Trivia: In the first ten years of his life, Raymond Burr moved from town to town with his mother, a single parent who supported her little family by playing the organ in movie houses and churches. An unusually large child, he was able to land odd jobs that would normally go to adults. He worked as a ranch hand, a traveling tinted-photograph salesman, a Forest service fire guard, and a property agent in China, where his mother had briefly resettled. At 19, he made the acquaintance of film director Anatole Litvak, who arranged for Burr to get a job at a Toronto summer-stock theater. This led to a stint with a touring English rep company; one of his co-workers, Annette Sutherland, became his first wife. After a brief stint as a nightclub singer in Paris, Burr studied at the Pasadena Playhouse and took adult education courses at Stanford, Columbia, and the University of Chunking. His first New York theatrical break was in the 1943 play Duke in Darkness. That same year, his wife Sutherland was killed in the same plane crash that took the life of actor Leslie Howard. Distraught after the death of his wife, Burr joined the Navy, served two years, then returned to America in the company of his four-year-old son, Michael Evan Burr (Michael would die of leukemia in 1953). Told by Hollywood agents that he was overweight for movies, the 340-pound Burr spent a torturous six months living on 750 calories per day. Emerging at a trim 210 pounds, he landed his first film role, an unbilled bit as Claudette Colbert's dancing partner in Without Reservations (1946). It was in San Quentin (1946), his next film, that Burr found his true metier, as a brooding villain. He spent the next ten years specializing in heavies, menacing everyone from the Marx Brothers (1949's Love Happy) to Clark Gable (1950's Key to the City) to Montgomery Clift (1951's A Place in the Sun) to Natalie Wood (1954's A Cry in the Night). His most celebrated assignments during this period included the role of melancholy wife murderer Lars Thorwald in Hitchcock's Rear Window (1954) and reporter Steve Martin in the English-language scenes of the Japanese monster rally Godzilla (1956), a characterization he'd repeat three decades later in Godzilla 1985. While he worked steadily on radio and television, Burr seemed a poor prospect for series stardom, especially after being rejected for the role of Matt Dillon on Gunsmoke on the grounds that his voice was too big. In 1957, he was tested for the role of district attorney Hamilton Burger in the upcoming TV series Perry Mason. Tired of playing unpleasant secondary roles, Burr agreed to read for Burger only if he was also given a shot at the leading character. Producer Gail Patrick Jackson, who'd been courting such big names as William Holden, Fred MacMurray, and Efrem Zimbalist Jr., agreed to humor Burr by permitting him to test for both Burger and Perry Mason. Upon viewing Burr's test for the latter role, Perry Mason creator Erle Stanley Gardner jumped up, pointed at the screen, and cried "That's him!" Burr was cast as Mason on the spot, remaining with the role until the series' cancellation in 1966 and winning three Emmies along the way. Though famous for his intense powers of concentration during working hours -- he didn't simply play Perry Mason, he immersed himself in the role -- Burr nonetheless found time to indulge in endless on-set practical jokes, many of these directed at his co-star and beloved friend, actress Barbara Hale. Less than a year after Mason's demise, Burr was back at work as the wheelchair-bound protagonist of the weekly detective series Ironside, which ran from 1967 to 1975. His later projects included the short-lived TVer Kingston Confidential (1976), a sparkling cameo in Airplane 2: The Sequel (1982), and 26 two-hour Perry Mason specials, lensed between 1986 and 1993. Burr was one of the most liked and highly respected men in Hollywood. Fiercely devoted to his friends and co-workers, Burr would threaten to walk off the set whenever one of his associates was treated in a less than chivalrous manner by the producers or the network. Burr also devoted innumerable hours to charitable and humanitarian works, including his personally financed one-man tours of Korean and Vietnamese army bases, his support of two dozen foster children, and his generous financial contributions to the population of the 4,000-acre Fiji island of Naitauba, which he partly owned. Despite his unbounded generosity and genuine love of people, Burr was an intensely private person. After his divorce from his second wife and the death from cancer of his third, Burr remained a bachelor from 1955 until his death. Stricken by kidney cancer late in 1992, he insisted upon maintaining his usual hectic pace, filming one last Mason TV movie and taking an extended trip to Europe. In his last weeks, Burr refused to see anyone but his closest friends, throwing "farewell" parties to keep their spirits up. Forty-eight hours after telling his longtime friend and business partner Robert Benevides, "If I lie down, I'll die," 76-year-old Raymond Burr did just that -- dying as he'd lived, on his own terms.

Trivia: After spending three seasons with the Pasadena Playhouse, actor Robert Rockwell made his Broadway debut in Jose Ferrer's 1946 production of Cyrano de Bergerac, a job he landed on the strength of his dueling skills. Signed to a Republic Pictures contract in 1949, he starred in 11 films over a period of two years, including the infamous anti-Communist tract The Red Menace. From 1952 to 1955, he was seen as Mr. Philip Boynton, the stunningly handsome and incredibly naïve biology teacher on TV's Our Miss Brooks. So typecast was he by this role that he had some trouble finding work after the series' cessation, but the TV-Western boom came to his rescue in 1959, when he was cast as two-fisted frontier insurance investigator Sam Logan in The Man From Blackhawk. Active into the 1990s, Robert Rockwell could be seen in character roles in such TVers as Growing Pains and Beverly Hills 90210.

Trivia: George Neise played character roles on stage, screen, and television. Born and raised in Chicago, Neise became an actor following service as a colonel in the Army Air Corps during WWII. Neise made his feature-film debut in They Raid by Night (I942). Though he would specialize in action-dramas and Westerns, Neise appeared in a wide range of roles ranging from comedy to drama to romance. Neise made his final film appearance in The Barefoot Executive (1971). On television, Neise has appeared on The Jackie Gleason Show, The Red Skelton Show, and The Loretta Young Show. Neise passed away in his Hollywood home on April 14, 1996.

Trivia: Barbara Lawrence already had 10 years' experience as a photographer's model when, at age 17, she appeared in her first film, Billy Rose's Diamond Horseshoe (1945). She completed her studies at UCLA while co-starring in such 20th Century-Fox productions as Margie (1946) and Unfaithfully Yours (1948). Only occasionally a leading lady, Lawrence was generally cast as the heroine's best friend -- or, if there was a man involved, worst enemy. Lawrence's best-known screen role was the giggling Gertie Cummings in Oklahoma (1955), a part she had previously played on stage. In 1977, an unexpected biography appeared, Jim Connor's Hollywood Starlet: The Career of Barbara Lawrence.

Trivia: Supporting actor James Callahan appeared onscreen from 1959.

Trivia: Authoritative, sandy-haired character actor Willis Bouchey abandoned a busy Broadway career in 1951 to try his luck in films. Bouchey's striking resemblance to Dwight D. Eisenhower enabled him to play roles calling for quick decisiveness and unquestioned leadership; he even showed up as the President of the United States in 1952's Red Planet Mars, one year before the "real" Ike ascended to that office. The actor's many judge, executive, military, and town-marshal characterizations could also convey weakness and vacillation, but for the most part there was no question who was in charge when Bouchey was on the scene. A loyal and steadfast member of the John Ford stock company, Willis Bouchey was seen in such Ford productions as The Long Gray Line (1955), The Last Hurrah (1958), Sergeant Rutledge (1960), Two Rode Together (1961), The Man Who Shot Liberty Valance (1962), and Cheyenne Autumn (1962).

Trivia: A stocky character actor, Dennis first appeared onscreen in 1953; he often plays no-nonsense heavies.

Trivia: Character actor Hal Smith (born Harold John Smith) cut his acting teeth in various touring road companies. Before serving in the Air Force during World War II, he had amassed impressive credits as a band singer, radio disc jockey, and writer. In the postwar years, he decided to try his luck in Hollywood, although holding down a real-estate job so he'd have a financial cushion between acting jobs. His first recurring TV role was on the vintage sitcom I Married Joan (1952-53). (It was a different actor who appeared in the bit role of Anne Baxter's suitor in O. Henry's Full House [1952].) He spent most of the '50s playing guest stints and providing voice-overs for cartoon characters, and was briefly Hal the Bartender, a commercial spokesman for a popular brand of beer. In 1960, he was signed for the semi-regular role of town drunk Otis Campbell on The Andy Griffith Show, essaying this hilarious (if politically incorrect) characterization with expertise, although he often insisted, "I don't think I've ever really been drunk in my whole life." Since Otis did not appear in every Griffith episode, Smith had time aplenty to free-lance, playing such film roles as a drunken Santa in Billy Wilder's The Apartment (1960) and an effeminate Roman emperor in The Three Stooges Meet Hercules (1962), and supplying voices for such cartoon programs as Davey and Goliath and The Flintstones. By 1962, he was making 50,000 dollars per year, a tidy sum in those days. During the 1970s and '80s, Smith was most closely associated with Disney, replacing the late Vance "Pinto" Colvig as the voice of Goofy and providing voices for series ranging from Winnie the Pooh and Friends to Ducktales. Smith died in 1994.

Trivia: Olan Soule was so familiar as a character actor in movies and television during the 1950s and 1960s -- and right into the 1980s -- that audiences could be forgiven for not even reckoning with his 25-year career on radio. Soule was born in 1909 in La Harpe, Illinois, to a family that reportedly could trace its ancestry back to three passengers on the Mayflower. He began acting in tent shows in his teens, and made his first appearance on radio in 1926. With his rich, expressive voice -- which frequently seemed to belong to characters that audiences thought of as more physically imposing than the slightly built, 135-pound actor -- he quickly found himself in demand for a multitude of roles. Soule ultimately became closely associated with two series, spending more than a decade on the radio soap opera Bachelor's Children, and a nine-year run on The First Nighter, starting in the 1940s. He made the jump to television in 1949, but even in the visual medium his voice was initially part of his fortune -- one of his early movie assignments was as the narrator of the feature film Beyond The Forest (1949), starring Bette Davis. And many of those early on-screen assignments in features were uncredited, such as his appearance as Mr. Krull in Robert Wise's The Day The Earth Stood Still (1951). Still, Soule did attract attention, with his signature thin physique and the fact that he seemed to show up dozens of times a year, all over television and in movies. By the start of the 1960s, he'd amassed literally hundreds of screen appearances, making him one of the most recognizable character actors of the time period.One producer who took full advantage of Soule's skills early and often was Jack Webb, himself a radio veteran, who cast him in well over two dozen episodes of the original in 1950s Dragnet television series, principally in the recurring role of Ray Pinker. When Webb revived Dragnet in the second half of the 1960s, Soule was no less active, showing up at least a half dozen times each season, often in the role of police-lab scientist Ray Murray. Soule's studious, cerebral portrayal of Murray was reminiscent of the lab technician portrayed by Webb himself in He Walked By Night, the movie that led Webb to create Dragnet in the first place. In between those assignments, Soule appeared in dozens of features and was seen on the small screen in everything from Bonanza and Petticoat Junction to My Three Sons and the Herschel Bernardi series Arnie. Later in his career, Soule returned to his roots, lending his vocal talent to the animated series Super Friends.