Trivia: The son of a Wall Street broker, towering (6'5") actor Fred Gwynne was born sucking on the proverbial silver spoon. Gwynne attended the prestigious Groton prep school, where he made his acting bow in a student production of Henry V. He then attended Harvard, where he studying drawing with artist R.S. Merryman and was active in dramatics and as a staffer of the Harvard Crimson. Upon graduation, Gwynne played Shakespeare with the Cambridge repertory before heading to New York City. He appeared in such Broadway plays as Mrs. McThing and was cast in a bit role in the Oscar-winning film On the Waterfront, but for many years his principal source of income was as a book illustrator and commercial artist (his first published work was titled The Best in Show). In 1961, Gwynne was co-starring in the Broadway musical Irma La Douce when TV producer/writer Nat Hiken, who'd cast Gwynne in a handful of guest roles on the 1950s sitcom Sgt. Bilko, hired the actor to play NYPD officer Francis Muldoon on the weekly comedy Car 54, Where are You? A year after the series' cancellation, Gwynne was starred in his most famous TV role: bolt-necked, soft-hearted Herman Munster in The Munsters (1964-66). Afterwards, Gwynne distanced himself from television for the most part. In the 1970s and 1980s, he distinguished himself on Broadway in powerful dramatic roles, often playing autocratic Southerners (e.g. Big Daddy in Cat on a Hot Tin Roof and an elderly Klansman in Texas Trilogy). Fred Gwynne also returned to films during this period, playing key roles in such major productions as The Cotton Club (1984) and Shadows and Fog (1992); he died of pancreatic cancer shortly after completing his critically acclaimed role of the judge in My Cousin Vinny (1993).

Trivia: First acting gig was a Kellogg's commercial in 1960. Formed a band called Eddie and the Monsters, who released a single in 1983, recalling his role as Eddie (who looked like a wolf boy) on the 1964-66 sitcom, The Munsters. "Whatever Happened to Eddie?" was followed, in 2007, by another song, "It's Only Halloween." Took part in a motorcycling event in Carthage, NY, in 2010 to benefit the blind. Has frequently appeared at Halloween events in his Eddie Munster costume.

Trivia: Joyce Jameson was a classic example of the professional "dumb blonde" with a diametrically opposite off-screen personality. Entering films as a chorus member in the 1951 version of Showboat, Jameson honed her musical comedy talents in several satirical revues staged by her onetime husband Billy Barnes. Intelligent, sensitive, and extremely well read, Jameson nonetheless found herself perpetually cast as an airhead or golddigger. In films, she was seen in such roles as a Marilyn Monroe wannabe in The Apartment (1960) and a call-girl who runs screaming from her room when she thinks Jack Lemmon is about to paint her body in Good Neighbor Sam (1963). One of her more unorthodox film assignments was as the vulgar, unfaithful wife of Peter Lorre in Roger Corman's Tales of Terror (1963), in which she and her paramour Vincent Price are walled up in Lorre's wine cellar. One year later, she was reteamed with Lorre and Price in the raucous A Comedy of Terrors (1963), where she was more typically cast as a nitwit. Her later films include The Outlaw Josie Wales (1976) and Hardbodies (1981). Joyce Jameson was a fixture of 1950s and 1960s TV, playing a variety of buxom "straight women" for such comedians as Steve Allen, Red Skelton and Danny Kaye.

Trivia: Barton MacLane may have been born on Christmas Day, but there was precious little chance that he'd ever be cast as Santa Claus. A star athlete at Wesleyan University, MacLane won his first movie role in the 1924 silent Quarterback as the result of his football skills. This single incident sparked his interest in performing, which he pursued on a serious basis at the American Academy of Dramatic Arts. He performed in stock, on Broadway, and in bit parts in films lensed at Paramount's Astoria studios (notably the Marx Brothers' The Cocoanuts). In 1932, MacLane wrote a slice-of-life play titled Rendezvous, selling it to influential Broadway producer Arthur Hopkins on the proviso, that he, MacLane, be given the lead. The play was a success, leading to a lucrative film contract from Warner Bros. Most effectively cast as a swaggering villain ("who never spoke when shouting would do," as historian William K. Everson observed), MacLane played good-guy leads in several Warner "B"s: he played the conclusion-jumping lieutenant Steve McBride in the studio's Torchy Blaine series. Free-lancing in the 1940s, MacLane made an unfortunate return to writing in 1941, penning the screenplay for the PRC quickie Man of Courage; it is reported that audiences erupted in shrieks of laughter when MacLane, reciting his own lines, recalled his childhood days on the farm by declaring "Boy! Did I love ta plow!" He was better served in a brace of John Huston-directed films, beating up Humphrey Bogart in The Maltese Falcon (1941) and being beaten up by Bogart in The Treasure of the Sierra Madre. MacLane's TV-series work included a starring stint on The Outlaws (1960-62) and the recurring role of General Peterson on I Dream of Jeannie (1965-69). Having come into the world on a holiday, Barton MacLane died on New Years' Day, 1969; he was survived by his wife, actress Charlotte Wynters.

Trivia: Rubber-faced comedian and comic actor Charlie Callas appeared onscreen from the '60s.