Trivia: Played a small part in his dad's movie, Malcolm X in 1992. Played as a running back on his college football team. Signed with the St. Louis Rams in 2006. Played football for the Sacramento Mountain Lions in the United Football League from 2009 to 2012.

Trivia: A character actor who caught audience's attention with the role of Adam on the landmark HBO series Girls, Adam Driver was an enlisted Marine before he ever became a professional actor. Inspired to join the military following 9/11, Driver was deployed to Iraq before an injury earned him a medical discharge. He would go on to study drama at Julliard, and appeared in Broadway and off-Broaday productions before his big break on Girls. He would subsuquently become a well known name and face, appearing in feature films as well, like Frances Ha and J. Edgar.

Trivia: Left her studies at NYU in order to focus on her budding modeling career. Studied at the William Esper Studio. Filmed an HBO pilot with director Steve McQueen that never aired. Modelled for brands like Garnier, Steve Madden and Urban Outfitters.

Trivia: Lanky, personable, and looking for all the world like Alan Alda's long-lost son, Topher Grace made an impressive film debut with his role in Traffic (2000), Steven Soderbergh's epic and widely acclaimed look at the American war on drugs. Grace received positive notices for his work in the film, which cast him as a cocky prep-school boy who turns his girlfriend (Erika Christensen) on to heroin and cocaine. The role marked a drastic departure from the young actor's regular job on the popular Fox sitcom That '70s Show, where he portrayed Eric Forman, a level-headed and predominantly wholesome high school student coming of age in "Me Decade" Wisconsin.A native New Yorker, Grace was born in the city on July 12, 1978. Raised in Connecticut and Massachusetts, he began acting in school plays and was a student at New Hampshire's Brewster Academy when his performance in a school production of A Funny Thing Happened on the Way to the Forum effectively secured him his first professional job. Among those to see the play were Bonnie and Terry Turner, parents of one of Grace's classmates and the would-be producers of That '70s Show. Impressed with the young actor's work in the play, they tapped him for the role of Eric Forman during his freshman year at the University of Southern California. Grace, who had studied acting at the Groundlings Improvisation School and the Neighborhood Playhouse, made his television debut in 1998, winning over both new fans and critical approval. His acclaimed work in Traffic two years later saw the actor's popularity further increase, acting as another testament to the beginnings of a promising career.While continuing to appear on That '70s Show, Grace remained selective of his film roles. Aside from showing up in a cameo as himself in Traffic director Steven Soderbergh's 2001 remake of Ocean's 11, he didn't appear in a film for three years. However, with his supporting turn in the Julia Roberts drama Mona Lisa Smile, it appeared Grace's film career was building steam.For his first big-screen starring role, Grace played opposite Kate Bosworth and Josh Duhamel in the 2004 love-triangle comedy Win a Date With Tad Hamilton!, which was mostly well received by critics and audiences. Later in 2004, the young actor could be seen in the ensemble film sophomore effort from Roger Dodger director Dylan Kidd, entitled P.S. Cast as a twentysomething student who appears to be the reincarnation of an older woman's deceased high-school sweetheart, Grace offered a sense of soulful gravity to the under-seen romantic fantasy before rounding out his breakthrough year with a powerful performance as an ambitious young executive whose sense of synergy sets the boardroom ablaze in In Good Company. In the short span of just one year, Grace had proven himself capable of believably playing both a lovelorn Piggly Wiggly manager who can't muster the courage to express his love to the woman of his dreams, and an overambitious white-collar powerhouse who discovers something called a soul after casually assuming the position coveted by an experienced ad man twice his age. Whereas most actors of his generation would have been happy doing teen comedies and cashing in on the success of That '70s Show, it was obvious that Grace was opting for quality over quantity in making his transition to the big screen. After wrapping up his impressive run on That '70s Show in 2006, Grace henceforth chose his roles selectively, speaking often about having little hunger for fame, but a big appetite for interesting, fun, or challenging projects. He would appear in a number of feature films over the coming years, ranging form big budge action adventure fare, like Spiderman 3, to lighthearted comedies like Take Me Home Tonight, to offbeat, independent projects, like The Giant Mechanical Man. In 2014, he had a supporting role in Christopher Nolan's sci-fi film Interstellar.

Trivia: Was raised in a family of actors.Started acting in theater at a young age.Lived in Maryland, United States, as an exchange student for a year when he was a teenager.Is the co-founder of the Pokerisivut poker magazine along with Finnish producer Markus Selin.Is the owner of the renowned spa Löyly in Helsinki. Is skilled at fly fishing.

Trivia: In 2005, while studying theater at USC, was one of 14 students (out of more than 100) to land a part in a revival of Pulitzer Prize-winning playwright Sidney Kingsley's 1935 drama, Dead Men, at the Ahmanson Theater in Los Angeles. Other stage work includes a role in Wendy Graf's Leipzig in 2006. Made film debut in the title role of Con: The Corruption of Shawn Helm, a short written and directed by his childhood friend, Brandon Bennett. Sings and plays piano and guitar in a band called Eleanor Avenue.

Trivia: Won the Cappie Award for Best Lead Actor in a Play in 2006 for his performance in The Laramie Project at the Duke Ellington School of the Arts. Recipient of the John Houseman Award in 2010 for excellence in classical theater by a Juilliard student.. Played Walter Younger in productions of A Raisin in the Sun at both Juilliard and the L.A. Theatre Works. Made his professional New York stage debut as Perry in 2011's Suicide, Incorporated at the Roundabout Theater Company's Black Box Theatre. Played Buggy in the Off-Broadway production of Hurt Village at the Romulus Linney Courtyard Theatre at the Pershing Square Signature Center in New York. Made his Broadway debut as Tybalt in the 2013 revival Romeo and Juliet, opposite Orlando Bloom and Condola Rashad.

Trivia: Started performing stand-up comedy when he was 16.Many of his relatives are Lutheran ministers, including his grandfather, father and brother.Was already writing scripts when he was in high school.Dropped out of college to pursue an acting career.Signing up as an extra for the movie Virginia (2010), which was film in his home state, led to a small role after he approached director Dustin Lance Black to congratulate him on winning the Oscar for Milk (2008).Worked in a butcher shop and a bowling alley.Didn't had to audition for the role of Richard Jewell in Clint Eastwood's film Richard Jewell (2019).

Trivia: Despite a dazzling film and recording career that spanned the better part of the Twentieth century, and has extended (with occasional film activity) well into the Twenty-first, venerable African American entertainer Harry Belafonte is still best known as "The King of the Calypso." This title -- and Belafonte's concomitant crossover appeal to black and white audiences -- is even more astonishing for first happening over ten years before the Civil Rights movement took full swing. Born March 1, 1927 in poverty-stricken Harlem to first-generation Jamaican immigrants, Belafonte emigrated with his mother back to Jamaica at eight years old, and returned to New York at age thirteen. Midway through high school, he dropped out and enlisted in the Navy. Upon discharge, the young man studied and performed at the Actors Studio (alongside such legends as Tony Curtis and Marlon Brando), Erwin Piscator's Dramatic Workshop at the New School for Social Research, and The American Negro Theater. A singing role in a theatrical piece led to a string of cabaret engagements, and before long, Belafonte's success enabled him to secure funding to open his own nightclub. His recording career officially began at the age of 22, in 1949, when he presented himself as a pop singer along the lines of Tony Bennett or Frank Sinatra, but in time he found a more unique niche by delving headfirst into the Library of Congress's archive of folk song recordings and studying West Indian music. What emerged was a highly unique (and unprecedented) blend of pop, jazz and traditional Caribbean rhythms. Belafonte subsequently opened at the Village Vanguard with accompaniment by Millard Thomas, then debuted cinematically with Bright Road (1953) and followed it up with Otto Preminger's Carmen Jones, co-starring, in each, with the ravishing (and ill-fated) Dorothy Dandridge. In 1954, Belafonte won a Tony Award for his work in the Broadway revue John Murray Anderson's Almanac. His broadest success to date, however, lay two years down the road.In 1956, Belafonte issued two RCA albums: Belafonte, and Calypso. To call the LP popular would be the understatement of the century; each effort crested the pop charts and remained there, the latter album for well over seven months. As a result, calypso music, typified by the twin hits "Day-O (The Banana Boat Song)" and "Jamaica Farewell," became a national phenomenon. Using his star clout, Belafonte was then able to realize several controversial film roles that studios would have rejected for a man of color in the late 1950s. In 1957's Island in the Sun, Belafonte's character entertains notions of an affair with white Joan Fontaine (thereby incurring the wrath of bigots everywhere). In Robert Wise's Odds Against Tomorrow (1959), he plays a bank robber, uncomfortably teamed with a racist partner (Robert Ryan). And in The World, The Flesh and The Devil, also made in 1959, he portrays one of the last three survivors of a world-wide nuclear disaster. Following his SRO Carnegie Hall show in 1959, Belafonte won an Emmy for his 1960 TV special, Tonight With Harry Belafonte (becoming, in the process, the first African American producer in television history). His cinematic activity nonetheless sharply declined during this period as he felt more and more dissatisfied by available film roles, but his recording output and civil rights work crescendoed over the course of the 1960s. In 1970, Belafonte returned to film work for the first occasion in almost ten years, by executive producing and starring alongside Zero Mostel in Czech director Jan Kadar's American debut, the fantasy The Angel Levine (1970). Adapted from a short story by Bernard Malamud, this gentle, sensitively-handled fable won the hearts of critics and devoted filmgoers nationwide, but subsequently fell through the cracks of the video revolution and went largely unseen for three decades. By 1971, Belafonte would act before the cameras only in the company of such close friends as Sidney Poitier, who directed Belafonte in Buck and the Preacher (1972) and Uptown Saturday Night (1974). (The latter features the actor - as mustachioed "Geechie Dan" -- doing a particularly funny spoof of Marlon Brando's Godfather). In 1984, Belafonte produced and scored the musical film Beat Street, and in 1985 he won awarded an Emmy for initiating the all-star We Are the World video. After a typically long absence from the screen, Belafonte returned in the 1996 reverse-racism drama White Man's Burden. That year, Belafonte also received some acclaim for his performance as gangster Seldom Seen in Robert Altman's Kansas City, despite the tepid response gleaned by the film at Cannes 1996 and other festivals.For the next fifteen years, Belafonte continued to pursue cinematic activity, though rarely signed for fictional roles. He restricted his involvement for the remainder of the nineties (and into the 2000s) to documentary work and concert films, with participation, often as the host, narrator, or central performer, in such projects as Roots of Rhythm (1997), An Evening with Harry Belafonte and Friends (1997), Fidel (2001), Quincy Jones: In Pocket (2002), Calypso Dreams (2003) and When the Levees Broke (2006). In late 2006, Belafonte essayed another dramatic role as Nelson, an employee of the Ambassador Hotel, in Bobby, Emilio Estevez's highly-anticipated ensemble drama about the RFK assassination. Alongside his recording and cinematic work, Belafonte has accumulated dozens of awards and honors bestowed upon him by various social-service and political organizations. Harry Belafonte is the father of actress/singer Shari Belafonte-Harper. Married to Marguerite Byrd from 1948-1957, he wed his second wife, Julie Robinson in 1957.

Trivia: The fifth of 11 children. Attended Southwest Minnesota State University on a football scholarship; tried out for The Crucible after injuries sidelined him. Studied at the American Conservatory Theatre in San Francisco after college. Made his Broadway debut in the play Mastergate in 1989. Received the 2002 Lucille Lortelle Award for Outstanding Featured Actor for the off-Broadway play Four. Supports a scholarship for SMSU, the Isiah Whitlock Jr. Fine Arts Theatre Endowment.

Trivia: Tall, chiseled-face character actor Robert John Burke has been acting since the 1970s, but he is best known to art house audiences as a regular member of New York-based director Hal Hartley's stock company of decidedly non-Hollywood actors. Born on Long Island, Burke studied acting at S.U.N.Y. Purchase in the early '70s. After he graduated from college, Burke began acting in TV, appearing on such shows as As the World Turns and Happy Days. Though he made his feature film debut in The Chosen (1981), Burke devoted his energies in the early '80s to an experimental teaching program designed to involve students directly in the arts. Burke returned to movies and TV in the latter half of the 1980s with roles in actioner Wanted Dead or Alive (1986), TV movie comedy Pass the Ammo (1989), and late-'80s dance trend vehicle Lambada (1989). Burke's fortunes began to change when he was cast in the lead role of an enigmatic ex-con who returns to his Long Island hometown in the then-unknown Hartley's first feature, The Unbelievable Truth (1990). Shot on a shoestring budget in 11 days, The Unbelievable Truth garnered positive notice for Hartley's distinctly offbeat, dark comic sensibility and his stars' deadpan, wry performances. Burke followed The Unbelievable Truth with a supporting part in the Oscar-nominated 1930s coming of age film Rambling Rose (1991) and a high-profile starring role replacing Peter Weller as the imposing eponymous cyborg law enforcer in Robocop 3 (1992). Burke stayed busy from then on, alternating between independent movies and Hollywood projects. Working with Hartley again, Burke starred as one of a pair of brothers searching for their ballplayer-turned-anarchist father in the quirky yet appealing Simple Men (1992); he played a smaller role in Hartley's troubled romance triad Flirt (1995). Burke also acted more than once with the far less celebrated independent filmmaker Eric Schaeffer, appearing in Schaeffer's industry insider comedy My Life's in Turnaround (1993) and self-indulgent romantic comedy If Lucy Fell (1996). Outside of the New York independent scene, Burke played Reese Witherspoon's African gamekeeper father in the children's adventure A Far Off Place (1993), joined the distinguished cast populating Tombstone (1993) (the Kurt Russell version of the Wyatt Earp Western legend), appeared in Oliver Stone's third Vietnam movie, Heaven and Earth (1993), and starred as the cursed obese lawyer in Stephen King's horror yarn Thinner (1996). Continuing to show his versatility in both comedy and drama, Burke joined the supporting cast of the light-hearted buddy chase movie Fled (1996) and starred as Natasha Gregson Wagner's father in the bayou love story First Love, Last Rites (1997). Burke returned to TV in the late '90s in two acclaimed HBO productions, the ambitious miniseries From the Earth to the Moon (1998) and the wrenching Vietnam War docudrama A Bright Shining Lie (1998). At the start of the 2000s, Burke reunited with Hal Hartley for the Cannes Film Festival entry No Such Thing (2001). Drawing upon his varied experience, not to mention his formidable mien, Burke played the mammal/lizard Beast to Sarah Polley's Beauty in Hartley's singular reworking of the fairy tale romance.

Trivia: Appeared on the big screen first in 1984 in The Cotton Club.Played in the 1990s in the soap opera One Life to Live.Is best known for his role as Geno in the 1995 comedy-crime film The Jerky Boys.Portrayed Jackie since 2017 in the comedy-drama web television series The Marvelous Mrs. Maisel.Is of Irish and Italian descent.

Trivia: Made his professional stage debut as an understudy in the original New York production of Six Degrees of Separation. Made his silver screen debut playing the lead role of Matty Dean in Stonewall (1996), a film about the start of the gay rights movement. Played Brian Wilson in the ABC miniseries The Beach Boys: An American Family in 2000. Was directed by Neil LaBute in London and New York stage productions of The Shape of Things and also in the 2003 film version of the play. In 2005, he portrayed a talking lizard in the Lincoln Center Theater's revival of Edward Albee's Seascape. His first major TV role had him playing a cop in the police drama Missing Persons (1993-94). More than a decade later, his second major TV gig cast him in another crime-solving role as a U.S. Marshall in the USA Network series In Plain Sight. Wrote, directed and starred in Streetcar, a short film about an aspiring television actor that made the rounds at various film festivals in 2010.

Trivia: Appeared with his brother John Turturro in several Spike Lee films, including Mo' Better Blues (1990) and Jungle Fever (1991). Auditioned for the role of NYPD Blue's Det. James Martinez during his lunch break while working as a hotel doorman. Met wife Lissa Espinosa on a plane while she was working as a flight attendant. Was a contestant on Celebrity Fit Club in 2006. Starred on the Web series Dusty Peacock in 2009. Years after making his breakthrough as a rookie detective on NYPD Blue, he took on the role of a veteran NYC beat cop mentoring a rookie on Blue Bloods in 2010. Collects baseball memorabilia from all teams, though is a self-professed lifelong NY Yankees fan. In fact, his passion for the game was celebrated in 2009 when he was featured on an MLB series, I Breathe Baseball. Focusing on his obsession with the Yankees, it featured former NY manager Joe Torre and then-NY outfielder Johnny Damon.