Trivia: Long before Eddie Murphy, Andrew Dice Clay, or Howard Stern raised the ire of censors and threatened the delicate sensibilities of mainstream American good taste, there was Redd Foxx, arguably the most notorious "blue" comic of his day. Prior to finding fame in the 1970s as the star of the popular sitcom Sanford and Son, Foxx found little but infamy throughout the first several decades of his performing career; salty and scatological, his material broke new ground with its point-blank riffs and brazen discussions of sex and color, and although his party albums were generally banned from white-owned record stores, the comedian's funky narrative style and raspy delivery proved highly influential on comic talents of all ethnic backgrounds.Foxx was born John Elroy Sanford in St. Louis on December 9, 1922. While still in his teens, he became a professional performer, working as both a comedian and actor on the so-called "chitlin circuit" of black theaters and nightclubs. He formulated his stage name by combining an old nickname, "Red" (given because of his ruddy complexion), with the surname of baseball's Jimmie Foxx. After cutting a handful of explicit blues records in the mid-'40s, beginning in 1951 he often teamed with fellow comic Slappy White, a partnership which lasted through 1955. Foxx was performing at Los Angeles' Club Oasis when a representative from the tiny Dooto label contacted him about cutting an album. The comedian agreed, and was paid 25 dollars to record Laff of the Party, the first of over 50 albums of Foxx's racy anecdotes. An onslaught of Dooto releases followed, among them over half a dozen other Laff of the Party sets, The Sidesplitter, The New Race Track, Sly Sex, and New Fugg. His records were poorly distributed, and offered primarily in black neighborhoods. When they did appear in white record stores, they were sold under the counter. In the 1960s, Foxx signed to the MF label and his routines became even more explicit, as evidenced by titles like Laff Your Ass Off, Huffin' and a Puffin', I'm Curious (Black), 3 or 4 Times a Day, and Mr. Hot Pants. After a brief tenure on King, he signed to Loma, a division of Frank Sinatra's Reprise imprint. With records like Foxx A Delic and Live at Las Vegas, he became one of the very first performers to use four-letter words on major-label releases.As the 1960s wore on and long-standing cultural barriers began to crumble, Foxx's audience expanded, and he made a number of television appearances. In 1970, he made his film debut in Ossie Davis' Cotton Comes to Harlem. When the film became a surprise hit, Foxx became a hot talent, and soon signed to star in Sanford and Son, a retooled sitcom version of the British television hit Steptoe and Son. The series, which starred Foxx as junk dealer Fred Sanford, premiered in 1972 and became a huge hit, running through 1977. He also continued recording, issuing You Gotta Wash Your Ass, a live set taped at the Apollo Theater, in 1976. The short-lived programs Sanford, The Redd Foxx Show, and The Redd Foxx Comedy Hour followed; additionally, he starred in the 1976 feature Norman, Is That You?, and became a Las Vegas headliner.By the early '80s, Foxx's career hit the skids. By the end of the decade, however, his influence on the new breed of African-American comedians was openly acknowledged, and in 1989 Eddie Murphy tapped him to co-star in his black-themed crime-noir film Harlem Nights. Although the film flopped, Foxx's career was renewed, and in 1991 he began work on a new sitcom, The Royal Family. Tragically, he suffered a heart attack on the series' set and died on October 11, 1991. Still, even in death, Foxx's name remained synonymous with off-color comments; on an episode of the hit show Seinfeld broadcast several years later, Jason Alexander's character, George, was chastised for the "curse toast" he delivered at a friend's wedding, prompting an exasperated Jerry Seinfeld to exclaim, "You were like a Redd Foxx record up there!"

Trivia: Began his acting career at the age of 4 with an appearance in the Broadway play Green Pastures. Was drafted by the Army and served a tour of duty in Vietnam. Guest-starred on an Emmy-winning episode of All in the Family, which helped him earn a lead role on the popular sitcom Sanford and Son. Scaled back his acting work after experiencing a spiritual awakening and becoming a minister in 1983. Is also a writer whose works include several children's books and the memoir Second Banana: The Bitter Sweet Memoirs of the Sanford & Son Years.

Trivia: "Professional sidekick" Ed McMahon attended 15 schools while growing up in Detroit, New Jersey, New York City and Massachusetts; his father was a part-time plumber and entertainer, whose work in both fields kept the family forever on the go. The 15-year-old McMahon's first appearance before a microphone was as the "caller" at a bingo game in Maine; he was 15 years old. He spent the next three years touring the state fair and carnival circuit then worked his way through Boston College as a jack-of-all-trades at a Lowell, Massachusetts radio station. After World War II service, McMahon found work as a sidewalk pitchman, which paid his tuition at Catholic University in Washington D.C. As a journeyman television performer in the 1950s, McMahon delivered vegetable-slicer TV commercials, hosted a late-night interview show in Philadelphia and briefly appeared as a clown on the CBS kiddie show Big Top. In 1959, MacMahon was hired as the announcer/straight man on Who Do You Trust?, a daytime quiz program hosted by Johnny Carson. When Carson succeeded Jack Paar on NBC's Tonight Show, he took MacMahon with him; both men remained with Tonight until Carson's retirement in 1992. On his own, MacMahon has continued making commercial appearances for a multitude of products, starred in straw-hat theatre productions (The Music Man is his favorite), played straight supporting roles in such films as The Incident (1967) and Slaughter's Big Rip-Off (1973), lent a comedic turn to the Larry Cohen horror comedy Full Moon High (1982), and hosted the popular TV talent contest Star Search. McMahon died in June 2009 at age 86; though no cause of death was officially given, he had been suffering from cancer and pneumonia.

Trivia: The archetypal side-of-the-mouth Runyonesque gangster, Sheldon Leonard's actual mean-streets experience was confined to travelling with a fairly benign teenaged gang in a New York suburb. In fact, if we are to believe his future business partner Danny Thomas, Leonard never met a bonafide gangster until Thomas introduced him to one in the mid-1950s! A graduate of Syracuse University, Leonard began his acting career on radio and the stage, appearing in such Broadway productions as Kiss the Boys Goodbye and Having Wonderful Time. Starting with 1939's Another Thin Man, Leonard made a good living as a movie mob boss, henchman, and all-around tough guy. He played a rare leading role (and a romantic lead, to boot) in PRC's Why Girls Leave Home (1944). Leonard was also a regular on radio's Jack Benny Program, playing a laconic racetrack tout. During the 1950s and 1960s, Leonard became a successful television producer, overseeing such sitcoms as The Danny Thomas Show, The Andy Griffith Show, The Dick Van Dyke Show and Gomer Pyle USMC. He also spearheaded I Spy, the first TV action series with an African American star (Bill Cosby). His television activities extended to the domain of Saturday morning cartoons, as the voice of animated character Linus the Lionhearted. Sheldon Leonard continued producing into the mid-1970s, renaming his production company Deezdemandoze, in honor of his patented gangster patois. Leonard passed away in his home at age 89.

Trivia: A comedienne turned actress who rose to fame as outspoken bible-thumper Aunt Ester in Redd Foxx's hit sitcom Sanford and Son, LaWanda Page performed with such other famous contemporaries as Richard Pryor and Rudy Ray Moore before finding success on the small screen. A native of Cleveland who grew up in St. Louis, Page first hit the stage as an exotic dancer and chorus girl billed "the Bronze Goddess of Fire" (due to her penchant for playing with fire on-stage) before fully realizing her talents as a standup comic. Subsequently approached by Foxx to star in Sanford and Son, Page tickled television viewers' funny bones with her memorable role as Foxx's aggressively religious sister-in-law in the original series' spin-off The Sanford Arms, and the 1980 revival Sanford. Throughout the 1980s and '90s, Page crafted a feature-film career with minor roles in such comedies as Zapped! (1982), My Blue Heaven (1990), Friday (1995), and Don't Be a Menace to South Central While Drinking Your Juice in the Hood (1996). Always retaining her fiery approach to comedy, Page also performed on-stage in productions of The Inquest of Sam Cooke and Take It to the Lord...Or Else. On September 14, 2002, LaWanda Page died from complications of diabetes in Los Angeles, CA. She was 81.

Trivia: Moved to LA from his native Ohio in 1968; worked for the California Youth Authority while trying to break into show business. First TV guest role was in a 1970 episode of That Girl. Had a recurring role on Sanford and Son as Officer "Smitty" Smith. Reprised his role of Sgt. L.C. Ross from Private Benjamin in the 1981-83 CBS sitcom version of the film. Costarred with Marla Gibbs in 227 on-stage in Los Angeles before it became an NBC series in 1985. Set up a scholarship fund for minority students studying TV communications in memory of his son Mark, who died in a camping accident in 1977. With 227 costar Gibbs, was honored at the Giving Back Corporation's spring 2010 Celebrity Roast & Toast.

Trivia: Big-framed character actor (and sometime leading man) David Huddleston worked in virtually every film and television genre there is, from Westerns to crime dramas to science fiction. Born in Vinton, Virginia, he attended the Fork Union Military Academy before entering the United States Air Force, where he received a commission as an officer. After returning to civilian life, Huddleston enrolled in the American Academy of Dramatic Arts. He made his television debut in 1961, at age 31, in an episode of the Western series Shotgun Slade. Two years later, the actor made his first big-screen appearance with a small role in All the Way Home (1963). A year later, he showed up in Black Like Me; and in 1968, Huddleston was back on the big screen in the thriller A Lovely Way to Die. He got considerably busier in the years that followed, mostly on television series such as Adam 12, Then Came Bronson, and Room 222, in roles of ever-increasing size. These were broken up by the occasional film job, of which the most notable at the time was the part of the comically helpful town dentist in Howard Hawks' Western Rio Lobo (1970), which gave Huddleston some extended (and humorous) screen-time alongside John Wayne. At the time, his feature-film work was weighted very heavily toward Westerns, while on television Huddleston played everything from service-station attendants to teachers to devious executives, primarily in crime shows. With his deep voice and prominent screen presence, plus a sense of humor that never seemed too far from his portrayals -- even of villains -- Huddleston was one of the busier character actors of the 1970s. Indeed, 1974 comprised a year of credits that any actor in the business could envy: John Wayne used Huddleston in McQ, one of the aging star's efforts to get away from Westerns, but Huddleston was back doing oaters in Billy Two Hats and aided Mel Brooks in parodying the genre in Blazing Saddles (all 1974). As comical as Huddleston could be, he could play sinister equally well, as he proved in Terence Young's The Klansman (1974) -- and that doesn't even count his television roles. By the end of the 1970s, he had graduated to a starring role in the series Hizzoner (1979), about a small-town mayor; and in the 1980s he had recurring roles in series such as The Wonder Years. Huddleston's big-screen breakthrough came with the title role in Santa Claus: The Movie (1985), and he became a ubiquitous figure on the small screen with a series of orange-juice commercials. His subsequent big-screen appearances included Frantic (1988) and The Big Lebowski (1998), playing the title character, and he continued working into the first decade of the 21st century. In 2004, Huddleston essayed one of the most interesting and challenging roles of his screen career, in the short film Reveille. Working without dialogue alongside James McEachin (with whom he'd previously worked in the series Tenafly), he helped tell the story of a sometimes comical, ultimately bittersweet rivalry between two veterans of different armed services. Huddleston died in 2016, at age 85.

Trivia: Towering (5'11") redheaded actress Barbara Rhoades was 20 years old when she signed her first studio contract with Universal. She was possessed of a self-sufficiency and breezy sense of humor that belied her youth. The best of her early screen roles was gun-toting lady bandit Penelope Cushings in the 1968 Don Knotts vehicle Shakiest Gun in the West (a remake of The Paleface [1948] wherein Rhoades' role was played by Jane Russell). Beginning with 1977's Busting Loose, she was a regular on several TV sitcoms. For reasons best known to casting directors, Barbara Rhoades almost always ended up playing someone named Maggie: Maggie Gallegher in Hangin' In (1979), Maggie Chandler in Soap (1980-1981), Maggie Davis in You Again? (1986).

Trivia: Every Presidential election from the end of Lyndon B. Johnson's terms to the beginning of Bill Clinton's second, the country could count on one thing: Comedian Pat Paulsen would run for office. Like certain real candidates, Paulsen peppered his speeches with meaningless falderal and brouhaha, his takes on the days' issues were short and pithy. When asked about the health care problem, Paulsen replied, "I don't think we need to care for healthy people." On the burgeoning national debt, he said, "Let the kids pay it: They still owe us rent and gas money." Paulsen was born in South Bend, WA, but moved with his family to Point Bonita in northern California where his father was stationed with the Coast Guard. Following his high school gradation, Paulsen served with the Marines during WWII, guarding Japanese prisoners in China following the A-bombing of Japan. Upon his discharge, Paulsen took various odd jobs until enrolling in San Francisco City College to study forestry. He was not there long before he discovered acting and enrolled in drama classes and appeared in college productions. Paulsen embarked on various comic enterprises with his brother, Lorin. During the '60s, the two went separate ways and Paulsen found success writing and performing comical folk songs and doing standup on the coffeehouse circuit. It was fellow funny folk artists, the Smothers Brothers, who provided Paulsen with his break into modest fame. Paulsen sold them one or two songs. In 1967, when the brothers launched their groundbreaking Smothers Brothers Comedy Hour, they made a place for Paulsen, who would comment on newsworthy topics and issues. The following year, Paulsen won an Emmy for his shtick. It was the Smothers who suggested Paulsen launch a satirical presidential campaign. Paulsen made his feature-film debut in Hymn Averback's Where Were You When the Lights Went Out? (1968). His subsequent film appearances were rare. Though he never actually won any real-life elections, Paulsen did get to play the president in Bloodsuckers From Outerspace (1986). Following the end of the Smothers Brothers program, Paulsen became a popular nightclub act and performed at conventions and in theaters. For years he annually trekked to Muskegon, MI, to produce and star in plays at the Cherry County Playhouse. Paulsen died in April 1997, in Mexico of pneumonia and kidney failure. In the mid-'90s, he received the International Platform Association's coveted Mark Twain Award for his outstanding contributions to topical humor.

Trivia: Fans of the original action /espionage series Mission Impossible (1966-70) may recognize black actor Greg Morris for playing electronics wizard Barney Collier. Morris spent most of his career on television, appearing on such shows as Ben Casey, The Dick Van Dyck Show and The Twilight Zone. During the 1970s, Morris was a regular on Vega$ (1978-81), playing police officer Lt. David Neslon. A native of Cleveland who spent part of his childhood in New York City, his mother worked as a secretary for black labor leader A. Phillip Reynolds. Before becoming a television actor during the early '60s, Morris attended Ohio State University and the University of Iowa. Morris passed away at the age of 61 on August 27, 1996. The cause of death was unreported.

Trivia: Marlene Clark, a black supporting actress and occasional lead, appeared on screen beginning in the '70s.

Trivia: Alternately tagged as a novelty act and as Honolulu's answer to Dean Martin, the baritone lounge vocalist Don Ho was best known for his signature tune, "Tiny Bubbles," and for his trademark raspberry-colored sunglasses. The Kakaako-born chanteur signed with Sinatra's label, Reprise, in the early '60s, which issued his first album, The Don Ho Show, in 1965. Ho landed a massive hit with "Tiny Bubbles" in the fall of 1966, and issued a handful of albums in the ensuing years, but after 1969, Ho's record sales plummeted. To keep himself afloat as an entertainer, he not only became a club staple in his native Hawaii, but branched out into occasional film and television roles. These included guest appearances on such series programs as The Fall Guy, Charlie's Angels, Sanford and Son, The Brady Bunch, and I Dream of Jeannie (where the entertainer seemed particularly at home in the beach-laden setting of Cape Canaveral). Circa 1996, Ho signed for one of his only feature film roles: that of Alberto Bianco, a vile landlord who oversees several dilapidated tenements, in the MTV-produced, FX-laden picture Joe's Apartment. (The film's detractors decried the producers' decision to pass up an onscreen number by Ho and bequeath the singing roles to 5,000 cockroaches instead.) Several years after participating in the documentary Waikiki, in the Wake of Dreams, Ho died of heart failure in Honolulu. He was 76.

Trivia: "As familiar as a favorite leather easy chair" is how one magazine writer described the craggy, weather-beaten face of ineluctable character actor James Gregory. Indeed, it is hard to imagine any time in the past six decades that Gregory hasn't been seen on stage, on TV or on the big screen. There were those occasional periods during the 1930s and 1940s when he was working on Wall Street rather than acting, and there were those uniformed stints in the Marines and the Naval Reserve. Otherwise, Gregory remained a persistent showbiz presence from the time he first performed with a Pennsylvania-based travelling troupe in 1936. Three years later, he was on Broadway in Key Largo; he went on to appear in such stage hits as Dream Girl, All My Sons, Death of a Salesman and The Desperate Hours. In films from 1948, Gregory was repeatedly cast as crusty no-nonsense types: detectives, military officers, prosecuting attorneys and outlaw leaders. With his bravura performance as demagogic, dead-headed senator Johnny Iselin in The Manchurian Candidate (1962), Gregory launched a second career of sorts, cornering the market in portraying braggadocio blowhards. One of his best characterizations in this vein was as the hard-shelled Inspector Luger in the TV sitcom Barney Miller. He played Luger for six seasons (1975-78, 1979-81), with time out for his own short-lived starring series, Detective School (1978). He also played Prohibition-era detective Barney Ruditsky on The Lawless Years (1959-61) and T. R. Scott in The Paul Lynde Show (1972), not to mention nearly 1000 guest appearances on other series. James Gregory has sometimes exhibited his sentimental streak by singing in his spare time: he has for many years been a member of the SPEBQSA, which as any fan of The Music Man can tell you is the Society for the Preservation and Encouragement of Barbershop Quartet Singing in America.

Trivia: Character actor Daniel Kamekona specialized in playing villains in feature films and on television. He was in his 40s when he made his film debut in Goodbye Paradise (1982). He was memorable as Sato in The Karate Kid 2 (1986). Kamekona's television credits include Magnum P.I, Hawaii Five-O, and Walker, Texas Ranger.

Trivia: A multi-talented actress/singer/comedienne, Philadelphia native Fritzi Burr's work spanned Broadway, film, and television. Maintaining a successful stint as an East Coast comedienne, the early '60s found the aspiring actress appearing frequently in vaudeville legends Smith & Dale's stage act before taking to the bright lights of Broadway in I Can Get it for You Wholesale and Funny Girl. Burr would land numerous film roles after relocating to Hollywood in the early '60s, appearing in such films as They Shoot Horses Don't They (1969), Chinatown (1974), and The Star Chamber (1983). In addition to her film work, Burr would also appear in such popular television shows as Seinfeld and Friends and frequently served as a hospital volunteer. On January 17, 2002, Fritzi Burr died of natural causes in Fort Myers, FL. She was 78.