Trivia: Standing a burly 6'4", Liam Neeson was once described by a theatre critic as a "towering sequoia of sex." To say that he has undeniable charisma is certainly accurate, but it is a charisma composed as much of impressive talent as of broken-nosed physical appeal. Bearing both versatility and quiet forcefulness, Neeson has been touted as one of the most compelling actors of the late 20th century.Born June 7, 1952, in Ballymena, Northern Ireland, Neeson had an upbringing partially defined by his involvement in boxing. He became active in the sport as a teenager, earning his distinctive broken nose in the process; he stayed with boxing until he began experiencing black-outs from repeated blows to the head. Initially interested in a career as a teacher, Neeson attended Belfast's Queens College, but he aborted his studies after developing a desire to act. In 1976, he joined Belfast's Lyric Theatre, and two years later he began performing the classics at Dublin's famed Abbey Theatre. While he was with the Abbey, Neeson was discovered by director John Boorman, who cast him as Gawain in 1981's Excalibur. Following his part in that action fantasy, Neeson had supporting roles in such films as The Mission (1986), and he was featured in leads opposite Cher in Suspect (1987) and Diane Keaton in The Good Mother (1988). He got his first starring vehicle in 1990 with Sam Raimi's Darkman; unfortunately, the film was a relative disappointment. Neeson continued to do starring work in such films as Big Man (1991), which featured him as a boxer, Ethan Frome (1992), and Under Suspicion (1992), but ironically, it was his work on the stage that led to his true screen breakthrough. In 1992, the actor was turning in a Tony-nominated performance in Anna Christie opposite Natasha Richardson (whom he would marry in 1994) on Broadway. His work attracted the notice of Steven Spielberg, who was so impressed with what he saw that he cast Neeson as Oskar Schindler in his landmark Holocaust drama Schindler's List (1993). Neeson received Best Actor Oscar and British Academy Award nominations for his performance, and he subsequently didn't have to worry about finding work in Hollywood, or elsewhere, again.More high-profile work followed for Neeson, who went on to star in such films as Nell (1994), Rob Roy (1995), and Michael Collins (1996). However acclaimed his previous work had been, none of it received the hype of one of Neeson's 1999 projects, Star Wars: Episode I - The Phantom Menace. Although the film, which starred Neeson as a Jedi master, ultimately earned a galaxy's worth of negative reviews, it mined box office millions. Its success further enhanced Neeson's status as one of the world's most visible actors, and it even helped to downplay the disappointment of The Haunting, his other film that year.Neeson would enter the new millennium with a variety of projects on his to-do list, appearing in the Martin Scorsese period piece Gangs of New York in 2002, and the extremely popular romantic comedy Love Actually in 2003. The following year would find him tackling a meatier role, however, as he singed on to portray pioneering scientist and researcher on human sexuality Alfred Kinsey in the biopic Kinsey. The part would earn Neeson a Golden Globe nomination, and Neeson would follow its success with performances in Ridley Scott's Kingdom of Heaven, as well as one in the blockbuster superhero reboot Batman Begins in 2005. He would also sign on to provide the voice of lion king Aslan in the Chronicles of Narnia fantasy franchise.In 2008, Neeson starred in the thriller Taken, portraying a former CIA officer who employs his brutal skills learned on the job to find his kidnapped daughter. Audiences weren't accustomed to seeing the actor hold down the lead in an action film, but Neeson succeeded and the film was a categorical success. Sadly, the following year, Liam's wife actress Natasha Richardson died suddenly after suffering a severe head injury during a skiing accident. Neeson was left in care of their two children, Michael and Daniel, but was later able to resume his career. Neeson would find himself appearing in many action/adventure films over the coming years. He starred as the cigar-chomping ohn "Hannibal" Smith in the big-screen adaptation of The A-Team in 2010, and a man fleeing for his life and fighting for his identity in 2011's Unknown. The following year, Neeson played an oil driller stranded amid a pack of wolves in The Grey.

Trivia: Born Diane Heidkrüger in Hildesheim, Germany, Diane Kruger initially aspired to be a dancer and studied with the Royal Ballet in London. When an injury ended her hopes for a dancing career, she began modeling in Germany, where she became a finalist of the Look of the Year contest at the age of 15. She worked with renowned fashion designers Dolce & Gabbana, and her pictures graced the covers of magazines like Vogue and Elle. Moving to Paris on the advice of film director Luc Besson, Kruger decided to take up acting and enrolled in the Ecole Florent, where she became top of her class in 2002. The same year, the actress made her big-screen debut opposite Dennis Hopper and Christopher Lambert in the indie feature The Piano Player (aka The Target), but she was not truly revealed until her role in Mon Idole, co-starring and directed by her then-real-life companion Guillaume Canet. After a couple more acting assignments in France, Kruger began her Hollywood career by acting alongside Josh Hartnett and Rose Byrne in Wicker Park, a remake of the 1996 French film L'Appartement. While still filming Wicker Park in 2003, she was selected among many other candidates to play the legendary beauty Helen of Troy in Wolfgang Petersen's historical epic Troy (2004). The latter film ended up being released before Wicker Park, thus becoming her high-profile introduction to the American public. She also starred opposite Nicolas Cage in Jon Turteltaub's National Treasure. In 2009 she had a small but important part in Quentin Tarantino's award-winning Inglourious Basterds. She followed that up with roles in Inhale and Unknown and branched out to American TV with The Bridge. Kruger played a supporting role in The Infiltrator, opposite Bryan Cranston and John Leguizamo, in 2016.

Trivia: Raised in Canada and France. Speaks fluent English, French and Spanish. Had never ridden a horse until he signed on to do The Borgias.

Trivia: One of the screen's most consistently solid performers and least recognized personalities, British actor Ian Hart has appeared in an enviably diverse number of films over the course of the '90s. To say that Hart has a chameleon-like quality would be something of an understatement; one of the reasons for the lack of audience recognition afforded to him is his ability to completely disappear in his roles, exchanging full-bodied characterizations for any trace of the actor responsible for them.Little is known about Hart's background aside from the fact that he got his start in regional theatre and on such BBC television programs as the popular series Eastenders. One thing that is certain is that Hart's Liverpool origins and uncanny resemblance to John Lennon were responsible for getting him his first big break. In 1992, he was chosen to play Lennon in Christopher Munch's The Hours and Times (1992), a film that examined the relationship between Lennon and Beatles manager Brian Epstein. Two years later, Hart again played the musician in Backbeat, Iain Softley's account of the relationship between Lennon, Beatle Stuart Sutcliffe (Stephen Dorff), and Sutcliffe's girlfriend Astrid Kirchherr (Sheryl Lee). The film earned a number of strong notices and was fairly successful at the box office, with Hart earning particular acclaim for his portrayal of Lennon.Following a starring role as a shell-shocked young Welshman in The Englishman Who Went up a Hill but Came Down a Mountain (1995), Hart embarked on a series of projects that read like a who's who list of gritty, socially conscious British films. For director Ken Loach, he played a dedicated young journalist who gets caught up in the Spanish Civil War in Land and Freedom (1995); that same year, he won the Venice Film Festival's Volpi Cup for his portrayal of a psychotic Northern Irish Protestant gangster in Thaddeus O'Sullivan's Nothing Personal. The following year, Hart played Martin Donovan's lover in the relentlessly intense child abuse drama Hollow Reed and had a substantial supporting role in Neil Jordan's Michael Collins, a biographical epic about the legendary and controversial Irish rebellion leader.The following year, Hart again collaborated with Jordan, this time on The Butcher Boy. He also returned to the milieu of the post-war rock scene as a club manager in Jez Butterworth's Mojo. In one of his rare U.S. outings, Hart played the owner of a Lower Manhattan diner in Amos Poe's comedy-thriller Frogs for Snakes (1998); that same year, he appeared in American director Ted Demme's Monument Avenue, a drama about a group of Irish-American toughs in Boston.1999 brought with it another collaboration for Hart and Jordan; this time it was on an adaptation of Graham Greene's The End of the Affair, a World War II romance that featured Hart as a cockney detective. That same year, he starred as a nerdy, emotionally unstable comic book enthusiast who finds love in an unlikely place in the ensemble comedy This Year's Love and played a doltish ex-boyfriend in Michael Winterbottom's acclaimed ensemble drama Wonderland. Over the next several years, Hart would remain active on screen, appering on series like The Virgin Queen, Dirt, and Luck, as well as in films like Blind Fight, Within the Whirlwind, and Hard Boiled Sweets.

Trivia: The fragile, luminous beauty of actress Jessica Lange belies the inner strength and vitality she exhibits in the characters she portrays. Though not among Hollywood's most high-profile stars, she became one of its most respected dramatic actresses. For Lange, however, the road to respect was a long one, due in large part to her disastrous debut in the lavish Dino de Laurentiis stinker King Kong.Lange had a peripatetic childhood. Born a traveling salesman's daughter in Cloquet, MN, in 1949, she moved at least 18 times while growing up. She studied art for two years at the University of Minnesota before running off to Paris, where she studied mime and danced in the chorus of the Opera Comique. She later moved to New York, where she worked as a waitress and model until she was chosen to play the part of a giant gorilla's romantic obsession in the 1976 remake of King Kong. Unfortunately, Lange's acting abilities at the time were not all that remarkable, and she was roundly ridiculed for her performance. It would be three years before she appeared in another film. She made good use of that time, however, studying drama and networking with industry figures. She was romantically involved with choreographer/director Bob Fosse when he cast her as the angel of death in All That Jazz (1979). She next played a supporting role in How to Beat the High Co$t of Living (1980), but did not break through into major stardom until she was cast opposite Jack Nicholson in Bob Rafelson's The Postman Always Rings Twice (1981). It was in this film that she first displayed the dangerous sexuality and galvanizing charisma that would lead pooh-poohing critics to recant their earlier assessment that Lange was all looks and no talent.The following year marked a turning point in Lange's career. After much lobbying with numerous directors, she finally employed novice Graeme Clifford for Frances, her self-produced adaptation of former actress Frances Farmer's autobiography, Will There Ever Be a Morning? Lange played the title role in the wrenching drama, and became so caught up in the many traumas of Farmer's tragic life (something that was allegedly complicated by Lange's personal tragedies during her own youth), that she nearly suffered a breakdown. Despite the trials of playing the character, Lange later considered it her favorite role. On a more positive note, while shooting the film, she also met actor/playwright Sam Shepard, the man who would father two of her three children and become her long-term lover. (She previously had a daughter by dancer Mikhail Baryshnikov.)Later in 1982, Lange changed gears and appeared as the beautiful object of Dustin Hoffman's obsession in Tootsie. Though she played the only non-comic role in the romantic comedy, she won an Oscar for Best Supporting Actress. She also netted a Best Actress nod for Frances, making her the first actress to receive two Academy Award nominations in a single year. Over the next decade, Lange received Best Actress nominations three more times (for Country, Sweet Dreams -- in which Lange, who admits she can't sing, played country music heroine Patsy Cline -- and The Music Box) before finally winning the award for playing a mentally unstable military wife in Blue Sky (1994). If Lange's film appearances sometimes seemed sporadic, it was due to her willingness to take time off to be with her family, as well as a desire to work on the stage. In 1991, she starred as Blanche Dubois opposite Alec Baldwin in a Broadway revival of Tennessee Williams' A Streetcar Named Desire. Although her stage debut received mixed reviews, Lange later turned in a more finely rendered Blanche in the 1995 TV version of the play, and reprised her role again for its 1996 London production. Lange also appeared in two films in 1995, notably Rob Roy with Liam Neeson. Two years later, she starred with Jennifer Jason Leigh, Michelle Pfeiffer, and Jason Robards Jr. in Jocelyn Moorehouse's moderately well-received adaptation of Jane Smiley's A Thousand Acres. She then appeared in another star-studded affair alongside Anthony Hopkins, Jonathan Rhys-Meyers, and Alan Cumming in Titus, Julie Taymor's 1999 rendering of Shakespeare's Titus Andronicus.Lange disappeared from screens in the early 2000s (partly due to the shelving of Prozac Nation), but came back with three films in 2003. She played Albert Finney's wife in Tim Burton's Big Fish, the wife of a man who undergoes a sex change in Normal, and she was one of the famous people in the enigmatic Bob Dylan movie Masked and Anonymous. She also starred with Sam Shepard in Wim Wenders' 2004 film Don't Come Knockin'. Lange co-starred with Bill Murray and Frances Conroy in 2005's psychological drama Broken Flower in the role of a pet analyst whose outward eccentricity belies a deep inner strength. In 2011, Lange won praise from fans and critics alike for her portrait of Constance, a steely, yet deeply damaged widow in the FX hit American Horror Story. She reprised the role for the show's 2nd season in 2012.

Trivia: California native Patrick Muldoon began his acting career in the early '90s, appearing in several episodes of the teen sitcom Saved by the Bell. He soon scored another recurring role on the night-time soap Melrose Place, which he stayed with until 1996, as well as a part on the daytime drama Days of Our Lives (1992-1995). He would continue to rack up an impressive list of movie appearances including Starship Troopers, Stigmata, Whacked!, and Ice Spiders.

Trivia: Joined a drama class when she was young, which gave her a way to connect with her classmates.Started her acting career working in films and television in her home country of Portugal.To get the role of Ratcatcher 2 in The Suicide Squad (2021), she first sent a self-tape from Portugal, and then was asked to fly to Atlanta for a screen test and audition with real-life rats.Wasn't familiar with the DC universe before getting cast as Ratcatcher 2 in The Suicide Squad (2021).Made her English-language debut in the film The Suicide Squad (2021).Worked with real-life rats while filming The Suicide Squad (2021).

Trivia: Intimidation often looms large for a legendary director's son who wishes to follow in the footsteps of his famous parent; perhaps for this reason, more than a few opt to establish themselves in another field. For Danny Huston, however -- the scion of mythically revered, Academy Award-winning filmmaker John Huston -- it wasn't at all a question of intimidation, merely one of circumstance. After pursuing directorial work fervently and dauntlessly, but encountering mixed success and frustration about his own inability to get studio backing for projects, Danny Huston found himself being drawn, one assignment at a time, into bit roles before the camera. In the process, Huston inadvertently launched himself as one of the most respected character actors of the late 20th and early 21st centuries.Born May 14, 1962, in Rome, as the illegitimate child of John Huston and European actress Zoe Sallis (during the former's separation from his then-wife, the late Ricki Soma), Daniel Huston came of age in Ireland and London. He studied art and cinema as a young adult, often spending a considerable amount of time on his father's movie sets, and honed his skills in his early twenties not in the arena of directing (as might be expected), but in that of painting.Danny Huston's directorial assignments began inconspicuously, at the age of 24, with the 1987 made-for-television comic fantasies Bigfoot and Mr. Corbett's Ghost (the second of which featured John Huston in the cast). The elder Huston -- then riding on the tails of his mid-'80s comeback with Under the Volcano and Prizzi's Honor -- engineered Danny's premier A-list feature. For it, Danny signed to helm a cinematization of Thornton Wilder's picaresque fantasy novel Theophilus North, co-adapted by John Huston, Prizzi's Honor scribe Janet Roach, and James Costigan. The Hustons assembled a dream cast: Anthony Edwards, Lauren Bacall, Harry Dean Stanton, Mary Stuart Masterson, Anjelica Huston (Danny's half-sister), David Warner, and Virginia Madsen, who dated and then married Danny in the fall of 1989. Robert Mitchum replaced John Huston in a key role when he died during production. Mr. North stars Edwards as the title character, a Yale graduate who wheedles his way into the upper crust of Newport, RI, in 1926, thanks to an inherent surge of electricity in his body that enables him to relieve the ailments of locals and thus charm them irrepressibly.Unfortunately, Mr. North -- which took its stateside bows in early August 1988 -- received tepid and lackluster reviews. Perhaps for this reason, Huston found it difficult to lock down a follow-up. Within a decade, the assignments were few and far between, and he occasionally found himself directing embarrassing fare like the 1995 direct-to-video horror exploitationer The Maddening (where psychotic marrieds Burt Reynolds and Angie Dickinson trap a poor woman and her daughter in their home and torture them systematically), and waiting, ever so patiently, for additional projects to take shape. Huston's personal life also decrescendoed during the early '90s, given his separation and divorce from Madsen. With no other immediate options visible to him, Huston started accepting Hollywood friends' invitations to play on-camera bit roles -- and scored tremendous success in this arena to rival anything prior in his career. He debuted as a bartender in Mike Figgis' late-1995 critical smash Leaving Las Vegas, then followed it up with turns in such cause célèbres as Timecode (2000), 21 Grams (2003), Silver City (2004), and The Aviator (2004). Huston was particularly memorable as British agent Sandy Woodrow in Fernando Mereilles' The Constant Gardener (2005), and as sociopath Arthur Burns in John Hillcoat's ultraviolent Western The Proposition (2005). He would go on to appear in films like Robin Hood, Stolen, and on the series Magic City.

Trivia: Grew up in London and Nigeria. Modeled in London and Milan before turning to acting (and after obtaining a master's degree in law); moved to the U.S. to pursue an acting career in 1994. Appeared in the music videos for EnVogue's "Giving Him Something He Can Feel" and Mary J. Blige's "Love No Limit." Nominated for NAACP Image Awards in the Best Supporting Actor: Drama Series category for his role in HBO's Oz in 1997 and 2000. The meaning of his name: "ade" (crown); "wale" (to come home); "akin" (warrior); "nuoye" (chief); "agbaje" (wealth, prosperity). Came up with the name of his Lost character, Mr. Eko, himself. Nickname is "Triple A."

Trivia: Scottish, versatile, and for a long time underappreciated, Alan Cumming is chameleon-like in both his choice of roles and his ability to inhabit them convincingly. Born January 27, 1965, in Perthshire, Scotland, Cumming studied drama at the Royal Scottish Academy of Music and Drama before embarking on a career that would have its roots on the stage. For years, Cumming worked steadily in the theater as a member of repertory companies, such as the Royal Shakespeare Company. In 1992 he had his film debut in the largely unheard of Prague, which was essentially a historical overview of the city. In 1994 American audiences were introduced to the sound of Cumming's voice thanks to his role as the narrator of Black Beauty, but it wasn't until 1995 (Cumming's other 1994 film, Second Best notwithstanding) that they actually saw him, this time via his small but memorable role as a Russian computer programmer in Goldeneye.Wider exposure followed, thanks to two successful films. The first, Circle of Friends (1995), featured Cumming as Minnie Driver's slimy, unwelcome suitor, and the second, 1996's Emma, saw Cumming playing yet another unwelcome suitor, this time to Gwyneth Paltrow. More sympathetic roles followed in For My Baby, Buddy, and Romy and Michele's High School Reunion (in which he played a sweetly awkward nerd with a crush on Lisa Kudrow), all released in 1997. Work in Spice World came next in 1998, as did the stage role that was to give Cumming critical acclaim, a host of awards, and the wider respect he deserved. That role was Cabaret's Emcee, and Cumming managed to make the character -- previously the sole territory of Joel Grey -- all his own, giving a wickedly delicious performance that was unabashedly dark, sly, androgynous, and altogether terrifying. His performance won him all three New York theater awards: a Tony, a Drama Desk, and an Outer Critics Circle. This triumph resulted in a new range of opportunities for the actor, one of which was the chance to be a part of what was to be Stanley Kubrick's last film, Eyes Wide Shut (1999). Although Cumming's role as a hotel desk clerk was a small one, the actor turned in a sly and insinuating performance that reflected his ability to make the most out of even the most limited opportunities.Cumming was subsequently given almost unlimited opportunities to showcase his flamboyance in Julie Taymor's Titus, her 1999 adaptation of Shakespeare's Titus Andronicus. In his role as the queen's (Jessica Lange) debauched lover, he gave a performance that was as over-the-top and rococo as the film itself, leading some critics to say his portrayal had a little too much in common with a Christmas ham.Fortunately, Cumming surprised critics and audiences alike when he directed, with Jennifer Jason Leigh, The Anniversary Party (2001), a marital comedy-drama that starred him and Leigh as a husband and wife whose anniversary party exposes the many flaws of their fragile marriage. Featuring a cast that included Kevin Kline, Phoebe Cates, Gwyneth Paltrow, John C. Reilly, and Jennifer Beals, the film, which was shot on digital video, earned a fairly warm reception from critics, many of whom praised Cumming for his work both behind and in front of the camera.Cumming took the part of the bad guy in the first Spy Kids movie, a role he would repeat in the film's first two sequels. He also played the evil corporate manipulator in Josie and the Pussycats. He appeared in the musical remake of Reefer Madness in 2004, and that same year voiced a cat in the live action Garfield the movie. He worked steadily in a variety of projects including Gray Matters, Eloise: Eloise in Hollywood, and Dare, but found his biggest critical success on the small screen as part of the cast in the highly-respected CBS drama The Good Wife which began its run in 2009.

Trivia: Colm Meaney is no stranger to the run down Barrytown district of Dublin depicted in The Commitments, The Snapper, and The Van, having grown up near the much mythologized neighborhood. The Dublin native began his acting career at the age of 14, eventually receiving formal training at Dublin's prestigious Abbey Theatre School of Acting and going on to join the Irish National Theatre Company. Meaney eventually graduated to the English stage, working in various London theaters, and then began to audition for television work, mainly landing bit parts in such TV shows as the cop drama Z Cars.Meaney moved to the U.S. in 1982, continuing to work mainly on the stage, but gradually made the transition into television and film playing small parts and guest roles on a variety of series. He was part of the cast of One Life to Live from 1986 to 1987, playing Patrick London, and then was hired for a bit part on Encounter at Farpoint, the pilot for the Star Trek: The Next Generation series. He was hired again for another part and then given the role of Chief Miles Edward O'Brien, and quickly went from being a bit player to an important member of the ensemble cast. The character was transferred to Star Trek: Deep Space Nine in the pilot for that series, and Meaney became a staple member of the show's cast.During his tenure on both Star Trek series, Meaney's motion picture career began to take off, as the bit parts he was given gradually became more substantial. Meaney made his greatest impact in smaller films like the so-called Barrytown Trilogy -- The Commitments (1991), in which he played the father of one of the band members; The Snapper (1993), in which he portrayed Dessie, who finds himself out of a job and suddenly a grandfather; and The Van (1996), which cast him as Larry, a layabout who manages to have a grand idea one day that results in his and a friend Bimbo starting a business out of a derelict vending van. Meaney was also notable in 1996's The Englishman Who Went Up a Hill But Came Down a Mountain: his Morgan the Goat, a randy Welsh pub owner with a flair for smart remarks, was an appropriate foil for the naive Englishman played by Hugh Grant. Meaney has continued to divide his time between the U.K. and the U.S., making particularly notable appearances in Paul Quinn's This Is My Father (1998), which cast him as the swishy son of an old gypsy woman; Lodge Kerrigan's Claire Dolan, in which he played a high-class pimp; Ted Demme's Monument Avenue (1998), which featured him as the bullying leader of a Boston gang; and Chapter Zero (2000), an independent comedy that cast Meaney as the cross-dressing father of a struggling writer.He continued to work steadily well into the 21st century in a variety of projects including Bitter Harvest, Intermission, Layer Cake, and Turning Green. He played soccer coach Don Revie in the sports drama The Damned United before playing the father of a strung-out rockstar in the comedy Get Him to the Greek. He appeared in Robert Redford's historical drama The Conspirator, as well as the period drama Bel Ami.