Trivia: Although Bob Hoskins first became widely known to American audiences as a detective assigned to investigate a cartoon rabbit in Who Framed Roger Rabbit (1988), the balding, burly actor had long been recognized in his native England as a performer of exceptional versatility, capable of playing characters from working-class toughs to Shakespearean villains.Born in Bury St. Edmunds, Suffolk, on October 26, 1942, where his mother had been sent to get away from the then-raging London Blitz, Hoskins was sent back to London with his mother when he was only two weeks old. Growing up in a solidly working-class family in post-war London, Hoskins stayed in school until he was 15, and he then abandoned formal education in favor of a string of diverse jobs. Over the course of the next ten years, he worked as a Covent Garden porter, member of the Norwegian Merchant Marines, steeplejack, plumber's assistant, banana picker, circus fire-eater, trainee accountant, and even spent time working on a kibbutz in Israel. At the age of 25, having garnered a lifetime's worth of unusual experiences, Hoskins got into acting. Hanging out at a pub one night with a friend who was auditioning for a play, he was asked to read for a part in the production. He got the part, and in the course of performing, was approached by an agent who suggested that Hoskins take up acting professionally and began arranging auditions for him. From there, Hoskins began acting onstage, working throughout the '60s, '70s, and '80s with such theatres as London's Royal Court and National Theatre and as a member of such troupes as The Royal Shakespeare Company.Hoskins made his film debut in 1972 with a minor role in the comedy Up the Front. Three years later he got his first substantial film role in the forgettable Inserts, but in 1980, he made a significant breakthrough, turning in a brilliant portrayal of a successful gangster whose world suddenly begins to fall apart in The Long Good Friday. He found even greater success six years later portraying a gangster-turned-chauffeur assigned to a high-priced call girl in Mona Lisa. His performance earned him Best Actor awards from the British Academy, the Cannes Film Festival, and the New York Film Critics Circle, and a Best Actor Academy Award nomination. For all of the acclaim surrounding his work, it was not until he starred in the aforementioned Who Framed Roger Rabbit? in 1988 that Hoskins became known to a mainstream American audience. His American accent in the film was so convincing, that in addition to earning him a Golden Globe nomination, it led some viewers to assume that he was actually an American actor.Hoskins could subsequently be seen in a number of American films in addition to those he made in Britain, appearing in such features as Mermaids (1990), in which he played Cher's love interest; Heart Condition (1990), in which he played an unhinged racist detective; and Nixon (1995), which featured him as another crazed law enforcement official, J. Edgar Hoover. In 1997, he returned to his roots in Twentyfourseven, earning a European Film Academy Best Actor Award for his portrayal of a man trying to set up an amateur boxing league for working-class young men in economically depressed, Thatcher-era England. Two years later, Hoskins turned in a similarly gripping performance as a caterer with a dangerous secret in Felicia's Journey, a psychological thriller directed by Atom Egoyan.Hoskins continued to work steadily into the beginning of the next decade in a variety of projects including acting opposite Michael Caine in Last Orders and playing a supporting role in the Jennifer Lopez romantic comedy Maid in Manhattan. He continued to appear in an eclectic series of films including Kevin Spacey's Bobby Darin biopic Beyond the Seas, as a very bad guy in the martial-arts film Unleashed, the costume drama Vanity Fair, and earning strong reviews playing opposite an Oscar nominated Judi Dench in Mrs. Henderson Presents. He also lent his very distinctive voice to one of the animated characters in the sequel Gairfield: A Tale of Two Kitties. That same year he portrayed a movie studio chief who may have had something to do with the death of George Reeves in the drama Hollywoodland opposite Ben Affleck, Adrien Brody, and Diane Lane. He appeared in Disney's A Christmas Carol, Made in Dangenham, and 2012's Snow White and the Huntsman. In addition to acting, Hoskins has worked behind the camera in a number of capacities. In 1989, he made his directorial and screenwriting debut with The Raggedy Rawney, a drama about a band of gypsies set during World War II. He also served as an executive producer for The Secret Agent in 1996.In August of 2012 Hoskins announced his retirement from acting in part because he was diagnosed with Parkinson's disease. He passed away after a bout of pneumonia in 2014, at age 71.

Trivia: Talented, amiable American actor and dancer Gregory Hines began tap dancing at age four with his brother Maurice in an act called the Hines Kids; the two later studied with tap whiz Henry LeTang, renamed themselves the Hines Brothers in 1962, and in 1964, teamed up with their father in an act called Hines, Hines, and Dad. The trio appeared on The Tonight Show and opened for big-name performers at a number of top-flight clubs. Hines left the trio in 1973, then spent five years in Venice, California, living what he called a "hippie" lifestyle and working with a jazz-rock band. In 1978 he returned to New York and, helped by his brother, auditioned for new shows, ultimately landing excellent parts in three musicals (Eubie!, Comin' Uptown, and Sophisticated Ladies); he received Tony nominations for each of the three shows. He finally received a Tony for his performance as Jelly Roll Morton in the Broadway show Jelly's Last Jam. All of this led to invitations from Hollywood, and he debuted onscreen in 1981's horror film Wolfen. He went on to make a few more films before landing a breakthrough role in Robert Evans's and Francis Ford Coppola's The Cotton Club (1984), one of the year's biggest movies; he also served as choreographer for that film. In 1988 he released an album titled Gregory Hines.

Trivia: From stage to screen to recording studios, Lonette McKee has worked as both an actress and vocalist. Although actors who also sing have been a dime a dozen since the earliest days of stage and cinema, McKee's groundbreaking performance as the first African-American actress to portray the character of Julie in a major American production of Show Boat would have earned her a place in entertainment history even if she hadn't gone on to earn Image Award nominations for her roles in To Dance With Olivia (1997) and As the World Turns. A Motor City native, McKee kicked off her career in the entertainment industry when she became a recording artist in her hometown as a young teen, releasing an album on the Detroit-based Sussex label before being drawn to the screen in the mid-'70s. Cast in a key role in the 1976 musical drama Sparkle, McKee made an impression as a drug-addicted singer in a Supremes-like band, and she quickly caught the eye of casting agents. Appearing in such features as The Cotton Club and Brewster's Millions during the '80s, it was also during this period that she essayed her Tony-nominated role in Show Boat. Spike Lee later cast her in three of his films during the '90s: Jungle Fever, Malcolm X, and He Got Game. After being voted one of People magazine's "50 Most Beautiful People in the World" in 1995, McKee began a two-year stint on the soap opera As the World Turns. She also returned to the studio in 1992 to record Natural Love, her first album in nearly 20 years. The actress alternated between film and television in the early 2000s with parts in Men of Honor (2001), Honey (2003), and a recurring role in the NBC series Third Watch. McKee is married to a New York social worker and is the sister of dancer/actress Kathrine McKee.

Trivia: More coolly charismatic than drop-dead handsome, Richard Gere was one of the most successful sex symbols of the '80s and early '90s. Possessing something of an actual talent in addition to his good looks, Gere has proven himself to be a versatile actor since first starring as the pick-up artist who creeps out Diane Keaton in Looking For Mr. Goodbar. Capable of playing everything from romantic leads and action heroes to medieval knights and ruthless villains, Gere has moved beyond his role as cinematic eye candy to become one of the more enduring actors of his generation. Born in Philadelphia on August 31, 1949, Gere had a strict Methodist upbringing in upstate New York. Following his 1967 high school graduation, he studied philosophy and film at the University of Massachusetts -- only to leave school to pursue an acting career two years later. Gere became a professional actor and sometime musician, performing theatrically in Seattle and New York and attempting unsuccessfully to form a rock band. In 1973 the young actor landed in London, where he gained prominence playing Danny Zuko in Grease, a role he would later reprise on Broadway. While in London, Gere gained the privilege of becoming one of the few Americans ever to work with Britain's Young Vic Theater, with which he appeared in The Taming of the Shrew.Back in the U.S., Gere made his feature film debut in 1974 with a tiny part in Report to the Commissioner. He returned to the stage the following year as part of the cast of an off-Broadway production of Sam Shepard's Killer's Head; following Gere's turn in the 1977 Looking for Mr. Goodbar, he and Shepard would again collaborate in Terrence Malick's breathtaking Days of Heaven (1978). In 1979, Gere won considerable theatrical acclaim for his performance in the Broadway production of Martin Sherman's Bent, and the next year enjoyed his first shot at screen stardom with the title role in Paul Schrader's American Gigolo. Though the film was not a major critical or box-office success, it did earn recognition for the actor, who had taken the role after John Travolta turned it down. Gere did not become a real star until he appeared opposite Debra Winger in An Officer and a Gentleman in 1982, but his bona fide celebrity status was jeopardized with roles in several poorly received films including King David (1985). A lead role in Francis Ford Coppola's 1984 The Cotton Club also failed to perk up the actor's career; despite a legendary director and stellar cast, the film received mixed reviews and poor box-office turnout. With no recent major successes behind him by the end of the decade, it looked as if Gere's career was in a tailspin. Fortunately, he abruptly pulled out of the dive in 1990, first as a cop/crime lord in Mike Figgis' Internal Affairs and then as a ruthless businessman who finds true love in the arms of prostitute Julia Roberts in the smash romantic comedy Pretty Woman. Back in the saddle again, Gere continued to star in a number of films, including Sommersby (1993), Intersection (1994), and First Knight (1995). In 1996, he was highly praised for his portrayal of an arrogant hot-shot attorney in Primal Fear, and in 1999 found further financial, if not critical, success starring opposite Julia Roberts in Runaway Bride. The following year the actor enjoyed some of his best reviews to date as a gynecologist at once devoted to and bewildered by all of the women in his life in Robert Altman's aptly titled Dr. T & the Women; many critics noted that Gere seemed to have finally come into his own as an actor, having matured amiably with years and experience. In 2002, Gere played the too-perfect-for-words husband to Diane Lane in Unfaithful. While the film was not a huge critical success, Gere was praised for a game performance, and Lane was nominated for an Oscar. Unfortunately for Gere, a starring role in The Mothman Prophecies didn't do too much for his resume -- while critics once again lauded the actor's intensity, the film itself was widely hailed as too slow-paced to properly showcase his talents. Luckily, the same couldn't be said for his performance in the multiple Oscar winning Chicago, which found Gere in the role of another hotshot lawyer, this time alongside a diverse and talented cast including Catherine Zeta-Jones, Renée Zellweger, and Queen Latifah. In 2004, Gere starred opposite Jennifer Lopez and Oscar-winning Hollywood veteran Susan Sarandon in Peter Chelsom's Shall We Dance?.On- and offscreen, Gere uses his acting clout to promote his various political ventures. A devout Buddhist, Gere has been deeply involved with the struggles surrounding the Dalai Lama and the worldwide struggle for human rights -- the documentaries Return to Tibet (2003) and Shadow Over Tibet: Stories in Exile (1994) featured Gere as a prime interviewee, while 1997's Red Corner starred the versatile actor as a victim of a grossly corrupt Chinese court system.In 2005, Gere played a professor of religious studies in director David Siegel's drama Bee Season, and enjoyed success in 2007 with The Hoax, an edgy biographical drama, and The Hunting Party, a political tragi-comedy in which he played a discredited reporter mistaken as a member of a CIA hit squad. The actor joined the casat of Nights in Rodanthe in 2008, and worked with Hilary Swank in Amela, the 2009 Amelia Earhart biopic. Gere took on the role of a burnt out cop in Training Day (2009), director Antoine Fuqua's gritty crime drama Brooklyn's Finest.