Trivia: One of Hollywood's most prominent strong, silent types, Kevin Costner was for several years the celluloid personification of the baseball industry, given his indelible mark with baseball-themed hits like Bull Durham, Field of Dreams, and For Love of the Game. His epic Western Dances with Wolves marked the first break from this trend and established Costner as a formidable directing talent to boot. Although several flops in the late '90s diminished his bankability, for many, Costner remained one of the industry's most enduring and endearing icons.A native of California, Costner was born January 18, 1955, in Lynnwood. While a marketing student at California State University in Fullerton, he became involved with community theater. Upon graduation in 1978, Costner took a marketing job that lasted all of 30 days before deciding to take a crack at acting. After an inauspicious 1974 film debut in the ultra-cheapie Sizzle Beach USA, Costner decided to take a more serious approach to acting. Venturing down the usual theater-workshop, multiple-audition route, the actor impressed casting directors who weren't really certain of how to use him. That may be one reason why Costner's big-studio debut in Night Shift (1982) consisted of little more than background decoration, and the same year's Frances featured the hapless young actor as an off-stage voice.Director Lawrence Kasdan liked Costner enough to cast him in the important role of the suicide victim who motivated the plot of The Big Chill (1983). Unfortunately, his flashback scenes were edited out of the movie, leaving all that was visible of the actor -- who had turned down Matthew Broderick's role in WarGames to take the part -- to be his dress suit, along with a fleeting glimpse of his hairline and hands as the undertaker prepared him for burial during the opening credits. Two years later, a guilt-ridden Kasdan chose Costner for a major part as a hell-raising gunfighter in the "retro" Western Silverado (1985), this time putting him in front of the camera for virtually the entire film. He also gained notice for the Diner-ish buddy road movie Fandango. The actor's big break came two years later as he burst onto the screen in two major films, No Way Out and The Untouchables; his growing popularity was further amplified with a brace of baseball films, released within months of one another. In Bull Durham (1988), the actor was taciturn minor-league ballplayer Crash Davis, and in the following year's Field of Dreams he was Ray Kinsella, a farmer who constructs a baseball diamond in his Iowa cornfield at the repeated urging of a voice that intones "if you build it, he will come."Riding high on the combined box-office success of these films, Costner was able to make his directing debut. With a small budget of 18 million dollars, he went off to the Black Hills of South Dakota to film the first Western epic that Hollywood had seen in years, a revisionist look at American Indian-white relationships titled Dances With Wolves (1990). The supposedly doomed project, in addition to being one of '90s biggest moneymakers, also took home a slew of Academy Awards, including statues for Best Picture and Best Director (usurping Martin Scorsese's Goodfellas).Costner's luck continued with the 1991 costume epic Robin Hood: Prince of Thieves; this, too, made money, though it seriously strained Costner's longtime friendship with the film's director, Kevin Reynolds. The same year, Costner had another hit -- and critical success -- on his hands with Oliver Stone's JFK. The next year's The Bodyguard, a film which teamed Costner with Whitney Houston, did so well at the box office that it seemed the actor could do no wrong. However, his next film, A Perfect World (1993), directed by Clint Eastwood and casting the actor against type as a half-psycho, half-benign prison escapee, was a major disappointment, even though Costner himself garnered some acclaim. Bad luck followed Perfect World in the form of another cast-against-type failure, the 1994 Western Wyatt Earp, which proved that Lawrence Kasdan could have his off days.Adding insult to injury, Costner's 1995 epic sci-fi adventure Waterworld received a whopping amount of negative publicity prior to opening due to its ballooning budget and bloated schedule; ultimately, its decent box office total in no way offset its cost. The following year, Costner was able to rebound somewhat with the romantic comedy Tin Cup, which was well-received by the critics and the public alike. Unfortunately, he opted to follow up this success with another large-scaled directorial effort, an epic filmization of author David Brin's The Postman. The 1997 film featured Costner as a Shakespeare-spouting drifter in a post-nuclear holocaust America whose efforts to reunite the country give him messianic qualities. Like Waterworld, The Postman received a critical drubbing and did poorly with audiences. Costner's reputation, now at an all-time low, received some resuscitation with the 1998 romantic drama Message in a Bottle, and later the same year he returned to the genre that loved him best with Sam Raimi's baseball drama For Love of the Game. A thoughtful reflection on the Cuban missile crisis provided the groundwork for the mid-level success Thirteen Days (2000), though Costner's next turn -- as a member of a group of Elvis impersonating casino bandits in 3000 Miles to Graceland -- drew harsh criticism, relegating it to a quick death at the box office. Though Costner's next effort was a more sentimental supernatural drama lamenting lost love, Dragonfly (2002) was dismissed by many as a cheap clone of The Sixth Sense and met an almost equally hasty fate.Costner fared better in 2003, and returned to directing, with Open Range, a Western co-starring himself and the iconic Robert Duvall -- while it was no Dances With Wolves in terms of mainstream popularity, it certainly received more positive feedback than The Postman or Waterworld. In 2004, Costner starred alongside Joan Allen in director Mike Binder's drama The Upside of Anger. That picture cast Allen as an unexpectedly single, upper-middle class woman who unexpectedly strikes up a romance with the boozy ex-baseball star who lives next door (Costner). Even if divided on the picture as a whole, critics unanimously praised the lead performances by Costner and Allen.After the thoroughly dispiriting (and critically drubbed) quasi-sequel to The Graduate, Rumor Has It..., Costner teamed up with Fugitive director Andrew Davis for the moderately successful 2006 Coast Guard thriller The Guardian, co-starring Ashton Kutcher and Hollywood ingenue Melissa Sagemiller.Costner then undertook another change-of-pace with one of his first psychological thrillers: 2007's Mr. Brooks, directed by Bruce A. Evans. Playing a psychotic criminal spurred on to macabre acts by his homicidal alter ego (William Hurt), Costner emerged from the critical- and box-office failure fairly unscathed. He came back swinging the following year with a starring role in the comedy Swing Vote, playing a small town slacker whose single vote is about to determine the outcome of a presidential election. Costner's usual everyman charm carried the movie, but soon he was back to his more somber side, starring in the recession-era drama The Company Men in 2010 alongside Chris Cooper and Tommy Lee Jones. As the 2010's rolled on, Costner's name appeared often in conjunction with the Quentin Tarantino film Django Unchained prior to filming, but scheduling conflicts would eventually prevent the actor from participating in the project. He instead signed on for the latest Superman reboot, playing Clark Kent's adoptive dad on Planet Earth in Man of Steel.

Trivia: With a mother who ran London's famed Lee Strasberg drama school -- and being the sort of knockout blonde beauty adored by the cameras -- it was not surprising that Sienna Miller eventually gravitated to an acting career. Born in New York to an American banker father and a mother who was always associated with the arts, young Miller received her primary education at the Heathfield School in Ascot, Surrey, before pursuing acting at New York's Lee Strasberg Institute. Her feature debut in the 2002 drama Joy Rider found the emerging actress caught in the middle of a heated love triangle, and after essaying a role in a BBC television drama Bedtime in 2001, Miller crossed the pond to appear on the stateside series Keen Eddie. Trading zingers with the series' lead Mark Valley, Miller played her character with just the sort of chemistry needed to make an action comedy series work. If subsequent roles in the films Layer Cake and Alfie weren't enough to get people talking about Miller, her sometime relationship with the latter film's star, Jude Law, certainly helped keep gossip columnists in business. In the years to come, Miller would remain a well known name primarily for her acting, appearing in several projects per year such as Factor Girl, The Edge of Love, and many more.

Trivia: Australian-born actor Sam Worthington got his first break in the Belvoir Street Theatre production Judas Kiss, shortly after graduating from Australia's National Institute of Dramatic Art. He eventually made the transition to the screen, appearing in the Australian movie Bootmen. Worthington earned small roles in other films such as Hart's War, and eventually won the lead in the drama Dirty Deeds opposite Toni Collette. He later earned a prominent role in the critically acclaimed Somersault, which won a slew of awards, including an AFI for Worthington in the category of Best Actor. In 2006, he joined many young men of the acting community in going up for the role of James Bond, and while the legendary part went to Daniel Craig, Worthington took the title role in a modern retelling of Shakespeare's Macbeth, garnering the 30-year-old actor a lot of attention. He caught the eye of director James Cameron, who cast Worthington as the lead in his sci-fi thriller Avatar. That film would become one of the biggest box-office successes in movie history and he would follow up that newfound celebrity with turns in another effects-laden extravaganza Clash of the Titans, as well as the indie drama Last Night. In 2012 he returned to the role of Perseus for Wrath of the Titans, and starred in the thriller Man on a Ledge. In 2013, he appeared in the Australian film Drift, followed by another Australian film, Paper Planes, in 2014. The following year, he appeared in Cake, opposite Jennifer Aniston, and in the disaster film Everest.

Trivia: A child actress who made her film debut as the star of Anjelica Huston's 1996 adaptation of Dorothy Allison's Bastard out of Carolina, Jena Malone has appeared in films ranging from Contact (1997), in which she played the younger version of Jodie Foster's character, to Stepmom (1998), which featured her as one of Susan Sarandon's children. A native of Lake Tahoe, Nevada, where she was born November 21, 1984, Malone was influenced to become an actress by her mother, who was active in community theatre. After persuading her mom to move to L.A., the aspiring actress began working in commercials and music videos. Following her debut in Bastard out of Carolina, she went on to do steady work, and in 2000, she starred in Christmas with J.D., which also featured Devon Sawa, Neve Campbell, and Christian Campbell. That same year, the young actress made headlines when she filed charges against her mother accusing her of squandering her earnings; the lawsuit resulted in Malone's legal emancipation from her mother, who was forbidden from interfering with her daughter's career and earnings. Coming out on the up side of the bitter family feud, Malone could next be seen in both the slightly surreal teen fantasy Donnie Darko and the bittersweet family drama Life as a House (both 2001). Following future appearances in The Dangerous Lives of Alter Boys and The United States of Leland (both 2002), Malone would announce her intentions of studying photography at a northern California community college in the fall of 2002. She had a key role in The Dangerous Lives of Altar Boys in 2002, and the next year had a cameo in Cold Mountain. In 2005 she was one of the younger sister in Joe Wright's Pride & Prejudice, and two years later she was the younger sister in Sean Penn's Into the Wild. She had a brief but memorable turn as the ex-girlfriend of a soldier in The Messenger, and in 2011 she was one of the kick-ass girls at the center of Sucker Punch. In 2012 she appeared in Hatfields & McCoys as one of the McCoy clan. In 2013, she joined the Hunger Games series as fan-favorite Johanna Mason, appearing in Catching Fire and Parts 1 and 2 of Mockingjay. Malone was cast as Barbara Gordon in Batman v Superman: Dawn of Justice (2016), but her scenes were ultimately cut in the editing room, and she only appeared in the home version of the film.

Trivia: Is of Oglala Lakota, Omaha and Navajo ancestry. Founded a screen-printing company, Tatanka Clothing, that aims to inspire cultural awareness. Was named Best Comedian by Albuquerque the Magazine in 2013. Received the Entrepreneur of the Year Award from the American Indian Business Leaders (AIBL). Performs stand-up comedy and is a member of a Native American comedy group, 49 Laughs.

Trivia: Met his wife, Daisy Foote, when they acted together in an adaptation of Lily Dale, a play written by her father, Horton Foote. Keeps bees as a hobby. Shot his role as a priest in John Carpenter's Vampires at the same time he was playing a vampire in Blade. Is a volunteer fireman.

Trivia: Born December 17, 1974, in Los Angeles, Giovanni Ribisi began his career in network television, with recurring and guest roles on a number of shows, including The Wonder Years. As a teenager, he was typecast for several years as a dimwitted slacker in films and on television, with a memorable guest spot in an episode of The X-Files and a recurring role as Lisa Kudrow's brother on Friends. Ribisi was eventually able to break the grunge mold, first with a secondary role in Tom Hanks' That Thing You Do! (1996) and then in Richard Linklater's SubUrbia (1997). It was his role in Steven Spielberg's Saving Private Ryan (1998) that caused many critics to dub him one of the leading actors of his generation, a status confirmed by his appearance on the cover of Vanity Fair with a number of fellow up-and-comers. Ribisi was given further opportunities to showcase his sleepy-eyed versatility in such films as 1999's The Mod Squad and The Other Sister. If Ribisi's best roles had been unfairly weighed down by an overabundance of commendable but little seen roles in the previous years, all this would change as the young actor began to focus increasingly on roles that were not only high quality, but high profile as well. His role in the high stakes 2000 drama The Boiler Room may have went largely unseen in theaters, but healthy word of mouth combined with an impressive cast of up and comers found the film an enduring shelf life on cable and DVD. After burning rubber in the fast and furious Nicolas Cage action thriller Gone in Sixty Seconds, Ribisi's memorable performance in director Sam Raimi's southern gothic flavored chiller The Gift preceded a touching turn in the affecting made-for-television drama Shot in the Heart. Ribisi's subsequent role as a conflicted police officer in the 2002 drama Heaven may have been a well-intended commentary on the state of crime and terrorism, but audiences largel dismissed the effort as pretentious tripe and the actor took a brief turn into blockbuster territory with Basic before a turn as an aloof, celebrity obsessed photogapher in director Sophia Coppola's art-house hit Lost in Translation. If his turn as a celebrity who turns convention in its head by stalking a fan in I Love Your Work didn't strike home with viewers, an appearance in the same year's Cold Mountain offered him the chance to flex his dramatic skills alongside an impressive cast that included Jude Law and Nicole Kidman. Of course Ribisi never was one to be predictable with his choice of roles, and following the romantic comedy Love's Brother he essayed a supporting role in the 2004 sci-fi thriller Sky Captain and The World of Tomorrow. A handful of largely forgettable roles followed, and on the heels of recurring television roles in My Name is Earn and Entourage, Ribisi dove back into sci-fi with a role as villainous Chief Administrator Parker Selfridge in James Cameron's phenominally successful Avatar. And if Ribisi's performace in that film failed to make your skin crawl, his turn as a psychotic, heavily-tattooed drug dealer in the fast paced 2012 action thriller Contraband was sure to do the trick. He continued his villainous run as a stalker in the surprise hit film Ted (2012). Ribisi later re-teamed with his Ted director, Seth MacFarlane, in 2014's A Million Ways to Die in the West. He also appeared in the Oscar-nominated film Selma that same year.

Trivia: Intimidation often looms large for a legendary director's son who wishes to follow in the footsteps of his famous parent; perhaps for this reason, more than a few opt to establish themselves in another field. For Danny Huston, however -- the scion of mythically revered, Academy Award-winning filmmaker John Huston -- it wasn't at all a question of intimidation, merely one of circumstance. After pursuing directorial work fervently and dauntlessly, but encountering mixed success and frustration about his own inability to get studio backing for projects, Danny Huston found himself being drawn, one assignment at a time, into bit roles before the camera. In the process, Huston inadvertently launched himself as one of the most respected character actors of the late 20th and early 21st centuries.Born May 14, 1962, in Rome, as the illegitimate child of John Huston and European actress Zoe Sallis (during the former's separation from his then-wife, the late Ricki Soma), Daniel Huston came of age in Ireland and London. He studied art and cinema as a young adult, often spending a considerable amount of time on his father's movie sets, and honed his skills in his early twenties not in the arena of directing (as might be expected), but in that of painting.Danny Huston's directorial assignments began inconspicuously, at the age of 24, with the 1987 made-for-television comic fantasies Bigfoot and Mr. Corbett's Ghost (the second of which featured John Huston in the cast). The elder Huston -- then riding on the tails of his mid-'80s comeback with Under the Volcano and Prizzi's Honor -- engineered Danny's premier A-list feature. For it, Danny signed to helm a cinematization of Thornton Wilder's picaresque fantasy novel Theophilus North, co-adapted by John Huston, Prizzi's Honor scribe Janet Roach, and James Costigan. The Hustons assembled a dream cast: Anthony Edwards, Lauren Bacall, Harry Dean Stanton, Mary Stuart Masterson, Anjelica Huston (Danny's half-sister), David Warner, and Virginia Madsen, who dated and then married Danny in the fall of 1989. Robert Mitchum replaced John Huston in a key role when he died during production. Mr. North stars Edwards as the title character, a Yale graduate who wheedles his way into the upper crust of Newport, RI, in 1926, thanks to an inherent surge of electricity in his body that enables him to relieve the ailments of locals and thus charm them irrepressibly.Unfortunately, Mr. North -- which took its stateside bows in early August 1988 -- received tepid and lackluster reviews. Perhaps for this reason, Huston found it difficult to lock down a follow-up. Within a decade, the assignments were few and far between, and he occasionally found himself directing embarrassing fare like the 1995 direct-to-video horror exploitationer The Maddening (where psychotic marrieds Burt Reynolds and Angie Dickinson trap a poor woman and her daughter in their home and torture them systematically), and waiting, ever so patiently, for additional projects to take shape. Huston's personal life also decrescendoed during the early '90s, given his separation and divorce from Madsen. With no other immediate options visible to him, Huston started accepting Hollywood friends' invitations to play on-camera bit roles -- and scored tremendous success in this arena to rival anything prior in his career. He debuted as a bartender in Mike Figgis' late-1995 critical smash Leaving Las Vegas, then followed it up with turns in such cause célèbres as Timecode (2000), 21 Grams (2003), Silver City (2004), and The Aviator (2004). Huston was particularly memorable as British agent Sandy Woodrow in Fernando Mereilles' The Constant Gardener (2005), and as sociopath Arthur Burns in John Hillcoat's ultraviolent Western The Proposition (2005). He would go on to appear in films like Robin Hood, Stolen, and on the series Magic City.

Trivia: Wrote, directed and starred in the award-winning 2007 short film Centigrade. Has directed several music videos. Nominated for no less than 12 Leo Awards, a gala for the British Columbia film and television industry; nominated for two Gemini Awards in 2011. Plays tenor saxophone.

Trivia: Played basketball in high school.Discovered his passion for acting after enrolling in a high school play.Met James Franco after a show at the Stella Adler Academy of Acting and Theatre, and had remained good friends and collaborated in many projects since then.In order to prepare himself for his role in Child of God, he had to stay in an isolated cabin in the woods in Tennessee for months. In 2006, he founded The Sherry Theater in North Hollywood, California. It was named after his mother. Created the Rattlestick West theater company along with fellow actor James Franco.

Trivia: Started acting because it was the only thing that interested him in school. Screen tested for the role of Hannibal Lecter in Hannibal Rising. Starred in the sold-out revival of Journey's End, directed by David Grindley, in London's West End in 2005. Cast as Henry in Shrieks of Laughter at the Soho Theatre in London in 2006. Named one of the Stars of Tomorrow by Screen International in 2007.

Trivia: Played for Richmond and Hawthorn in the Victorian Football League while growing up in Melbourne, Australia.Was the 2004 winner of the Girlfriend Model Search title in Australia.Has had a prolific career as a model, working with Calvin Klein, Chanel, Mulberry, D&G, Gap, H&M, Donna Karan, Fendi, Victoria's Secret PINK, Gucci, Versace, among several others.Made her major film debut starring at The Dag in the 2015 action thriller Mad Max: Fury Road alongside Charlize Theron and Tom Hardy.Frequently draws and uses oil pastels for abstract paintings.

Trivia: Raised in Chicago by his divorced mother, Michael Rooker lived a hand-to-mouth existence until his teens. Rooker successfully auditioned for the Goodman School, and upon graduation, appeared in Chicago-area stage productions. He made a spectacular film debut in the sociopathic title role of Henry: Portrait of a Serial Killer, which was filmed in 1986 but not given a general release until four years later. Henry established Rooker as a gifted purveyor of "don't screw with me" roles, such as chief "Black Sox" conspirator Chick Gandil in Eight Men Out (1988). Michael Rooker's more rugged film assignments of the 1990s included Cliffhanger (1993) and Tombstone (1994).

Trivia: Actor Will Patton successfully divides his time between mainstream and independent features, television films, and a stage career on and off-Broadway. Born and raised in North Carolina, the son of a Lutheran minister, Patton learned his craft at the North Carolina School of the Arts and at New York's Actor's Studio where he studied under Lee Strasberg. In addition, Patton studied at the Open Theater under Joseph Chaikin before making it to the New York stage. Patton has won two Obie Awards for Tourists and Refugees No. 2 and for Sam Shepard's Fool for Love. Patton also has had experience working at London's Royal Court Theatre. Upon his return to New York, Patton joined the experimental Winter Project troupe. During the 1970s, Patton performed in two soap operas, Search for Tomorrow and Ryan's Hope. Patton first appeared on film in the short underground film Minus Zero(1979). During the early '80s, Patton appeared in such New York-based independent films as Michael Oblowitz's King Blank and Variety (both 1983). After playing a small but important villainous role in Susan Seidelman's Desperately Seeking Susan (1985), Patton was cast in his first big-budget film, Martin Scorsese's After Hours (1985), where he played a brutish boyfriend with a thing for leather and chains. His best portrayal of a villain can be found in the Gene Hackman-starring thriller No Way Out (1987). In the '90s he could be seen in The Rapture, In the Soup, Romeo Is Bleeding, Copycat, the infamous Kevin Costner project The Postman, and the Michael Bay blockbuster Armageddon. At the beginning of the 21st century Patton continued to remain busy with major roles in Remember the Titans, Gone in 60 Seconds, The Mothman Prophecies, and The Punisher, as well as smaller roles in diverse films like Into the West, Wendy and Lucy, Meek's Cutoff, and Brooklyn's Finest.

Trivia: Had some acting experience as a child, but decided to commit to the profession full-time after seeing American Beauty (1999) at 14. Before landing his breakout role on Big Love in 2006, had a guest spot on an episode of Everwood, which starred his brother Gregory. Mother is a piano and voice coach; father is a movie producer. Plays guitar and keyboards and sings with the band his Orchestra, as well as a side project with actor Ashton Lunceford called Alaskan Summer. his Orchestra's music has been featured in the ABC Family sitcom Roommates, Planet Green's Alter Eco, Lifetime's Rita Rocks and in an antipiracy public-service announcement by the American Association of Independent Music.

Trivia: Studied piano and saxophone when he was a teen.Has training from the Ernie McClintock's Jazz Actors Theatre and Negro Ensemble Company Actors Training Workshop.Made his television debut in the 1994 episode "Bop Gun" of the series Homicide: Life on the Street, playing Kid Funkadelic / Marvin.Is an avid fan of the Pittsburgh Steelers.Volunteers with Kids In The Spotlight (KITS), a non-profit organization founded by his wife, Tige Charity.