Trivia: American actor Ward Bond was a football player at the University of Southern California when, together with teammate and lifelong chum John Wayne, he was hired for extra work in the silent film Salute (1928), directed by John Ford. Both Bond and Wayne continued in films, but it was Wayne who ascended to stardom, while Bond would have to be content with bit roles and character parts throughout the 1930s. Mostly playing traffic cops, bus drivers and western heavies, Bond began getting better breaks after a showy role as the murderous Cass in John Ford's Young Mr. Lincoln (1939). Ford cast Bond in important roles all through the 1940s, usually contriving to include at least one scene per picture in which the camera would favor Bond's rather sizable posterior; it was an "inside" joke which delighted everyone on the set but Bond. A starring role in Ford's Wagonmaster (1950) led, somewhat indirectly, to Bond's most lasting professional achievement: His continuing part as trailmaster Seth Adams on the extremely popular NBC TV western, Wagon Train. No longer supporting anyone, Bond exerted considerable creative control over the series from its 1957 debut onward, even seeing to it that his old mentor John Ford would direct one episode in which John Wayne had a bit role, billed under his real name, Marion Michael Morrison. Finally achieving the wide popularity that had eluded him during his screen career, Bond stayed with Wagon Train for three years, during which time he became as famous for his offscreen clashes with his supporting cast and his ultra-conservative politics as he was for his acting. Wagon Train was still NBC's Number One series when, in November of 1960, Bond unexpectedly suffered a heart attack and died while taking a shower.

Trivia: Redheaded leading man Robert Horton attended UCLA, served in the Coast Guard during World War II, and acted in California-based stage productions before making his entree into films in 1951. Horton's television career started off on a high note in 1955, when he was cast in the weekly-TV version of King's Row as Drake McHugh (the role essayed by Ronald Reagan in the 1942 film version). The series barely lasted three months, but better things were on the horizon: in 1957, Horton was hired to play frontier scout Flint McCullough in Wagon Train, which became the highest-rated western on TV. Horton remained with Wagon Train until 1962. He then did some more stage work before embarking on his third series, 1965's The Man Called Shenandoah. When this one-season wonder ran its course, Horton toured the dinner-theatre circuit, then in 1982 accepted a major role on the popular daytime soap opera As the World Turns. Horton continued acting until the late 1980s. He died in 2016, at age 91.

Trivia: Trevor was born Claire Wemlinger. After attending Columbia and the American Academy of Dramatic Arts, she began her acting career in the late '20s in stock. By 1932 she was starring on Broadway; that same year she began appearing in Brooklyn-filmed Vitaphone shorts. She debuted onscreen in feature films in 1933 and soon became typecast as a gang moll, a saloon girl, or some other kind of hard-boiled, but warm-hearted floozy. Primarily in B movies, her performances in major productions showed her to be a skilled screen actress; nominated for Oscars three times, she won the Best Supporting Actress Oscar for her work in Key Largo (1948). In the '50s she began to appear often on TV; in 1956 she won an Emmy for her performance in Dodsworth opposite Fredric March.

Trivia: "Male ingénue" Theodore Newton was signed to a Warner Bros. contract in 1933, whereupon he spent the next year or so playing nominal romantic leads in films like the George Arliss vehicles The Working Man and Voltaire. Newton was given the chance to toughen up his callow screen image when he was loaned out to Monogram to play a fast-talking crime reporter in The Sphinx (1933), which remains his most memorable film performance. After playing a handful of secondary roles for RKO, he left Hollywood in 1935 to concentrate on stage work. Theodore Newton returned to the screen as a character actor in 1945, playing various authority figures (usually military officers) until his retirement in 1959.

Trivia: Emerging into the public's consciousness in 1958, country & western performer Johnny Cash hit his first popularity peak in the mid-'60s with his hard-driving prison, train, and "underdog" ballads. Changing tastes, coupled with his own volatile temperament, resulted in as many lows as highs in the late 20th century, but Cash is a survivor, and was still very much on hand for the country & western upsurge of the late '80s. His first film appearances were in shapeless semi-concert pictures like Hootenanny Hoot (1963), but he went on to excel as a naturalistic actor in such Westerns as A Gunfight (1971) and The Last Days of Frank and Jesse James (1986). Johnny Cash is shown to best cinematic advantage as "himself" in the 1970 documentary Johnny Cash: The Man, His World, His Music, which features Cash's wife, June Carter. Cash was honored with a Lifetime Achievement Award from Lincoln Center in 1997.Still hugely popular as the millennuim turned, the 2003 MTV Video Music Awards found Cash's video for the song "Hurt" nominated for no less than six awards. The reflective video ultimately took home the prize for Best Cinematography, cementing Cash's status as an artist whose musical stylings truly knew no boundries. Shortly thereafter, in early September of 2003, Johnny Cash died of complications of diabetes in Nashville, TN. at the age of 71. His death came just four short months after that of his longtime wife June Carter Cash.

Trivia: Robert Fuller spent his first decade in show business trying his best to avoid performing. After his film debut in 1952's Above and Beyond, Fuller studied acting with Sanford Meisner at New York's Neighborhood Playhouse but never exhibited any real dedication. He tried to become a dancer but gave that up as well, determining that dancing was "sissified." Fuller rose to nominal stardom fairly rapidly in the role of Jess Harper on the popular TV western Laramie (1959-63). Once he found his niche in cowboy attire, he stuck at it in another series, Wagon Train, turning down virtually all offers for "contemporary" roles. When westerns began dying out on television in the late 1960s, Fuller worked as a voiceover actor in commercials, earning some $65,000 per year (a tidy sum in 1969). On the strength of his performance in the Burt Topper-directed motorcycle flick The Hard Ride, Fuller was cast by producer Jack Webb as chief paramedic Kelly Brackett on the weekly TVer Emergency, which ran from 1972 through 1977. In 1994, Robert Fuller was one of several former TV western stars who showed up in cameo roles in the Mel Gibson movie vehicle Maverick.