Trivia: Robert Fuller spent his first decade in show business trying his best to avoid performing. After his film debut in 1952's Above and Beyond, Fuller studied acting with Sanford Meisner at New York's Neighborhood Playhouse but never exhibited any real dedication. He tried to become a dancer but gave that up as well, determining that dancing was "sissified." Fuller rose to nominal stardom fairly rapidly in the role of Jess Harper on the popular TV western Laramie (1959-63). Once he found his niche in cowboy attire, he stuck at it in another series, Wagon Train, turning down virtually all offers for "contemporary" roles. When westerns began dying out on television in the late 1960s, Fuller worked as a voiceover actor in commercials, earning some $65,000 per year (a tidy sum in 1969). On the strength of his performance in the Burt Topper-directed motorcycle flick The Hard Ride, Fuller was cast by producer Jack Webb as chief paramedic Kelly Brackett on the weekly TVer Emergency, which ran from 1972 through 1977. In 1994, Robert Fuller was one of several former TV western stars who showed up in cameo roles in the Mel Gibson movie vehicle Maverick.

Trivia: Brooklyn-born actor John Joseph Patrick Ryan borrowed his stage name "Jack Lord" from a distant relative. Spending his immediate post-college years as a seafaring man, Lord worked as an engineer in Persia before returning to American shores to manage a Greenwich Village art school and paint original work; he flourished within that sphere (often signing his paintings "John J. Ryan,") and in fact exhibited the tableaux at an array of prestigious institutions including the Metropolitan Museum of Art and the Modern Museum of Art. Lord switched to acting in the late 1940s, studying under Sanford Meisner at New York's Neighborhood Playhouse. In films and television from 1949, Lord (a performer with stark features including deep-set eyes and high cheekbones) played his share of brutish villains and working stiffs before gaining TV fame as star of the critically acclaimed but low-rated rodeo series Stoney Burke (1962). At around the same time, Lord played CIA agent Felix Leiter in the first James Bond film, Dr. No. From 1968 through 1980, Lord starred on the weekly cop drama Hawaii Five-O; producers cast him as Steve McGarrett, a troubleshooter with the Hawaii State Police who spent his days cruising around the islands, cracking open individual cases, and taking on the movers and shakers in Hawaiian organized crime, particularly gangster Wo Fat (Khigh Dhiegh), who eluded capture until the program's final month on the air. Lord also wrote and directed several episodes. After Hawaii 5-0 folded, Jack Lord attempted another Hawaii-based TV series, but M Station: Hawaii (1980) never got any farther than a pilot film. Lord died of congestive heart failure in his Honolulu beachfront home at the age of 77, in January 1998. He was married to Marie Denarde for 50 years.

Trivia: When bandleader Ina Ray Hutton launched her TV series in 1956, much was made of the fact that the entire on-camera cast was female -- right down to the announcer, a lovely newcomer named Diane Brewster. Signed to a Warner Bros. contract shortly after the inauguration of the Hutton show, Brewster appeared in several decorative film roles, the best of which was Kate Lawrence in The Young Philadelphians (1959). She also showed up sporadically as bewitched confidence trickster Samantha Crawford on the Warner Bros. TV series Maverick (1957-1962), and later starred as Wilhelmina "Steamboat Willie" Vanderveer in the weekly Warners actioner The Islanders (1960). Devotees of Leave It to Beaver will remember Brewster as Beaver's teacher Miss Canfield during the series' inaugural 1957-1958 season (she'd played an entirely different role in the 1956 Beaver pilot episode, "It's a Small World"). Thirty-five years later, the still-gorgeous Diane Brewster reprised her Miss Canfield characterization in the 1983 TV-movie Still the Beaver.

Trivia: Like so many other prominent actors of the 1970s, the versatile James Caan rose to success on the strength of his riveting performance in The Godfather. Born March 26, 1939, in the Bronx, NY, Caan decided to pursue a career in acting while attending college and in 1960 was accepted by Sanford Meisner into the Neighborhood Playhouse. After making his debut off-Broadway in I Roam, he landed in the Broadway production of Mandingo but exited after just four performances because of artistic difficulties with star Franchot Tone. Caan then landed in television, where he became a busy character actor; he made his film debut in an unbilled performance in 1963's Irma La Douce, followed by a meatier role in Lady in a Cage the following year. The 1965 Howard Hawks auto-racing drama Red Line 7000 was his first starring role, followed two years later by the Hawks Western El Dorado, which cast him opposite John Wayne and Robert Mitchum; in 1968, Caan starred in Robert Altman's Countdown, and in 1969, he appeared in Francis Ford Coppola's The Rain People. Caan shot to fame thanks to a poignant performance in the 1970 television movie Brian's Song, in which he played the ill-fated Chicago Bears star Brian Piccolo; his turn as the similarly ill-fated Sonny Corleone in Coppola's 1972 masterpiece The Godfather solidified his stardom and earned him an Academy Award nomination, but his subsequent films, including 1973's Slither and the next year's Freebie and the Bean, failed to live up to expectations. After earning a Golden Globe bid for his work in 1974's The Gambler, Caan briefly appeared in 1974's The Godfather Pt. 2 before co-starring with Barbra Streisand in the hit Funny Lady, followed by Norman Jewison's futuristic parable Rollerball. When both 1975's Sam Peckinpah thriller The Killer Elite and 1976's Harry and Walter Go to New York met with failure, Caan's career took a downward turn, and apart from cameo appearances in both Mel Brooks' Silent Movie and the star-studded A Bridge Too Far, he was largely absent from screens for a time. He also made any number of ill-considered decisions; he and Coppola were unable to come to terms for Apocalypse Now, and he also rejected roles in hits including One Flew Over the Cuckoo's Nest, Superman, and Kramer vs. Kramer.By the end of the decade, Caan's career had hit the skids, as projects including the 1978 Western Comes a Horseman (co-starring Jane Fonda) and the following year's Neil Simon drama Chapter Two all failed to live up to expectations. His directorial debut in 1980's Hide in Plain Sight fared no better, although Michael Mann's thriller Thief garnered a cult following; when 1982's Kiss Me Goodbye bombed, Caan disappeared from sight for the next five years. Finally, in 1987, Caan resurfaced, starring in Coppola's war drama Gardens of Stone; the next year's science fiction picture Alien Nation was a hit, as was his next major project, Rob Reiner's 1990 feature Misery. After 1991's For the Boys failed to connect with audiences, Caan spent much of the decade in prominent supporting roles which showcased his smart, edgy persona; among the more high-profile were 1992's Honeymoon in Vegas, 1996's Eraser, and the wonderful indie hit Bottle Rocket.Caan would prove over the coming decades that he liked to work, appearing in projects that ran the gamut from big to small. He'd appear in comedies like Mickey Blue Eyes and Elf, thrillers like City of Ghosts and In the Shadows, indie films like Lars Von Trier's Dogville and Tony Kaye's Detachment. Caan would also delight audiences on the small screen with a starring role on the TV series Las Vegas from 2003 to 2007,

Trivia: A versatile, commanding, leathery character actor, he learned to raise and ride broncos on his family's ranch during his youth. He attended college for two years, became a seaman, then began his performing career as a radio announcer; he became nationally known as an announcer on the "March of Time" broadcasts. Onscreen from the late '40s, he often portrayed law officers; he was also convincing as a villain. He was well-known for his TV work; he starred in the series Naked City and Wagon Train. He was married to actress Jeanette Nolan, with whom he appeared in Saddle Tramp (1950) and Two Rode Together (1961); they also acted together on radio, and in the late '60s they joined the cast of the TV series The Virginian, portraying a married couple. Their son was actor Tim McIntire.

Trivia: Redheaded leading man Robert Horton attended UCLA, served in the Coast Guard during World War II, and acted in California-based stage productions before making his entree into films in 1951. Horton's television career started off on a high note in 1955, when he was cast in the weekly-TV version of King's Row as Drake McHugh (the role essayed by Ronald Reagan in the 1942 film version). The series barely lasted three months, but better things were on the horizon: in 1957, Horton was hired to play frontier scout Flint McCullough in Wagon Train, which became the highest-rated western on TV. Horton remained with Wagon Train until 1962. He then did some more stage work before embarking on his third series, 1965's The Man Called Shenandoah. When this one-season wonder ran its course, Horton toured the dinner-theatre circuit, then in 1982 accepted a major role on the popular daytime soap opera As the World Turns. Horton continued acting until the late 1980s. He died in 2016, at age 91.