Trivia: Instantly recognizable for her cute overbite, raucous voice, and broad Bronx accent, Penny Marshall successfully made the transition from popular comic actress to a respected director and producer of popular mainstream feature films. A New York native (born Carole Penny Marsciarelli), Marshall is the daughter of an industrial filmmaker and a dance instructor. She started dancing herself as a toddler and as a teen competed on The Ted Mack Amateur Hour with a dance troupe comprised of several friends. The group also appeared on The Jackie Gleason Show. By the time she was a young adult and had graduated with degrees in math and psychology from the University of New Mexico, her older brother, Garry Marshall, had established himself as a successful television writer. It was Garry who provided Marshall with her first film role in his feature film debut effort as a screenwriter and producer in How Sweet It Is (1968).When her brother began creating and producing situation comedies, he made sure Marshall had parts in his shows, the first of which was My Friend Tony and the second was The Odd Couple, where she had a recurring role. Marshall also guest starred on other comedies, including The Mary Tyler Moore Show, but her big break didn't come until her brother cast her and her friend Cindy Williams as Laverne and Shirley in an episode of his popular series Happy Days. Her portrayal of a wiseacre working-class broad and Williams' take on the more innocent Shirley gained an instant fan base and so Garry Marshall was inspired to build a sitcom around the characters. Laverne and Shirley debuted in 1978 and ran through 1983. During this period, Marshall was married to actor-turned-director Rob Reiner. She divorced him in the early '80s. At that time, it was apparent that her acting career was on a dead-end street and Marshall decided to try out directing. Beginning with television movies and series such as The Tracey Ullman Show, Marshall learned to direct. She made her feature film directorial debut with the Whoopi Goldberg vehicle Jumpin' Jack Flash (1986) which had originally been slated for director Howard Zieff. Returning her brother's favors, she gave him a part in the film and also created a part for her daughter, Tracy Reiner (the offspring from Marshall's first marriage to Michael Henry). The film was a critical and box-office dud, but this did not deter Marshall from trying again. Her second attempt at directing, Big (1988), the story of a boy whose wish is granted and so finds himself stranded in a man's body, made actor Tom Hanks a movie star and established Marshall as a respectable big-league filmmaker. Still, she took two years to finish her next film, Awakenings (1990). This was due in part to 20th Century Fox's reluctance to have the story filmed until Marshall had engaged her friends Robin Williams, in a rare subdued dramatic role, and Robert De Niro. A well-made and poignant drama, Awakenings received three Academy Award nominations, including one for Best Picture. For her next film, Marshall offered up a sentimental, funny, and ebullient look at the women who kept professional baseball alive when all the young men were off fighting during WWII in A League of Their Own (1992). It was a well-crafted effort that has grown in popularity on video and netted star Geena Davis a Golden Globe nomination. Since then, Marshall's directorial output yielded uneven results and her films, while still loaded with mainstream appeal, had yet to reach the degree of popularity of her earlier work. In the late '90s, she and her much-younger pal, comedian Rosie O'Donnell, became popular for a series of television commercials for K-Mart. In addition to directing and producing, Marshall occasionally continued to work as an actress on television and in films, and earned a star on the Hollywood Walk of Fame (alongside her Laverne and Shirley co-star Cindy Williams) in 2004. Though at the time it appeared that Marshall had taken a hiatus from the director's chair, she would later resurface to direct episiodes of According to Jim and United States of Tara before lending her voice to the animated comedy series The Life and Times of Jim, and making an appearance in Fred Armisen and Carrie Brownstein's hipster-skewing sketch series Portlandia.

Trivia: Upon graduating from LA City College, petite brunette actress Cindy Williams sought out and found stage and film work, supporting herself as a waitress between engagements. In films from 1970, Williams earned critical and popular plaudits for her work as Ron Howard's girlfriend in American Graffiti (1973) and as a highly unlikely murderess in The Conversation (1974). Her musical comedy prowess was shown off to excellent advantage in the better-than-it-sounds The First Nudie Musical (1975). In 1976, Williams signed to star as eternally optimistic brewery worker Shirley Feeney in the blue-collar sitcom Laverne and Shirley (1976-83). The series proved to be a smash, winning its Tuesday night timeslot for several seasons. Married to comedian Bill Hudson, Williams became pregnant in 1982, a circumstance that was hastily written into the program. Feeling that the L & S producers were using her pregnancy as an excuse to ease her off the series, she stormed off the set permanently, filing a $20,000,000 lawsuit against Paramount Pictures. Williams' later TV-series credits have included Normal Life and Just Getting By. Increasingly active on the business end of show business, Cindy Williams served as co-producer of the two Father of the Bride films of the 1990s.

Trivia: You knew him as Lenny Koznowski, the nasal, nerdish pal of Andrew "Squiggy" Squigman (David L. Lander) on the hit TV series Laverne and Shirley. Show-biz insiders knew Michael McKean as an intelligent, versatile actor and writer. Shedding himself of the "Lenny" image after Laverne and Shirley folded in 1983, McKean became involved in several ensemble comedy projects with such kindred spirits as Harry Shearer, Rob Reiner and Christopher Guest. In the 1984 "rockumentary" spoof This Is Spinal Tap, McKean played the cockney-accented heavy metal musician David St. Hubbins. Apparently McKean enjoyed posing as an Englishman, inasmuch as he has done it so often and so well since Spinal Tap, most recently as Brian Benben's snippish boss on the cable TV sitcom Dream On. In the early '90s, McKean was one of the stars of another, less memorable TV comedy, Grand, and appeared for two season on Saturday Night Live. He continues to land film roles, usually in comedies, including the successful The Brady Bunch Movie (1995).

Trivia: Born in Brooklyn, David L. Lander was raised in Bronx. Lander attended drama classes at Carnegie Tech, where he befriended fellow student Michael McKean. The two budding comedians joined a Hollywood improv group called the Credibility Gap (another member was Harry Shearer), gaining a huge fan following with their manic appearances on an LA radio station. Hired by producer Gary Marshall as writers/consultants for the '70s TV sitcom Laverne and Shirley, Lander and McKean immediately wrote themselves into the first show. Lander played Andrew "Squiggy" Squiggman and McKean portrayed Lenny Kosnowski, two adenoidal, terminally stupid truck drivers for Milwaukee's Shotz Brewery. The boys remained with the series from 1976 to 1983, then pretty much went their separate ways. Lander played comic character roles in films, and was prominently featured in the off-the-wall television efforts of David Lynch, notably the 1992 series On the Air, in which he was cast as unintelligible TV director Vladja Gochktch. Since providing the voice of the title character in the 1970 animated cartoon series Will the Real Jerry Lewis Please Sit Down?, Lander has been a busy and versatile voiceover artist, most recently as Lechner in the USA Network's Tattooed Teenage Alien Fighters from Beverly Hills (1994-95). Also for USA, he played the recurring role of Elvis the mechanic in the 1995 series Pacific Blue. David L. Lander's credits are sometimes confused with those of British actor David Lander.

Trivia: American actor Phil Foster started out as a stand-up comedian when he was quite young. Most of his early routines were slapstick, and the material was drawn from his life growing up in a Brooklyn neighborhood. After working the nightclub circuit through the 1940s, Foster began appearing on television variety shows such as Ed Sullivan. In the 1970s, he became a regular on Laverne and Shirley. Beginning in 1954, he made infrequent journeys into feature films. Foster made his final feature film, Sno-Line in 1985.

Trivia: Began pursuing musical theater as a senior in high school because of a girl he liked. Studied opera at the Boston Conservatory of Music. Quit school to perform at Chateau DeVilles dinner theaters. Worked as a dance and voice teacher; also drove a cab and sold candy at Radio City Music Hall. Made his Broadway debut in The Lieutenant in 1975. Appeared opposite his Laverne & Shirley costar Cindy Williams in a touring production of Grease in 2000.

Trivia: As a teenager, American performer Betty Garrett won a scholarship to New York's Neighborhood Playhouse, and in 1938 she debuted onstage in the Mercury Theater production of Danton's Death. Later she danced with the Martha Graham company, sang in nightclubs and resort hotels, and held down odd jobs between engagements. In 1942 Garrett debuted on Broadway in the revue Let Freedom Ring, leading to other Broadway appearances. For her work in Call Me Mister she won the Donaldson Award in 1946, after which MGM signed her to a movie contract. She went on to make five musicals in the late '40s, impressing critics with her singing, dancing, and bright comic acting; as an energetic and effervescent second lead, she typically played the heroine's best friend. Garrett took two years off to give birth to two children; meanwhile, her husband, actor Larry Parks, admitted to the House Un-American Activities Committee that he had been a Communist. This ruined Garrett's screen career for several years, during which she and Parks appeared in a nightclub act and toured the U.S. with a play. In the mid-'50s she appeared in two more films and had the chance to renew her career; however, her husband was still blacklisted, so she chose to retire from the screen. She and Parks went on to work in stock and occasionally on TV, but they derived their income primarily from real estate. In the mid-'70s Garrett had a recurring role as Archie Bunker's neighbor on the TV sitcom All In the Family, and played landlady Edna Babish on Laverne and Shirley.

Trivia: A Cornell University graduate, Class of '72, Ed Marinaro went on to play professional football with the Minnesota Vikings, New York Jets and Seattle Seahawks. Turning to acting in the late 1970s, Marinaro landed the supporting role of Sonny St. Jacques on the ratings-grabbing sitcom Laverne and Shirley. He was then cast as Officer Joe Coffey, partner to policewoman Lucy Bates (Betty Thomas) in Hill Street Blues, a role he played from 1981 to 1986. He later appeared as Mitch Margolis in the weekly dramedy Sisters (1991-94). Like many athletes-turned-actors, he has at least one "eponymous hero" action flick to his credit: in his case, he played "Mace" in the 1987 film of the same name. In 1992, Ed Marinaro managed to survive playing Joey Buttafucco in the TV biopic Amy Fisher: My Story with both his career and dignity intact.

Trivia: Though Leslie Easterbrook has only one major feature film role to her credit, it happens to come courtesy of one of the most durable comedy franchises of the 1980s (and briefly into the 1990s). Playing off her looks, Easterbrook first gained notice as Marilyn Monroe-wannabe Rhonda Lee on the hit sitcom Laverne and Shirley from 1980 to 1983. Along with a supporting role in the sex comedy Private Resort (1984), Easterbrook further made her bombshell mark as Sgt. Callahan in the hit misfit comedy Police Academy that same year. Though she returned to TV on the daytime serial Ryan's Hope from 1985 to 1987 and played a substantial part in the TV docudrama The Taking of Flight 847: The Uli Derickson Story (1988), Easterbrook also reprised the role of Callahan in all six of the Police Academy sequels. After the franchise ended in 1994, Easterbrook continued to appear frequently as a guest star on primetime TV, acted in the TV movie Two Voices (1997), and displayed her vocal talents in musical theater.