Trivia: Born October 28th, 1967, Georgia native Julia Roberts was raised in a fervently pro-theater environment. Her parents regularly hosted acting and writing workshops, and both of the Roberts children (Julia and her brother Eric) showed an interest in the performing arts at an early age. Ironically enough, Eric was the first to break into film; in 1978, one year after their father died of lung cancer at 47, Eric Roberts starred in director Frank Pierson's psychological drama King of the Gypsies. Though her older brother would go on to have a solid acting career, it was, of course, Julia Roberts who earned a spot among Hollywood's elite.After making her film debut in Blood Red -- which wouldn't be released until 1989, despite having been completed in 1986 -- and appearing in several late '80s television features, Roberts got her first real break in the 1988 made-for-cable drama Satisfaction. That role, consequently, led to her first significant supporting role -- a feisty pizza parlor waitress in 1989's Mystic Pizza with Annabeth Gish, Lili Taylor, and a then 19-year-old Matt Damon. While Mystic Pizza was not a star-making film for Roberts, it certainly helped earn her the credentials she needed to land the part of Shelby, an ill-fated would-be mother in Steel Magnolias. The 1989 tearjerker found her acting alongside Sally Field and Shirley MacLaine, and culminated in an Oscar nomination for Roberts. While the success of Steel Magnolias played no small part in launching Roberts' career, and undoubtedly secured her role in the mediocre Flatliners (1990) with former flame Kiefer Sutherland, it was director Garry Marshall's romantic comedy Pretty Woman with Richard Gere that served as her true breakthrough role. Roberts' part in Pretty Woman (a good-hearted prostitute who falls in love with a millionaire client) made the young actress a household name and cemented what would become a permanent spot in tabloid fodder. Roberts broke off her engagement with Sutherland in 1991, just three days before they were scheduled to be married, and surprised the American public in 1993, when she began her two-year marriage to country singer Lyle Lovett. Roberts' personal life kept her name in the spotlight despite a host of uneven performances throughout the early '90s (neither 1991's Dying Young or Sleeping With the Enemy garnered much acclaim), as did a reputed feud with Steven Spielberg during the filming of Hook (1991). Luckily, Roberts made decidedly less embarrassing headlines in 1993, when her role alongside future Oscar winner Denzel Washington in The Pelican Brief reaffirmed her status as a dramatic actress. Her career, however, took a turn back to the mediocre throughout the following year; both Prêt-à-Porter and I Love Trouble proved commercial flops, and Mary Reilly (1996) fizzled at the box office as well. The downward spiral reversed directions once again with 1996's Michael Collins and Conspiracy Theory with Mel Gibson, and led to several successful comic roles including Notting Hill with Hugh Grant, Runaway Bride, and most notably, My Best Friend's Wedding with Rupert Everett and a then virtually unknown Cameron Diaz. Roberts' biggest success didn't present itself until 2000, though, when she delivered an Oscar-winning performance playing the title role in Steven Soderbergh's Erin Brockovich. The film, based on the true story of Erin Brockovich, a single mother who, against all odds, won a heated battle against corporate environmental offenders, earned Roberts a staggering 20-million-dollar salary. Officially the highest paid actress in Hollywood, Roberts went on to star in 2001's America's Sweethearts with Billy Crystal, Catherine Zeta-Jones, and John Cusack, as well as The Mexican with Brad Pitt. While on the set of The Mexican, Roberts met cameraman Danny Moder, whom she would marry in 2001 almost immediately after ending a four-year relationship with fellow actor Benjamin Bratt. Indeed, 2001 was a banner year for Roberts; in addition to America's Sweethearts and The Mexican, Roberts starred in the crime caper Ocean's Eleven, in which she rejoined former co-stars Brad Pitt and Matt Damon, and acted for the first time with George Clooney and Don Cheadle. Julia Roberts worked with Soderbergh once again in 2002's Full Frontal, which, despite a solid cast including Mary McCormack and Catherine Keener, among others, did not even begin to fare as well as Erin Brockovich. Confessions of a Dangerous Mind (2002), which featured Roberts as a femme fatale alongside George Clooney, Sam Rockwell, and Drew Barrymore did much better, and preceded 2003's Mona Lisa Smile with young Hollywood's Julia Stiles, Kirsten Dunst, and Maggie Gyllenhaal. In 2004, Roberts signed on for the sequel to Ocean's Eleven -- the aptly titled Ocean's Twelve. A supporting performance in the animated 2006 feature The Ant Bully marked the glamorous Hollywood beauty's first foray into the world of animation, which she would continue for Christmas of 2006 with the role of everone's favorite selfless spider in Charlotte's Web. In the coming years, Roberts would reteam with Tom Hanks for Charlie Wilson's War in 2007, and then again for Larry Crowne in 2011. In the meantime, the A-lister would keep busy with a critically acclaimed performance in 2010's Eat, Pray, Love, in which she portrayed a divorcee on a journey of self discovery, and 2012's retelling of Snow White, Mirror, Mirror.

Trivia: One of Hollywood's sexiest and most magnetic leading men, Denzel Washington's poise and radiantly sane intelligence permeate whatever film he is in, be it a socially conscious drama, biopic, or suspense thriller. More importantly, Washington's efforts, alongside those of director Spike Lee, have done much to dramatically expand the range of dramatic roles given to African-American actors and actresses.The son of a Pentecostal minister and a hairdresser, Washington was born in Mount Vernon, NY, on December 28, 1954. His parents' professions shaped Washington's early ambition to launch himself into show business: from his minister father he learned the power of performance, while hours in his mother's salon (listening to stories) gave him a love of storytelling. Unfortunately, when Washington was 14, his folks' marriage took a turn for the worse, and he and his older sister were sent away to boarding school so that they would not be exposed to their parents' eventual divorce. Washington later attended Fordham University, where he attained a B.A. in Journalism in 1977. He still found time to pursue his interest in acting, however, and after graduation he moved to San Francisco, where he won a scholarship to the American Conservatory Theatre. Washington stayed with the ACT for a year, and, after his time there, he began acting in various television movies and made his film debut in the 1981 Carbon Copy. Although he had a starring role (as the illegitimate son of a rich white man), Washington didn't find real recognition until he joined the cast of John Falsey and Joshua Brand's long-running TV series St. Elsewhere in 1982. He won critical raves and audience adoration for his portrayal of Dr. Phillip Chandler, and he began to attract Hollywood notice. In 1987, he starred as anti-apartheid activist Steve Biko in Richard Attenborough's Cry Freedom alongside Kevin Kline, and though the film itself alienated some critics (Pauline Kael called it "dumbfounding"), Washington's powerful performance earned him a Best Supporting Actor Oscar nomination.Two years later, Washington netted another Best Supporting Actor nod -- and won the award -- for his turn as an embittered yet courageous runaway slave in the Civil War drama Glory. The honor effectively put him on the Hollywood A-List. Some of his more notable work came from his collaboration with director Spike Lee; over the course of the 1990s, Washington starred in three of his films, playing a jazz trumpeter in Mo' Better Blues (1990), the title role in Lee's epic 1992 biopic Malcolm X (for which he received a Best Actor Oscar nomination), and the convict father of a high-school basketball star in He Got Game (1998).Washington also turned in powerful performances in a number of other films, such as Mississippi Masala (1991), as a man in love with an Indian woman; Philadelphia (1993), as a slightly homophobic lawyer who takes on the cause of an AIDS-stricken litigator (Tom Hanks); and Devil in a Blue Dress (1995), as a 1940s private detective, Easy Rawlins. Washington also reeled in large audiences in action roles, with the top box-office draw of such thrillers as The Pelican Brief (1993), Crimson Tide (1995), and The Siege (1998) attesting to his capabilities. In 1999, Washington starred in another thriller, The Bone Collector, playing a paralyzed forensics expert who joins forces with a young policewoman (Angelina Jolie) to track down a serial killer. That same year, he starred in the title role of Norman Jewison's The Hurricane. Based on the true story of a boxer wrongly accused of murdering three people in 1966, the film featured stellar work by Washington as the wronged man, further demonstrating his remarkable capacity for telling a good story. His performance earned him a number of honors, including a Best Actor Golden Globe and a Best Actor Oscar nomination.After another strong performance as a high-school football coach in Boaz Yakin's Remember the Titans, Washington cut dramatically against his "nice guy" typecast to play a corrupt policeman in Training Day, a gritty cop drama helmed by Antoine Fuqua. Washington surprised audiences and critics with his change of direction, but in the eyes of many, this change of direction made him a more compelling screen presence than ever before. (It also netted him an Oscar for Best Actor.) 2002 marked an uneven year for Washington. He joined the cast of Nick Cassavetes' absurd melodrama John Q., as a father so desperate to get medical attention for his ailing son that he holds an entire hospital hostage and contemplates killing himself to donate his own heart to the boy. Critics didn't buy the film; it struck all but the least-discriminating as a desperate attempt by Washington to bring credulity and respectability to a series of ludicrous, manipulative Hollywood contrivances. John Q. nonetheless performed healthily at the box (it grossed over a million dollars worldwide from a 36-million-dollar budget). That same fall, Washington received hearty praise for his directorial and on-camera work in Antwone Fisher (2002), in which he played a concerned naval psychiatrist, and even more so for director Carl Franklin's 2003 crime thriller Out of Time. Somewhat reminiscent of his role in 1991's crime drama Ricochet, Out of Time casts Washington as an upstanding police officer framed for the murder of a prominent citizen. In 2004, Washington teamed up with Jonathan Demme for the first occasion since 1993's Philadelphia, to star in the controversial remake of 1962's The Manchurian Candidate. Washington stars in the picture as soldier Bennett Marco (the role originally performed by Frank Sinatra), who, along with his platoon, is kidnapped and brainwashed during the first Gulf War. Later that year, Washington worked alongside Christopher Walken and Dakota Fanning in another hellraiser, director Tony Scott's Man on Fire, as a bodyguard who carves a bloody swath of vengeance, attempting to rescue a little girl kidnapped under his watch. Washington made no major onscreen appearances in 2005 -- and indeed, kept his activity during 2006 and 2007 to an absolute minimum. In '06, he joined the cast of Spike Lee's thriller Inside Man as a detective assigned to thwart the machinations of a psychotically cunning burglar (Clive Owen). The film opened to spectacular reviews and box-office grosses in March 2006, keeping Washington on top of his game and bringing Lee (whose last major feature was the disappointing 2004 comedy She Hate Me) back to the pinnacle of success. That same year, Washington joined forces once again with Tony Scott in the sci-fi action hybrid Déjà Vu, as an ATF agent on the trail of a terrorist, who discovers a way to "bridge" the present to the past to view the details of a bomb plot that unfolded days earlier. The Scott film garnered a fair number of respectable reviews but ultimately divided critics. Déjà Vu bowed in the U.S. in late November 2006. Meanwhile, Washington signed on for another action thriller, entitled American Gangster -- this time under the aegis of Tony Scott's brother Ridley -- about a drug-dealing Mafioso who smuggles heroin into the U.S. in the corpses of deceased Vietnam veterans.Washington appeared as New York City subway security chief Walter Garber in the 2009 remake of the 1974 thriller The Taking of Pelham One Two Three, and begun filming the post-apocalyptic drama The Book of Eli in the same year. He earned a Best Actor nomination in 2012 for his work as an alcoholic pilot in Robert Zemeckis' drama Flight.

Trivia: A Pulitzer Prize-winning playwright (for 1979's Buried Child), an Oscar-nominated actor, and a director and screenwriter to boot, multi-talented Sam Shepard has made a career of plumbing the darker depths of middle-American rural sensibilities and Western myths. The son of a military man, he was born Samuel Shepard Rogers on November 3, 1943, in Fort Sheridan, IL. Following a peripatetic childhood, part of which was spent on a farm, Shepard left home in late adolescence to move to New York City, where by the age of 20, he already had two plays produced. As a playwright, Shepard went on to win a number of Obies for such dramas as Curse of the Starving Class (1977), which he made into a film in 1994, and True West (aired on PBS in 1986). As an actor, the lanky and handsome Shepard made his feature film debut with a small role in Bronco Bullfrog (1969) and didn't resurface again until Bob Dylan's disastrous Renaldo and Clara (1978). The film followed Shepard's residence in London during the early '70s, where he worked on-stage as an actor and director when not playing drums for his band, The Holy Modal Rounders, which had performed as part of Dylan's Rolling Thunder Revue in 1975. Also in 1978, Shepard made a big impression playing a wealthy landowner in Terrence Malick's Days of Heaven, but it was not until he received a Best Supporting Actor Oscar nomination for playing astronaut Chuck Yeager in The Right Stuff (1983) that he became a well-known actor. Following this success, he went on to specialize in playing drifters, cowboys, con artists, and eccentric characters with only the occasional leading role. Some of his more notable work included Paris, Texas (1984), which he also wrote; Fool For Love (1985), which was adapted from his play of the same name; Baby Boom (1987), Steel Magnolias (1989), and The Pelican Brief (1993). In addition to acting and writing, Shepard has also directed: in 1988, he made his debut with Far North, a film he wrote especially for his off-screen leading lady, Jessica Lange, with whom he has acted in Frances (1982), Country (1984), and Crimes of the Heart (1986).In 1999, Shepard could be seen on both the big and small screen. He appeared in Snow Falling on Cedars and Dash and Lilly, a made-for-TV movie for which he won an Emmy nomination in the role of the titular Dashiell Hammett. In addition, he also lent his writing skills to Simpatico, a Nick Nolte vehicle about friendship and loss adapted from Shepard's play of the same name.As the new decade began, he could be seen as the ghost in a modern-set Hamlet. He appeared in Black Hawk Down, as well as in Sean Penn's The Pledge. His play True West enjoyed a highly successful revival starring John C. Riley and Philip Seymour Hoffman as feuding brothers, which was notable because the actors traded parts every third performance. In 2004 he appeared in the popular romantic drama The Notebook, and wrote Don't Come Knocking the next year. He was the legendary outlaw Frank James in 2007's The Assassination of Jesse James by the Coward Robert Ford. He was cast as Valerie Plame's father in Fair Game, and portrayed a dog-loving sheriff in Lawrnece Kasdan's Darling Companion.

Trivia: A veteran of Chicago's free-form Organic Theatre, the boyish, personable John Heard won the Theatre World Award for his performance in the 1976 play Streamers, and two years later was the recipient of the Obie Award for two separate off-Broadway productions. He made his film bow as the harried correspondent for an underground newspaper in Joan Micklin Silver's Between the Lines. In Silver's 1979 Head Over Heels, Heard again received top billing, this time as the obsessive ex-lover of Mary Beth Hurt. One of his first "mainstream" leading roles was in Paul Schrader's erotic thriller Cat People (1981). Heard was agreeable, if a little bullheaded, as Macaulay Culkin's dad in the two Home Alone films; less agreeable was his portrayal of Tom Hanks' abrasive business rival in Big (1988) On television, Heard was seen as the tormented Reverend Dimmesdale opposite Meg Foster's Hester Prynne in the PBS production of The Scarlet Letter, and was heard as one of the celebrity voices on the made-for-cable Dear America: Letters Home From Vietnam (1987). John Heard was at one time married to actress Margot Kidder. He turned in fine supporting work in Beaches, and was the bad guy in the Tom Hanks hit Big. A well-respected character actor, Heard continued to work in projects as diverse as Rambling Rose, Radio Flyer, In the Line of Fire, and the comedy My Fellow Americans. He had a major part in the Brian De Palma thriller Snake Eyes in 1998, and the next year he had a brief recurring part on The Sopranos. He appeared in the 2000 biopic Pollock, and the next year was in the Shakespeare inspired high-school drama O. In 2002 he played legendary television executive Roone Arledge in the made for TV film Monday Night Mayhem, and in 2004 he appeared in the comedy White Chicks. He worked non-stop throughout the rest of the decade appearing in such films as The Great Debaters, The Guardian, and Formosa Betrayed. In 2007 he was cast in the short-lived ABC series Cavemen. In 2011 he was part of the ensemble in the well-regarded docudrama about the 2008 financial meltdown, Too Big to Fail.

Trivia: The grandson of movie mogul Samuel Goldwyn, actor Tony Goldwyn favored his grandmother's side of the family (she was film actress Frances Howard) by pursuing an acting rather than an executive career. Goldwyn's first major film was 1987's Gaby: A True Story, in which he was eighth-billed. His breakthrough feature was 1990's Ghost, in which he played Carl, the "lying snake" who sets up the murder of his best friend (Patrick Swayze) and then callously moves in on the dead man's grieving girlfriend (Demi Moore). A master at playing charming-but-shallow yuppies, Goldwyn went on to appear in films ranging from The Pelican Brief (1994) to Nixon (1995) to the thriller Kiss the Girls (1997). In 1998, Goldwyn played astronaut Neil Armstrong in the made-for-TV docudrama series From the Earth to the Moon; the following year he made his directorial debut with the similarly-titled A Walk on the Moon. Starring Diane Lane as a dissatisfied housewife who finds physical and emotional enlightenment with a blouse salesman (Viggo Mortensen) in 1969 upstate New York, the film enjoyed an overwhelmingly favorable reception. Also in 1999, Goldwyn earned additional kudos for voicing the title character of Disney's animated Tarzan. Audiences were able to see more of the actor in 2000, when he appeared in Don Roos' romantic drama Bounce and in the Arnold Schwarzenegger sci-fi thriller The 6th Day. When his sophomore effort as a director, the romantic comedy Someone Like You..., failed to generate much interest, Goldwyn would turn toward television to helm episodes of The L Word, Without a Trace, Grey's Anatomy, and Law & Order (many of which he also appeared in as an actor) while racking up an impressive list of credits in such efforts as the Christian-themed drama Joshua, The Last Samurai, and as a haunted writer whose attempt to clean the skeletons out of the family closet lead to tragedy in Ghosts Never Sleep. A 2005 performance as a cop whose life is profoundly affected by a firearm in American Gun found Goldwyn as strong as ever in front of the camera, and the following year it was time once again to take the reins for the romantic comedy drama re-make The Last Kiss; a contemporary tale of love and anxiety starring Scrubs and Garden State actor Zach Braff. .

Trivia: For those who grew up in the 1980s, many will remember hating actor William Atherton for his hissable characters in such films as Ghostbusters (1984) and Real Genius (1985). Specializing in heady, clueless bureaucrats who never cease to hinder the protagonist and who often get what's coming to them before the credits roll, Atherton is one of those busy character actors who audiences are not likely to forget, even if they can't remember where they know him from. A Connecticut native who got his start on the stage while still in high school, Atherton would subsequently move on to become the youngest member ever accepted into New Haven's Long Wharf Theater repertory. Studies at the Pasadena Playhouse and Carnegie Tech led Atherton to pursue more theater roles, and a few short years later the seasoned stage actor made his leap to the big screen with The New Centurions (1972). A role in Steven Spielberg's The Sugarland Express (1974) found Atherton's feature career getting off to a solid start, and the fledgling actor would continue career momentum with featured roles in The Hindenburg (1975) and Looking for Mr. Goodbar (1977). In the 1980s Atherton would develop a convincingly weasel-like persona with roles as the popcorn-hating professor of Real Genius and a relentlessly obnoxious EPA agent who unleashes a nightmare upon New York in Ghostbusters. Following up with a memorably sleazy reporter in Die Hard (1988) and its sequel, Atherton would remain busy in the 1990s with roles in The Pelican Brief (1993), Bio-Dome (1996), Hoodlum, and Mad City (both 1997). The millennial turnover found Atherton appearing in such fare as The Crow: Salvation (2000) and Race to Space (2001), and as 2003 approached his feature career seemed to be having a bit of a resurgence with such major releases as Who's Your Daddy? and The Last Samurai.

Trivia: Tall, straight-laced American actor Robert Culp parlayed his appearance and demeanor into a series of clean-cut character roles, often (though not always) with a humorous, mildly sarcastic edge. He was perhaps best known for three accomplishments: his turn as a Southern California documentary filmmaker who decides, along with his wife (Natalie Wood) to suddenly go counterculture with an "open marriage" in Paul Mazursky's Bob & Carol & Ted & Alice (1969); his iconic three-season role as an undercover agent in the espionage-themed series I Spy (1965-8); and his three-season run as Bill Maxwell on Stephen Cannell's superhero spoof series The Greatest American Hero (1981-3). Born in Oakland, California in 1930, Culp attended several West Coast colleges while training for a dramatic career. At 21, he made his Broadway debut in He Who Gets Slapped. Within six years, he was starring in his own Friday night CBS Western, Trackdown (1957-9) as Hoby Gilman, an 1870s era Texas Ranger. During the two-year run of this program, Culp began writing scripts, a habit he'd carry over to other series, notably The Rifleman and Gunsmoke. These all represented fine and noble accomplishments for a young actor, but as indicated, I Spy delivered a far greater impact to the young actor's career: it made Culp (along with his co-star, Bill Cosby) a bona fide celebrity. The men co-starred in the NBC adventure yarn as, respectively, Kelly Robinson and Alexander Scott, undercover agents involved in globetrotting missions for the U.S. government. Both actors brought to the program a sharp yet subtle sense of humor that (coupled with its exotic locations) made it one of the major discoveries of the 1965-6 prime-time line-up. During the second of I Spy's three seasons, Culp made his directorial debut by helming episodes of Spy; he went on to direct installments of several other TV programs. The success of Bob & Carol at the tail end of the 1960s proved that Culp could hold his own as a movie star, and he later directed and co-starred in 1972 theatrical feature Hickey and Boggs, which reunited him with Cosby, albeit to much lesser acclaim. Unfortunately, as the years rolled on, Culp proved susceptible to the lure of parts in B-pictures, such as Sky Riders (1976), Flood! (1976) and Hot Rod (1979), though he delivered a fine portrayal in television's critically-acclaimed Roots: The Next Generations (1979). Culp rebounded further with the semicomic role of CIA chief Maxwell on American Hero, but many now-infamous behind-the-scenes issues (and external issues, such as the shooting of Ronald Reagan) beleaguered that program and ended its run after only three seasons. In the years that followed, Culp vacillated between exploitation roles, in tripe such as Big Bad Mama 2 and Silent Night, Deadly Night 3, and more respectable, mainstream guest turns in television series including The Cosby Show and Murder, She Wrote. He enjoyed one of his most prestigious assignments with a supporting role in the big screen John Grisham-Alan Pakula thriller The Parallax View (1993), opposite Denzel Washington and Julia Roberts. In the years that followed, Culp's on-camera presence grew less and less frequent, though he did make a cameo in the 1996 Leslie Nielsen laugher Spy Hard. Television continued to provide some of Culp's finest work: he rejoined old friend Cosby for a 1994 I Spy TV-movie reunion and made guest appearances in such series as Lonesome Dove, Law & Order and The Dead Zone. Following a period of semi-retirement, Culp died suddenly and rather arbitrarily, when he sustained a head injury during a fall outside of his Hollywood home in March 2010. He was 79 years old.

Trivia: Like many another contemporary movie and TV favorite, Stanley Tucci is a graduate of the drama department at SUNY-Purchase. Tucci made his film bow in 1985's Prizzi's Honor, after which he specialized in playing lowlifes and scuzzbags, despite his offscreen credentials as a loyal friend and loving family man. Some of his more memorable appearances were as Rick Pinzolo in TV's Wiseguy (1987-1989), a minor-league thug named Vernon in Beethoven (1992), and a Middle-Eastern assassin in The Pelican Brief (1993). Tucci acquired a fan following of sorts for his slimy year-long role of Richard Cross on the weekly TV series Murder One (1995).In 1996, Tucci broke loose from his established screen persona by playing an ambitious Italian-American restaurateur in Big Night, the most delightfully "gastronomic" film since Like Water for Chocolate. The art-house favorite was a sheer labor of love for Tucci, who served as its producer, co-wrote its script with his cousin Joe Tropiano, and shared directorial duties with his friend Campbell Scott. Tucci again directed two years later with The Impostors, a farcical comedy that cast him and longtime friend Oliver Platt as two stowaways on an ocean liner. Unlike Big Night, however, the film did not do well with audiences or critics. After starring in A Midsummer Night's Dream (1998) as Puck and In Too Deep (1999) as a police supervisor, Tucci again stepped behind the camera, this time to direct Joe Gould's Secret (2000). A historical drama about an eccentric man (Ian Holm) living on the streets of Greenwich Village, it received a very enthusiastic reception at the 2000 Sundance Festival, where it premiered. The early 2000s seemed to be a winning period for the versatile actor, with Tucci also taking home the Best Supporting Actor in a television movie award for his role in Conspiracy (2001). That same year he appeared in America's Sweethearts as an intense movie mogul. He continued doing solid work even when the finished films were sometimes lacking. He played in the Jennifer Lopez hit Maid in Manhattan, Sam Mendes' Road to Perdition, the American remake of Shall We Dance?, and landed his largest role in a major Hollywood production when Steven Spielberg cast him as the ambitious, officious manager of The Terminal. Tucci lent his voice to the animated film Robots in 2005, and the next year earned solid notices for his work as a fashion magazine editor loyal to the diva editor in chief Meryl Streep in The Devil Wears Prada.The highly-respected character actor continued to work steadily in a variety of projects, but a pair of high-profile supporting roles in 2009 earned him strong reviews and awards consideration. As the husband to Julia Child in Julie & Julia, Tucci got to work opposite Meryl Streep yet again in another box-office hit, but it was his creepy turn as a child killer in the big screen adaptation of The Lovely Bones that earned him Screen Actors Guild, Golden Globe, and Academy Award nominations.In 2010 he appeared opposite Cher in Burlesque, and was a loving father in the sleeper hit Easy A. In 2012, Tucci was cast as the announcer and emcee Caesar Flickman in the hit adaptation of the smash novel The Hunger Games. Tucci continued to be a work horse, appearing in seven films in 2014, including Transformers: Age of Extinction and a cameo in Muppets Most Wanted.

Trivia: Canadian-born actor Hume Cronyn was the son of a well-known Ontario politician. At his father's insistence, young Cronyn studied law at McGill University, but had by then already decided he wanted to be an actor; he made his stage bow with the Montreal Repertory Company at 19, while still a student. After taking classes at the American Academy of Dramatic Arts and working with regional companies in Washington, DC and Virginia, Cronyn made it to Broadway in 1934. His first important role was as the imbibing, jingle-writing hero of Three Men on a Horse, directed and co-written by George Abbott. He remained with Abbott to work in Room Service and Boy Meets Girl - not only establishing himself as a versatile stage actor but also gleaning a lifelong appreciation of strict artistic discipline from the authoritarian Mr. Abbott. Cronyn went from one taskmaster to another when he made his film debut in Alfred Hitchcock's Shadow of a Doubt. The 32-year-old Cronyn quietly stole several scenes in the film as a fiftyish mystery-novel fanatic. Cronyn would remain beholden to Hitchcock for the rest of his career: He acted in Hitchcock's Lifeboat (1944) and worked several times thereafter on the director's TV series; he adapted the stage play Rope and the novel Under Capricorn for Hitchcock's filmizations; and he sprang to the late director's defense when a dubious biography of Hitchcock was published in the mid-1980s. Though well-versed in Shakespeare and Moliere on stage, Cronyn was often limited to unpleasant, weasely and sometimes sadistic characters in films; one of his nastiest portrayals was as the Hitleresque prison guard Munsey in Brute Force (1947). A somewhat less hissable Cronyn appeared in The Green Years (1946), wherein he portrayed the father of his real-life wife Jessica Tandy, who was in fact two years older than he. Cronyn had married Tandy in 1942, a union that was to last until the actress' death in 1994. They worked together often on stage (The Fourposter, The Gin Game) and in films (Batteries Not Included), and delighted in giving joint interviews where they'd confound and misdirect the interviewer. Their daughter, Tandy Cronyn, matured into a fine actress in her own right. Seemingly indefatigable despite health problems and the loss of one eye, Cronyn remained gloriously active in films, television and stage into the 1990s, encapsulating many of his experiences in his breezy autobiography A Terrible Liar.

Trivia: A distinguished actor of stage, television, and movies who is at home playing everything from menacing villains, big-hearted transsexuals, and loopy aliens, John Lithgow is also a composer and performer of children's songs, a Harvard graduate, a talented painter, and a devoted husband and father: in short, he is a true Renaissance man. Once hailed by the Wall Street Journal as "the film character actor of his generation," Lithgow is the son of a theater director who once headed Princeton's McCarter Theater and produced a series of Shakespeare festivals in Ohio, where Lithgow was six when he made his first theatrical bow in Henry VI, Part 3. His parents raised Lithgow in a loving home that encouraged artistic self-expression and took a broad view of the world. As a youth, Lithgow was passionate about painting and at age 16, he was actively involved with the Art Students League in New York. When the acting bug bit, Lithgow's father was supportive. After Lithgow graduated from Harvard, he received a Fulbright scholarship to study at the London Academy of Music and Dramatic Art; while in England, Lithgow also worked with the Royal Shakespeare Company and for the Royal Court Theatre. He returned to the U.S. in the early '70s and worked on Broadway where he won his first Tony and a Drama Desk Award for his part in The Changing Room (1973). Lithgow remained in New York for many years, establishing himself as one of Broadway's most respected stars and would go on to appear in at least one play per year through 1982. He would subsequently receive two more Tony nominations for Requiem for a Heavyweight and M. Butterfly. He made his first film appearance in Dealing: Or the Berkeley-to-Boston Forty-Brick Lost-Bag Blues (1972). The film itself was an inauspicious affair as were his other subsequent early efforts, though by the early '80s, his film roles improved and diversified dramatically. Though capable of essaying subtle, low-key characters, Lithgow excelled in over-the-top parts as the next decade in his career demonstrates. He got his first real break and a Best Supporting Actor nomination when he played macho football player-turned-sensitive woman Roberta Muldoon in The World According to Garp (1982). In 1983, he provided one of the highlights of Twilight Zone--The Movie as a terrified airline passenger and earned a second Best Supporting Actor Oscar nomination in Terms of Endearment where he appeared with Shirley Maclaine and Jack Nicholson, as well as playing a fiery preacher in Footloose. That year, he won his first Emmy nomination for his work in the scary nuclear holocaust drama The Day After. In 1984, he played the crazed Dr. Lizardo in the cult favorite The Adventures of Buckaroo Banzai. In Ricochet (1992), Lithgow proved himself a terrifying villain with his portrayal of a psychopathic killer hell-bent for revenge against Denzel Washington, the man who incarcerated him. In 1990, he made Babysong video tapes of his performing old and new children's songs on the guitar and banjo. Though he had already established himself on television as a guest star, Lithgow gained a large and devoted following when he was cast as an alien captain who, along with his clueless crew, attempts to pass for human in the fresh, well-written NBC sitcom Third Rock From the Sun (1996). The role has won him multiple Emmys and Golden Globe awards. When that show's run ended in 2001, Lithgow kept busy with roles in such high-profile features as The Life and Death of Peter Sellers (2004) (in which he essayed the role of comedy legend Blake Edwards), Kinsey, Dreamgirls, and Leap Year. Yet through it all the small screen still beckoned, and in 2010 the Lithgow won an Emmy for his role as Arthur Mitchell (aka The Trinity Killer) on the hit Showtime series Dexter. A poignant turn as a once-brilliant scientist stricken with Alzheimer's disease revealed a gentler side of Lithgow in Rise of the Planet of the Apes, and in 2012 he reminded us that he could still get big laughs with roles in both This is 40 (Judd Apatow's semi-sequel to Knocked Up) and the Will Ferrell/Zach Galifianakis political comedy The Campaign. When not busy working on the show, in theater, or in feature films, Lithgow is at home playing "Superdad" to his children and his wife, a tenured college professor at U.C.L.A.

Trivia: Possessing an air of smug authority that isn't without a slight sense of self-conscious humor, actor Anthony Heald's supporting roles in such films as The Silence of the Lambs and Deep Rising have found him mastering the art of the overconfident character who audiences instinctively sense (often rightly so) will receive his comeuppance before the end credits roll. Born Philip Anthony Mair Heald in New Rochelle, NY, the aspiring actor with a keen eye for detail sought higher education at Michigan State University following graduation from New York's Massapequa High School. It was during his tenure at Michigan State that Heald became involved with a street theater troupe, honing his skills while simultaneously developing a unique style that he would continue to develop in the decade that followed. Making the leap to the big screen with a supporting role in the 1983 drama Silkwood, Heald also impressed small-screen viewers with occasional roles in Miami Vice, Tales From the Dark Side, and later, Cheers. Of course, it was feature films that provided the most exposure for Heald, though, his role as Dr. Frederick Chilton in The Silence of the Lambs offering the ideal celluloid personification of the actor's nervous confidence. Supporting roles in such high-profile releases as Searching for Bobby Fischer, The Pelican Brief, The Client, and 8MM kept Heald in the public eye throughout the 1990s, and with his role as buttoned-down Assistant Principal Scott Guber in the popular 2000 series Boston Public, Heald seemed to hit his stride on the small screen. On the high-school comedy drama, Heald embued his straight-laced, officious, authoritarian character with a surprising degree of sympathy, making Mr. Gruber somewhat more endearing than would be expected. In 2002, Heald reprised his role as Dr. Frederick Chilton in Red Dragon, the second sequel -- actually a prequel -- to The Silence of the Lambs. Though Boston Public would close its doors in 2004, Heald continued to act in addition to providing vocal work on a number of talking books. In 2006 Heald helmed the clichéd part of the unctuous Dean of the rival college in the comedy Accepted, as well as appearing in the third installment of the popular X-Men franchise.

Trivia: Born in Sudan to English parents and lived in Israel as a child due to his father's position as a bank manager. Found an affinity for performing at the age of 6 while reciting A.A. Milne poems to his family. Earned a scholarship to the prestigious Royal Academy of Dramatic Art in London. Was a member of the Everyman Theatre in Liverpool. Made his Broadway debut as Henry Straker in Man and Superman at Circle in the Square Theatre in 1978. Joined the Royal Shakespeare Company in the early 1980s. Starred as Inspector Goole in the 1994 Broadway production of Stephen Daldry's An Inspector Calls. Played the role of Lord Burleigh in Mary Stuart on Broadway at the Broadhurst Theatre in 2009.

Trivia: With a countenance that can effortlessly suggest a beleaguered everyman or a no-nonsense tough, American character actor John Finn has sustained a prolonged and impressively varied career. A New York City native, Finn received one of his earliest assignments under the aegis of Stuart Rosenberg, as Ginty in the ethnic drama (and cult hit) The Pope of Greenwich Village (1984). The actor's resumé over the following ten years packed in a series of key Hollywood films of varying quality -- from the wonderful Ed Zwick drama Glory (1989) and the fine Alan Pakula political thriller The Pelican Brief (1993) to the Bob Clark buddy comedy Loose Cannons (1990). Finn also appeared in occasional telemovies, notably the 1991 Posing: Inspired by Three Real Stories, as Jimmy Lanahan, the husband of homemaker-turned-Playmate Meredith Lanahan (Lynda Carter). After appearances on such hit series as The X-Files, Frasier, and NYPD Blue, and parts in the major studio releases Catch Me If You Can and Analyze That (2002), Finn landed one of his first regular series roles, playing Lieutenant John Stillman on the popular detective program Cold Case.

Trivia: A true-blue New York actress who has worked on the stage and screen since her adolescence, Cynthia Nixon is probably best known to pop culture aficionados as Miranda Hobbes, the high-powered lawyer who has dated some of New York City's most dysfunctional men on HBO's Sex and the City. Although Nixon's starring role on the hugely popular series may have brought her to the attention of a new audience, observers of the New York theater had been watching the actor on and off Broadway since 1980, where she had performed in productions that included David Rabe's Hurlyburly, Tom Stoppard's The Real Thing, Angels in America, and Indiscretions, for which she earned a Tony nomination.Born in New York City on April 9, 1966, Nixon made her film debut in the 1980 movie Little Darlings. She worked steadily through the rest of the decade, appearing in films ranging from Sidney Lumet's Prince of the City (1981) to Milos Forman's Oscar-winning Amadeus (1984) to Robert Altman's satirical Tanner '88, which cast her as the daughter of the titular politician. Nixon also worked on television, popping up in various miniseries, including the 1982 abortion drama My Body, My Child, in which she co-starred with Vanessa Redgrave and future Sex and the City co-star Sarah Jessica Parker. Continuing to appear on-stage in productions of Wendy Wasserstein's The Heidi Chronicles, Edward Albee's Who's Afraid of Virginia Woolf? (for which she won a Los Angeles Drama Critics Award), and Philadelphia Story (for which she won a Theater World Award), Nixon also became a founding member of the off-Broadway theater group The Drama Dept. In 1998, after appearing onscreen sporadically throughout the 1990s, in such films as Addams Family Values (1993), the actor landed the most widely recognized role of her career up to that point, on Sex and the City. Co-starring alongside Sarah Jessica Parker, Kim Cattrall, and Kristin Davis, Nixon, as the hilariously caustic Miranda, enjoyed critical praise and a number of awards and nominations for her work on the show, which formed another entry on an already long and varied resumé. She would reprise the role for big screen adaptations of the show, in addition to movie roles in Lymelife and An Englishman in New York, as well as a popular turn on the Showtime series The Big C.

Trivia: One of Hollywood's standbys for playing genial everymen during the 1980s, 1990s, and 2000s, Jake Weber was born in Britain on March 19th, 1964.. His roles typically constituted bit parts in A-list Hollywood features, beginning with that of Kyra Sedgwick's (unnamed) boyfriend in the Oliver Stone-directed period saga Born on the Fourth of July (1989) and continuing with work for directors including Sidney Lumet (A Stranger Among Us, 1992), the late Alan J. Pakula (The Pelican Brief, 1993) and Martin Brest (Meet Joe Black, 1998). Weber fortified his nice-guy image -- and scored one of his premier leads -- as Dr. Matt Crower, a kindly physician who takes charge of a young boy and protects him from a possessed sheriff -- in actor-turned-producer Shaun Cassidy's short-lived supernatural drama series American Gothic (1995) on CBS. Unfortunately, that program soon folded after it first bowed, as did the Mike Binder sitcom The Mind of the Married Man (2001), in which Weber signed on as one of the leads, Chicago newspaper employee Jake Berman. After a substantial role in the gory horror remake Dawn of the Dead (2004), Weber played one of the leads in the popular CBS series Medium -- as Joe Dubois, the husband of a woman (Patricia Arquette) plagued by psychic visions, who uses her ability to help solve crimes.

Trivia: Renowned for guiding actors to the Oscars and, as Robert Redford put it, bringing "sensitivity and intellect to seemingly intractable subjects," Alan J. Pakula built a successful career that was cut short by his death in a car accident in 1998. With his restrained, thoughtful filmmaking style, Pakula weathered industry upheavals and audience tastes that often preferred anything but intelligent subtlety, leaving a legacy that includes All the President's Men (1976).Born and raised in New York, Pakula dabbled in high school theater, but he didn't consider a show business career until he took a summer job at Leland Hayward's talent agency. Pakula majored in drama at Yale, graduating in 1948. While working at Warner Bros. in 1949, Pakula directed a Los Angeles stage production of Antigone that caught producer Don Hartman's eye. Hartman got Pakula a job reading scripts at MGM in 1950, and took Pakula with him to Paramount in 1951, where Pakula eventually got to produce his first film, Fear Strikes Out (1957). A docudrama about a baseball player's mental illness, Fear Strikes Out was a critical success for Pakula and his novice movie director Robert Mulligan. The two native New Yorkers formed Pakula-Mulligan Productions and scored a substantial hit with their next film together, the adaptation of To Kill a Mockingbird (1962). Starring Oscar winner Gregory Peck as noble lawyer Atticus Finch, To Kill a Mockingbird earned kudos for its smartly engaging examination of Depression-era racism and morality, and garnered Oscar nominations for Pakula and Mulligan. The pair's follow-up, Love With the Proper Stranger (1963), mixed humor with drama in a then-dicey story about premarital sex and abortion, earning star Natalie Wood a Best Actress Oscar nod. Though not as distinguished as their first films, Pakula and Mulligan's subsequent collaborations continued to delve into socially conscious subjects, including an ex-convict's struggles with freedom in Baby the Rain Must Fall (1964), and the trials of public school students and teachers in Up the Down Staircase (1967). Ready to try film directing, Pakula parted ways with Mulligan and helmed The Sterile Cuckoo (1969). A touching comedy about young love between misfits, The Sterile Cuckoo turned Hollywood offspring Liza Minnelli into a movie star, complete with her first Oscar nomination. Pakula definitively established his way with actors and his talent for expressively nuanced visuals (shot by frequent Pakula D.P. Gordon Willis) with his second film, Klute (1971). With Donald Sutherland's melancholic rural cop and Jane Fonda's defiant yet terrified New York call girl encased in claustrophobic interiors, Klute was as much a character study of isolation as a murder mystery. Embraced by the early-'70s audience, Klute became Pakula's second hit and won the controversial Fonda her first Best Actress Oscar. Suffering his first directorial flop with Love and Pain and the Whole Damn Thing (1973), Pakula returned to contemporary America's dark side with the political thriller The Parallax View (1974). Though it was shot with great style by Willis, featured an excellent performance from Warren Beatty, and presciently evoked Watergate skullduggery as well as Kennedy conspiracy theories, The Parallax View's downbeat story of corporately trained assassins proved too dark even for 1974 audiences. In later years, however, The Parallax View came to be considered an artistically worthy entry in Pakula's "paranoia trilogy" alongside Klute and Pakula's next film, All the President's Men. Taking on journalists Bob Woodward and Carl Bernstein's account of their investigation into the 1972 Watergate break-in, Pakula, Willis, writer William Goldman, and stars Redford and Dustin Hoffman managed to turn old news into a compelling detective story. Contrasting the bright, deep focus Washington Post newsroom set with shadowy late-night meetings with witnesses and Deep Throat, All the President's Men became a search for truth amid early-'70s murk, punctuated by the final teletype rapping out President Nixon's fate. An enormous hit, All the President's Men won numerous critics' prizes, and earned eight Oscar nominations including Best Picture and Pakula's sole Best Director nod. Its Oscar wins included Best Supporting Actor for Jason Robards.Despite Pakula's stumbling with the Western Comes a Horseman (1978) -- though stuntman-turned-actor Richard Farnsworth snagged an Oscar nomination -- he managed to successfully tap the zeitgeist again with Starting Over (1979). A comedy about divorce and commitment-phobia featuring a charmingly low-key Burt Reynolds, Starting Over earned still more acting Oscar nods, this time for Jill Clayburgh and a rejuvenated Candice Bergen. After the ill-conceived Rollover (1981), Pakula turned to adapting and directing William Styron's novel about a haunted concentration camp survivor, Sophie's Choice (1982). Anchored by Meryl Streep's exceptional multilingual performance, Sophie's Choice took a measured yet moving approach to its harrowing subject, earning nods from the Academy for Pakula's screenplay and Nestor Almendros' lush photography and winning Streep her Best Actress Oscar.With increasingly blockbuster-happy audiences less amenable to Pakula's penchant for character study and psychology, his subsequent 1980s features were box-office failures. Pakula's tastes and pop culture auspiciously merged again, however, with his adaptation of Scott Turow's bestseller Presumed Innocent (1990). Starring Harrison Ford as the accused and Bonnie Bedelia as his betrayed wife, Pakula's version solidly hit all of the novel's twists, while the superb cast helped suggest more complex moral questions underlying the central crime. After his skillful adaptation of John Grisham's legal thriller The Pelican Brief (1993), it became his highest-grossing film and fully revived his Hollywood career. His final film, The Devil's Own (1997), fell prey to production problems and difficulties with stars Ford and Brad Pitt, however, and failed to be either a politically complex story or an effective action thriller. Before he finished writing his adaptation of the Franklin and Eleanor Roosevelt White House history No Ordinary Time, Pakula was killed on the Long Island Expressway when his car hit a pipe kicked up by a truck.Pakula's marriage to Hope Lange ended in divorce; he was survived by his writer widow, Hannah Pakula, and several stepchildren.