Trivia: In his youth, George Reeves aspired to become a boxer, but gave up this pursuit because his mother was worried that he'd be seriously injured. Attracted to acting, Reeves attended the Pasadena Playhouse, where he starred in several productions. In 1939, Reeves was selected to play one of the Tarleton twins in the Selznick superproduction Gone With the Wind (1939). He made an excellent impression in the role, and spent the next few years playing roles of varying sizes at Warner Bros., 20th Century Fox, and Paramount. He was praised by fans and reviewers alike for his performances in Lydia (1941) and So Proudly We Hail (1943); upon returning from WWII service, however, Reeves found it more difficult to get good roles. He starred in a few "B"'s and in the title role of the Columbia serial The Adventures of Sir Galahad (1949), but for the most part was shunted away in ordinary villain roles. In 1951, he starred in the Lippert programmer Superman vs. the Mole Men, playing both the Man of Steel and his bespectacled alter ego, Clark Kent. This led to the immensely popular Superman TV series, in which Reeves starred from 1953 through 1957. While Superman saved Reeves' career, it also permanently typecast him. He made an appearance as wagon train leader James Stephen in Disney's Westward Ho, the Wagons! (1956), though the producer felt it expeditious to hide Reeves behind a heavy beard. While it is now commonly believed that Reeves was unable to get work after the cancellation of Superman in 1957, he was in fact poised to embark on several lucrative projects, including directing assignments on two medium-budget adventure pictures and a worldwide personal appearance tour. On June 16, 1959, Reeves died of an apparently self-inflicted gunshot wound. The official ruling was suicide -- and, since he left no note, it was assumed that Reeves was despondent over his flagging career. Since that time, however, there has been a mounting suspicion (engendered by the actor's friends and family) that George Reeves was murdered.

Trivia: One of the most prolific of the "Who IS that?"school of character actors, Dabbs Greer has been playing small-town doctors, bankers, merchants, druggists, mayors and ministers since at least 1950. His purse-lipped countenance and Midwestern twang was equally effective in taciturn villainous roles. Essentially a bit player in films of the 1950s (Diplomatic Courier, Deadline USA, Living It Up), Greer was given more screen time than usual as a New York detective in House of Wax (1953), while his surface normality served as excellent contrast to the extraterrestrial goings-on in Invasion of the Body Snatchers (1956) and It! The Terror from Beyond Space. A television actor since the dawn of the cathode-tube era, Greer has shown up in hundreds of TV supporting roles, including the "origin" episode of the original Superman series, in which he played the dangling dirigible worker rescued in mid-air by the Man of Steel. Greer also played the recurring roles of storekeeper Mr. Jones on Gunsmoke (1955-60) and Reverend Robert Alden on Little House on the Prairie (1974-83). Showing no signs of slowing down, Dabbs Greer continued accepting roles in such films as Two Moon Junction (1988) and Pacific Heights (1990) into the '90s. He died following a battle with kidney and heart disease, on April 28, 2007, not quite a month after his 90th birthday.

Trivia: Chances are when a doctor made a house call in a '40s movie, that doctor was portrayed by Sam Flint. Silver-haired, authoritative, and distinguished by an executive-style moustache, Flint entered films in the early '30s after a long stage career. Though his movie roles were usually confined to one or two scenes per picture, Flint was always instantly recognizable in his characterizations of businessmen, bankers, chairmen of the board, politicians, publishers, fathers of the bride--and, as mentioned before, doctors. In addition to his prolific feature-film work, Sam Flint was always welcome in short subjects, appearing in support of everyone from Our Gang to the Three Stooges.

Trivia: Born in L.A. and raised in Pasadena, Jack Larson's ingenuous, "golly gee" screen image served him well when in 1951 he was cast as cub reporter Jimmy Olsen on the TV series Superman. He remained with the program until 1957, by which time he had become so thoroughly identified with the role that he had considerable difficulty landing other film assignments. Eventually Larson gave up acting to concentrate on writing plays and musical librettos; one of his more prestigious assignments was a collaboration with noted composer Virgil Thompson. The longtime companion of filmmaker James Bridges, Jack Larson served as the co-producer of such Bridges films as The Paper Chase (1973), Urban Cowboy (1980), and Bright Lights, Big City (1988). He made a guest appearance in a 1996 episode of Lois & Clark: The New Adventures of Superman, playing an older version of Jimmy Olsen. Larson died in 2015, at age 87.

Trivia: The star of Republic Pictures' notoriously bad Daughter of the Jungle (1949), and, she claims, a second cousin to both Charles Lindbergh and Gig Young, Lois Hall was discovered by an agent while performing with the famed Pasadena Playhouse. She had a walk-on in the Cary Grant comedy Every Girl Should be Married (1948) and then settled into a long stint as a leading lady to such B-Western stars as Charles Starrett, Johnny Mack Brown, and Whip Wilson. Hall also did the inevitable serials, The Adventures of Sir Galahad (1949) and Pirates of the High Seas (1950), and was frequently seen on television's The Range Rider series until semi-retiring in 1958 to care for her family. Widowed in 1995, Hall works as an ambassador for the Baha'i One World Faith but has returned to acting on such television shows as Profiler (2000) and in the feature films Gone in Sixty Seconds (2000) and Bad Boy (2002).

Trivia: Born and educated in Pennsylvania, John Hamilton headed to New York in his twenties to launch a 25-year stage career. Ideally cast as businessmen and officials, the silver-haired Hamilton worked opposite such luminaries as George M. Cohan and Ann Harding. He toured in the original company of the long-running Frank Bacon vehicle Lightnin', and also figured prominently in the original New York productions of Seventh Heaven and Broadway. He made his film bow in 1930, costarring with Donald Meek in a series of 2-reel S.S.Van Dyne whodunits (The Skull Mystery, The Wall St. Mystery) filmed at Vitaphone's Brooklyn studios. Vitaphone's parent company, Warner Bros., brought Hamilton to Hollywood in 1936, where he spent the next twenty years playing bits and supporting roles as police chiefs, judges, senators, generals and other authority figures. Humphrey Bogart fans will remember Hamilton as the clipped-speech DA in The Maltese Falcon (1941), while Jimmy Cagney devotees will recall Hamilton as the recruiting officer who inspires George M. Cohan (Cagney) to compose "Over There" in Yankee Doodle Dandy (1942). Continuing to accept small roles in films until the mid '50s (he was the justice of the peace who marries Marlon Brando to Teresa Wright in 1950's The Men), Hamilton also supplemented his income with a group of advertisements for an eyeglasses firm. John Hamilton is best known to TV-addicted baby boomers for his six-year stint as blustering editor Perry "Great Caesar's Ghost!" White on the Adventures of Superman series.

Trivia: The son of a wholesale grocer who later became one of the founders of the U.S. Chamber of Commerce, Robert Shayne studied business administration at Boston University. Intending to study for the ministry, Shayne opted instead to work as field secretary for the Unitarian Layman's League. He went on to sell real estate during the Florida Land Boom of the 1920s before heading northward to launch an acting career. After Broadway experience, Shayne was signed to a film contract at RKO radio in 1934. When this led nowhere, Shayne returned to the stage. While appearing with Katharine Hepburn in the Philip Barry play Without Love, Shayne was again beckoned to Hollywood, this time by Warner Bros. Most of his feature film roles under the Warner banner were of the sort that any competent actor could have played; he was better served by the studio's short subjects department, which starred him in a series of 2-reel "pocket westerns" built around stock footage from earlier outdoor epics. He began free-lancing in 1946, playing roles of varying size and importance at every major and minor outfit in Hollywood. In 1951, Shayne was cast in his best-known role: Inspector Henderson on the long-running TV adventure series Superman. He quit acting in the mid-1970s to become an investment banker with the Boston Stock Exchange. The resurgence of the old Superman series on television during this decade thrust Shayne back into the limelight, encouraging him to go back before the cameras. He was last seen in a recurring role on the 1990 Superman-like weekly series The Flash. Reflecting on his busy but only fitfully successful acting career, Robert Shayne commented in 1975 that "It was work, hard and long; a terrible business when things go wrong, a rewarding career when things go right."

Trivia: After stock experience in New England and a starring role in a Broadway flop, American actor John Kellogg was selected to play the lead in the road company of the long-running service comedy Brother Rat. He continued working steadily on stage until interrupted by World War II service. After a smattering of movie exposure at other studios, Kellogg signed a Columbia contract in 1946. Good-looking and dependable enough for secondary roles but not quite star material, Kellogg was seen in such films as Thirty Seconds Over Tokyo (1943), A Walk in the Sun (1945), Johnny O'Clock (1947) and 12 O'Clock High (1949).

Trivia: Diminutive, baby-faced actress Noel Neill entered films as a Paramount starlet in 1942. Though she was showcased in one of the musical numbers in The Fleet's In (1944) and was starred in the Oscar-nominated Technicolor short College Queen (1945), most of her Paramount assignments were thankless bit parts. She fared better as one of the leads in Monogram's Teen Agers series of the mid- to late '40s. In 1948 she was cast as intrepid girl reporter Lois Lane in the Columbia serial The Adventures of Superman, repeating the role in the 1950 chapter play Atom Man vs. Superman. At the time, she regarded it as just another freelance job, perhaps a little better than her cameos in such features as An American in Paris (in 1951 as the American art student) and DeMille's The Greatest Show on Earth (1953). But someone was impressed by Neill's appealingly vulnerable interpretation of Lois Lane, and in 1953 she was hired to replace Phyllis Coates as Lois in the TV version of Superman. She remained with the series for 78 episodes, gaining an enormous fan following (consisting primarily of ten-year-old boys) if not a commensurately enormous bank account. Retiring to private life after the cancellation of Superman in 1958, she was brought back into the limelight during the nostalgia craze of the 1970s. She made countless lecture appearances on the college and film convention circuit, and in 1978 returned to films as Lois Lane's mother in the big-budget Superman: The Movie: alas, most of her part ended up on the cutting-room floor, and neither she nor fellow Adventures of Superman alumnus Kirk Alyn received billing. Noel Neill's last TV appearance to date was a guest spot in a 1991 episode of the syndicated The Adventures of Superboy; she made a cameo appearance in 2006's Superman Returns. Neill died in 2016, at age 95.

Trivia: Actress Jean Willes spent the first ten years of her life shuttling up and down the West Coast; born in Los Angeles, she was raised in Salt Lake City, then moved with her family to Seattle. In 1943, she made her film debut in So Proudly We Hail. Shortly afterward, she was signed by Columbia Pictures, billed under her given name, Jean Donahue. She was busiest in Columbia's B-pictures, Westerns, and two-reel comedies, playing a statuesque brunette foil for such comedians as the Three Stooges, Sterling Holloway, Hugh Herbert, and Bert Wheeler. In 1947, she changed her billing to her married name, Jean Willes. Some of her most memorable feature-film roles included the hostess at the New Congress Club who delivers a bored, by-rote recitation of the club's rules in From Here to Eternity (1953); Kevin McCarthy's "zombie-fied" nurse in The Invasion of the Body Snatchers (1956); one of Clark Gable's quartet of leading ladies in A King and Four Queens (1956); the lady lieutenant who chews out Andy Griffith in No Time for Sergeants (1958); and Ernest Borgnine's would-be-sweetheart in McHale's Navy (1964). Jean Willes also made some 400 TV appearances (often as a sharp-tongued, down-to-earth blonde) in such series as The Jack Benny Show, The Twilight Zone, Perry Mason, and The Beverly Hillbillies.

Trivia: A University of Florida football star, Dale Van Sickel entered films in the very early '30s as an extra. Playing hundreds of bit parts at almost every studio in Hollywood, Van Sickel earned his true fame as one of Republic Pictures' famous stuntmen, specializing in fisticuffs and car stunts. He appeared in nearly all the studio's serials in the 1940s, including The Tiger Woman (1944), The Purple Monster Strikes (1945), and The Black Widow (1947), almost always playing several bit roles as well. Often the studio cast their leading men because of their resemblance to Van Sickel and the other members of the serial stunt fraternity that included Tom Steele, Dave Sharpe, and Ted Mapes. A founding member and the first president of the Stuntmen's Association of Motion Pictures, Van Sickel later performed in innumerable television shows as well as such diverse feature films as Spartacus (1960), It's a Mad Mad Mad Mad World (1963), and The Love Bug (1969).