Trivia: From lamebrained teenage time traveler to metaphysical sci-fi Superman, Keanu Reeves has portrayed just about every character type imaginable in his sometimes wildly fluctuating career. Frequently lambasted by critics and often polarizing audiences suspicious of his talent's true extent, Reeves has nevertheless managed to maintain his lucrative career by balancing his lesser efforts with intermittent direct hits at the box office.Born Keanu Charles Reeves in Beirut, Lebanon, on September 2, 1964, and named for the Hawaiian word that means "cool breeze over the mountains," the future actor was a world traveler by the age of two, thanks to his father's career as a geologist. His mother, Patricia Taylor, worked as a showgirl and later a costume designer of film and stage, and after his parents divorced, Reeves followed his mother and sister to live in New York; the trio would later relocate to Toronto -- where Reeves' interest in ice hockey and acting took a substantial precedence over academics. His formidable presence in front of the goal eventually earned Reeves the nickname "The Wall," and it wasn't long before all interest in school waned and the talented goalie decided to pursue acting.Later working as a manager in a Toronto pasta shop, Reeves soon began turning up in small roles on various Canadian television programs, making his feature debut in the 1985 Canadian film One Step Away before American audiences got their first good look at him in the 1986 Rob Lowe drama Youngblood. Subsequently going back to television and garnering favorable notice for his role in 1986's Young Again, it was the release of Tim Hunter's The River's Edge later that year that would provide Reeves with his breakthrough role. A harrowing tale of teen apathy in small town America, The River's Edge provided Reeves with a perfect opportunity to display his dramatic range, and the film would eventually become a minor classic in teen angst cinema.Appearing in a series of sometimes quirky but ultimately forgettable efforts in the following few years, 1988 found Reeves drawing favorable nods for his role in director Stephen Frears' Dangerous Liaisons. It was the following year's Bill & Ted's Excellent Adventure, however, that would transform the actor into something of an '80s icon. Reeves' performance of a moronic, air guitar wielding wannabe rocker traveling through time in order to complete his history report and graduate from high school proved so endearingly silly that it spawned both a sequel (1991's Bill & Ted's Bogus Journey) and a Saturday morning cartoon. In an odd twist of fate, Reeves and co-star Alex Winter had initially auditioned for the opposite roles from those in which they were ultimately cast. Though he would later offer variations of the character type in such efforts as Parenthood (1989) and I Love You to Death (1990), it wasn't long before Reeves was looking to break away from the trend and take his career to the next level.After drawing favorable reviews for his turn as a rich kid turned street hustler opposite River Phoenix in Gus Van Sant's 1991 drama My Own Private Idaho, Reeves battled the undead in Francis Ford Coppola's lavish production of Dracula (1992). Showing his loyalty toward fellow Bill and Ted cohort Winter with a hilarious extended cameo in Freaked the following year, Reeves once again teamed with Van Sant for the critically eviscerated Even Cowgirls Get the Blues before surprising audiences with an unexpectedly complex performance as Siddhartha in Bernardo Bertolucci's Little Buddha (1993).Just as audiences were beginning to ask themselves if they may have underestimated Reeves talent as an actor, the mid-'90s found his career taking an unexpected turn toward action films with the release of Jan de Bont's 1994 mega-hit Speed (Reeves would ultimately decline to appear in the film's disastrous sequel). Balancing out such big-budgeted adrenaline rushes as Johnny Mnemonic (1995) and Chain Reaction (1996) with romantic efforts as A Walk in the Clouds (1995) and Feeling Minnesota (1996), Reeves spooked audiences as a moral attorney suffering from a major case of soul corrosion in the 1997 horror thriller The Devil's Advocate. The late '90s also found Reeves suffering a devastating personal loss when his expected baby girl with longtime girlfriend Jennifer Syme was stillborn, marking the beginning of the end for the couple's relationship. Tragedy stacked upon tragedy when Syme died two short years later in a tragic freeway accident. His career in fluctuation due to the lukewarm response to the majority of his mid-'90s efforts, it was the following year that would find Reeves entering into one of the most successful stages of his career thus far.As Neo, the computer hacker who discovers that he may be humankind's last hope in the forthcoming war against an oppressive mainframe of computers, Reeves' popularity once again reached feverish heights thanks to The Wachowski Brothers' wildly imaginative and strikingly visual sci-fi breakthrough, The Matrix. Followed by such moderately successful films as The Replacements (for which he deferred his salary so that Gene Hackman could also appear) and The Watcher (both 2000), Reeves took an unexpectedly convincing turn as an abusive husband in Sam Raimi's The Gift before returning to familiar territory with Sweet November and Hardball (both 2001). With the cultural phenomenon of The Matrix only growing as a comprehensive DVD release offered obsessive fans a closer look into the mythology of the film, it wasn't long before The Wachowski Brothers announced that the film had originally been conceived as the beginning of a trilogy and that two sequels were in the works. Filmed back to back, and with both scheduled to hit screens in 2003, excitement over The Matrix Reloaded and The Matrix Revolutions began to reach feverish heights in the months before release, virtually ensuring that the films would become two of the year's biggest box-office draws; they delivered on this promise despite mixed critical receptions.Reeves ensured his liberation from typecasting with a drastic turn away from The Matrix as the curtain fell on 2003, by appearing as heartthrob Dr. Julian Mercer in Nancy Meyers' romantic comedy Something's Gotta Give. Although he played second fiddle to vets Jack Nicholson and Diane Keaton, Reeves scored a bullseye, especially with female viewers. In 2005, he joined the cast of the collegiate arthouse hit Thumbsucker as Perry Lyman and fought the denizens of hell in the occultic thriller Constantine. Reeves's 2006 roles included the animated Robert Arctor in Richard Linklater's A Scanner Darkly and Alex Burnham in Alejandro Aresti's romantic fantasy The Lake House (co-starring Sandra Bullock). In 2009, the actor was praised for his role as a bitter divorcee in the critically acclaimed comedy drama The Private Lives of Pippa Lee.Reeves soon pulled back from acting to focus more on behind-the-camera work, as a producer and director. He produced and starred in the limited release Henry's Crime (2010) and released his directorial debut, Man of Tai Chi, in 2013 (he also starred in the film). In 2014, Reeves executive produced and starred in John Wick, playing a retired hitman. He also produced a series of documentaries, Side by Side, about filmmaking in the digital and film world.Famously playing bass for the band Dogstar in his cinematic down time, Reeves' other personal interests include motorcycles, horseback riding, and surfing. When he's not filming, Reeves maintains an everpresent residence in Toronto, Ontario, Canada.

Trivia: Since her first leading role, as a convict's loyal girlfriend, in her friend Rob Weiss' debut film Amongst Friends (1993), Mira Sorvino has been on the fast track to stardom, playing a wide variety of multifaceted characters. Her breakthrough role displayed her willingness and ability to take on unusual parts; Sorvino shocked and delighted audiences as a crass New York streetwalker in Woody Allen's Mighty Aphrodite (1995). The stretch paid off, not only did her performance steal the show, it also earned Sorvino an Academy Award for Best Supporting Actress.Born in Tenafly, NJ, on September 28, 1967, Sorvino is the daughter of character actor Paul Sorvino, best known for roles in films like Martin Scorsese's Goodfellas (1990). Initially, her father attempted to steer Sorvino and her two siblings away from the acting profession. He was particularly adamant that his offspring not do any professional acting during childhood, so Sorvino contented herself with appearing in various school productions. Following her high school graduation, she earned a degree in East Asian Studies from Harvard University; she spent one year of her education as an exchange student in Beijing, China, where she became fluent in Mandarin. Upon graduation, Sorvino still wanted to act and she moved to New York to pursue her career. Between small acting gigs, she waited tables and worked as a production assistant until 1992, when Weiss hired her as a third assistant director on the low-budget, independent Amongst Friends. She proved so adept at her job that he promoted her to associate producer and eventually cast her as his leading lady. She appeared in two short films, Susan Seidelman's The Dutch and the satirical The Second Greatest Story Ever Told (both 1993), in which she played a contemporary Virgin Mary. In 1994, Whit Stillman hired her to play a two-faced party girl in Barcelona, while Robert Redford cast her as Rob Morrow's wife in Quiz Show. After winning her Oscar for her performance in the following year's Mighty Aphrodite, Sorvino started finding steady work in Hollywood. After a turn as Matt Dillon's anorexic girlfriend in Beautiful Girls (1996) and an Emmy nomination for her performance in the made-for-TV Norma Jean and Marilyn (1996), Sorvino went on her first big-budget outing as a scientist trying to save New York from giant cockroaches in Mimic. Unfortunately, the film was rejected by critics and audiences alike. Her other major project that year, the comedy Romy and Michele's High School Reunion, attained a level of cult status thanks to its 1980s soundtrack and over-the-top costumes. The following year, Sorvino made two small, offbeat features -- Paul Auster's Lulu on the Bridge and Wonsuk Chin's Too Tired to Die, which cast her as Death -- and another big-budgeted action thriller, The Replacement Killers. Starring opposite Hong Kong action star Chow Yun-Fat, Sorvino was able to put her past experiences in China and her fluency in Mandarin to use; unfortunately, critics and audiences alike had little use for the film. In 1999, Sorvino decided to try her hand at romantic drama, starring opposite Val Kilmer in At First Sight. The multi-handkerchief weepie was something of a critical and commercial disappointment, although Sorvino did win some positive attention for her performance as the architect who helps restore her blind lover's sight. Later that year, she won more acclaim for her starring role as John Leguizamo's estranged wife in Spike Lee's Summer of Sam, a story revolving around the long, hot summer of 1977, when New York was terrorized by serial killer David "Son of Sam" Berkowitz.Little seen performances in a made for television adaptation of The Great Gatsby and the period comedy The Triumph of Love found Sorvino's star dimming in stateside theaters in 2001, though her supporting performance in Tim Blake Nelson's acclaimed holocaust drama The Grey Zone served as a notable reminder of what the young starlet was truly capable of when given the opportunity. A pair of bombs both domestic and foreign dropped in the year that followed, and after appearing opposite Glitter star Mariah Carey in Wisegirls Sorvino's Semana Santa somehow managed to get even worse reviews that even Carey's afformentioned solo effort. Of course by this point Sorvino had almost mastered the art of balancing the bad with the good, and her portrayal of a conflicted war photographer in Between Strangers at least drew fair reviews. By this point stateside fans were likely left wondering whether Sorvino had forsaken her film career for a behind-the-scenes approach to filmmaking, and although she had indeed stepped into the producer's chair with Griffin Dunne's 2000 comedy drama Famous she returned to the silver screen in a big way with a role in the sweeping civil war drama Gods and Generals. As she prepared for roles in the sci-fi thriller The Final Cut and the large scale adventure Instant Karma, Sorvino appeared to be edging towards something of a comeback on stateside screens. Fans eager to catch a glimpse of the actress were pleasantly surprised when Sorvino turned in a winning guest appearance in the popular sitcom Will and Grace in 2003. later turning up on the popular prime time drama House, Sorvino continued to maintain momentum in her film career with roles in Multiple Sarcasms, Union Square, and her father Paul's 2012 feature directorial debut The Trouble with Cali.

Trivia: While still a student at Cuba's National Art School, was selected by Manuel Gutiérrez Aragón to star in Una rosa de Francia. Held a Spanish passport due to her Spanish grandparents; moved to Madrid aged 18 to find more challenging roles. Moved to Los Angeles in 2014 despite having no English; enrolled in an intensive English language class for three months before auditioning for parts. In 2016, underwent intense physical training for the five-month Blade Runner 2049 shoot in Budapest.

Trivia: Hollywood character actor Christopher McDonald at first specialized in playing uptight and slightly vexing young urban professionals. When the material demanded it, McDonald occasionally heightened these qualities to the obnoxious level for persuasive villainous portrayals, appearing as philandering husbands, condescending jocks, and manipulative powermongers to tremendous effect.The Manhattan native grew up in Romulus, NY. A Renaissance man and overachiever in high school, McDonald studied dentistry at Hobart College in the upstate New York town of Geneva but soon discovered an enduring passion for drama, studying after his 1977 graduation at London's Royal Academy of Dramatic Art. When plum adolescent roles in the musical clunkers Grease 2 (1982) and Breakin' (1984) did little to further McDonald's career, he moved to Manhattan and sought tutelage from the legendary acting coach Stella Adler -- with such aggressive determination that he actually convinced the 83-year-old Adler to offer her services in exchange for domestic chores.The actor landed one of his most visible parts circa 1986, in the Bette Midler-Shelley Long female buddy comedy Outrageous Fortune (1987). He also essayed a memorable nice-guy turn opposite Cybill Shepherd and Ryan O'Neal in the first act of the wonderful reincarnation comedy Chances Are (1989). But McDonald's watershed moment came with his portrayal of Geena Davis' browbeating husband, Darryl Dickinson, in Ridley Scott's blockbuster feminist road movie Thelma & Louise (1991). Thanks to the success of that picture, McDonald's screen time escalated, and he began tackling an average of four to six roles per year. He ushered in an outstanding portrayal of Jack Barry, the natty host of Twenty-One, in the Robert Redford-directed Quiz Show (1994); played an abusive golf pro in the Adam Sandler comedy Happy Gilmore (1996); and was suitably annoying as an ignorant dad in John Duigan's suburban drama Lawn Dogs (1997). That same year, McDonald also portrayed Ward Cleaver in the big-screen version of Leave It to Beaver.McDonald resumé during the first several years of the millennium includes such Hollywood blockbusters as 61* (2001) and Spy Kids 2 (2002) and such arthouse hits as Requiem for a Dream (2000) and Broken Flowers (2005). In 2007, McDonald played Boss Hogg in the big-budget sequel The Dukes of Hazzard: The Beginning and Marty Schumacher in the Jamie Kennedy vehicle Kickin' It Old Skool. Four years later he essayed a recurring role on the hit HBO drama Boardwalk Empire.

Trivia: A veteran of film, television, and the stage, frequent movie tough-guy Michael Rispoli, with his stocky build and unmistakable East Coast dialect, is the virtual personification of New York attitude. Born and raised in Tappan, NY, Rispoli launched his acting career at New York's famed Circle in the Square. Subsequently appearing for many years on the New York stage, Rispoli would turn up in such mainstay productions as Twelfth Night, MacBeth, and A Midsummer Night's Dream. Though he would play up his tough-guy image in such early film and television appearances as Household Saints (1993) and Above the Rim (1994), his penchant for humor would slowly find Rispoli expanding his cinematic territory into comedy and lighter material such as Hacks (2001) and Death to Smoochy (2002). Nevertheless, frequent small-screen appearances in Third Watch, Big Apple, and most notably in the award-winning HBO organized crime-themed The Sopranos has found Rispoli frequently returning to the character roles that he so excels at. After a memorable supporting role in the romantic comedy While You Were Sleeping (1995), Rispoli leapt into leading man territory in the little-seen but warmly regarded romantic drama Two Family House (2000). As a blue-collar Italian-American New Yorker confronted with racism when he becomes romantically involved with an Irish immigrant who births an African-American child, Rispoli displayed a warmth and depth not yet reached in his previous two-dimensional roles, hinting at a promising future for the talented actor. On the heels of prominant supporting roles in such features as Mr. 3000, The Weatherman, and Lonely Hearts, Rispoli continued to flourish in features when he appeared in the inspirational 2006 sports drama Invincible.

Trivia: Attended private school on a swimming scholarship.Was a member of his high school drama club.Started working in local commercials, television and film when he was 15.Moved to New York in 2006.Was a Resident Assistant at New York University.Was featured in Latino Leaders Magazine as one of the 25 Leaders of the future.