Trivia: Commanding African American actor Thalmus Rasulala launched his film career in such blaxploitationers of the 1960s and 1970s as Cool Breeze, Blacula, Bucktown and Friday Foster. He was prominently cast in the Emmy-winning made-for-TV feature The Autobiography of Miss Jane Pittman, played Omro in the 1977 miniseries Roots, and was one of the nine stars of the 1981 multipart drama The Sophisticated Gents. Rasulala's series-TV manifest included the occasional role of Mabel King's ex-husband on What's Happening!! (1976-79), and a substantial run on the daytime drama One Life to Live. In the 1991 TV movie Above the Law, Rasulala played a character named Crowder, which happened to be his given name. Thalmus Rasulala died of heart failure and leukemia at the age of 51; his last film, Mom and Dad Save the World (1992), was released posthumously.

Trivia: African American actress Judy Pace made a formidable screen debut as a blonde bar pickup in Billy Wilder's The Fortune Cookie (1966). Pace's cinematic high point was her portrayal of street-smart Iris in Cotton Comes to Harlem (1970), for which she received many of the film's best reviews. She went on to play law student Pat Walters on the 1971 TV series The Young Lawyers. Her TV-movie credits include the role of Gale Sayers' wife Linda in Brian's Song (1969). Judy Pace was married to actor Don Mitchell.

Trivia: African-American leading actor Lincoln Kilpatrick was much in demand in the late '60s and early '70s, a time when dynamic black performers were required to make up for the years of Stepin Fetchit-style subservience. Making his first film in 1968, Kilpatrick was seen in such sociopolitical time capsules as Cool Breeze (1972), Soul Soldier (1973) and Uptown Saturday Night (1974). Looking and acting like a born survivor, Kilpatrick was vital to futuristic films like The Omega Man (1971), Soylent Green (1973), and Chosen Survivors (1974), most of which predicted a post-apocalyptic society comprised of the strongest and swiftest. As busy in TV as in films, Lincoln Kilpatrick was a regular on several series: The Leslie Uggams Show (1968) in the recurring segment "Sugar Hill;" Love of Life, wherein Kilpatrick and Rita Bond were the first black regulars on this long-running soap opera; Matt Houston (1982-85) as Lt. Hoyt; and Frank's Place (1988), as Reverend Deal.

Trivia: Having worked steadily through the '70s on television and in blaxploitation films, African-American actress Margaret Avery did not become a star until she was cast as Shug in Steven Spielberg's adaptation of The Color Purple (1985), a performance that won her a nomination for Best Supporting Actress. Though the quality of her films briefly improved, her stardom was only fleeting and she returned to less visible work.

Trivia: One of the most dynamic of the '60s "new wave" of African-American actors, Raymond St. Jacques had originally intended to become a social worker. Thankfully, he did not allow his richly theatrical voice and imposing physique to go to waste, and decided upon an acting career, specializing in Shakespeare. Whenever "at liberty", which was often in the mid '50s, St. Jacques was obliged to take the menial jobs then open to black males; his theatrical career picked up momentum after he underwent training at New York's Actors Studios. His big break was in the ongoing off-Broadway production of Jean Genet's The Blacks, a play that boosted the careers of virtually all the major African-American actors of the early '60s. While roles were still comparatively scarce for non-white performers, St. Jacques did quite well for himself in feature films (Black Like Me [1964], The Pawnbroker [1965], The Green Berets [1967], Cotton Comes to Harlem [1970]) and as a TV guest star. In 1973, St. Jacques produced, directed and starred in The Book of Numbers, a minor but lively film about a pair of black confidence men in the South of the '30s. One of his last assignments was as Frederick Douglass in the 1989 historical drama Glory; his agent was unable to negotiate proper billing, so St. Jacques willingly played the role sans screen credit. Raymond St. Jacques died at age 60 of cancer of the lymph glands.

Trivia: Tall, elegant African American musical performer Paula Kelly was the daughter of a popular nightclub and band singer of the same name; the elder Paula Kelly had been instrumental in popularizing such 1930s and 1940s standards as "Jeepers Creepers" and "Chattanooga Choo Choo." The younger Kelly launched her own career in the early 1960s. In 1969 she made her first film, re-creating her Broadway role as dance-hall girl Helene in Sweet Charity. Kelly's later films ranged from the excellent (The Andromeda Strain) to the barely tolerable (Jo Jo Dancer, Your Life is Calling). Extremely active on series TV, Paula Kelly has played such roles as public defender Liz Williams on Night Court (1984), Theresa in The Women of Brewster Place (the 1989 pilot for Oprah Winfrey's abortive weekly) and Sweets in South Central (1994).

Trivia: Character actor Stewart Bradley did not begin his decades-long acting career until after he'd performed a military stint during WWII. He first performed on the East Coast stage but then headed to California where he continued in theater. He entered feature films in 1956, working opposite Jayne Mansfield in The Burglar. After that, he only occasionally appeared in films. Bradley worked more often on television, appearing on such series as Studio One, The Jackie Gleason Show, and Ironside.

Trivia: Born in Illinois, actor John Lupton was raised in Milwaukee, Wisconsin, where his father was a writer with the Milwaukee Journal. Upon graduation from New York's American Acamedy of Dramatic Arts, Lupton secured immediate stage work, then was signed as a contract player with MGM in Hollywood. Few worthwhile parts came from this alliance; Lupton was lanky and handsome in a Jimmy Stewart or Henry Fonda sort of way, but wasn't permitted to develop much of an on-screen persona of his own. His best opportunity came in 1956, when he was cast as Tom Jeffords on the two-season TV series Broken Arrow -- though most of the critical plaudits were directed at his costar Michael Ansara, who played the more colorful part of Cochise. A journeyman actor throughout the '60s, Lupton became one of the rotating "repertory" cast members of the TV series of Jack Webb (Dragnet, Adam 12, et al.) He is best known to latter-day viewers for his 14 year run as Tommy Horton on the daytime serial Days of Our Lives. John Lupton's offscreen pursuits included extensive volunteer work for the Multiple Sclerosis Association and the Special Olympics.

Trivia: The reigning queen of the 1970s blaxploitation genre, Pam Grier was born May 26, 1949, in Winston-Salem, NC. An Air Force mechanic's daughter, she was raised on military bases in England and Germany. During her teen years the family settled in Denver, CO, where at the age of 18, Grier entered the Miss Colorado Universe pageant. Named first runner-up, she attracted the attention of Hollywood agent David Baumgarten, who signed her to a contract. After relocating to Los Angeles, Grier struggled to mount an acting career, and worked as a switchboard operator at the studios of Roger Corman's American International Pictures. Finally, with Corman's aid, she made her film debut in the 1970 Russ Meyer cult classic Beyond the Valley of the Dolls, followed by an appearance in Jack Hill's 1971 cheapie The Big Doll House. For several years, Grier languished virtually unnoticed in grindhouse fare like 1971's Women in Cages and 1973's Arena (aka Naked Warriors) before winning the title role in Hill's 1973 action outing Coffy. Playing a nurse seeking vengeance against the drug dealers responsible for her sister's descent into heroin addiction, Grier immediately rose to the forefront of the so-called "blaxploitation" genre, a group of action-adventure films aimed squarely at African-American audiences. Portraying the 1974 superheroine Foxy Brown, she became a major cult figure, as her character's fierce independence, no-nonsense attitude, and empowered spirit made her a role model for blacks and feminists alike. At the peak of her popularity, Grier even appeared on the covers of Ms. and New York magazines. Her films' often racy content also made her a sex symbol, and additionally she posed nude for the men's magazine Players. Successive action roles as gumshoe Sheba Shayne in 1975's Sheba, Baby and as the titular reporter Friday Foster further elevated Grier's visibility, but fearing continued typecasting she shifted gears to star opposite Richard Pryor in the fact-based 1977 auto-racing drama Greased Lightning. She did not reappear onscreen for four years, resurfacing to acclaim in 1981 as a murderous prostitute in Fort Apache, the Bronx; however, no other major roles were forthcoming, and she spent much of the decade appearing on television and in straight-to-cable features. A major role in the 1988 Steven Seagal action hit Above the Law marked the beginning of a comeback, and after appearing in 1993's Posse, Grier starred with fellow blaxploitation vets Jim Brown, Richard Roundtree, and Fred "the Hammer" Williamson in 1996's Original Gangstas, a throwback to the films of the early '70s. In 1997, the actress' career resurgence was complete with the title role in Jackie Brown, written in her honor by director and longtime fan Quentin Tarantino. Grier's tough, sexy portrayal of a jaded flight attendant earned praise from critics far and wide, as well as the promise of steady work. She could subsequently be seen in a consistently wide range of films, like Jawbreaker (1999), Holy Smoke (1999), The Invited, and Larry Crowne, in addition to a host of successful TV roles on shows like Smallville and The L Word.

Trivia: Relatively few people remember the name Biff Elliot today, but as an actor, he carved a special place for himself in popular culture during the '50s -- in a role that he spent years living down. Born Leon Shalek in Lynn, MA, a working-class town, he aspired to an acting career and came to New York in pursuit of that goal. He got some stage and television work, mostly playing tough, working-class characters, and then a seemingly big break in Hollywood playing the lead role in the crime thriller I, The Jury (1953), directed by Harry Essex. In the history of popular culture, Ralph Meeker might have earned a place playing Mike Hammer in the best movie ever made from one of Mickey Spillane's books; Spillane himself may have played the best Mike Hammer on the big-screen (and Brian Keith the best Mike Hammer on the small-screen); but Biff Elliot had the honor of being the first actor to portray Mike Hammer anywhere in that 1953 movie (made in 3-D) based on the first of the Hammer books. It should have been a breakthrough role, but the movie ended up being an albatross around his neck. Over the next few years, there were other offers for more roles in which, in the manner of Spillane's hero, he was mostly pummeling other characters. Elliot did get some film work in movies such as Between Heaven and Hell, Good Morning, Miss Dove, and The Enemy Below (as the ship's quartermaster) at Fox, and Pork Chop Hill for Lewis Milestone at United Artists, but mostly he worked in television. In 1959, Elliot got a seemingly good break when playwright Clifford Odets happened to see I, The Jury and offered him a role in The Story on Page One, which Odets wrote and directed. Alas, the latter movie fizzled -- mostly thanks to Odets's convoluted approach to directing -- and did nothing to help the career of anyone in it. Elliot was mostly seen on television over the next decade or so in roles of varying sizes -- in the Star Trek episode "The Devil in the Dark" as Schmitter, the mining colony crewman joking about the anticipated arrival of the Starship Enterprise who is dissolved by the title creature in the pre-credit sequence. During the '70s and '80s, he was once again seen regularly in movies, including the Jack Lemmon vehicles Save the Tiger (1973), The Front Page (1975) and That's Life (1986). Elliot died of natural causes at age 89 in 2012.

Trivia: Black supporting actor, onscreen from 1972.

Trivia: Hollywood's favorite "dear old dad," Leon Ames began his stage career as a sleek, dreamy-eyed matinee idol in 1925. He was still billing himself under his real name, Leon Waycoff, when he entered films in 1931. His best early leading role was as the poet-hero of the stylish terror piece Murders in the Rue Morgue (1932). In 1933, Ames was one of the founding members of the Screen Actors Guild, gaining a reputation amongst producers as a political firebrand--which may have been why his roles diminished in size during the next few years (Ironically, when Ames was president of the SAG, his conservatism and willingness to meet management halfway incurred the wrath of the union's more liberal wing). Ames played many a murderer and caddish "other man" before he was felicitously cast as the kindly, slightly befuddled patriarch in Meet Me in St. Louis (1944). He would play essentially this same character throughout the rest of his career, starring on such TV series as Life With Father (1952-54) and Father of the Bride (1961). When, in 1963, he replaced the late Larry Keating in the role of Alan Young's neighbor on Mr. Ed, Ames' fans were astounded: his character had no children at all! Off screen, the actor was the owner of a successful, high profile Los Angeles automobile dealership. In 1963, he was the unwilling focus of newspaper headlines when his wife was kidnapped and held for ransom. In one of his last films, 1983's Testament, Leon Ames was reunited with his Life With Father co-star Lurene Tuttle.