly.Ifans got his start acting in a number of Welsh language dramas and comedies, and he made his feature film debut in Anthony Hopkins' August (1996). The following year, he was part of one of the most successful films in Great Britain in 1997 when he starred in Twin Town. As one half of a set of twins (the other was portrayed by his real-life brother, Llyr Evans), he played what was undoubtedly one of the most riveting and revolting characters to come into contact with film audiences in years. The film's success opened the way for more work, and the following year he did a complete about-face, appearing as the charmingly errant father of Catherine McCormack's young son in Dancing at Lughnasa.The year after that, Ifans rejected grooming and general communication skills to play the role that was to give him international recognition, starring as Hugh Grant's hygienically challenged roommate in the romantic comedy Notting Hill. Many a critic agreed that Ifans virtually stole the show from his better-known co-stars, and that same year he had a chance to prove himself further in such diverse features as Heart, a black comedy in which he played a writer; and Rancid Aluminum, in which he starred as a man forced into business with the Russian mob after his father's death. Following an unlikely appearance as a football player in The Replacements (2000) and a turn as the son of Old Scratch in Little Nicky (2000), Ifans' role as a socially challenged forest dweller turned opera-loving socialite in the eccentric Human Nature provided audiences with abundant laughs and a further glimpse into the quirkiness of a truly unique actor.Of course the ever-eccentric Ifans was only warming up, and after supporting roles in such efforts as The 51st State, The Shipping News and Once Upon a Time in the Midlands Ifans once again took the lead in the 2003 comedy Donnie Deckchair. Cast as a man whose desperate attempt to escape the monotony of suburban life includes a bundle of large helium balloons and a lightweight deck chair, Ifans charmed Australian audiences in the family-friendly effort. Outside of his film work, Ifans briefly served as lead singer of the band Super Furry Animals before they struck the big time in the late 1990s.In 2006 he voiced McBunny in Garfield: A Tail of Two Kitties, but had major roles the next year in two very different projects -- Hannibal Rising and Elizabeth: The Golden Age. He appeared in 2009's Pirate Radio, reteaming with Notting Hill screenwriter Richard Curtis. Ifans had a strong supporting turn in Greenberg in 2010, and was center stage in Roland Emmerich's Shakespearean drama Anonymous in 2011. The next year he was part of the cast of the Spider-Man reboot, and was the romantic rival to Jason Segel in the comedy The Five-Year Engagement.

Trivia: Hardly diminutive, Tommy "Tiny" Lister Jr. has made his imposing presence felt in a multitude of films since the mid-'80s. Originally a professional wrestler nicknamed Zeus and Z-Gangsta, the 6' 5" 275 lb. Lister retired in 1985 to pursue an acting career. After making his movie debut in director Hal Ashby's final film 8 Million Ways to Die (1985), Lister spent the rest of the 1980s working primarily in A and B movies heavy on action, including Runaway Train (1985), Beverly Hills Cop II (1987), and Walter Hill's Extreme Prejudice (1987). Lister earned his first starring role playing his wrestling alter ego Zeus in the Hulk Hogan vehicle No Holds Barred (1989). Lister continued his run of B films in the early '90s, as well as appearing in Walter Hill's higher profile actioner Trespass (1992) with future co-star Ice Cube, and Jean-Claude Van Damme's Universal Soldier (1992). As the 1990s went on, Lister played roles in a more varied assortment of films, including the quirky Johnny Depp/Marlon Brando/Faye Dunaway romantic fantasy Don Juan DeMarco (1995) and the Quentin Tarantino-wannabe noir Things to Do in Denver When You're Dead (1995). Lister got to act for Tarantino himself in Jackie Brown, as well as play the President in Luc Besson's The Fifth Element. Lister's 1990s career also benefited from the decade's surge in African-American filmmaking, beginning with his starring role in Mario Van Peebles' Western Posse (1993). Lister subsequently starred as neighborhood bully Deebo opposite Ice Cube in the sleeper hit comedy Friday (1995). After appearing in comedian Martin Lawrence's A Thin Line Between Love and Hate (1996), Lister played a supporting role in Ice Cube's directorial debut The Players Club (1998), and starred as a hood in Master P's I Got the Hook-Up (1998). Adding to his eclectic credits in 2000, Lister notched another hit reprising his role as Deebo in the sequel Next Friday (2000), and co-starred as one of Satan's sons in the Adam Sandler comedy Little Nicky (2000).

Trivia: If ever there was a "late bloomer," it was American comedian Rodney Dangerfield. His father was a vaudeville pantomimist who was known professionally as Phil Roy, thus when Dangerfield struck out on his own stand-up comedy career at age 19 (he'd been writing jokes for other comics since 15), he called himself Jack Roy. For nine years he labored in some of the worst clubs on the East Coast, giving it all up at age 28 in order to support his new wife. Unfortunately, the marriage was an unhappy one, soon ending in divorce. In 1963 the comic returned to performing, using the name "Rodney Dangerfield" to distance himself from his miserable "Jack Roy" days. Four more years passed before Dangerfield finally got his big break on The Ed Sullivan Show, for which he'd auditioned by sneaking in during a dress rehearsal. By this time, Dangerfield had fully developed his belligerently neurotic stage persona, tugging at his tie and mopping his brow while he delineated the variety of ways in which he "don't get no respect." On top at last, Dangerfield opened his own nightclub in 1969, where many major comics of the 1970s and 1980s got their first opportunities; fiercely competitive onstage, Dangerfield is known to be more than generous to new talent offstage. In films since his turn as a nasty theatre manager in the 1970 low-budgeter The Projectionist, Dangerfield has exuded a movie image somewhat different than his paranoid nightclub character; he often plays a crude-and-rude "nouveau riche" type who delights in puncturing the pomposity of his "old money" opponents (Caddyshack). Rodney Dangerfield's best screen role was, significantly, his nicest--in Back to School (1985), he played a blunt but decent self-made millionaire who decides to join his son in getting an expensive college education.

Trivia: Known to many as the guy who appears in all the Adam Sandler movies, Allen Covert grew up in Florida and went to college in New York, where he met Sandler while working at a restaurant. After trying his hand at improv, he became steadily more interested in comedy, and began to collaborate with his friend Sandler, helping write the material for Sandler's comedy albums and eventually appearing in his films. Covert has subsequently appeared in almost all of Sandler's movies, beginning with 1989's Going Overboard (also known as Babes Ahoy). His appearances have ranged from small cameos to major supporting roles, and he even gained 40 lbs. to play Sandler's roommate in Little Nicky. The comedian has also worked as a writer, producer, and actor on his own, for movies like 2006's Grandma's Boy and 2008's Strange Wilderness.

Trivia: As one of the most impressively talented members of the emerging New Hollywood of the early 21st century, Reese Witherspoon has proven that she can do far more than just pose winsomely for the camera. Born March 22, 1976, in Nashville, TN, Witherspoon was a child model and acted in television commercials from the age of seven. She had a part in the 1991 Lifetime cable movie Wildflower before making her 1991 film debut in the coming-of-age story The Man in the Moon (1991). The 14-year-old Witherspoon made an immediate impact on critics and audiences alike, netting widespread praise for her portrayal of a tomboy experiencing love for the first time.While still in high school, Witherspoon completed two more feature films, Jack the Bear (1993), starring Danny De Vito, and Disney's A Far Off Place (1993), which required the actress to spend several months living in the Kalahari Desert. Following a supporting role in the 1993 CBS miniseries Return to Lonesome Dove and a lead in the critically disembowelled S.F.W., Witherspoon temporarily set aside her career to study English literature at Stanford University. She then returned to film as the abused girlfriend of a psychotic Mark Wahlberg in the thriller Fear (1996). In the same year, she had to deal with yet another crazed male in Freeway, a satirical version of Little Red Riding Hood in which Witherspoon co-starred with Kiefer Sutherland, who took on the role of the aforementioned crazed male.Her career began to take off in 1998, with roles in two high-profile films. The first, Twilight, saw her sharing the screen with Gene Hackman, Susan Sarandon, and Paul Newman. The film received mixed reviews and lackluster box office, but Pleasantville, her other project that year, proved to be both a critical and financial hit. The actress won wide recognition for her leading role as Tobey Maguire's oversexed sister, and this recognition -- along with critical respect -- increased the following year with another leading role, in Alexander Payne's acclaimed satire Election. Starring opposite Matthew Broderick, Witherspoon won raves for her hilarious, high-strung portrayal of student-council presidential candidate Tracy Flick. The character stood in stark contrast to the one Witherspoon subsequently portrayed in Cruel Intentions, Roger Kumble's delightfully trashy all-teen update of Dangerous Liaisons. As the virginal Annette, Witherspoon was convincing as the object of Ryan Phillippe's reluctant affection, perhaps due in part to her real-life relationship with the actor, whom she married in June 1999.After turning up in an amusing minor role as serial killer Patrick Bateman's burnt-out yuppie girlfriend in American Psycho (2000), Witherspoon again pleased critics and audiences alike with her decidedly Clueless-esque role in 2001's Legally Blonde. Her star turn as a seemingly dimwitted sorority blonde-turned-Harvard law-school-prodigy unexpectedly shot the featherweight comedy to number one, despite such heavy summer contenders as Steven Spielberg's A.I. and the ominously cast heist thriller The Score. The 18-million-dollar film went on to gross nearly 100 million dollars, proving that Witherspoon had finally arrived as a box-office draw.Though she would test out her chops in the Oscar Wilde adaptation The Importance of Being Earnest, Witherspoon's proper follow-up to Legally Blonde came in the form of 2002's Sweet Home Alabama, a culture-clash romantic comedy as embraced by audiences as it was rejected by critics. As with Drew Barrymore before her, Witherspoon used her newfound standing among the Hollywood elite to start her own production company, Type A Films, as well as to up her asking price to the rarefied 15-million-dollar range for the sequel to Legally Blonde. Though Blonde 2 didn't perform quite as well as the first film, the power player/doting mother of two wasted no time in prepping other projects for the screen, taking the lead in 2004's elaborate costume drama Vanity Fair as Becky Sharp, a woman who strives to transcend class barriers in 19th century England. For all its lavish costumes and sets, Vanity Fair received mixed reviews, but Witherspoon's winning performance still garnered praise.The next year, she appeared in the heaven-can-wait romantic comedy Just Like Heaven with Mark Ruffalo, as well as James Mangold's biopic Walk the Line as June Carter Cash, wife of country music legend Johnny Cash. This role proved to be a pivotal one, earning Witherspoon both a Best Actress Academy Award and a Golden Globe for her performance, and cementing her as an actress whose abilities go far beyond her charm and pretty face.As with others before her, however, the Best Actress statue portended a breakup between her and her husband; in October, 2006, she and Phillippe began their divorce proceedings, shortly after his starring turn in Clint Eastwood's Flags of Our Fathers. Career-wise, however, she didn't miss a beat, continuing to appear in popular romantic comedies like Four Christmases and Just Like Heaven, before getting more serious for the 1930's period drama Water for Elephants in 2011. By the next year, Witherspoon was crossing genres, playing the femme fatale at the center of a love triangle between two deadly secret agents in the action comedy This Means War.She did strong work in a supporting role in Mud, and in 2014 she returned to the Oscar race, garnering a Best Actress nomination for her work in Wild, playing a recovering addict who takes a grueling hike through California and Oregon in order to purge herself of her problems.

Trivia: Comic actor Dana Carvey led a near-monastic existence while growing up in Montana, not out of choice but because the truly popular kids were bigger and better-looking. "I was a fetus in shoes" commented Carvey on his high-school years. While attending San Francisco State University, Carvey launched his career as a stand-up comic. The going was rugged for a while, but by 1981 Carvey had built up enough of a reputation to earn second billing on the Mickey Rooney TV sitcom One of the Boys. Though the show was cancelled by mid-1982, Carvey was now on a roll. In 1984, he showed up as a regular on the TV police adventure series Blue Thunder, and was spotlighted in the parody rockumentary film This is Spinal Tap; two years later he was signed as a regular on NBC's Saturday Night Live. Carvey's gallery of comic characterizations is too vast to fully recount here, but his greatest popularity rested on two recurring characters. As "The Church Lady" (an amalgam of all the well-meaning pious neighbors Carvey had known while growing up), Carvey entered the Catchphrase Lexicon with his oft-repeated "Isn't that special?" and "Could it be....SATAN?" And as mop-topped teenage couch potato Garth (again drawn from life--this time based on Dana's brother Brad), Carvey was teamed with Mike Myers in a flawless on-going parody of cheap cable-access television. After a misfire movie vehicle, 1990's Opportunity Knocks, Carvey became a major box-office commodity by co-starring with Mike Myers in the megahit Wayne's World (1992). While the 1993 sequel Wayne's World 2 didn't quite match the take of the original, Carvey was artistically satisfied that same year with an Emmy award for his performance as H. Ross Perot (among others) on TV's Saturday Night Live Presidential Bash. Undaunted by the lack of response to Opportunity Knocks, Carvey once again took a stab at solo success with the similarly panned Clean Slate in 1994. After appearing in a pair of supporting roles (Trapped in Paradise and The Road to Wellville (both 1994)) and a cameo (1996's The Shot) shortly thereafter, Carvey disappeared almost entriely from the public eye until resurfacing in the 1999 Saturday Night Live; Presidential Bash and once again taking a small role in Adam Sandler's Little Nicky (2000). Eager to resume his once lucrative career and make a feature that his children could enjoy, Carvey returned to the silver screen as an Italian waiter who takes the art of mimicry to new and uncharted heights in The Master of Disguise (2002). In 1997 he underwent a heart operation that was bungled to such a degree that he was awarded millions in a lawsuit, and had to undergo multiple procedures to correct the problems caused by the initial incident. He finally reappeared on big-screens in 2011 in the Adam Sandler comedy Jack and Jill.

Trivia: Jon Lovitz is a versatile comedic actor instantly recognizable for his distinctive voice, acerbic wit, pear-shaped body, and hangdog eyes. He studied at the University of California, Irvine, and participated in the Film Actors Workshop. He then went on to do guest spots on TV and had a recurring role on Foley Square. Lovitz also played small roles in Last Resort (1986), and Ratboy (1986), and also provided a voice for the animated feature The Brave Little Toaster (1987). He got his first real break as a regular on TV's Saturday Night Live, where his characters such as Tommy Flanagan of pathological Liars Anonymous, the great Shakespearean ham Master Thespian, and the Devil himself became quite popular. His stint on Saturday Night Live put him in demand as a character actor and television guest star. His friendship with director Penny Marshall helped him get roles in some of her earlier films such as Big (1988), and his role as the fast talking baseball recruiter Ernie "Cappy" Capadino in Marshall's A League of Their Own (1992) earned him widespread acclaim. Lovitz has also appeared as a guest voice on the TV animated show The Simpsons and played lead voice in the critically-acclaimed animated show The Critic on ABC and the Fox Network.In the years following SNL and The Critic, Lovitz remained active with comedic roles in film (High School High, Little Nicky) and television (NewsRadio, Las Vegas), though it his performances in such films as Todd Solandz's acerbic black comedy Happiness and opposite Kevin Spacey in the semi-comedic Jack Abramoff biopic Casino Jack that displayed more range most filmmakers had previously failed to capitalize on. And thought the comic actor was never known to be overtly political, his scathing criticisms of U.S. President Barack Obama on the issue of taxes made headlines across the country in 2012, resulting in an unusually serious appearance on FOX News in which he passionately defended his comments.

Trivia: You knew him as Lenny Koznowski, the nasal, nerdish pal of Andrew "Squiggy" Squigman (David L. Lander) on the hit TV series Laverne and Shirley. Show-biz insiders knew Michael McKean as an intelligent, versatile actor and writer. Shedding himself of the "Lenny" image after Laverne and Shirley folded in 1983, McKean became involved in several ensemble comedy projects with such kindred spirits as Harry Shearer, Rob Reiner and Christopher Guest. In the 1984 "rockumentary" spoof This Is Spinal Tap, McKean played the cockney-accented heavy metal musician David St. Hubbins. Apparently McKean enjoyed posing as an Englishman, inasmuch as he has done it so often and so well since Spinal Tap, most recently as Brian Benben's snippish boss on the cable TV sitcom Dream On. In the early '90s, McKean was one of the stars of another, less memorable TV comedy, Grand, and appeared for two season on Saturday Night Live. He continues to land film roles, usually in comedies, including the successful The Brady Bunch Movie (1995).

Trivia: With his dry wit and popular characters a mainstay of Saturday Night Live for his enduring, record-setting nine-year stint (1986-1995) on the equally enduring late-night comedy television staple, Kevin Nealon shattered the public's funny bone with such popular characterizations as Subliminal Man and over-muscled meathead Hanz (alongside Dana Carvey's Franz) in addition to his popular stint as anchorman for that series' satirical news segment, Weekend Update. Aside from Tim Meadows, Nealon holds the record for longest-running cast member to appear in consecutive seasons in the show's long-running existence. Born and raised in Bridgeport, CT, Nealon took interest in sports and art in high school, gaining early attention as a performer in numerous local garage bands. Later attending Sacred Heart University and graduating with a degree in marketing, Nealon traveled the U.S. and Europe after completing his education. Capping his worldly exploits with a series of odd jobs, Nealon began performing as a standup comedian in the late '70s while working as a bartender at the Hollywood's Improv. Attempting to elevate his standup career to the next level, Nealon began making appearances on television commercials and talk shows. Joining the Not Ready for Primetime players in the 1986 season, the funnyman quickly shot to the front of the line with his likeable, smirky persona and memorable character creations, and he remained a member of the cast for nearly a decade. In addition to his Saturday Night Live duties, Nealon also began appearing in bit roles in such features as Roxanne (1987), All I Want for Christmas (1991), and, later, Happy Gillmore (1996). A curiosity among SNL alumni in that he didn't attempt a starring vehicle based on any characters he created for the show, Nealon instead opted for transferring his unique dry humor to the silver screen without lugging excess SNL baggage along for the ride. Upon his departure from SNL in 1996, it seemed as if Nealon may have finally been ready for prime time. Joining the cast of Champs that same year proved a disappointment as the show was canceled after less than one season, but Nealon persisted and has since gone on to appear in several of his SNL cast mates' features including Adam Sandler's Little Nicky (2000) and David Spade's Joe Dirt (2001). In addition to his comedy career, Nealon is a dedicated and outspoken champion of animal rights through his association with PETA (People for the Ethical Treatment of Animals).He went on to appear in Master of Disguise, Anger Management, and Daddy Day Care before landing the part of Doug Wilson on the Showtime series Weeds, a show he stayed on for multiple seasons. During that time, he continued to appear in major motion pictures that usually starred other SNL alumni. Highlights include You Don't Mess With the Zohan and Just Go With It. He voiced the main character on the short-lived animated series Glenn Martin, DDS.

Trivia: Another Saturday Night Live alumnus to make a bid for big screen stardom, Rob Schneider got his first chance to carry a film with Deuce Bigalow: Male Gigolo (2000), a mistaken identity comedy that was as commercially popular as it was critically eviscerated. The diminutive Schneider, who was born to a Filipino mother and Jewish father in San Francisco on October 31, 1963, got his start in comedy in high school. He began writing sketches when he was 15 and also began appearing at local comedy venues. Inspired by such comics as Richard Pryor, Gene Wilder, Peter Sellars, and Monty Python, Schneider decided to try to make a career out of stand-up.Following high school graduation, the fledgling comedian set off for Europe, where he traveled for a few months until he was robbed in Paris. Scraping together enough cash to make it back to the U.S., Schneider returned to San Francisco and renewed his determination to make it as a comedian. He quickly became active on the comedy circuit, opening for such luminaries as Jay Leno, Jerry Seinfeld, and Dana Carvey. Schneider got his big break in 1990, when he was discovered by SNL producer Lorne Michaels while performing on an HBO comedy special. He was hired on as a writer for SNL in 1991, but he soon began performing his own material as well as writing it. He earned great popularity and lasting fame for his characterizations of "Richard "the Richmeister" Laymer" and "The Sensitive Naked Man," as well as various celebrity impersonations. Schneider stayed with the show until the end of the 1993-1994 season, when he decided to quit in order to pursue his film career.Following his departure from SNL, Schneider had a sizable supporting role in the Sylvester Stallone vehicle Judge Dredd (1995), but his subsequent film work was limited almost solely to forgettable comedies. In 1996, the comedian returned to television as one of the stars of the short-lived sitcom Men Behaving Badly, but he continued to focus much of his energy on a film career. After appearing in The Waterboy (1998) and Big Daddy (1999), two wildly successful comedies starring fellow-SNL alum Adam Sandler, Schneider starred as the titular hero of Deuce Bigalow: Male Gigolo, a fish tank cleaner who assumes the identity of a high-living gigolo. Panned by critics as immature and vulgar, Deuce Bigalow nevertheless did decent business in theaters and found a niche after it's subsequent release on home video, prompting Schneider to prepare a sophmore effort, The Animal. Co-starring Survivor contestant turned thespian Colleen Haskell, Schneider's tale of a car accident victim imbued with superhuman powers after being pieced back together with animal organs kept the low-brow rolling while marking his territory among the ranks of the more successful transitions from SNL player to big screen star.Later, in the 2000s, Schneider frequently alternated between starring in his own films (The Hot Chick, Duece Bigalow: European Gigolo), and supporting his old pal Sandler (The Longest Yard, I Now Pronounce You Chuck and Larry), with few on either side truly managing to ignite the box office or his career momentum. Though 2012 found Schneider attempting to break back into television with Rob, a CBS sitcom centering on an OCD landscape architect who marries into a jovial Mexican-American family, the network cancelled the series after just one season.

Trivia: Following brief enlistment as a regular cast member on television's The Larry Sanders Show and The Jeff Foxworthy Show, comedic actor Peter Dante scored a series of bit parts and supporting roles in farces produced by Adam Sandler's Happy Madison production company (many of which also featured Sandler in the cast). These outings included Big Daddy (1999), Little Nicky (2000), Grandma's Boy (2006), and Strange Wilderness (2008).

Trivia: Born March 27th, 1963, director/screenwriter/actor/producer Quentin Tarantino was perhaps the most distinctive and volatile talent to emerge in American film in the early '90s. Unlike the previous generation of American filmmakers, Tarantino learned his craft from his days as a video clerk rather than as a film-school student. Consequently, he developed an audacious fusion of pop culture and independent arthouse cinema; his films were thrillers that were distinguished as much by their clever, twisting dialogue as their outbursts of extreme violence. Tarantino initially began his career as an actor (his biggest role was as an Elvis impersonator on an episode of The Golden Girls), taking classes while he was working at Video Archives in Manhattan Beach, CA. During his time at Video Archives, the fledgling filmmaker began writing screenplays, completing his first, True Romance, in 1987. With his co-worker, Roger Avary (who would later also become a director), Tarantino tried to get financial backing to film the script. After years of negotiations, he decided to sell the script, which wound up in the hands of director Tony Scott. During this time, Tarantino wrote the screenplay for Natural Born Killers. Again, he was unable to come up with enough investors to make a movie and gave the script to his partner, Rand Vossler. Tarantino then used the money he made from True Romance to begin pre-production on Reservoir Dogs, a film about a failed heist. Reservoir Dogs received financial backing from LIVE Entertainment after Harvey Keitel agreed to star in the movie. Word-of-mouth on Reservoir Dogs began to build at the 1992 Sundance Film Festival, which led to scores of glowing reviews, making the film a cult hit. While many critics and fans were praising Tarantino, he developed a sizable number of detractors. Claiming he ripped off the obscure Hong Kong thriller City on Fire, the critics only added to the director/writer's already considerable buzz. During 1993, Tarantino wrote and directed his next feature, Pulp Fiction, which featured three interweaving crime storylines; Tony Scott's big-budget production of True Romance was also released that year. In 1994, Tarantino was elevated from a cult figure to a major celebrity. Pulp Fiction won the Palme d'Or at the Cannes Film Festival that May, beginning the flood of good reviews for the picture. Before Pulp Fiction was released in October, Oliver Stone's bombastic version of Natural Born Killers hit the theaters in August; Tarantino distanced himself from the film and was only credited for writing the basic story. Pulp Fiction soon eclipsed Natural Born Killers in both acclaim and popularity. Made for eight million dollars, the film eventually grossed over 100 million dollars and topped many critics' top ten lists. Pulp Fiction earned seven Academy Award nominations, including Best Picture, Best Director, Best Original Screenplay (Tarantino and Avary), Best Actor (John Travolta), Best Supporting Actor (Samuel L. Jackson), and Best Supporting Actress (Uma Thurman); it won one, for Tarantino and Avery's writing.After the film's success, Tarantino was everywhere, from talk shows to a cameo in the low-budget Sleep With Me. At the beginning of 1995, he directed a segment of the anthology film Four Rooms and acted in Robert Rodriguez's sequel to El Mariachi, Desperado, and the comedy Destiny Turns on the Radio, in which he had a starring role. Tarantino also kept busy with television, directing an episode of the NBC TV hit ER and appearing in Margaret Cho's sitcom All-American Girl.The latter half of the '90s saw Tarantino continue his multifaceted role as an actor, director, screenwriter, and producer. In 1996, he served as the screenwriter and executive producer for the George Clooney schlock-fest From Dusk Till Dawn, and the following year renewed some of his earlier acclaim as the director and screenwriter of Jackie Brown. The film, in which Tarantino had a voice-over cameo, reunited him with Fiction star Samuel L. Jackson and won him the raves that had been missing for much of his post-Fiction career. Also in 1997, Tarantino appeared in Full Tilt Boogie, a documentary about the making of From Dusk Till Dawn. His film work the following year was essentially confined to a role in friend Julia Sweeney's God Said, Ha!, and in 1999, he was back behind the camera as the producer for From Dusk Till Dawn 2: Texas Blood Money. Though Tarantino would lay relatively low in the early years of the new millennium, he did make a prominent guest-starring appearance in 2001 on a two-episode story arc of the spy show Alias. In late 2002/early 2003, hype would soon start to build around his fourth feature, Kill Bill (2003). Though originally envisioned to be a single release, Kill Bill was eventually seperated into two films entitled Kill Bill Vol. 1 and Kill Bill Vol. 2 when it became obvious that the story was simply too far-reaching to be contained in a single film. A kinetic homage to revenge movies of the 1970s, Kill Bill Vol. 1 featured Uma Thurman as a former assassin known as "The Bride." While the first film in the pair was an eye-popping homage to Asian cinema and all things extreme, the outrageous violence of Kill Bill Vol. 1 stood in stark contrast to the dialogue-driven second installment that concluded the epic tale of revenge and betrayal. The gambit of separate releases paid off, as both earned a combined sum of more than 130 million dollars domestically.In the wake of the Kill Bill films, rumors abounded concerning Tarantino's next feature, and eager fans were shocked to see his name mentioned as being a potential candidate to helm everything from the next Friday the 13th film to a remake of the James Bond classic Casino Royale.In 2005, Tarantino did step back into the director's chair to helm a segment of Robert Rodriguez's eagerly anticipated comic book adaptation Sin City. A longtime friend of Rodriguez, Tarantino agreed to take part in the filming of Sin City, not only to repay the versatile filmmaker for providing soundtrack music for the Kill Bill films, but also to try his hand at digital filmmaking -- a process increasingly championed by the seemingly inexhaustable Rodriguez. After this, the two directors joined forces again, for one of the most ballyhooed and hotly anticipated pictures of 2007: Grindhouse. A no-holds-barred elegy to the sleazy, seedy, often half-dilapidated inner-city theaters of the 1970s that would churn out similarly sleazy movies, Tarantino and Rodriguez divided Grindhouse into two portions: the first half, Death Proof, directed by Tarantino, starred Kurt Russell in homage to the high-octane auto thrillers of the '70s. Merging low-brow thrills with blunt, existential dialogue, the Tarantino segment garnered the lion's share of the film's considerable critical praise, although the three-hour-plus Grindhouse ultimately failed to connect with audiences, much to the dismay of The Weinstein Company, who released it. Separate versions of Death Proof and Rodriguez's Planet Terror were then prepped for European release, with Tarantino's effort screened in competition at the 2007 Cannes Film Festival.In 2009 Tarantino issued Inglorious Basterds, a sprawling World War II epic abuot a band of Jewish American soldiers fighting an Apache resistence behind enemy lines in Nazi-occupied France. The film, strring Brad Pitt, was a hit around the world, and garnered Tarantino nominations from the Writers Guild, the Directors Guild, the Hollywood Foreign Press, and the Academy for his screenplay and his direction.He took three years to craft his follow up, Django Unchained, a revenge tale set in the pre-Civil War American south that follows a slave who teams up with a bounty hunter to get his wife away from a sadistic plantation owner. The film was a another international box office hit, and earned a number of year-end awards including a second Best Original Screenplay Oscar for Tarantino.

Trivia: Funnyman John Witherspoon has parlayed a successful career as a standup comic into a series of memorable film roles. Born in Detroit, MI, Witherspoon began his show business career as a model in the early '70s before striking out on his own as a comedian. His first big break came in 1977 when he landed a regular spot on Richard Pryor's short-lived television variety series, and he began playing supporting roles on such shows as What's Happening!, Good Times, and WKRP in Cincinnati. In 1980, Witherspoon made his film debut playing a nightclub MC in Neil Diamond's 1980 remake of The Jazz Singer. Witherspoon's big-screen breakthrough, however, came in Robert Townsend's comedy Hollywood Shuffle, in which Witherspoon played Mr. Jones, the manager of the Winky Dinky Dog hot-dog stand. The surprise success of Hollywood Shuffle led to a string of film parts and recurring roles on two television series -- the short-lived Townsend Television in 1993 and 1995's The Wayans Bros., which ran for four years, with Witherspoon playing "Pop" Williams. In 1995, Witherspoon also played ill-tempered dogcatcher Mr. Jones in Ice Cube's urban comedy Friday. John Witherspoon still tours as a standup comic when he's not busy with film and television work. Witherspoon played a recurring part on the sitcom The Wayans Brothers, and appeared in small roles in a variety of films including I Got the Hook Up, The Ladies Man, and Fakin' Da Funk. In addition to appearing in multiple sequels to Friday, Witherspoon teamed up with old colleagues when he played a part for the Wayans brothers in Little Man. Witherspoon also brought his caustic sensibility to his voice work on the animated television adaptation of the controversial comic strip The Boondocks.

Trivia: A football star at San Diego State, Carl Weathers played professionally with the Oakland Raiders, acting in local stage productions during the off-season. Weathers went on to play with the British Columbia Lions in the Canadian Football League, then retired from sports in 1974, the better to devote all his time to an acting career. After yeoman service in a handful of "blaxploitation" flicks, he rose to fame as the Muhammad Ali-inspired Apollo Creed in the first Rocky film. Apollo Creed's adversarial relationship with Rocky Balboa mellowed into warm friendship in the course of the next three Rocky installments; indeed, when Apollo was killed off by "superboxer" Dolph Lundgren in Rocky IV (1985), the tragedy served as the motivation for the retired Rocky to climb into the ring yet once more. Weathers' post-Rocky projects have included the title role in Action Jackson (1988), the Sidney Poitier part in the 1985 TV-movie remake of The Defiant Ones, and the TV series Fortune Dane, Street Justice and Tour of Duty. In the early 1990s, Weathers replaced Howard Rollins Jr. in a group of In the Heat of the Night 2-hour TV specials. He developed a knack for comedy later in his career, appearing in Happy Gilmore, Little Nicky, and making a particularly memorable cameo in the sitcom Arrested Development as a stew-obsessed acting coach. In addition to his show business work, Carl Weathers has been active with the Big Brothers Association and the U.S. Olympic Committee.

Trivia: A graduate of the Yale School of Drama, American actor Henry Winkler, born October 30th, 1945, first appeared on Broadway and in films (Crazy Joe, The Lords of Flatbush [both 1974]) before making the guest-star rounds on TV sitcoms. He worked several times for MTM productions, appearing in such roles as Valerie Harper's date on Rhoda and a charming thief undergoing psychoanalysis on The Bob Newhart Show. In 1973, Winkler was selected among hundreds of candidates (including ex-Monkee Micky Dolenz) to play the small recurring role of Arthur "Fonzie" Fonzarelli, a leather-jacketed auto mechanic, on the new TV sitcom Happy Days. Though the series' stars were ostensibly Ron Howard, Anson Williams, and Donny Most, the bulk of the fan mail sent to Happy Days during its first season was addressed to "the Fonz." By the time the second season rolled around, Winkler was afforded second billing and a larger slice of screen time on each week's episode. Soon the more impressionable TV fans of America were parroting such Fonzie catchphrases as "Aaaaay" and "Sit on it!," while the nonplussed Winkler, who always regarded himself as a Dustin Hoffman-esque character actor, climbed to teen-idol status, complete with fan magazine interviews, posters, and Fonzie dolls. He also enjoyed a substantial salary boost, from 750 dollars per episode to (eventually) 80,000 dollars. At first, the off-stage Winkler could be as testy and sarcastic as his on-stage persona, but as Fonzie assumed "role model" proportions, the actor began comporting himself in as polite and agreeable a manner as possible. Accordingly, Fonzie became less of a Marlon Brando-type hoodlum and more of a basically goodhearted, moralistic young fellow who happened to be a motorcycle-racing dropout. By the time Happy Days ended in 1983 (by which time Winkler was elevated to top billing), Fonzie was a "drop-in," with a good job as a high school shop teacher and the possibility of a solid marriage. During his Happy Days heyday, Winkler was determined to prove he was capable of playing parts above and beyond Fonzie by taking film roles as far removed from his TV character: the troubled Vietnam vet in Heroes (1977), the vainglorious actor-turned-wrestler in The One and Only (1981), a '30s-style Scrooge in An American Christmas Carol (1982), and the timorous morgue attendant in Night Shift (1983). Following the example of his Happy Days co-star Ron Howard, Winkler also began working his way into the production and direction end of the business. In addition, Winkler used his name value for the benefit of others, remaining active in charitable and political causes. After several years away from the camera, Winkler returned to acting in the 1991 TV-movie Absolute Strangers, playing the husband of a woman caught in the middle of a volatile pro-life/pro-choice argument. And in 1993, Henry Winkler starred in the brief TV sitcom Monty, portraying a bombastic Limbaugh-type conservative TV personality. Winkler appeared in Little Nicky (2006) and You Don't Mess With the Zohan (2008), both times playing himself. Winkler continued to take small roles and guest spots on television and film throughout the 2000s.

Trivia: Heavy metal pioneer Ozzy Osbourne first gained exposure as co-founder and vocalist of the groundbreaking hard rock band Black Sabbath, which formed in 1969 in Osbourne's hometown of Birmingham, England. After nearly a decade of helping to define the parameters of the heavy metal genre, Osbourne embarked upon a solo career that brought him even more success and infamy. He became a symbol for hard rock excess and outrageousness, thanks to his music's quasi-Satanic imagery, his very public substance abuse, and an assortment of bizarre stunts (such as biting the head off of a dove in front of a roomful of record executives and an arrest for urinating against the Alamo). Osbourne's few silver screen appearances have been cameos in youth-oriented films that play off his image as the ultimate rock & roll heathen, though his interview segment in the documentary The Decline of Western Civilization 2: The Metal Years was one of the few down-to-earth, honest moments in a revealing, and often damning, portrayal of the metal scene's fans and performers. However, it was with the 2002 premiere of the MTV reality series The Osbournes that Ozzy entered the strangest chapter of his career in the public eye. Millions tuned in weekly to peer into the day-to-day life of the Osbourne clan, as captured by a camera crew set up in the family mansion. Ozzy was revealed to be a sweet (if addled) husband and father who loved his wife and children despite the unending chaos and profanity that distinguished their home. The popularity of the series made Osbourne (and the rest of his brood) more famous than ever with many viewers who had never even heard his music. Along with wife Sharon, Ozzy became a symbol of modern parenting for some, and proof of American society's utter dysfunction to others. What's certain is that The Osbournes humanized the long-reviled singer's image and brought Ozzy mainstream television fame that no one could have ever predicted. Over the course of the next decade, Sharon became a celebrity in her own right by spouting off opinions on The Talk and insults on America's Got Talent, and Ozzy continued to rock fans all over the world in addition to being the subject of the 2011 documentary God Bless Ozzy Osburne -- a candid documentary that's guaranteed to make fans of The Osbourne's look back at the groundbreaking reality series in a diferent light. Ozzy continued to make music, reuniting with Black Sabbath in 2012 and working on his solo career.

Trivia: Though best known as the jovial but lovably sarcastic host of the American talk show sensation Live with Regis and Kelly (and its earlier incarnation, Live With Regis and Kathie Lee), television personality Regis Philbin (born August 25th 1931) has sustained an astonishingly varied career that bridges not only a myriad of broadcast formats -- from daytime and late-night talk to game shows to televised parades and news magazines -- but multiple mediums as well, including books, feature films, and even musical recordings that found Philbin crooning along to old standards. A native New Yorker, Philbin grew up in the South Bronx and later graduated from the University of Notre Dame. After a stint in the Navy and a series of entry-level jobs in Hollywood, he hosted the talk programs The Regis Philbin Show (on KGTV in San Diego) and Philbin's People in Los Angeles, and developed a revolutionary style of televised chat that involved peppering his commentary with witty asides and opinions, and involving the audience in the on-set conversation. In time, Philbin secured a spot as co-host on the late-night talk program The Joey Bishop Show from April 1967 to December 1969. During the 1970s, Philbin hosted the morning talk show Temp on Los Angeles's KHJ-TV, and emceed two game shows on ABC. In 1983, he launched The Morning Show, a local talk program in New York City; it eventually evolved into Live With Regis and Kathie Lee in 1985, after Kathie Lee Gifford signed on as co-host. That program, of course, became a national institution, and continued even after Gifford left, with Kelly Ripa replacing her as co-host. During the late '90s, Philbin also made television history by emceeing one of the most lucrative game shows in the history of the broadcast medium: the U.K. import Who Wants to Be a Millionaire?, on ABC.Cinematically, Philbin made a number of cameo film appearances in various Hollywood features over the years -- often, though not always, playing himself. These included the uproarious 1972 Woody Allen film-a-sketch Everything You Always Wanted to Know About Sex, But Were Afraid to Ask (as one of the panelists on a perverted game show), and the awful Mae West 1978 musical Sextette (as a reporter). Regis and second wife Joy Philbin lent darkly amusing cameos as themselves to the Irwin Winkler-directed psychological drama Night and the City (1992) -- in which they appear as restaurant patrons, hounded by obnoxious flim-flam man Harry Fabian (Robert De Niro). In the early 2000s, Philbin's film appearances included cameos in Little Nicky and Cheaper by the Dozen, and a small role in Shrek the Third, as the voice of Mabel, one of Cinderella's ugly stepsisters.The entertainer reprised his voice role in Shrek Forever After in 2010. Philbin announced his departure from LIVE! With Regis and Kelly during an emotional episode in February of 2011.

Trivia: Comedian and actor Blake Clark grew up in Georgia and fought in the Vietnam War before hitting the small screen in the early 1980s in a string of guest starring spots on shows like M*A*S*H, Moonlighting, and St. Elmo's Fire. During this time, he was also featured in comedy specials on HBO, NBC, and ABC. The roles kept pouring in for the gruff-voiced actor, who landed a regular role on Home Improvement in 1994. He played Tim Taylor's friend Harry, who owned the hardware store where Tim spent much time and money. Clark also had recurring roles on The Drew Carey Show, The Jamie Foxx Show, and Boy Meets World (as Shawn's father, Chet). On the big screen, Clark became a favorite of Adam Sandler and was cast in many of his movies, including The Waterboy, Little Nicky, Mr. Deeds, and 50 First Dates. Clark also replaced the late Jim Varney as the voice of Slinky Dog in 2010's Toy Story 3.

Trivia: Frequently drawing comparisons to such glamorous Hollywood starlets as Ava Gardner and Rita Hayworth, former Miss U.S.A. turned sultry screen siren Laura Elena Harring had been acting in features for over a decade when she entranced audiences with her enigmatic performance in David Lynch's surreal mystery Mulholland Dr. Born in Los Mochis, Sinaola, Mexico, Harring relocated to San Antonio, TX, with her mother and two sisters at age 11. Traveling abroad to study at Switzerland's Aiglon College at the age of 16, the worldly student later spent time doing such unglamorous work as digging ditches and planting gardens in India as a social worker. Though she would spend a brief period backpacking throughout the world following her exploits in Switzerland and India, it wasn't long before Harring returned to her family in Texas and made the fateful decision to enter the Miss El Paso contest. After becoming the first Latina to win the title of Miss U.S.A. in 1985 at the age of 21, Harring entered the world of royalty with her marriage to Count Carl Edward Von Bismark. Shortly after her marriage, Countess Harring would pursue her love of drama at the London Academy of Performing Arts. Refining her talents on the stages of Los Angeles' downtown theater arts district, the Countess made her screen debut as the bride of Santa Anna in the 1987 made-for-television film The Alamo: Thirteen Days to Glory. Harring alternated between television and film in the following years, later igniting the screen with her passion for tango in 1990's The Forbidden Dance. Amicably separated from her husband shortly thereafter, the emerging actress focused her career and continued to alternate between the small and silver screens with roles in Exit to Eden (1994), The Elian Gonzalez Story, and Little Nicky (both 2000) before hitting her stride under the assured direction of eccentric director Lynch the following year. Originally conceived as a television pilot, Mulholland Dr. was rejected by the networks before being retooled into a feature that fascinated audiences and critics at the 2001 Cannes Film Festival, where it earned a Best Director award. Drawing much attention at the 2002 Oscars for her pricey footwear, the now in-demand starlet continued her Tinsel Town ascent with a role in the Denzel Washington hostage drama John Q. the following year.

Trivia: Philip Bolden debuted in features as a child star during the mid- to late 2000s. One who largely specialized in family-friendly urban comedies, his credits included Johnson Family Vacation (2004), Are We There Yet? (2005), and Are We Done Yet? (2007). In 2008, Bolden provided one of the main voices for the CG-animated comedy Fly Me to the Moon 3-D (2008).