Trivia: The epitome of the "pull yourself up by the bootstraps" mentality and "Que Sera Sera" mantra, Doris Day has weathered the numerous storms of both career and personal life, using these carefree and easygoing sentiments as a testament to the endearing endurance and eternal optimism that defines her infectiously positive outlook on life.Born Doris Mary Ann Kappelhoff in Evanston, OH, Day's optimistic philosophies would be tested from her earliest experiences. With childhood dreams of becoming a ballerina dashed after being involved in a near-fatal car crash, Day took to heart her mother's suggestion of refining her skills as a vocalist. Possessing a voice of distinct beauty at the youthful age of 14, Day was soon discovered by a vocal coach who arranged an appearance on a local radio station WLW. The rest, as they say, is history.Soon after her radio appearance, Day was approached by local bandleader Barney Rapp, leading the young songstress to adopt the moniker that would soon become a household name. Revealing her birth name to Rapp after auditioning with the song "Day By Day," Rapp jokingly suggested that her name was nice, though a little long for the theater's marquee. With her auditioning ballad becoming the inspiration for her stage persona, 14-year-old Day now had all the makings of a starlet ripe with potential. Discovered shortly after by big-band maestro Les Brown in 1940, Day toured briefly with his band, soon departing to accept the marriage proposal of sweetheart Al Jorden and pursue dreams of starting a family. Day's matrimonial happiness was short-lived, however, when Jorden's violent and jealous tendencies proved to be too much to take. Soon after the birth of their son in 1942, the couple divorced and Day rejoined Les Brown and his band, leading to the collaboration that would project the young singer into the heart of millions -- "Sentimental Journey."Day's contribution to film began with her appearance in Warner Bros.' romantic musical Romance on the High Seas (1948). The film, in which she co-starred with Jack Carson, was recognized with an Oscar nomination for the song "It's Magic," providing young Day with her first success as a pop singer. Throughout the 1950s, Day's wholesome image sustained her film career with successful turns in musicals (Calamity Jane [1953]) and romantic comedies (Teacher's Pet [1958]). Day's successful film career continued well into the 1960s with highlights including Alfred Hitchcock's The Man Who Knew Too Much (1956), The Pajama Game (1957), and Pillow Talk (1959). The latter is considered among the best of the Doris Day/Rock Hudson comedies, with her image as the innocently alluring virgin breathing new life into her previously wholesome persona.In April of 1968, just as she was beginning five-year contract with CBS for The Doris Day Show, Day's film career came to an abrupt end with the death of her husband/manager/producer Marty Melcher. Left penniless and deep in debt through a series of Melcher's sordid investments, Day soon bounced back. Awarded a 22-million-dollar settlement, Day found success in television with The Doris Day Show. Her future television ventures, including Doris Day Today (1975) and Doris Day's Best Friends (1985) (which included one of the last appearances of a gravely ill Rock Hudson) were just a few examples of Day's enthusiastic and enduring nature. In 1975 Doris Day authored her biography, Doris Day: Her Own Story, which became a number one best-seller. Day went on to become an active and vocal supporter of animal rights, focusing the majority of her attentions on her Animal League and Animal Foundation organizations, as well as owning the pet-friendly Cypress Inn in Carmel, CA.

Trivia: A trained painter, Australian-born Rod Taylor switched to acting in his early twenties, toting up Australian stage credits before making his first Aussie film, The Stuart Exposition, in 1951. A villainous stint as Israel Hand in the 1954 Australian/U.S. production Long John Silver gave evidence that Taylor might be able to handle leading roles. However, he was still among the supporting ranks in his first American film, The Virgin Queen (1955). Signed to a nonexclusive contract by MGM in 1957, Taylor was cast in predominantly American roles, and accordingly managed to submerge his Australian accent in favor of a neutral "mid-Atlantic" cadence; even when playing an Englishman in 1960's The Time Machine, he spoke with barely a trace of a discernable accent. His film career peaked in the early to mid 1960s; during the same period he starred in the TV series Hong Kong (1961), the first of several weekly television stints (other series included Bearcats, The Oregon Trail, Masquerade and Outlaws). He was so long associated with Hollywood that, upon returning to Australia to appear in the 1977 film The Picture Show Man, Taylor was cast as an American. In his later career, Taylor thrived in character roles as ageing, but still virile, outdoorsmen, appearing in television shows like The Oregon Trail and Outlaws. He had recurring roles on Falcon Crest, Murder, She Wrote and Walker, Texas Ranger before mostly retiring from acting. In 2009, director Quentin Tarantino lured him out of retirement with the chance to play Winston Churchill in Inglourious Basterds. Taylor died in 2015, at age 84.

Trivia: A descendant of British revolutionary war officer Henry Clinton, Hermione Baddeley was an actress from the age of six; she made her London stage debut in 1918, and her first film, A Daughter in Revolt, in 1926. An ingenue for many years, Hermione began receiving more substantial roles as she approached middle age; among her best assignments were the stage and film versions of Brighton Rock. Her first Broadway play was 1960's The Milk Train Doesn't Stop Here Any More, accepting her leading role on the personal invitation of the production's playwright, Tennessee Williams. Unlike her sister Angela Baddeley, who became internationally known for her portrayal of Mrs. Bridges in the BBC TV production Upstairs Downstairs, Hermione Baddeley resisted series television--at least until she was persuaded by producer Norman Lear to tackle the role of acidulous housekeeper Mrs. Naugatuck on the 1970s American sitcom Maude.

Trivia: Italian lead actor Sergio Fantoni first appeared onscreen in international films from the '60s.

Trivia: The son of an insurance man who'd aspired to appear onstage but never had the chance, British-born actor Reginald Gardiner more than made up for his dad's unrealized dreams with a career lasting 50 years. Graduating from the Royal Academy of Dramatic Art, Gardiner started as a straight actor but drifted into musical revues, frequently working in the company of such favorite British entertainers as Bea Lillie. His Broadway bow occurred in the 1935 play At Home Abroad, and though he'd made his film debut nearly ten years earlier in Hitchcock's silent The Lodger (1926), he suddenly became a "new" Hollywood find. Handsome enough to play romantic leads had he so chosen (he gets away with it in the 1939 Laurel and Hardy comedy Flying Deuces), Gardiner preferred the sort of kidding-on-the-square comedy he'd done in his revue days. His turn as a traffic cop who imagines himself a symphony conductor in his first American film Born to Dance (1936) was so well received that he virtually repeated the bit--this time as a butler who harbors operatic aspirations--in Damsel in Distress (1937). For most of his film career, Gardiner played suave but slightly untrustworthy British gentlemen; a break from this pattern occurred in Charlie Chaplin's The Great Dictator (1940), in which Gardiner played a fascist military man who turns his back on dictator "Adenoid Hinkel" to cast his lot with a community of Jews. Devoting his private life to the enjoyment of classical music, rare books, painting, and monitoring the ghost that supposedly haunted his Beverly Hills home, Reginald Gardiner flourished as a stage, film and television actor into the 1960s; one of his latter-day assignments was his weekly dual role in the 1966 Phyllis Diller sitcom, Pruitts of Southampton.

Trivia: Austrian actor Leon Askin began his stage career in Germany, then left Europe as abruptly as possible when Hitler came to power. He reactivated his career in New York in 1940, becoming an American citizen three years later. In 1952, Askin made his first Hollywood film, Assignment Paris; though not quite as heavy or menacing-looking as he'd be in the 1960s, the actor was typecast from his first movie as a villain, usually fascist. One of his best early film roles was in Road to Bali (1953), a Hope-Crosby farce in which he played a South Seas witch doctor named Ramayana. Askin later appeared in Danny Kaye's Knock on Wood (1954), this time (typically) cast as a trenchcoated Teutonic spy. More of Askin's "shifty foreigner" characterizations could be enjoyed in The Bowery Boys' Spy Chasers (1955), Billy Wilder's One Two Three (1961), and the notorious political sex farce John Goldfarb Please Come Home (1964), in which the actor played a turbaned arab. As a Nazi officer (surprise, surprise) in What Did You Do In the War, Daddy?, Askin dropped dead in anticipation of an evening in bed with a pretty young Italian girl, whereupon the local underground was forced to tote his corpulent corpse all around town to hide the fact that he'd expired. Active in films and as a drama teacher and lecturer into the 1980s, Leon Askin is best known to American TV addicts as the gross (and gross-kopfed) SS officer Burkhalter on the 1960s sitcom Hogan's Heroes.

Trivia: Supporting actor Albert Carrier was born in Italy. He made his film debut in Mexico where he appeared in five films. He went on to work in numerous Hollywood films during the '50s and '60s where he usually portrayed Frenchmen. He later went on to make over sixty guest appearances on television.

Trivia: A Hollywood child actor from 1927, Dick Winslow showed up in dozen of early talkies as page boys, messenger boys, and office boys. One of Winslow's few "named" roles was Joe Harper in the 1930 version of Tom Sawyer. Adept at several musical instruments, Winslow graced many a film of the 1940s and 1950s, playing everything from picnic accordion players to cocktail pianists. The apotheosis of this stage of Winslow's career was his one-man band in 1965's Do Not Disturb. A veteran of 60 years in the business, Dick Winslow made his last screen appearance as "the Old Man" in 1988's Fatal Judgment.