Trivia: Steve Coogan's inspired, off-the-cuff lead performance in 2002's Brit-rock biopic 24 Hour Party People had American critics heralding the arrival of a unique new talent -- but to U.K. audiences, his star turn was the next logical step for one of that country's most celebrated comics. Born into a working-class, Catholic family in Manchester, England, Coogan took to performance in his teens, and hit the standup scene soon thereafter. It was there that television casting agents took notice of his spot-on impersonations of world leaders, pop stars, and sundry celebrities, and they soon put him to work playing various comedic bit parts in network shows. One of his early breakthroughs came when he provided several recurring voices on the long-running puppet show Spitting Image, a weekly satirical review that took aim at Margaret Thatcher, Michael Jackson, and Ronald Reagan, among others.Coogan's talents led him away from the small screen to radio, where he made an even bigger splash with the comedy program On the Hour. The show gave the comedian free reign to try out a number of vocal characterizations, among them the arrogant, ignorant radio announcer Alan Partridge, whose hilariously lame puns and non-sequiturs quickly made him -- and, by proxy, Coogan -- an audience favorite. Coogan parlayed the Partridge character into a mini-empire, first with his own mock radio talk show -- cheekily titled Knowing Me, Knowing You...With Alan Partridge -- then in the flesh on 1994's BBC 2 news satire The Day Today, and finally with the wildly successful TV show Knowing Me, Knowing You...With Alan Partridge.Not content to rest on Partridge's laurels, Coogan developed many other characters through the '90s, taking them on the road for a wildly successful standup tour late in the decade. It was around this time that he was approached by iconoclastic director Michael Winterbottom to play the part of Tony Wilson, the charismatic Manchester TV personality who found himself the unlikely founder of one of the most influential record labels of the '80s. 24 Hour Party People charted the rise and fall of Factory Records, home to such bands as Joy Division, New Order, and the Happy Mondays, all of which were nurtured by the intuitive, unpredictable Wilson. In Coogan, Winterbottom saw a spiritual heir: Both men were born and raised in Manchester, and both had been impetuous on-air performers. The director wouldn't take "no" for an answer, and as the two forged ahead on the picture, Coogan began to develop his own slant on Wilson, improvising dialogue and talking directly to the camera. The unconventional biopic won raves at the 2002 Cannes Film Festival, with Coogan in particular singled out for the wit and ingenuity of his freewheeling interpretation. Though touted in the press as British cinema's "next Trainspotting," 24 Hour Party People failed to perform at the U.K. box office, where it was effectively steamrolled by two other hit British comedies, Bend It Like Beckham and Ali G: Indahouse. 24 Hour's arthouse U.S. run later that year was solid, if unremarkable, as American audiences had less of a vested interest in the subject matter. Still, Hollywood casting agents were duly impressed with Coogan, and lured him to Tinseltown for the plum role of Phileas Fogg in the big-budget updating of Around the World in 80 Days, which was prepped for a high-profile summer 2004 release.Coogan would continue to enjoy his success on screen over the coming years in films like Hamlet 2 and The Trip.

Trivia: A former childhood thrush who has since moved on to find success as an actress, Scottish-born stage and screen star Shirley Henderson has come a long way from her working-class roots with roles in such internationally popular features as Bridget Jones's Diary, Once Upon a Time in the Midlands, and Harry Potter and the Chamber of Secrets. The eldest of three sisters whose striking voice set her apart from the pack, Henderson found early success on the local music circuit before moving on to study drama at Kirkaldy Technical College. Her tenure at Kirkaldy eventually led her to study at the acclaimed Guildhall School of Music and Drama, and it wasn't long before Henderson made an impression on the stages of The National Theater, The Royal Court, and the Hampstead Theater. Equally adept at performances of both the classical and contemporary variety, Henderson's stage experience served her well when she appeared opposite Robert Carlyle in the 1995 television series Hamish Macbeth. After going international the following year with a role in the big-screen hit Rob Roy, Henderson would next appear opposite Carlyle once again in the heroin-flavored arthouse hit Trainspotting. A key role in director Michael Winterbottom's 1999 drama Wonderland, coupled with critical acclaim for her role in the same year's Topsy-Turvy, gave Henderson a reputation for versatility and talent onscreen, with subsequent supporting roles in The Claim and 24 Hour Party People finding her becoming something of a stock player for Winterbottom. A role as the eponymous characters' best friend in the 2001 comedy Bridget Jones' Diary found Henderson's profile rising on the other side of the Atlantic, and in 2002, the then-36-year-old actress pulled off the unlikely feat of portraying Hogwarts student Moaning Myrtle in Harry Potter and the Chamber of Secrets. Arthouse success in Wilbur Wants to Kill Himself served well to balance out Henderson's mainstream success, and after appearing in a series of shorts, the increasingly busy actress appeared in no less than three films in 2004, including the eagerly anticipated sequel Bridget Jones: The Edge of Reason.

Trivia: Is bilingual in English and Ukrainian due to her parents' Ukrainian heritage. Became interested in performing at the age of 3 when she participated in a poetry recital. Studied at the American Musical and Dramatic Academy. Made her Broadway debut as Billie Dawn in a stage production of Born Yesterday opposite Jim Belushi. Played Vanda in a 2011 Broadway production of David Ives' Venus in Fur, a role that led to her first Tony award. Named Stage Star of the Year by New York Magazine in 2011. Featured in Forbes' 2011 list of Top 30 Under 30 in entertainment.

Trivia: Intimidation often looms large for a legendary director's son who wishes to follow in the footsteps of his famous parent; perhaps for this reason, more than a few opt to establish themselves in another field. For Danny Huston, however -- the scion of mythically revered, Academy Award-winning filmmaker John Huston -- it wasn't at all a question of intimidation, merely one of circumstance. After pursuing directorial work fervently and dauntlessly, but encountering mixed success and frustration about his own inability to get studio backing for projects, Danny Huston found himself being drawn, one assignment at a time, into bit roles before the camera. In the process, Huston inadvertently launched himself as one of the most respected character actors of the late 20th and early 21st centuries.Born May 14, 1962, in Rome, as the illegitimate child of John Huston and European actress Zoe Sallis (during the former's separation from his then-wife, the late Ricki Soma), Daniel Huston came of age in Ireland and London. He studied art and cinema as a young adult, often spending a considerable amount of time on his father's movie sets, and honed his skills in his early twenties not in the arena of directing (as might be expected), but in that of painting.Danny Huston's directorial assignments began inconspicuously, at the age of 24, with the 1987 made-for-television comic fantasies Bigfoot and Mr. Corbett's Ghost (the second of which featured John Huston in the cast). The elder Huston -- then riding on the tails of his mid-'80s comeback with Under the Volcano and Prizzi's Honor -- engineered Danny's premier A-list feature. For it, Danny signed to helm a cinematization of Thornton Wilder's picaresque fantasy novel Theophilus North, co-adapted by John Huston, Prizzi's Honor scribe Janet Roach, and James Costigan. The Hustons assembled a dream cast: Anthony Edwards, Lauren Bacall, Harry Dean Stanton, Mary Stuart Masterson, Anjelica Huston (Danny's half-sister), David Warner, and Virginia Madsen, who dated and then married Danny in the fall of 1989. Robert Mitchum replaced John Huston in a key role when he died during production. Mr. North stars Edwards as the title character, a Yale graduate who wheedles his way into the upper crust of Newport, RI, in 1926, thanks to an inherent surge of electricity in his body that enables him to relieve the ailments of locals and thus charm them irrepressibly.Unfortunately, Mr. North -- which took its stateside bows in early August 1988 -- received tepid and lackluster reviews. Perhaps for this reason, Huston found it difficult to lock down a follow-up. Within a decade, the assignments were few and far between, and he occasionally found himself directing embarrassing fare like the 1995 direct-to-video horror exploitationer The Maddening (where psychotic marrieds Burt Reynolds and Angie Dickinson trap a poor woman and her daughter in their home and torture them systematically), and waiting, ever so patiently, for additional projects to take shape. Huston's personal life also decrescendoed during the early '90s, given his separation and divorce from Madsen. With no other immediate options visible to him, Huston started accepting Hollywood friends' invitations to play on-camera bit roles -- and scored tremendous success in this arena to rival anything prior in his career. He debuted as a bartender in Mike Figgis' late-1995 critical smash Leaving Las Vegas, then followed it up with turns in such cause célèbres as Timecode (2000), 21 Grams (2003), Silver City (2004), and The Aviator (2004). Huston was particularly memorable as British agent Sandy Woodrow in Fernando Mereilles' The Constant Gardener (2005), and as sociopath Arthur Burns in John Hillcoat's ultraviolent Western The Proposition (2005). He would go on to appear in films like Robin Hood, Stolen, and on the series Magic City.