Trivia: Like Clark Gable, David Janssen lost quite a few film roles in the early stages of his career because his ears were "too big" and -- also like Gable-- he did pretty well for himself in the long run. The son of a former beauty queen-cum-stage mother, Janssen was virtually strong-armed into show business, appearing as a child actor on-stage and as a juvenile performer in such films as Swamp Fire (1946). Signed to a Universal contract in 1950, he showed up fleetingly in films both big-budget (To Hell and Back) and small (Francis Goes to West Point). Full stardom eluded Janssen until 1957, when he was personally selected by actor/producer Dick Powell to star in the TV version of Powell's radio series Richard Diamond, Private Detective. Though he didn't exactly become a millionaire (for several years he earned a beggarly 750 dollars per week), Janssen's saleability soared as a result of his three-year Diamond gig, and by 1960 he was earning top billing in such Allied Artists productions as King of the Roaring 20s (1960), in which he played gambler Arnold Rothstein, and Hell to Eternity (1960). In 1963, he landed his signature role of Dr. Richard Kimble on TV's The Fugitive. For the next four years, Janssen/Kimble perambulated throughout the country in search of the "one-armed man" who committed the murder for which Kimble was sentenced to death, all the while keeping one step ahead of his dogged pursuer, Lieutenant Gerard (Barry Morse). The final episode of The Fugitive, telecast in August of 1967, was for many years the highest-rated TV episode in history. There was little Janssen could do to top that, though he continued appearing in such films as Warning Shot (1967) and Green Berets (1969), and starring in such TV series as O'Hara, U.S. Treasury (1971) and Harry O (1974-1976). David Janssen died of a sudden heart attack at age 49, not long after completing his final TV movie, City in Fear (1980).

Trivia: Bill Gunn was an important figure in the development of contemporary African American cinema. A versatile figure, Gunn also made substantial contributions to the theater, television and literature. His best-known film is Ganja and Hess, a passionate, lyrical vampire movie that blended African and European mythology. While it is considered one of the major films of the early 1970s, it was unfortunately hacked up by producers for American release and its haunting African soundtrack was replaced by a homogenized American one, thereby destroying much of what made the film special. Gunn started out as an actor in the 1950s, and by mid-decade, he was appearing on Broadway. In 1960, he wrote his first play, Murder in the High Grass, and became known as one of the most important black playwrights in American theater. During the '60s, Gunn occasionally appeared on television series, and also wrote novels, screenplays and teleplays. In 1972, Gunn won an Emmy for writing the script to Johannas. From the late '70s through the early '80s, Gunn worked on Personal Problems, an unaired television series.

Trivia: Best described as a young George Kennedy type (though he and Kennedy were contemporaries), American actor Mort Mills spent three decades playing omniprescent and menacing types. He started out in films in the early '50s, showing up briefly in such productions as Affair in Trinidad (1952) and Farmer Takes a Wife (1955). He also seemed to be lurking in the background, taking in the information at hand and waiting to saunter over and pounce upon someone smaller than himself (which was just about everyone). Mills' character straddled both sides of the law: He was a friendly frontier sheriff in the 1958 syndicated TV western Man without a Gun and a less friendly police lieutenant on the 1960 network adventure weekly Dante; conversely, he was vicious western gunslinger Trigger Mortis in the 1965 Three Stooges feature The Outlaws is Coming. Mort Mills' most indelible screen moments occured in Hitchcock's Psycho (1960), wherein he portrayed the suspicious highway patrolman who almost catches embezzler Janet Leigh; had he succeeded, she would have spent the night in the pokey rather than the Bates Motel.

Trivia: Already a character player in his 30s, American actor Robert Cornwaithe was frequently called upon to play scientific and learned types in such films as War of the Worlds (1953) and The Forbin Project (1971). He was also busy on TV, portraying lawyers, officials and the like on such series as The Andy Griffith Show, Batman (in the "Archer" episode with Art Carney), Gidget, Laverne and Shirley and The Munsters. Cornwaithe earned his niche in the Science Fiction Film Hall of Fame for his performance in The Thing (1951); grayed up, bearded, and looking suspiciously Russian, the actor played the foolhardy Professor Carrington, whose insipidly idealistic efforts to communicate with the extraterrestrial "Thing" nearly gets him killed. In honor of this performance, Robert Cornwaithe was cast as a similar well-meaning scientist in "Mant," the giant-insect film within a film in Joe Dante's Matinee (1993), wherein Cornwaithe shared screen time with two equally uncredited horror-film icons, William Schallert and Kevin McCarthy.

Trivia: Character actor Wesley Addy made his film debut in First Legion (1951). Often cast in cold, intimidating roles, Addy was a member in good standing of director Robert Aldrich's informal stock company. The actor was given plenty of elbow room in his supporting parts in Aldrich's Kiss Me Deadly (1955) and The Big Knife (1955), and had a memorable pre-credits bit as a migraine-prone movie producer ("Boy oh boy oh boy oh boy") in Whatever Happened to Baby Jane? (1962). Addy married actress Celeste Holm in 1961.

Trivia: Best known for creating one of the most iconic, beloved, and instantly recognizable characters in American advertising -- Mr. Whipple of Charmin toilet paper commercials -- Dick Wilson was born in 1916 to a vaudeville family in England. Wilson moved to Canada during his childhood, served in the Canadian Air Force during World War II, and attained U.S. citizenship in 1954. His acting resumé included guest spots on such series as Bewitched (as a recurring drunk), The Paul Lynde Show, M Squad, and The Deputy, as well as a turn in the 1968 Don Knotts vehicle The Shakiest Gun in the West, but far outstripping these accomplishments in terms of fame and recognition was Wilson's 21-year, 500+ commercial stint for Procter & Gamble, warning housewives, "Please don't squeeze the Charmin" -- then turning around to secretly squeeze it himself. Wilson made a droll cameo appearance as a Whipple-like store manager in the Lily Tomlin vehicle The Incredible Shrinking Woman (1981). He died of natural causes at age 91 in November 2007, after a lengthy retirement. Wilson's daughter is Melanie Wilson, who played the statuesque stewardess Jennifer on Perfect Strangers (1986-1993).