Trivia: Actor/director/producer William Conrad started his professional career as a musician. After World War II service, he began building his reputation in films and on Hollywood-based radio programs. Due to his bulk and shifty-eyed appearance, he was cast in films as nasty heavies, notably in The Killers (1946) (his first film), Sorry Wrong Number (1948) and The Long Wait (1954). On radio, the versatile Conrad was a fixture on such moody anthologies as Escape and Suspense; he also worked frequently with Jack "Dragnet" Webb during this period, and as late as 1959 was ingesting the scenery in the Webb-directed film 30. Conrads most celebrated radio role was as Marshal Matt Dillon on Gunsmoke, which he played from 1952 through 1961 (the TV Gunsmoke, of course, went to James Arness, who physically matched the character that the portly Conrad had shaped aurally). In the late 1950s, Conrad went into the production end of the business at Warner Bros., keeping his hand in as a performer by providing the hilariously strident narration of the cartoon series Rocky and His Friends and its sequel The Bullwinkle Show. During the early 1960s, Conrad also directed such films as Two on a Guillotine (1964) and Brainstorm (1965). Easing back into acting in the early 1970s, Conrad enjoyed a lengthy run as the title character in the detective series Cannon (1971-76), then all too briefly starred as a more famous corpulent crime solver on the weekly Nero Wolfe. Conrad's final TV series was as one-half of Jake and the Fatman (Joe Penny was Jake), a crime show which ran from 1987 through 1991.

Trivia: Possibly in defiance of the old adage "those that can't do, teach," American actor Harold Gould gave up a comfortable professorship in the drama department of the University of California to become a performer himself. Building up stage and TV credits from the late '50s onward, Gould made his first film, Two for the Seesaw, in 1962. He divided his time between stage and screen for the rest of the '60s, winning an Obie Award for the off-Broadway production Difficulty of Concentration. Gould was prominently cast in such slick '70s products as The Sting (1973), Woody Allen's Love and Death (1975), and Mel Brooks' Silent Movie (1976) (as a classically gesticulating villain). Often nattily attired and usually comporting himself like a wealthy self-made businessman, Gould was generously employed on TV for three decades. He co-starred with Daniel J. Travanti in the 1988 American Playhouse production of I Never Sang for My Father, played WASP-ish Katharine Hepburn's aging Jewish lover in the TV movie Mrs. Delafield Wants to Marry (1986), and had regular stints on such series as The Long Hot Summer (1965), He and She (1967), Rhoda (1974) (as Rhoda's father), The Feather and Father Gang (1977), Washington: Behind Closed Doors (1977), Park Place (1981) Foot in the Door (1983), Spencer (1984) and Singer and Sons (1990). However, when the time came in 1974 to make a series out of the pilot film for Happy Days, an unavailable Harold Gould was replaced by Tom Bosley.

Trivia: Supporting actress, onscreen from the '60s. She is the daughter of director Robert Rossen.

Trivia: Birmingham-born R.G. Armstrong attended the University of North Carolina-Chapel Hill, where he was active with the Carolina Playmakers. On the New York stage since the 1940s, Armstrong is best remembered for creating the role of Big Daddy in the original 1955 Broadway production of Cat on a Hot Tin Roof. In film since 1957, Armstrong appeared in more than his share of westerns, usually as an able-bodied sheriff or thick-necked land baron. A frequent visitor to television, R. G. Armstrong was a regular on the 1967 adventure series T.H.E. Cat.