Trivia: American actor Ward Bond was a football player at the University of Southern California when, together with teammate and lifelong chum John Wayne, he was hired for extra work in the silent film Salute (1928), directed by John Ford. Both Bond and Wayne continued in films, but it was Wayne who ascended to stardom, while Bond would have to be content with bit roles and character parts throughout the 1930s. Mostly playing traffic cops, bus drivers and western heavies, Bond began getting better breaks after a showy role as the murderous Cass in John Ford's Young Mr. Lincoln (1939). Ford cast Bond in important roles all through the 1940s, usually contriving to include at least one scene per picture in which the camera would favor Bond's rather sizable posterior; it was an "inside" joke which delighted everyone on the set but Bond. A starring role in Ford's Wagonmaster (1950) led, somewhat indirectly, to Bond's most lasting professional achievement: His continuing part as trailmaster Seth Adams on the extremely popular NBC TV western, Wagon Train. No longer supporting anyone, Bond exerted considerable creative control over the series from its 1957 debut onward, even seeing to it that his old mentor John Ford would direct one episode in which John Wayne had a bit role, billed under his real name, Marion Michael Morrison. Finally achieving the wide popularity that had eluded him during his screen career, Bond stayed with Wagon Train for three years, during which time he became as famous for his offscreen clashes with his supporting cast and his ultra-conservative politics as he was for his acting. Wagon Train was still NBC's Number One series when, in November of 1960, Bond unexpectedly suffered a heart attack and died while taking a shower.

Trivia: Redheaded leading man Robert Horton attended UCLA, served in the Coast Guard during World War II, and acted in California-based stage productions before making his entree into films in 1951. Horton's television career started off on a high note in 1955, when he was cast in the weekly-TV version of King's Row as Drake McHugh (the role essayed by Ronald Reagan in the 1942 film version). The series barely lasted three months, but better things were on the horizon: in 1957, Horton was hired to play frontier scout Flint McCullough in Wagon Train, which became the highest-rated western on TV. Horton remained with Wagon Train until 1962. He then did some more stage work before embarking on his third series, 1965's The Man Called Shenandoah. When this one-season wonder ran its course, Horton toured the dinner-theatre circuit, then in 1982 accepted a major role on the popular daytime soap opera As the World Turns. Horton continued acting until the late 1980s. He died in 2016, at age 91.

Trivia: Onslow Stevens was the son of character actor Housley Stevenson who, in turn, was the son of a prominent British artist. Stevens' own career in the arts began in 1928, when he was featured in the Pasadena Playhouse production Under the Roof. To believe his publicity, Stevens was "accidentally" hired for film work in 1932 when he agreed to help an actress friend get through her screen test. At first a leading man, Stevens soon established himself in character roles, often cast as saturnine villains -- or, as in the case of films like House of Dracula (1945), he played weak-willed men with the capacity for villainy. From 1952 through 1955, Stevens played the kindly Mr. Fisher on the religious TV dramatic series This Is the Life. Onslow Stevens spent his last years in a nursing home, where, according to his wife, he was persecuted and brutalized by his fellow patients; he died under mysterious circumstances at the age of 75.

Trivia: He was Walter Reed Smith on his birth certificate, but when he decided to pursue acting, the Washington-born hopeful dropped the "Smith" and retained his first and middle name professionally. Bypassing the obvious medical roles that an actor with his hospital-inspired cognomen might have accepted for publicity purposes, Reed became a light leading man in wartime films like Seven Days Leave (1942). Banking on his vague resemblance to comic-book hero Dick Tracy, Reed starred in the 1951 Republic serials Flying Disc Man from Mars and Government Agents vs. Phantom Legion. He was also seen as mine supervisor Bill Corrigan in Superman vs. the Mole Men (1951), a 58-minute B-film which represented George Reeves' first appearance as the Man of Steel. Walter Reed continued as a journeyman "authority" actor until 1970's Tora! Tora! Tora!

Trivia: Although Brandon DeWilde's mother was an actress and his father a stage manager, the boy didn't express any interest in performing himself until show business was virtually thrust upon him. In 1950, a friend of DeWilde's father, a Broadway casting director, mentioned that he was looking for a sensitive youngster to play a key juvenile role in the upcoming production A Member of the Wedding. DeWilde senior volunteered Brandon; despite a shaky opening night, the 7-year-old boy stayed with the show for well over a year, winning the coveted Donaldson Award for his performance--the first child actor to do so. Brandon was brought to Hollywood in 1952 for the film version of Wedding. One year later, he was Oscar-nominated for his unforgettable performance as a hero-worshipping frontier boy in George Stevens' Shane. In 1954, he was starred in the brief TV sitcom Jamie, holding his own opposite veteran scene-stealer Ernest Truex. DeWilde made a successful transition to teenaged roles as the unwed father in 1959's Blue Denim. He went on to play the younger brother of Warren Beatty in All Fall Down (1961) and the nephew of Paul Newman in Hud (1963)--in both instances displaying his now-familiar character traits of idolatry and disillusionment. While in Denver to appear in a 1972 stage production of Butterflies are Free, 30-year-old Brandon DeWilde was killed in an auto accident.

Trivia: Robert Fuller spent his first decade in show business trying his best to avoid performing. After his film debut in 1952's Above and Beyond, Fuller studied acting with Sanford Meisner at New York's Neighborhood Playhouse but never exhibited any real dedication. He tried to become a dancer but gave that up as well, determining that dancing was "sissified." Fuller rose to nominal stardom fairly rapidly in the role of Jess Harper on the popular TV western Laramie (1959-63). Once he found his niche in cowboy attire, he stuck at it in another series, Wagon Train, turning down virtually all offers for "contemporary" roles. When westerns began dying out on television in the late 1960s, Fuller worked as a voiceover actor in commercials, earning some $65,000 per year (a tidy sum in 1969). On the strength of his performance in the Burt Topper-directed motorcycle flick The Hard Ride, Fuller was cast by producer Jack Webb as chief paramedic Kelly Brackett on the weekly TVer Emergency, which ran from 1972 through 1977. In 1994, Robert Fuller was one of several former TV western stars who showed up in cameo roles in the Mel Gibson movie vehicle Maverick.