Trivia: American actor James Arness had an unremarkable Minneapolis childhood, but his wartime experiences shattered that normality - literally. During the battle of Anzio, Arness' right leg was peppered with machine gun bullets, and when the bones were set they didn't mend properly, leaving him with a slight but permanent limp. The trauma of the experience mellowed into aimlessness after the war. Arness became a "beach bum," lived out of his car, and worked intermittently as a salesman and carpenter. Acting was treated equally lackadaisically, but by 1947 Arness had managed to break into Hollywood on the basis of his rugged good looks and his 6'6" frame. Few of his screen roles were memorable, though one has become an object of cult worship: Arness was cast as the menacingly glowing space alien, described by one character as "an intellectual carrot," in The Thing (1951). For a time it looked as though Arness would continue to flounder in supporting roles, while his younger brother, actor Peter Graves, seemed destined for stardom. John Wayne took a liking to Arness when the latter was cast in Wayne's Big Jim McLain (1953). Wayne took it upon himself to line up work for Arness, becoming one of the withdrawn young actor's few friends. In 1955, Wayne was offered the role of Matt Dillon in the TV version of the popular radio series Gunsmoke. Wayne turned it down but recommended that Arness be cast and even went so far as to introduce him to the nation's viewers in a specially filmed prologue to the first Gunsmoke episode. Truth be told, Arness wasn't any keener than Wayne to be tied down to a weekly series, and as each season ended he'd make noises indicating he planned to leave. This game went on for each of the 20 seasons that Gunsmoke was on the air, the annual result being a bigger salary for Arness, more creative control over the program (it was being produced by his own company within a few years) and a sizeable chunk of the profits and residuals. When Gunsmoke finally left the air in 1975, Arness was the only one of the original four principals (including Amanda Blake, Milburn Stone and Dennis Weaver) still appearing on the series. Arness made plans to take it easy after his two-decade Gunsmoke hitch, but was lured back to the tube for a one-shot TV movie, The Macahans (1976). This evolved into the six-hour miniseries How the West Was Won (1977) which in turn led to a single-season weekly series in 1978. All these incarnations starred Arness, back in the saddle as Zeb Macahan. The actor tried to alter his sagebrush image in a 1981 modern-day cop series, McClain's Law -- which being set in the southwest permitted Arness to ride a horse or two. It appeared, however that James Arness would always be Matt Dillon in the hearts and minds of fans, thus Arness obliged his still-faithful public with three Gunsmoke TV movies, the last one (Gunsmoke: The Last Apache) released in 1992. In between these assignments, James Arness starred in a 1988 TV-movie remake of the 1948 western film classic Red River, in which he filled the role previously played by his friend and mentor John Wayne.

Trivia: Gary Lockwood was the astronaut who didn't make it to Jupiter in 2001: A Space Odyssey (1968). A former stunt performer, Lockwood's first film work was as stand-in for Anthony Perkins, with whom he appeared on camera in 1960's Tall Story. Before his unfortunate space ride in 2001, Lockwood starred on the network TV series Follow the Sun (1961) and The Lieutenant (1963); afterward, he was seen in such theatrical films as R.P.M (1970) and Project Kill (1976). Gary Lockwood was for several years married to actress Stefanie Powers with whom he co-starred in a memorable 1969 episode of TV's Love, American Style, wherein Lockwood got his mouth stuck on a doorknob!

Trivia: Dour, lantern-jawed character actor John Anderson attended the University of Iowa before inaugurating his performing career on a Mississippi showboat. After serving in the Coast Guard during World War II, Anderson made his Broadway bow, then first appeared on screen in 1952's The Crimson Pirate. The actor proved indispensable to screenwriters trafficking in such stock characters as The Vengeful Gunslinger, The Inbred Hillbilly Patriarch, The Scripture-Spouting Zealot and The Rigid Authority Figure. Anderson's many screen assignments included used-car huckster California Charlie in Psycho (1960), the implicitly incestuous Elder Hammond in Ride the High Country (1962), the title character in The Lincoln Conspiracy (1977) and Caiaphas in In Search of Historic Jesus (1980). A dead ringer for 1920s baseball commissioner Judge Kenesaw Mountain Landis, Anderson portrayed that uncompromising gentleman twice, in 1988's Eight Men Out and the 1991 TV biopic Babe Ruth. A veteran of 500 TV appearances (including four guest stints on The Twilight Zone), John Anderson was seen as FDR in the 1978 miniseries Backstairs in the White House, and on a regular basis as Michael Spencer Hudson in the daytime drama Another World, Virgil Earp in The Life and Legend of Wyatt Earp (1955-61) and the leading man's flinty father in MacGiver (1985-92).

Trivia: Born R. Hanley Jaeckel (the "R" stood for nothing), young Richard Jaeckel arrived in Hollywood with his family in the early 1940s. Columnist Louella Parsons, a friend of Jaeckel's mother, got the boy a job as a mailman at the 20th Century-Fox studios. When the producers of Fox's Guadalcanal Diary found themselves in need of a baby-faced youth to play a callow marine private, Jaeckel was given a screen test. Despite his initial reluctance to play-act, Jaeckel accepted the Guadalcanal Diary assignment and remained in films for the next five decades, appearing in almost 50 movies and playing everything from wavy-haired romantic leads to crag-faced villains. Between 1944 and 1948, Jaeckel served in the U.S. Navy. Upon his discharge, he co-starred in Sands of Iwo Jima with John Wayne and Forrest Tucker. In 1971, Jaeckel was nominated for a "Best Supporting Actor" Oscar on the strength of his performance in Sometimes a Great Notion. Richard Jaeckel has also been a regular in several TV series, usually appearing in dependable, authoritative roles: he was cowboy scout Tony Gentry in Frontier Circus (1962), Lt. Pete McNeil in Banyon (1972), firefighter Hank Myers in Firehouse (1974), federal agent Hank Klinger in Salvage 1 (1979), Major Hawkins in At Ease (1983) (a rare -- and expertly played -- comedy role), and Master Chief Sam Rivers in Supercarrier (1988). From 1991-92, Jaeckel played Lieutenant Ben Edwards on the internationally popular series Baywatch. Jaeckel passed away at the Motion Picture & Television Hospital of an undisclosed illness at the age of 70.

Trivia: One of the more talented "barrel-chested surfer boys" of the early '60s to follow in the wake of Tab Hunter and Troy Donahue, Jeremy Slate gained instant notoriety as a playboy hunk who set many a female heart aflutter. Born February 17, 1926, in Atlantic City, NJ, Slate first fell into the public spotlight at age 34, when cast as second-string fiddle to Keith Larsen in the CBS prime-time series The Aquanauts. Larsen and Slate played Drake Andrews and Larry Lahr, professional deep-sea divers who spent their days salvaging for treasure off the Southern California coast. The adventure drama debuted on CBS Wednesday evening, September 14, 1960. Unfortunately, The Aquanauts (unlike its syndicated competitor, Sea Hunt) ran headfirst into awful ratings. After several attempts by the network to save it from oblivion (including a new lead actor replacing Larsen, a new location in Malibu Beach, and a new title, Malibu Run) it quickly plummeted out of sight before wrapping in September 1961. Slate's early film roles were almost all of the vacuous-hunk variety, and thus mirrored his Aquanauts turn. He appeared in a brace of Elvis flicks, G.I. Blues (1960) and Girls! Girls! Girls! (1962), and as Scandinavian beefcake Eric Carlson in Bob Hope's musical comedy farce I'll Take Sweden (1965). The Henry Hathaway-directed Westerns The Sons of Katie Elder (1965) and True Grit (1969) provided the actor with slightly more substantial roles. Meanwhile, Slate guest starred on an estimated 100 television programs, from Bewitched to Gunsmoke to Police Story to Mission: Impossible.Slate maintained a higher profile as a writer and star of the motorcycle cult film Hell's Angels '69 (1969), directed by Lee Madden. This fell in the middle of a spate of grade-Z motorcycle flicks with Slate in the cast, from 1968's The Mini-Skirt Mob to 1967's Born Losers (the first of the Billy Jack cycle) to 1969's Hell's Belles. The "tough guy" role in these films was not anomalous for Slate, for as the '60s rolled on (and the actor entered his forties), his onscreen type shifted from that of a lusty Southern Californian sex symbol to a wizened street tough. The films in which he sustained this image varied somewhat in quality, but Slate scraped bottom (and then some) in William Grefe's nasty exploitationer The Hooked Generation (1969) as the head of a gang of drug pushers.In 1979, Slate hit a second wind of his career as Chuck Wilson on the ABC daytime soap One Life to Live. The role lasted eight years. During the '80s and '90s, he also appeared as a character actor in such low-profile cinematic features as Deadlock (1988), Maddalena Z (1989), and The Lawnmower Man (1992, playing Father McKeen).Jeremy Slate died at age 80, of complications following surgery for esophageal cancer, on November 19, 2006. His last film, Terry Leonard's Buttermilk Sky (2007), was released posthumously.

Trivia: Milburn Stone got his start in vaudeville as one-half of the song 'n' snappy patter team of Stone and Strain. He worked with several touring theatrical troupes before settling down in Hollywood in 1935, where he played everything from bits to full leads in the B-picture product ground out by such studios as Mascot and Monogram. One of his few appearances in an A-picture was his uncredited but memorable turn as Stephen A. Douglas in John Ford's Young Mr. Lincoln. During this period, he was also a regular in the low-budget but popular Tailspin Tommy series. He spent the 1940s at Universal in a vast array of character parts, at one point being cast in a leading role only because he physically matched the actor in the film's stock-footage scenes! Full stardom would elude Stone until 1955, when he was cast as the irascible Doc Adams in Gunsmoke. Milburn Stone went on to win an Emmy for this colorful characterization, retiring from the series in 1972 due to ill health.

Trivia: Following her training in regional theatre and radio, red-headed actress Amanda Blake was signed by MGM in 1949, where she was briefly groomed for stardom. Among her MGM assignments was 1950's Stars in My Crown, in which she was cast for the first time opposite James Arness. Film fame eluded Amanda, especially after her sizeable role in the 1954 version of A Star is Born was almost completely excised from the release print. By 1955, she had to make do with appearances in such epics as the Bowery Boys' High Society. Amanda's fortunes took a turn for the better later in 1955, when she won the role of Miss Kitty, the euphemistically yclept "hostess" of the Long Branch Saloon on the TV western Gunsmoke, which starred James Arness as Marshal Matt Dillon. She remained with Gunsmoke until its next-to-last season in 1974. After Gunsmoke, Amanda went into semi-retirement save for a handful of film projects like the made-for-TV Betrayal (1974), the theatrical releases The Boost (1988) and B.O.R.N (1989), and the 1987 reunion project Gunsmoke: Return to Dodge. Amanda Blake died in 1989 at the age of sixty.

Trivia: It was while attending Colorado College that American actor/singer Ken Curtis discovered his talent for writing music. After an artistic apprenticeship on the staff of the NBC radio network's music department in the early '30s, Curtis was hired as male vocalist for the Tommy Dorsey Orchestra, then went on to work for bandleader Shep Fields. Preferring country-western to swing, Curtis joined the Sons of the Pioneers singing group in the 1940s, and in this capacity appeared in several western films. Columbia Pictures felt that Curtis had star potential, and gave the singer his own series of westerns in 1945, but Ken seemed better suited to supporting roles. He worked a lot for director John Ford in the '40s and '50s, as both singer and actor, before earning starring status again on the 1961 TV adventure series Ripcord. That was the last we saw of the handsome, clean-shaven Ken Curtis; the Ken Curtis that most western fans are familiar with is the scraggly rustic deputy Festus Haggen on the long-running TV Western Gunsmoke. Ken was hired to replace Dennis Weaver (who'd played deputy Chester Good) in 1964, and remained with Gunsmoke until the series ended its 20-year run in 1975. After that, Ken Curtis retired to his spread in Fresno, California, stepping back into the spotlight on occasion for guest appearances at western-movie conventions.

Trivia: After stock experience in New England and a starring role in a Broadway flop, American actor John Kellogg was selected to play the lead in the road company of the long-running service comedy Brother Rat. He continued working steadily on stage until interrupted by World War II service. After a smattering of movie exposure at other studios, Kellogg signed a Columbia contract in 1946. Good-looking and dependable enough for secondary roles but not quite star material, Kellogg was seen in such films as Thirty Seconds Over Tokyo (1943), A Walk in the Sun (1945), Johnny O'Clock (1947) and 12 O'Clock High (1949).

Trivia: The son of actors, Percy Helton began his own career at age two in a Tony Pastor revue in which his parents were performing. The undersized Helton was a valuable juvenile player for producer David Belasco, making his film debut in a 1915 Belasco production, The Fairy and the Waif. Helton matured into adult roles under the stern guidance of George M. Cohan. After serving in the Army during World War I, Helton established himself on Broadway, appearing in such productions as Young America, One Sunday Afternoon and The Fabulous Invalid. He made his talkie debut in 1947's Miracle on 34th Street, playing the inebriated Macy's Santa Claus whom Edmund Gwenn replaces. Perhaps the quintessential "who is that?" actor, Helton popped up, often uncredited, in over one hundred succinct screen characterizations. Forever hunched over and eternally short of breath, he played many an obnoxious clerk, nosey mailman, irascible bartender, officious train conductor and tremulous stool pigeon. His credits include Fancy Pants (1950), The Robe (1953), White Christmas (1954), Rally Round the Flag Boys (1959), The Music Man (1962) and Hush Hush Sweet Charlotte (1965), as well as two appearances as sweetshop proprietor Mike Clancy in the Bowery Boys series. Thanks to his trademarked squeaky voice, and because he showed up in so many "cult" films (Wicked Woman, Kiss Me Deadly, Sons of Katie Elder), Helton became something of a high-camp icon in his last years. In this vein, Percy Helton was cast as the "Heraldic Messenger" in the bizarre Monkees vehicle Head (he showed up at the Monkees' doorstep with a beautiful blonde manacled to his wrist!), the treacherous Sweetieface in the satirical western Butch Cassidy and the Sundance Kid (1969), and the bedraggled bank clerk Cratchit on the TV series The Beverly Hillbillies.