Trivia: Artistic partner of fellow rapper/actor Redman, Method Man was also an original member of the hip-hop group the Wu-Tang Clan before his solo rap career began. He made two solo albums, the first of which contained the original version of the Grammy award-winning single "I'll Be There for You/You're All I Need to Get By," featuring Mary J. Blige, as well as numerous collaborations with the likes of Redman, Notorious B.I.G. Method Man has subsequently continued to accumulate a broad range of credits.Featured in Brian Robbins' documentary The Show (1995), preceded by appearances in his own music videos, Method Man officially became an actor in the late 1990s when he appeared in The Great White Hype, Copland, and Belly. He also played a small role in Kevin Reynolds' 187 (1997) and made a guest appearance on an episode of the pseudo-animated series Space Ghost Coast to Coast in 1996.Method Man has made many cameo appearances as himself, in roles ranging from walk-on to starring, in all genres including the film Black and White (1999), the video Backstage: Hard Knock Life, and as the host of the television series Stung in 2002. The HBO dramatic prison series Oz featured Method Man in a 2001 season episode. His acting credits continued with the feature films How High with Redman and Obba Babatunde, and Brown Sugar with Queen Latifah in 2002.Additionally, his background as a rapper aided Method Man's involvement in the film industry, as he is accredited on several soundtracks from the 1990s and 2000s. Soundtrack credits include the major motion pictures Batman Forever, Space Jam, Gone in Sixty Seconds, Rush Hour 2, and All About the Benjamins.He continued to work steadily in a variety of projects including Scary Movie 3, Garden State, Soul Plane, The Wackness, The Sitter, and Red Tails as well as contributing to a number of music documentaries.

Trivia: A young actor noted for his intense, older-than-his-years demeanor, Edward Furlong was 12 years old when he was picked for the role of John Connor in Terminator 2: Judgement Day (1991). Discovered in a Boys Club in his native Pasadena, California, Furlong shot to stardom with his film debut, managing to impress both critics and audiences with his ability to hold his own against Arnold Schwarzenegger. Despite this auspicious breakthrough, Furlong's subsequent films, though generally well-received by the critics, went virtually unseen by audiences. Such was the case with American Heart, in which Furlong gave an affecting performance as the son of a hardened ex-con (Jeff Bridges) (1993); Little Odessa (1994), in which he played the younger brother of a hitman for the Russian Mafia (Tim Roth); and The Grass Harp, a touching adaptation of Truman Capote's novel about a young orphan (Furlong) who comes of age in the company of some eccentric relatives.Furlong gave another strong performance in Barbet Schroeder's Before and After (1996), playing a young man accused of murdering his girlfriend. Unfortunately, as with many of his previous films, the favorable critical response it received failed to translate to commercial success. It was not until John Waters cast Furlong as the titular hero of Pecker two years later that his career began to rebound; one of Waters' most popular films to date, it allowed Furlong to demonstrate his ability to play quirky satire as well as serious drama. He earned additional acclaim later that year for his portrayal of the impressionable younger brother of a neo-Nazi (Edward Norton) in American History X; combined with the success of his role in Pecker, the film seemed to point the way toward steady work for Furlong in the future. Furlong would spend the next several years playing roles in movies like The Crow: Wicked Prayer and The Green Hornet. He made a couple of television appearances in series like Perception and The Glades in 2012, before returning to direct-to-DVD fare like Assault on Wall Street and The Zombie King (co-starring Corey Feldman).Although Furlong's acting career has been varied, anyone familiar with Japanese pop culture will know that thanks to his love of music, Furlong has enjoyed huge success in Japan. Following the Japanese release of his first album, Hold on Tight, he garnered a reputation as one of the country's most popular singers.

Trivia: Actor Wendell Pierce spent the first 20 years or so of his career predominantly essaying character roles as authority figures, with many bit parts as cops, attorneys, government agents, and ministers to his credit. Pierce devoted the majority of his first decade to big-screen work (including such projects as The Money Pit, Family Business, and Get on the Bus); by 1995, he began to accept occasional bit parts on television, and indeed, this venue ultimately brought Pierce higher billing, when he was tapped to play two roles: Conrad "Candyman" Jones on Third Watch and Detective William "Bunk" Moreland on HBO's police drama The Wire. Pierce remained most active on-stage, however, where his powerhouse presence illuminated an impressive array of classical dramas, among them Cymbeline (1989), Antigone (1993), and Tartuffe (1999). Over the coming years, Pierce would find additional success on a series about his hometown, Treme.

Trivia: An actor with an undeniably friendly appeal, Dash Mihok was born in New York in 1974. Both of Mihok's parents were active in theater and the arts, and they encouraged their son to explore his creative side. He joined up with the program City Kids while in high school, a production involving Jim Henson puppets that performed all over the city, teaching children about character and self-esteem.Mihok's interest in performance only grew as he got older, and he began auditioning for professional roles after high school, scoring appearances on Law & Order and in the movie Sleepers. Then, still a virtual unknown, Mihok got a callback for a much more prominent role when he was cast as Benvolio, best friend of Leonardo DiCaprio's Romeo in Baz Luhrmann's hallucinatory, modern take on William Shakespeare's Romeo and Juliet. The project gave Mihok an amazing chance to show his stuff; not only did he impress audiences by handling a serious, emotional acting role complete with difficult, antiquated language, but he also walked around bare-chested in many scenes, wowing viewers with his muscular physique. Mihok continued to pick and choose interesting projects, acting in everything from big-budget blockbusters like The Day After Tomorrow and The Perfect Storm to independent arthouse movies like Johnny Flynton and Mojave. Mihok was a particular delight to audiences in 2006's Hollywoodland and in 2007's family film Firehouse Dog, and over the coming years, he would find success in an ongoing series of films, like I Am Legend, The Longshots, and Trespass.

Trivia: Became interested in professional acting after playing Danny Zuko in his middle school's production of Grease. Was featured in three different films that premiered at the New York International Latino Film Festival in 2011. Took improv comedy classes at UCB Theatre in New York. Cofounded a production company, Almost Dark. Teamed up with Examiner.com for an anti-bullying campaign in which he spoke to students regarding his experiences.

Trivia: Started putting on plays for fun at age 7. Began her acting career at 15 when she appeared in the short film Five Feet High and Rising. Got her big break when she starred in Raising Victor Vargas; was nominated for an Independent Spirit Award for her debut performance. Received her second Independent Spirit Award nomination for 2006's On the Outs. Nabbed her first major TV role as a rookie cop on NYC 22.

Trivia: The gifted singer/songwriter-turned-actress Dana Fuchs (pronounced "Fyooks") launched her entertainment career as the frontwoman for the grassroots band the Dana Fuchs Band. The group constituted a blues-influenced, mellow yet energetic rock act that more than amply revealed Fuchs' melodic gifts and ability to pen catchy hooks; in this venue, the vocalist suggested a cross between Bonnie Raitt and Melissa Etheridge. Fuchs transitioned to features almost effortlessly by debuting on a soundtrack -- to Laurie Collyer's acclaimed character study SherryBaby (2006). The following year, Fuchs landed the role of tenement owner-cum-rocker Sadie (as in, "Sexy Sadie," from the Beatles' White Album) in Julie Taymor's psychedelically tinged Fab Four romp, Across the Universe (2007).