Trivia: First professional credit was a voice over in 1998's Babe: Pig in the City. Breakthrough role was landing Carly's technologically savvy next-door neighbor, Freddie Benson, in the Nickelodeon kids series iCarly.

Trivia: Made her television debut as Scarlett Conway in Casualty between 2011 and 2012. Starred as Astrid Finch on The Tomorrow People between 2013 and 2014.Made her film debut in 2014's Edge of Tomorrow. Between 2015 and 2017, starred as Veil on Into the Badlands. As of 2019, has starred as Macy Vaughn on the rebooted Charmed since 2018.

Trivia: Louis Gossett Jr. ranks as one of the most respected African-American actors of stage, screen, and television. Tall, lanky, and bald-pated, Gossett was a basketball player in high school until a leg injury benched him and his interest turned toward acting. In 1953, at the age of 17, Gossett made his Broadway debut in Take a Giant Step, and ended up with a Donaldson Award for the year's best newcomer. Though working steadily on stage and television, Gossett was still interested in basketball. The New York Knicks drafted him out of college in 1958 and he played with them briefly before returning to performing. In 1961, Gossett reprised on film the role he played in the theatrical production of A Raisin in the Sun. It was a well-regarded beginning, and he continued to appear on stage and television, and beginning in 1967, the occasional feature film or television movie. During this early period, he also occasionally sang in nightclubs. Gossett did not become a bona fide star until his Emmy-winning performance in the landmark television miniseries Roots (1977). His career picked up considerably after that. In 1982, Gossett earned a Best Supporting Actor Oscar for playing a deceptively heartless drill sergeant in An Officer and a Gentleman. That same year, he also starred in another television series as the wise mentor to an alien prince in The Powers of Matthew Star (1982-1983). After the success of An Officer and a Gentleman, Gossett reprised his roll as the tough sergeant, albeit using different character names, in several films, including the Iron Eagle series, The Punisher (1989), and others. But though he makes an excellent rough guy, Gossett has showed a willingness to let his softer side show through in such made-for-TV movies as Sudie and Simpson (1990).

Trivia: A longtime actor turned director whose memorable turn as a suicidal drag queen endeared him to viewers of ER in the mid-'90s, Vondie Curtis-Hall would subsequently essay a role on the other side of the doctor-patient relationship as Dr. Dennis Hancock on ER rival series Chicago Hope. Though he would later step behind the camera, Curtis-Hall remained a recognizable fixture on both film and television with appearances in such high-profile films as Die Hard 2 (1990) and William Shakespeare's Romeo + Juliet (1996). A native of Detroit, Curtis-Hall made his television debut in the short-lived Spenser: For Hire spin-off A Man Called Hawk. Though he had only a vocal role in the 1988 actioner Shakedown, his proper film debut came with a minor role in 1988's Coming to America, followed shortly thereafter with an appearance in director Jim Jarmusch's Mystery Train (1989). A series of minor film roles, as well as an appearance in the short-lived television police musical Cop Rock followed, and through the mid-'90s Curtis-Hall's film roles were mostly of supporting status. Shortly after his sympathetic turn as troubled transvestite Roger McGrath on ER, he embarked on a four-year stint as a doctor on Chicago Hope. Simultaneously appearing in supporting roles in Broken Arrow and Heaven's Prisoners (both 1996), his eagerness to get on the other side of the camera would soon get the best of the struggling actor. Though Curtis-Hall had warmed to the role of director by helming an episode of ER, he was soon putting pen to paper to write a gritty addiction comedy drama about two addicts attempting to kick heroin. A scathing attack on America's healthcare system, Gridlock'd (1997) offered solid performances by Tim Roth and Tupac Shakur and a smart script, but the film was ultimately relegated to obscurity due largely to the fact that its innovative story line proved extremely difficult to market. Though Gridlock'd didn't fare well at the box office, it would prove nowhere near as disastrous as Curtis-Hall's sophomore effort, the Mariah Carey vanity project Glitter (2001). Tanking immediately as it took unrelenting blows from critics and audiences alike, the film's flogging did little to help singer Carey's fragile mental state, let alone boost Curtis-Hall's fledgling directorial career. Undaunted by the failure of Glitter, he nevertheless soldiered on to helm an episode of the short-lived sci-fi television series Firefly the following year.Back in front of the cameras, the tireless actor/director was in very high demand, and in addition to directing a pair of ER episodes in 2001, Hall made a notable impression as sympathetic transvestite on the long-running medical series. Additional roles on such shows as The Sopranos, Soul Food, LAX, and Law & Order proved that even when his directorial career was on shaky ground, he could always find firm footing on the small screen. In the years that followed it wouldn't appear that Curtis-Hall would be having too many concerns about either aspect of his career though, and after directing Oscar-winner Jamie Foxx in the role of Crips founding father Stan "Tookie" Williams in Redemption: The Stan Tookie Williams story in 2004, the increasingly strong director turned his lens towards the action genre with Waist Deep two short years later. An urban Bonnie and Clyde tale for the gangster set, Waist Deep told the tale of an ex-con who, along with his girlfriend, sets out to get his kidnapped son back from a vicious gangster while simultaneously sparking a street war that will seriously diminish the ranks of the ruthless kingpin.

Trivia: A talented supporting player whose numerous film roles may have captured the very essence of infrequently showered gen-X angst, actor Jack Noseworthy may be best known for his frequent portrayal of dingy rockers with a bad attitude and an axe to grind. Still, with roles in such thrillers as the Jonathan Mostow thrillers U-571 and Breakdown, Noseworthy has proven he could transfer his grungy persona to compelling roles as a questionably slow-witted grease-monkey or a member of a distressed WWII submarine crew with equal measures of zeal and conviction. Born and raised in Massachusetts, Noseworthy gained early experience when, in his late teens, he joined a national touring production of Cats. Soon picking up numerous other roles after relocating to New York City, the struggling young actor would next receive his B.F.A. from the Boston Conservatory. After becoming the last actor ever to be hired to join the cast of A Chorus Line, Noseworthy would get an early break in front of the camera with a role in the Bon Jovi music video "Always." A natural in front of the camera, roles in films such as Encino Man (1992) and Alive (1993) were soon to follow, paving the way to a comfortable mid- to late-'90s career with roles in such popular films as S.F.W. (1994), The Brady Bunch Movie (1995), and Breakdown. Roles in Clean and Narrow and U-571 found Noseworthy expanding his dramatic range, and the actor proved that he indeed had a sense of humor with roles in such later films as John Waters' Cecil B. Demented and the blaxploitation parody Undercover Brother (2002).

Trivia: Appeared on the big screen first in 1984 in The Cotton Club.Played in the 1990s in the soap opera One Life to Live.Is best known for his role as Geno in the 1995 comedy-crime film The Jerky Boys.Portrayed Jackie since 2017 in the comedy-drama web television series The Marvelous Mrs. Maisel.Is of Irish and Italian descent.