Trivia: In the first ten years of his life, Raymond Burr moved from town to town with his mother, a single parent who supported her little family by playing the organ in movie houses and churches. An unusually large child, he was able to land odd jobs that would normally go to adults. He worked as a ranch hand, a traveling tinted-photograph salesman, a Forest service fire guard, and a property agent in China, where his mother had briefly resettled. At 19, he made the acquaintance of film director Anatole Litvak, who arranged for Burr to get a job at a Toronto summer-stock theater. This led to a stint with a touring English rep company; one of his co-workers, Annette Sutherland, became his first wife. After a brief stint as a nightclub singer in Paris, Burr studied at the Pasadena Playhouse and took adult education courses at Stanford, Columbia, and the University of Chunking. His first New York theatrical break was in the 1943 play Duke in Darkness. That same year, his wife Sutherland was killed in the same plane crash that took the life of actor Leslie Howard. Distraught after the death of his wife, Burr joined the Navy, served two years, then returned to America in the company of his four-year-old son, Michael Evan Burr (Michael would die of leukemia in 1953). Told by Hollywood agents that he was overweight for movies, the 340-pound Burr spent a torturous six months living on 750 calories per day. Emerging at a trim 210 pounds, he landed his first film role, an unbilled bit as Claudette Colbert's dancing partner in Without Reservations (1946). It was in San Quentin (1946), his next film, that Burr found his true metier, as a brooding villain. He spent the next ten years specializing in heavies, menacing everyone from the Marx Brothers (1949's Love Happy) to Clark Gable (1950's Key to the City) to Montgomery Clift (1951's A Place in the Sun) to Natalie Wood (1954's A Cry in the Night). His most celebrated assignments during this period included the role of melancholy wife murderer Lars Thorwald in Hitchcock's Rear Window (1954) and reporter Steve Martin in the English-language scenes of the Japanese monster rally Godzilla (1956), a characterization he'd repeat three decades later in Godzilla 1985. While he worked steadily on radio and television, Burr seemed a poor prospect for series stardom, especially after being rejected for the role of Matt Dillon on Gunsmoke on the grounds that his voice was too big. In 1957, he was tested for the role of district attorney Hamilton Burger in the upcoming TV series Perry Mason. Tired of playing unpleasant secondary roles, Burr agreed to read for Burger only if he was also given a shot at the leading character. Producer Gail Patrick Jackson, who'd been courting such big names as William Holden, Fred MacMurray, and Efrem Zimbalist Jr., agreed to humor Burr by permitting him to test for both Burger and Perry Mason. Upon viewing Burr's test for the latter role, Perry Mason creator Erle Stanley Gardner jumped up, pointed at the screen, and cried "That's him!" Burr was cast as Mason on the spot, remaining with the role until the series' cancellation in 1966 and winning three Emmies along the way. Though famous for his intense powers of concentration during working hours -- he didn't simply play Perry Mason, he immersed himself in the role -- Burr nonetheless found time to indulge in endless on-set practical jokes, many of these directed at his co-star and beloved friend, actress Barbara Hale. Less than a year after Mason's demise, Burr was back at work as the wheelchair-bound protagonist of the weekly detective series Ironside, which ran from 1967 to 1975. His later projects included the short-lived TVer Kingston Confidential (1976), a sparkling cameo in Airplane 2: The Sequel (1982), and 26 two-hour Perry Mason specials, lensed between 1986 and 1993. Burr was one of the most liked and highly respected men in Hollywood. Fiercely devoted to his friends and co-workers, Burr would threaten to walk off the set whenever one of his associates was treated in a less than chivalrous manner by the producers or the network. Burr also devoted innumerable hours to charitable and humanitarian works, including his personally financed one-man tours of Korean and Vietnamese army bases, his support of two dozen foster children, and his generous financial contributions to the population of the 4,000-acre Fiji island of Naitauba, which he partly owned. Despite his unbounded generosity and genuine love of people, Burr was an intensely private person. After his divorce from his second wife and the death from cancer of his third, Burr remained a bachelor from 1955 until his death. Stricken by kidney cancer late in 1992, he insisted upon maintaining his usual hectic pace, filming one last Mason TV movie and taking an extended trip to Europe. In his last weeks, Burr refused to see anyone but his closest friends, throwing "farewell" parties to keep their spirits up. Forty-eight hours after telling his longtime friend and business partner Robert Benevides, "If I lie down, I'll die," 76-year-old Raymond Burr did just that -- dying as he'd lived, on his own terms.

Trivia: Trained at Juilliard and the American Academy of Dramatic Art, actress Constance Towers made her first impression on the public as a film actress. Towers was seen as the resourceful Southern-belle leading lady of John Ford's The Horse Soldiers (1959), then essayed a similar characterization in Ford's Sergeant Rutledge (1960). For a brief period in the early 1960s, she was the pet actress of director Samuel Fuller, who effectively cast her in extremely demanding roles in Shock Corridor (1963) and The Naked Kiss (1965). With several film and TV appearances to her credit, Towers finally made her professional stage debut in a 1960 production of Guys and Dolls; one year later, she made her Broadway bow as star of Anya, a musicalization of Anastasia. Most closely associated with musicals, she has made hundreds of appearances in revivals of such Rodgers and Hammerstein classics as South Pacific, The King and I, and The Sound of Music. During the 1960s and 1970s, Constance hosted a daily discussion show on New York radio station WOR. On TV, Towers has been seen as Clarissa McCandliss, daughter of JR-type patriarch Rory Calhoun, on the daytime drama Capitol (1982-87), and as Camilla, the mother of ex-call girl Jade O'Keefe (Lisa Hartman), on the heavy-breathing nighttimer 2000 Malibu Road (1992). Constance Towers is married to former actor and U.S. diplomat John Gavin.

Trivia: Supporting actress Jean Hale first appeared onscreen in 1964.

Trivia: Bernard Fox was descended from a long line of British stage actors; perhaps his most famous forebear was his uncle, veteran comic actor Wilfred Lawson. Fox made his screen debut in 1956's Soho Incident, appearing in several other British films before he was brought to Hollywood by actor/producer Danny Thomas in 1963. Generally cast in stuffy, old-school-tie roles, the toothbrush-mustached Fox flourished in American films and TV programs well into the late 1980s. Bernard Fox was most widely recognized for his TV work, notably his recurring appearances as gentleman's gentleman Malcolm Merriweather on The Andy Griffith Show and wacky warlock Dr. Bombay on Bewitched; he also played Dr. Watson opposite Stewart Granger's Sherlock Holmes in the 1972 TV-movie adaptation of The Hound of the Baskervilles. He appeared in blockbusters like Titanic (1997) and The Mummy (1999) towards the end of his career; one of his final roles was reprising his Dr. Bombay character on the supernatural soap opera Passions. Fox died in 2016, at age 89.

Trivia: While studying art in his native London, John Abbott relaxed between classes by watching rehearsals of a student play. When one of the actors fell ill, Abbott was invited to replace him, and at that point he switched majors. He became a professional actor in 1934, joined the Old Vic in 1936, and made his first film, Mademoiselle Docteur, in 1937; later that same year he made his first BBC television appearance. Turned down for military service during World War II, Abbott joined the Foreign Office, working as a decoder in the British Embassy in Stockholm and working in similar capacities in Russia and Canada. In 1941, he took a vacation in New York, leaving his resumé and photo with various producers, just in case something turned up. On the very last day of his vacation, he was hired for a small role in Josef von Sternberg's The Shanghai Gesture (1941), thus launching the Hollywood phase of his career. Generally cast as a fussy eccentric, Abbott was seen at his very best as whining hypochondriac Frederick Fairlie in Warner Bros.' The Woman in White (1948). He also received at least one bona fide starring role in the 1943 quickie London Blackout Murders. In the late '40s, Abbott began amassing some impressive Broadway credits in such productions as He Who Gets Slapped, Monserrat, and Waltz of the Toreadors. He also appeared in 1950's Auto da Fe, which was specifically written for him by Tennessee Williams. Though still active in films and TV into the 1980s (he played Dr. Frankenstein in the ill-fated 1984 cinemadaptation of Kurt Vonnegut's Slapstick), John Abbott spent most of his twilight years as an acting teacher. Abbott died in a Los Angeles hospital on May 24, 1996, after a prolonged illness.

Trivia: Sensitive, soulful-eyed actor John Dall was trained at the Theodore Irvine School of the Theater and the Pasadena Playhouse. On the strength of his leading role in the original 1944 Broadway production of Dear Ruth, Dall was brought to Hollywood. In 1946, he earned an Oscar nomination for his portrayal of bookish, young Welsh coal miner Morgan Evans, the alter ego of playwright Emlyn Williams, in the cinema adaptation of Williams' play The Corn Is Green. Though his subsequent screen work was limited, he was most impressive as the homosexual murderer in Hitchcock's Rope (1948) and the fire arms-obsessed bank robber in Joseph H. Lewis' Gun Crazy (1949). After a long absence from the screen, Dall returned in 1960 to essay character roles in the costume dramas Spartacus (1960) and Atlantis, the Lost Continent (1961). John Dall succumbed to a heart attack at the age of 52.

Trivia: A former concert pianist and beauty contest winner, well-endowed blonde leading lady Allison Hayes entered films in 1954 as a Universal-International contract starlet. Most of her film work in the late 1950s was confined to inexpensive drive-in fare, notably such monster rallies as The Unearthly, Zombies of Mora Tau and The Hypnotic Eye. In 1961, Allison appeared on a weekly basis as nightclub songstress Chloe on the TV detective series Acapulco. Though her career was by and large unmemorable, Hayes achieved immortality of sorts as the scantily clad star of the original 1957 version of The Attack of the 50 Foot Woman; few who've seen this picture can forget the awesome spectacle of the gigantasized Allison stalking through a tinker-toy Las Vegas, bellowing "HAAARRRYYY.....I want my HUSBAAAAND". After several years' inactivity, Allison Hayes was rediscovered for the nostalgia-convention circuit by actor and horror enthusiast Barry Brown; alas, soon afterward, the 47-year-old actress died of blood poisoning.

Trivia: Throughout Hollywood's golden age and TV's "typecasting" era of the '50s and '60s, there would always be a demand for American actor Dan Tobin. After all, somebody had to play all those stuffed-shirt executives, snotty desk clerks, officious male secretaries, tight-fisted bankers and tuxedoed, mustachioed stiffs to whom the heroine was unhappily engaged before the hero came along. Tobin was a welcome if slightly pompous presence in such films as Woman of the Year (1941), Bachelor and the Bobbysoxer (1947) The Big Clock (1948) and The Love Bug Rides Again (1973). On television, Tobin had semiregular stints on I Married Joan, My Favorite Husband and Perry Mason, as well as innumerable guest bits on sitcoms and anthologies. Dan Tobin was also a frustrated screenwriter, at least according to scenarist George Clayton Johnson; while working together on a 1960 episode of Twilight Zone, Tobin cornered Johnson and described his concept for a fantasy script about a gambler who could read his opponent's minds -- a talent which failed when he came up against an opponent who couldn't speak English!

Trivia: The son of an Episcopal priest, John Gallaudet commenced his professional acting career after graduating from Williams College. He appeared on both Broadway and in stock opposite actors ranging from Fred Astaire to Helen Hayes. The slight, thinnish-haired Gallaudet spent several years in the 1930s as the resident character star of Columbia Pictures' "B" unit, playing everything from kindhearted doctors to serpentlike crooks. He owns the distinction of being one the few actors to ever "murder" Rita Hayworth, dispatching the lovely young actress with a poisoned baseball glove in the 1937 potboiler Girls Can Play. Active in films until the 1950s, John Gallaudet was well known and highly regarded throughout the film community for his off-camera vocation as a champion golfer.

Trivia: American actress Irene Anders, born Irene Henniger, appeared on stage, television, radio and occasionally in films.