Trivia: Though perhaps best-known internationally for playing tough-guy roles in Romper Stomper (1993), L.A. Confidential (1997), and Gladiator (2000), New Zealand-born actor Russell Crowe has proven himself equally capable of playing gentler roles in films such as Proof (1991) and The Sum of Us (1992). No matter what kind of characters he plays, Crowe's weather-beaten handsomeness and gruff charisma combine to make him constantly watchable: his one-time Hollywood mentor Sharon Stone has called him "the sexiest guy working in movies today."Born in Wellington, New Zealand, on April 7, 1964, Crowe was raised in Australia from the age of four. His parents made their living by catering movie shoots, and often brought Crowe with them to work; it was while hanging around the various sets that he developed a passion for acting. After making his professional debut in an episode of the television series Spyforce when he was six, Crowe took a 12-year break from professional acting, netting his next gig when he was 18. In film, he had his first major roles in such dramas as The Crossing (1990) and Jocelyn Moorhouse's widely praised Proof (1991) (for which he won an Australian Film Institute award). He then went on to gain international recognition for his intense, multi-layered portrayal of a Melbourne skinhead in Geoffrey Wright's controversial Romper Stomper (1992), winning another AFI award, as well as an Australian Film Critics award. It was Sharon Stone who helped bring Crowe to Hollywood to play a gunfighter-turned-preacher opposite her in Sam Raimi's The Quick and the Dead (1995). Though the film was not a huge box-office success, it did open Hollywood doors for Crowe, who subsequently split his time between the U.S. and Australia. In 1997, the actor had his largest success to date playing volatile cop Bud White in Curtis Hanson's L.A. Confidential (1997). Following the praise surrounding both the film and his performance in it, Crowe found himself working steadily in Hollywood, starring in two films released in 1999: Mystery, Alaska and The Insider. In the latter, he gave an Oscar-nominated lead performance as Jeffrey Wigand, a real-life tobacco industry employee whose personal life was dragged through the mud when he chose to blow the whistle on his former company's questionable business practices.In 2000, however, Crowe finally crossed over into the public's consciousness with, literally, a tour de force performance in Ridley Scott's glossy Roman epic Gladiator. The Dreamworks/Universal co-production was a major gamble from the outset, devoting more than 100 million dollars to an unfinished script (involving the efforts of at least half a dozen writers), an untested star (stepping into a role originally intended for Mel Gibson), and an all-but-dead genre (the sword-and-sandals adventure). Thanks to an aggressive marketing campaign and mostly positive notices, however, the public turned out in droves the first weekend of the film's release, and kept coming back long into the summer for Gladiator's potent blend of action, grandeur, and melodrama -- all anchored by Crowe's passionate man-of-few-words performance.Anticipation was high, then, for the actor's second 2000 showing, the hostage drama Proof of Life. Despite -- or perhaps because of -- the widely publicized affair between Crowe and his co-star Meg Ryan, the film failed to generate much heat during the holiday box-office season, and attention turned once again to the actor's star-making role some six months prior. In an Oscar year devoid of conventionally spectacular epics, Gladiator netted 12 nominations in February 2001, including one for its lead performer. While many wags viewed the film's eventual Best Picture victory as a fluke, the same could not be said for Crowe's Best Actor victory: nudging past such stiff competition as Tom Hanks and Ed Harris, Crowe finally nabbed a statue, affirming for Hollywood the talent that critics had first noticed almost ten years earlier.Crowe's 2001 role as real-life Nobel Prize-winning schizophrenic mathematician John Forbes Nash Jr. brought the actor back into the Oscar arena. The film vaulted past the 100-million-dollar mark as it took home Golden Globes for Best Picture, Supporting Actress, Screenplay, and Actor and racked up eight Oscar nominations, including a Best Actor nod for Crowe. The film cemented Crowe as a top-tier leading man, and he would spend the following years proving this again and again, with landmark roles in Master and Commander: The Far Side of the World, Cinderella Man, A Good Year, 3:10 to Yuma, Robin Hood, and State of Play.

Trivia: With her regal and elegant visage, Aussie actress Cate Blanchett broke through the mob of aspiring actors and instantly ascended the ranks to Hollywood stardom with her Academy Award-nominated turn as Elizabeth I in Shekhar Kapur's Elizabeth (1998). Her concomitantly poignant and fierce portrayal won admiration from critics and filmgoers, but she had maintained a low enough profile in years prior (and her celebrity materialized so quickly) that the Elizabeth triumph appeared to pull the heretofore unseen actress from out of thin air and caught just about everyone off guard. Born in Melbourne on May 14, 1969, Catherine Elise Blanchett entered the world as the daughter of an Australian mother and a Texas-born American father, with two siblings. Her dad died of a heart attack when she was ten; her mother subsequently raised her. Blanchett studied economics and fine art at the University of Melbourne, but -- reeling from ennui and dissatisfaction -- she set off in search of an alternate vocation and traveled for a period of time, perhaps in search of herself. Blanchett ultimately landed in Egypt, where a chance bit part in an Arabic boxing film introduced her to a newfound love of acting. Taking this as a firm cue, Blanchett harkened back to Sydney, where she enrolled in (and ultimately graduated from) the highly esteemed National Academy of Dramatic Art. Blanchett later joined the Sydney Theatre Company, where she earned positive notices in a production of Caryl Churchill's Top Girls. A subsequent role in Timothy Daley's musical Kafka Dances won Blanchett a 1993 New Comer Award from the Sydney Theatre Critics Circle, an honor doubled that same year when she gleaned a Rosemont Best Actress Award for her performance opposite future Elizabeth co-star Geoffrey Rush in David Mamet's Oleanna. The considerable prestige that accompanied these theatrical triumphs led Blanchett to the small screen, where she appeared in various programs for the Australian Broadcasting Corporation, including the drama Heartland and the cop series Police Rescue. Her television performances caught the attention of director Bruce Beresford, who cast her in his 1997 POW drama Paradise Road as a shy Australian nurse, opposite Glenn Close and Frances McDormand. 1997 proved to be a busy year as it also found her staring in the comedy Thank God He Met Lizzie, for which she netted an Australian Film Institute Best Actress Award. By the end of the year she had an even bigger event than any successful acting gigs as she was married in December to British film technician Andrew Upton. With the considerable amount of praise and recognition Blanchett was receiving in her native country and a partner in her personal life to share it with, it was only a matter of time and opportunity before she became known to a wider audience. Her opportunity arrived that very same year, with her role in Gillian Armstrong's adaptation of Peter Carey's novel Oscar and Lucinda. Opposite Ralph Fiennes, Blanchett won almost uniform praise for her performance in a tepidly received film. Blanchett came first-billed in the following year's Elizabeth. The film drew swift and unequivocal praise, and Blanchett's portrayal of the queen turned her into Los Angeles' newest cause célèbre. A plethora of awards greeted Kapur's feature and Blanchett's performance, including a Best Actress Academy Award nomination and eight additional Oscar nods. The actress won a Golden Globe and British Academy Award, in addition to a host of critics' circle awards. With that experience under her belt, Blanchett starred opposite Angelina Jolie, John Cusack, and Billy Bob Thornton in the Mike Newell comedy Pushing Tin (1999). Although the film dive-bombed at the box office, critics singled out Blanchett's fine performance as a Long Island housewife. The same year, she played another domestic, albeit one of an entirely different stripe, in Oliver Parker's adaptation of Oscar Wilde's An Ideal Husband. Despite a uniformly strong cast including Jeremy Northam, Rupert Everett, and Julianne Moore, the film divided critics, although Blanchett herself again earned favorable notices.Blanchett maintained a busy schedule after the Newell project, appearing in a plethora films throughout the early 2000s. She joined Johnny Depp and Christina Ricci with her role as a kindhearted albeit materialistic showgirl in The Man Who Cried, then starred as a fortune-teller who holds the key to a mysterious murder in director Sam Raimi's The Gift, an unwitting accomplice in the crime comedy Bandits, a British schoolteacher in Tom Tykwer's Kieslowski update Heaven, and Galadriel, Queen of Lothlórien, in Peter Jackson's Lord of the Rings trilogy. Blanchett also appeared in 2001's The Shipping News (as Petal) and director Gillian Armstrong's Charlotte Gray as the title character. That same year, she gave birth to her first son, Dashiell John.Blanchett's appeared as ill-fated Irish journalist Veronica Guerin in director Joel Schumacher and producer Jerry Bruckheimer's eponymously titled 2003 biopic. The film drew very mixed reviews and died a quick death in cinemas during its late-autumn run, but those reviewers who did respond favorably again singled out the actress' stunning interpretation of the role. The following year, Blanchett appeared in Wes Anderson's quirky film The Life Aquatic with Steve Zissou alongside Bill Murray and Owen Wilson. Blanchett wore a prosthetic belly in the film for her role as a seven months pregnant journalist and, interestingly enough, she later found that she was actually pregnant during filming. She gave birth to her second son, Roman Robert, later that same year. First, however, she effortlessly lit up the screen with a performance as film legend Katharine Hepburn in director Martin Scorsese's lavish Howard Hughes epic The Aviator. If The Aviator's Best Picture loss to Million Dollar Baby proved somewhat disappointing to Scorsese fans when the Oscars were handed out, Blanchett landed her greatest triumph that evening: she won the Best Supporting Actress award for her turn as Hepburn. Perhaps despairing the paucity of solid scripts in Hollywood, Blanchett went global after the Scorsese affair. She returned to her native Australia for a low-key follow-up, Rowan Woods' harrowing and skillful Little Fish (2005). 2006's multi-national production Babel, directed by Alejandro González Iñárritu, won the Best Director Award at Cannes; one of the narrative strands in its array of subplots featured Blanchett and Brad Pitt as husband and wife, grieving over the death of a child, and thrust into a desperate situation. Babel turned out to be a major critical success, as did another film Blanchett appeared in that same year, Notes on a Scandal. In the film, Blanchett played a mother and schoolteacher who becomes deeply embroiled in a maze of power and deception when she betrays her job and family by carrying on an affair with a student. The tautly suspenseful and intimate film also starred Judi Dench as Blanchett's friend and confidant, who soon becomes a source of emotional blackmail. The actresses were each praised for their performances, and each received both Golden Globe and Oscar nominations for their work in the film. Blanchett went on to play Lena Brandt in The Good German, Steven Soderbergh and Paul Attanasio's tale of a man (George Clooney) searching for his former mistress (Blanchett) in post-WWII Berlin. She also signed on for Poison helmer Todd Haynes' I'm Not There: Suppositions on a Film Concerning Dylan, slated for release in 2007. The eccentric bio of the pop singer co-starred Richard Gere, Julianne Moore, Adrien Brody, and Charlotte Gainsbourg with numerous varied performers playing the musician in different sequences. Also set for release in 2007 was Blanchett's return to one of her greatest triumphs as Elizabeth I in The Golden Age, Shekhar Kapur's sequel to his 1998 arthouse hit Elizabeth, which would take place later in the Virgin Queen's reign. Geoffrey Rush agreed to reprise his role as Sir Francis Walsingham, and the film would also feature Clive Owen as Sir Walter Raleigh, establisher of the first New World colony and controversial figure of the Elizabethan court. Blanchett also agreed to join the cast of the David Fincher-directed fantasy The Curious Case of Benjamin Button -- a critically acclaimed hit of 2008 -- before moving on to play a nefarious baddie in the unique thriller Hanna in 2012. Soon, the actress was reprising the role of elvin queen Galadriel for the Lord of the Rings prequel, The Hobbit. In 2013, she won her second Academy Award, this time for Lead Actress, for her portrayal of an unhinged socialite in Woody Allen's Blue Jasmine. In 2015, Blanchett played the evil stepmother in the live-action version of Cinderella, took on a supporting role in Terrence Malick's Knight of Cups and earned her seventh Oscar nomination for Todd Haynes' Carol.

Trivia: Standing over six feet-four inches tall, the bony Swedish actor Max von Sydow spent much of his acting career portraying stern, oppressive characters. Born to a family of academics in Lund, Sweden, von Sydow studied at the Royal Dramatic School in Stockholm, where he made his screen debut in Only a Mother and married his first wife, actress Christina Olin. In 1956, he moved to Malmö and met director Ingmar Bergman at the Malmo Municipal Theatre. After starring in The Seventh Seal, von Sydow went on to star in more than a dozen films with Bergman, including Wild Strawberries, Virgin Spring, Through a Glass Darkly, and Winter Light. He worked almost exclusively with Bergman's acting company until 1965, when he took the role as Jesus in George Stevens' epic The Greatest Story Ever Told. This part opened the door to American films, where he was often typecast in strong, humorless roles, like the rigid missionary Abner Hale in Hawaii. In the '70s, he went back to Sweden to work with Bergman in four more films and appeared opposite frequent co-star Liv Ullmann in Jan Troell's two-part saga The Emigrants and The New Land. It wasn't until 1973 that he made his first big Hollywood blockbuster with the role of Father Merrin The Exorcist, which he reprised in Exorcist II: The Heretic. Moving to Rome in the '80s, von Sydow had a fun role as Ming the Merciless in Flash Gordon, played Barbara Hershey's intense artist boyfriend in Hannah and Her Sisters, and received his first Oscar nomination and numerous other awards for his work in Pelle the Conqueror (1988). After making his directorial debut with Katinka, he worked in several theater projects and a couple of biblical TV miniseries (Sampson & Delilah and Quo Vadis). It was during this time that he was cast as the devil in the Stephen King film adaptation Needful Things, marking von Sydow as the only actor to play both God and Satan. He also appeared in Judge Dredd and Wim Wenders' Until the End of the World. He continued acting sporadically in Hollywood for What Dreams May Come and Snow Falling on Cedars. Moving on to the international circuit, he appeared in Intacto (Spain), Vercingetorix (France), and Non ho Sonno (Italy). In 2002, he co-starred with Tom Cruise for the Steven Spielberg blockbuster Minority Report.He continued to work steadily throughout the decade in projects as diverse as Rush Hour 3, The Diving Bell and the Butterfly, and Shutter Island. Coming nearly sixty years after his earliest film work, Extremely Loud and Incredibly Close earned the venerable actor his second Oscar nomination - a Best Supporting Actor nod for his portrayal of a mute grandfather.

Trivia: One of the top leading men of the '80s, William Hurt, born March 20th, 1950, is notable for his intensity and effective portrayals of complex characters. Although born in Washington, D.C., Hurt had already seen much of the world by the time he was grown, as his father worked for the State Department. His early years spent in the South Pacific near Guam, Hurt moved to Manhattan with his mother after his parents divorced when he was six years old. He spent the summers with his father, vacationing in a variety of international locales, including Sudan. At the age of ten, Hurt's life again changed dramatically when he became a stepson to Henry Luce III, the heir to the Time-Life empire. His mother's second marriage indirectly led to Hurt's initial involvement with the theater: sent away to a boarding school in Massachusetts, he found comfort in acting.After going on to Tufts University to study theology for three years at his stepfather's urging, Hurt married aspiring actress Mary Beth Supinger and followed her to London to study drama. Upon their return to the U.S., Hurt studied drama at Juilliard. By this time, under the realization that his marriage was failing, Hurt divorced his wife, got a motorcycle, and headed cross country for the Shakespeare festival in Ashland, OR, where he made his professional debut in a production of Hamlet. He later joined New York's Circle Repertory Company, and went on to receive critical acclaim for his work on the New York stage.Hurt made his feature film debut in Ken Russell's Altered States in 1980, but it was not until he appeared opposite Kathleen Turner in Body Heat (1981) that he became a star and sex symbol. Four years later, he won Best Actor Oscar and British Academy awards as well as a similar honor at Cannes for his sensitive portrayal of a gay prisoner in Kiss of the Spider Woman (1985). He was again nominated for a Best Actor Oscar for his two subsequent films, Children of a Lesser God (1986) and Broadcast News (1987). Further success followed in 1988 when he starred in The Accidental Tourist.As bright as his star shone on stage and screen, by the end of the '80s, a darker side of Hurt was exposed when he was sued by his former live-in love and mother of his daughter Alex, ballet dancer Sandra Jennings, who claimed to be his common-law wife. Despite his personal problems, Hurt continued to stay relatively busy, beginning the new decade with a fine turn in Wim Wenders' Until the End of the World (1991). He subsequently appeared in such acclaimed films as Smoke (1995), Jane Eyre (1996), One True Thing (1998), and Dark City (1998). In 1998, Hurt appeared as the patriarch of one of televisions most beloved sci-fi families in the big-budgeted remake of Lost in Space, and as a gubernatorial candidate with a shadowy past in George Hickenlooper's political drama The Big Brass Ring (1999).Still alternating between stage and screen into the new millennium, Hurt stuck mainly to the small screen in the next few years. After lending his voice to the animated portrayal of the life of Jesus Christ in The Miracle Maker, appearing in the mini-series Dune, and taking the title role of The Contaminated Man in 2000, Hurt returned to features with his role in director Steven Spielberg's long anticipated (post-mortem) collaboration with the late Stanley Kubrick, A.I. As the well-intending scientist who sets the story of an artificial boy capable of learning and love into motion, Hurt's character seemed to provide the antithesis of the regressive experiments his previous character had flirted with in Altered States.Hurt played a supporting role in Changing Lanes (2002), an thought-provoking thriller following two very different New York City residents whose lives fatefully intersect following a car accident, and again in the political thriller Syriana, which would go on to win the Academy Award for Best Picture in 2005. The actor was praised the same year for his work as a supporting character in David Cronenberg's A History of Violence. In 2007, Hurt starred as the murderous alter ego of a businessman in Mr. Brooks, and co-starred with Matthew Fox, Forest Whitaker, and Dennis Quaid for the political thriller Vantage Point (2008). Hurt stars as an ex-con looking to start over for The Yellow Handkerchief (2008), and Gen. Thaddeus "Thunderbolt" Ross, Bruce Banner's nemesis, in The Incredible Hulk (2008).In 2009, Hurt reunited with Vantage Point director Pete Travis for the historical thriller Endgame, for which he played the leading role of philosophy Professor Willie Esterhuyse, an essential member of a team dedicated to securing the release of Nelson Mandela. Director Julie Gavras' 2011 romantic comedy found Hurt starring alongside the legendary Isabella Rossallini. Hurt is slated to work in the The Host, a dystopian thriller adapted from a novel from author Stephanie Meyers, in 2013.

Trivia: With a handsome visage, but also slightly gaunt and stark features that could suggest menace or intensity at the drop of a hat, raven-haired Englishman Mark Strong essayed a long and surprisingly diverse list of character roles throughout the 1990s and 2000s; many played perfectly off of these physical attributes. Early in his career, Strong remained almost exclusively in Britain, for such efforts as Captives (1994) , Sharpe's Mission (1996), Emma (1997), and Fever Pitch (1997). In time, however, the actor went transcontinental, turning up in fare as diverse as the István Szabó epic drama Sunshine (1999) and American indie helmer Mike Figgis' 2001 Hotel -- thus showcasing his own versatility. Strong's role choice during this period also suggested a strong predilection for cinematizations of classics, from Henry VIII (2003) to Tristan & Isolde (2005). He gained heightened recognition among U.S. audiences (particularly young viewers) in 2007, when he played Septimus, the one of the many heirs to the throne of Stormhold, in Matthew Vaughn's wondrous fantasy Stardust.

Trivia: After his portrayal of Joseph, the father of Jesus, in New Line Cinema's holiday release The Nativity Story (2006), Guatemalan actor Oscar Isaac also appeared in Scott Z. Burns' made-for-HBO crime thriller The Half Life of Timofey Berezin (2007). His career would kick into high gear after taking a small role as an interpreter in Guerilla (2008), a biopic of Che Guevara. In 2009, Isaac's role as José Ramos-Horta in the drama Balibo earned in an award for Best Supporting Actor from the Australian Film Institute. He co-starred with Rachel Weisz in award-winning director Alejandro Amenábar's Agora (2009), a historical drama in which the actor played the student of a female mathematician in the late 4th century. Isaac portrayed King John in director Ridley Scott's 2010 retelling of Robin Hood, and went on to co-star with Albert Brooks and Ryan Gosling in the thriller Drive (2011).

Trivia: Intimidation often looms large for a legendary director's son who wishes to follow in the footsteps of his famous parent; perhaps for this reason, more than a few opt to establish themselves in another field. For Danny Huston, however -- the scion of mythically revered, Academy Award-winning filmmaker John Huston -- it wasn't at all a question of intimidation, merely one of circumstance. After pursuing directorial work fervently and dauntlessly, but encountering mixed success and frustration about his own inability to get studio backing for projects, Danny Huston found himself being drawn, one assignment at a time, into bit roles before the camera. In the process, Huston inadvertently launched himself as one of the most respected character actors of the late 20th and early 21st centuries.Born May 14, 1962, in Rome, as the illegitimate child of John Huston and European actress Zoe Sallis (during the former's separation from his then-wife, the late Ricki Soma), Daniel Huston came of age in Ireland and London. He studied art and cinema as a young adult, often spending a considerable amount of time on his father's movie sets, and honed his skills in his early twenties not in the arena of directing (as might be expected), but in that of painting.Danny Huston's directorial assignments began inconspicuously, at the age of 24, with the 1987 made-for-television comic fantasies Bigfoot and Mr. Corbett's Ghost (the second of which featured John Huston in the cast). The elder Huston -- then riding on the tails of his mid-'80s comeback with Under the Volcano and Prizzi's Honor -- engineered Danny's premier A-list feature. For it, Danny signed to helm a cinematization of Thornton Wilder's picaresque fantasy novel Theophilus North, co-adapted by John Huston, Prizzi's Honor scribe Janet Roach, and James Costigan. The Hustons assembled a dream cast: Anthony Edwards, Lauren Bacall, Harry Dean Stanton, Mary Stuart Masterson, Anjelica Huston (Danny's half-sister), David Warner, and Virginia Madsen, who dated and then married Danny in the fall of 1989. Robert Mitchum replaced John Huston in a key role when he died during production. Mr. North stars Edwards as the title character, a Yale graduate who wheedles his way into the upper crust of Newport, RI, in 1926, thanks to an inherent surge of electricity in his body that enables him to relieve the ailments of locals and thus charm them irrepressibly.Unfortunately, Mr. North -- which took its stateside bows in early August 1988 -- received tepid and lackluster reviews. Perhaps for this reason, Huston found it difficult to lock down a follow-up. Within a decade, the assignments were few and far between, and he occasionally found himself directing embarrassing fare like the 1995 direct-to-video horror exploitationer The Maddening (where psychotic marrieds Burt Reynolds and Angie Dickinson trap a poor woman and her daughter in their home and torture them systematically), and waiting, ever so patiently, for additional projects to take shape. Huston's personal life also decrescendoed during the early '90s, given his separation and divorce from Madsen. With no other immediate options visible to him, Huston started accepting Hollywood friends' invitations to play on-camera bit roles -- and scored tremendous success in this arena to rival anything prior in his career. He debuted as a bartender in Mike Figgis' late-1995 critical smash Leaving Las Vegas, then followed it up with turns in such cause célèbres as Timecode (2000), 21 Grams (2003), Silver City (2004), and The Aviator (2004). Huston was particularly memorable as British agent Sandy Woodrow in Fernando Mereilles' The Constant Gardener (2005), and as sociopath Arthur Burns in John Hillcoat's ultraviolent Western The Proposition (2005). He would go on to appear in films like Robin Hood, Stolen, and on the series Magic City.

Trivia: One of England's most renowned stage actresses, Eileen Atkins has been a staple of both the Royal Shakespeare Company and London's West End since the 1960s. She has also popped up occasionally on film and television, and she has made numerous contributions to both mediums as a scriptwriter, most notably for the acclaimed series Upstairs Downstairs and House of Eliott and the well-received screen adaptation of Virginia Woolf's Mrs. Dalloway.A product of London's East End, where she was born in the Clapton Salvation Army Home on June 16, 1934, Atkins grew up in a council home as the third child of a homemaker and a gas meter reader. She began performing as a tap dancer in working men's clubs at the age of seven, and she had done professional pantomime by the time she was 13. Under the encouragement of a school instructor -- who gave Atkins voice lessons to remove her Cockney accent and introduced her to Shakespeare -- she went on to attend the Guildhall School of Drama, where she did a teaching course and took drama classes.Atkins struggled to begin her professional career, finding it difficult to get stage roles of any substance, to say nothing of stage roles, period. She got her first break when she moved to Stratford with her then-husband, Julian Glover, who had found work with the RSC. Atkins got her start in Stratford as an usherette, and she gradually moved her way up until she was allowed into the company. She first performed on the Stratford stage as Audrey in As You Like It, chosen to fill in for the understudy of Dame Peggy Ashcroft after both had taken ill. Atkins spent several years with the RSC, performing in both classical and contemporary plays alongside the likes of Lawrence Olivier and Alec Guinness. On the London stage, she portrayed numerous characters, earning a Best Supporting Actress Olivier Award for her performance in Peter Hall's production of The Winter's Tale. Her one-woman show, A Room of One's Own, was an international success, earning Atkins a Drama Desk Award for Best Solo Performance and a special Citation from the New York Drama Critics Circle for her portrayal of Virginia Woolf.Although the international stage has been the centerpoint of Atkins' career, she has made many contributions to film and television. Aside from her work on the aforementioned Upstairs, Downstairs, The House of Elliot, and Mrs. Dalloway (the last of which earned her the Evening Standard British Film Best Screenplay award), she has appeared in such films as Let Him Have It (1991), Jack and Sarah (1995), and John Schlesinger's Cold Comfort Farm (1995). Among the endless honors Atkins holds is a Commander of the British Empire. Atkin would appear in several notable projects over the coming years, including Gosford Park, The Hours, Cold Mountain, and TV series like Doc Martin and Psychoville.

Trivia: After roles on a handful of BBC television shows, British actor Mark Addy made a splash on the international film scene with his turn as a rotund exotic dancer in 1997's surprise hit The Full Monty. With the filmmaking boatloads of cash stateside and garnering a handful of Academy Award nods and Addy's ability to effortlessly adopt an American accent, it took little time before he was working on the U.S. side of the pond. Addy's first high-profile Hollywood role was a supporting gig playing Michael Keaton's pal in Jack Frost (1998), a family flick about a jazz musician who is reincarnated as a snowman. Two years later, Addy took on his first lead in an American film, filling the pelt worn previously by John Goodman, playing Fred Flintstone in the prequel The Flintstones in Viva Rock Vegas. Unfortunately, the project failed to keep the franchise's flame burning. The next couple years saw Addy in more supporting roles in a series of projects that ranged from barely-profitable (A Knight's Tale) to downright unsuccesful (Down to Earth and The Time Machine), but in 2002 he landed the lead on the CBS sitcom Still Standing. With Addy starring opposite Jami Gertz, the show became a hit as the lead-in to the network's wildly popular Monday-night lineup.In between seasons of Still Standing, Addy continued to make time for the occassional big-screen project, popping up in such films as 2003's The Order and 2004's Around the World in 80 Days, the former of which reunited the actor with Brian Helgeland and Heath Ledger, the writer/director and star of A Knight's Tale. Addy married Kelly Addy in 1996. The couple has one daughter. He appeared as John Piggot in the highly-respected Red Riding trilogy, and followed that up with a role in 2010's Robin Hood as Friar Tuck. In 2011 he was cast in the initial season of HBO's Game of Thrones as King Robert Baratheon.

Trivia: British actor Matthew MacFadyen studied at the prestigious Royal Academy of Dramatic Art before beginning his career on the stage. He joined the renowned theater company Cheek and Jowl, with whom he participated in productions of The School for Scandal, Much Ado About Nothing, The Duchess of Malfi, and other plays. In 1998, he made a much-noticed transition to the screen with the role of Hareton Earnshaw in a television adaptation of Wuthering Heights. He would go on to appear in such films as Enigma and Almost Strangers before being cast in the lead role of Tom Quinn in the spy series MI-5 (aka Spooks) in 2002. He stayed with the series until 2004, and the next year he made yet another foray into period drama, playing the male lead of Mr. Darcy in a big-screen adaptation of Pride and Prejudice, opposite Keira Knightley. He soon followed it up with a turn in the quirky comedy Death at a Funeral in 2007, before signing on for the 2008 Ron Howard film Frost/Nixon. MacFayden would continue to appear on screen in several series to come, most notably on Little Dorrit, The Pillars of the Earth, Any Human Heart, and MI-5.

Trivia: Per his appearance, the stark-faced and rough-hewn character actor Kevin Durand built a successful career tackling tough-guy, redneck, and villain roles in such films as Walking Tall (2004), Smokin' Aces (2007), and 3:10 to Yuma (2007). His resumé also includes appearances on such small-screen programs as Dark Angel and Stargate SG-1. In 2008, Durand began a recurring role on the hit TV series Lost, playing mercenary Martin Keamy. After that high-profile gig, Durand returned to films, where his career picked up speed. He played The Blob in X-Men Origins: Wolverine (2009) and followed that up with Legion (where he played the archangel Gabriel) and Robin Hood (playing Little John), both in 2010. By playing supporting roles, Durand managed to appear in an average of three films a year for the next several years, playing commanders (2011's I Am Number Four), soldiers (Barry Burton in 2012's Resident Evil: Retribution), shadowhunters (2013's The Mortal Instruments: City of Bones) and biblical figures (2014's Noah).

Trivia: Former adolescent actor Scott Grimes first appeared onscreen at age 15 in Critters (1986).

Trivia: Appeared in numerous stage productions helmed by legendary English playwright Harold Pinter, and was a close friend of the director until his death in 2008. Released his first folk music album, Cowley Road Songs, in 2005 under the name Doug Hodge. Made his Broadway directorial debut with 2015's Old Times, which starred Clive Owen. Has voiced commercials for Red Bull, British Airways, and British Gas.

Trivia: Her grandfather, Jérôme Seydoux, became president of Pathé film corporation in 1990. Studied to be an opera singer before switching to acting. Modeled for Prada, Levi's and American Apparel. Studied with Les Enfants Terribles in France. In 2013, the Cannes Film Festival jury decided to award not just director Abdellatif Kechiche the Palme d'Or for Blue Is the Warmest Color, but to have him share the award with the film's two stars, Seydoux and Adéle Exarchopoulos.

Trivia: Decided to become an actor when attending a production of The School for Scandal with his class at school. Aged 21, dropped out of university to audition for RADA, but didn't learn his lines and wasn't accepted; worked as a bin man to make ends meet while attending night classes at the Mountview Academy of Theatre Arts. Wrote the Welsh television series We Are Seven (1989-91) and the made-for-television films Better Days (1988) and Ballroom (1988), both starring Glyn Houston. In 2015, took part in the Hackers Cup charity golf tournament at the Mid Ocean Club and Port Royal Club, Bermuda.

Trivia: Born in County Tyrone in Northern Ireland, character actor Gerard McSorley has played a lot of bad guys during his prolific acting career. He started with a theater background working with Jim Sheridan at the Project Theater. In 1981 he joined Dublin's Abbey Players, Ireland's national theater company. After a small role in the TV movie S.O.S. Titanic, he made his film debut in Neil Jordan's debut film, Danny Boy. He went on to appear in Jordan's later film work Michael Collins and The Butcher Boy. In 1993 he appeared in In the Name of the Father, directed by Jim Sheridan. He would continue to work with the director at his Hell's Kitchen production company in Dublin on the films Some Mother's Son, The Boxer, Agnes Browne, and Bloody Sunday. He was also in Atom Egoyan's Felicia's Journey, Alan Parker's Angela's Ashes, and Thaddeus O'Sullivan's Ordinary Decent Criminal. As a voice actor, he narrated the film Dancing at Lughnasa as well as the television documentary series In Search of Ancient Ireland. He's also worked extensively on Irish television. In 2003 he can be seen as the psychotic gangster John Gilligan in Joel Schumacher's Veronica Guerin.

Trivia: Englishman Simon McBurney enjoyed two distinct phases of his screen career; he began as a character player, who excelled at playing ruddy-faced, wizened, vaguely sinister types, often of a European or Eastern European origin. His resumé -- in this capacity -- includes such films as Kafka (1991), Eisenstein (as the famous Russian director), and Jonathan Demme's political thriller remake The Manchurian Candidate (2004). As of 2007, however, McBurney shifted gears somewhat by stepping behind the camera, when he executive produced and authored the screen story of the Rowan Atkinson vehicle Mr. Bean's Holiday.

Trivia: Worked as a driver for tennis superstar John McEnroe when he was 19.Began his film and television career doing short films and directing behind the scenes EPKs (Electronic Press Kits).Perhaps best known internationally for playing the French dairy farmer accused of harboring Jews in the opening scene of 2009's Inglourious Basterds.Is also a skilled and passionate skateboarder and displayed his talents in a London chase scene on the Netflix series Spotless.Is a supporter of La Parole Libérée, an association dedicated to fighting abuse of children.

Trivia: In 1990, won the All-Ireland Schools Choir competition with his school choir.In 1999, moved to London to attend drama school.Didn't work for 18 months after graduating drama school.A singing role at the Greenwich Theatre led to another job offer and consistant work as a theater actor.Had to pull out of Robin Hood (2010) after being diagnosed with relapsed Hodgkins Lymphoma, but director Ridley Scott demanded to make everything possible for him to work in the movie if he was well enough to do so, and he did.Has performed at the Shakespeare's Globe, the National Theatre, and with the Royal Shakespeare Company and the Donmar Warehouse.

Trivia: Welsh-born Luke Evans won a scholarship to The London Studio Centre in Kings Cross, London, in 1997 at age 18. He took the knowledge he gained there onto the stage, beginning his professional acting career with many prominent roles in productions on London's West End, like Rent and Miss Saigon. Evans took his time branching out into on-screen acting, landing his first film audition at age 30. He made his big-screen debut as the Greek god Apollo in 2010's Clash of the Titans. He then played Aramis in 2011's The Three Musketeers before taking on the role of another Greek god in 2011's Immortals, this time tackling the king of the pantheon, Zeus.

Trivia: British supporting actor, former juvenile, onscreen from the early '60s.

Trivia: Helped birth calves and lambs as a girl on her father's farm. Initially rejected by every drama school she applied to. Taught English in Thailand for a year prior to being accepted at Royal Academy of Dramatic Art. Other jobs have include waitressing and answering phones on an Internet provider's help line. Began her acting career with the Royal National Theatre in London, where she earned acclaim.

Trivia: When he was a young boy, his mother worked with puppets, masks and acted as a member of Cannon Hill Theatre, based at Midlands Art Centre. His father used to play electric organ for bands such as Fine Young Cannibals and UB40. Formed an indie rock band, Edmund, named after Edmund Pevensie from The Chronicles of Narnia when he was a teenager. Created his own theatre company called Fuego with his friend Richard Morgan in 2002. Recorded his own version of "Let It Go" from Frozen on the BBC Radio 1 show, singing how he was no longer in Doctor Who. Nominated for Most Promising Newcomer in the Evening Standard Theatre Awards in 2007. As a musician and composer, wrote the music for stage shows including Artefacts by Mike Bartlett in 2007 and The Frontline by Che Walker in 2008. Voted Best Supporting Actor by readers of Doctor Who magazine for his work in the 2010 season. Performed the lead role of Guy in the Broadway musical Once in 2013, and later performed the same role in the West End production. Was part of a group of celebrities who designed cards for children's charity Coram, helping to raise £8,500 after they were sold on eBay.

Trivia: Spent her summers in Ibiza during her youth.Plays the wife of Russell Crowe's character in Gladiator (2000) and Body of Lies (2008).Appears in most of Ridley Scott's films since Gladiator in 2000.Often collaborates in projects with her husband Ridley Scott, either as a producer or an actor.Best known for her work in Gladiator (2000), Kingdom of Heaven (2005) and Body of Lies (2008).

Trivia: Fans of British television will have little difficulty placing English actor Ralph Ineson. He scored massive popularity on the hit BBC series The Office as Chris Finch, a sociopathically obnoxious sales rep whose antics consisted of insulting and belittling nearly everyone in sight to puff himself up. The part was somewhat indicative of Ineson's typecast, not from the standpoint of obnoxious characters, but from the standpoint of aggression; time and again, he came to specialize in playing dominant, outspoken, Type A personalities. A native of Yorkshire, Ineson signed for roles in a myriad of BBC telemovies and series (notably the iconic programs The Bill and Coronation Street), displaying equal adroitness for riotous comedy and straight-faced drama. Many American viewers experienced Ineson for the first time courtesy of his fine supporting work in the features First Knight (1995) and From Hell (2001). In 2007, Ineson scored a highly visible turn as Harry Marber, a member of Scotland Yard's armed response unit, in the feature thriller Shoot on Sight.

Trivia: One of the most promising directors of the late '70s, Ridley Scott displayed stylistic flair and remarkable storytelling abilities in such films as The Duellists (1977) and his landmark Alien (1979). Although he remained a respected director on both sides of the Atlantic, his career suffered repeated blows throughout the 1980s and '90s with a series of critical and commercial missteps, beginning with the costly and unsuccessful 1492: Conquest of Paradise.Born in 1937, in Northumberland, England, Scott was educated at the West Hartlepool College of Art and London's Royal College of Art. After completing his education, he became a set designer for the British Broadcasting Company in the early '60s, eventually getting promoted to director of such popular BBC series as the long-running police adventure Z Cars. With the establishment of his own firm, Ridley Scott Associates, Scott was in on the ground floor of some of the most inventive European TV commercials of the 1970s.The director's transition to the big screen came with his direction of 1977's The Duellists, a visually striking Napoleonic war film that won the Jury Prize for Best First Feature at the Cannes Film Festival. Further success followed with 1979's Alien, which established Scott as both an important director and a shining knight for horror and sci-fi devotees. In 1982, the director found himself at the center of a storm around his production of Blade Runner. After repeated clashes with studio executives over the film's complex content and downbeat finale, Scott added a voice-over narration and a more positive ending. The results sparked an outcry from film purists, and Blade Runner fell victim to negative reviews and poor box-office results. It wasn't until the early '90s that the director's cut was finally released, theatrically and on video cassette, and the film was recognized as a science fiction masterpiece.In the meantime, Scott continued to direct such films as the 1986 fantasy Legend, starring Tom Cruise, and 1989's Black Rain, which featured Michael Douglas as a vice cop on a mission to Japan. In 1991, he encountered critical and commercial triumph with Thelma & Louise. Starring Geena Davis and Susan Sarandon, the film was nominated for six Academy Awards, including Best Director for Scott. After the film's success, it seemed that the director could do no wrong. Unfortunately, he did just the opposite with his next project, 1992's 1492: Conquest of Paradise. The film proved to be a complete flop, and for the next few years Scott relinquished his directorial duties in favor of producing such films as Monkey Trouble and The Browning Version (both 1994).Scott returned to the director's chair in 1996, with White Squall, an action-adventure film set on a boat full of troubled teenage boys. Unfortunately, the film performed poorly among critics and at the box office, and Scott's next feature, G.I. Jane (1997), suffered a similar fate. He then returned to producing, working on the 1997 TV series The Hunger, which was based on the 1983 movie directed by his brother, Tony Scott, who was best-known for such action fare as Top Gun (1986) and Enemy of the State (1998). After producing the 1998 black comedy Clay Pigeons, Scott returned to directing with Gladiator (2000), a Roman epic starring Russell Crowe as its titular hero. Budgeted at 100 million dollars and weighing in at 154 minutes, the film was hailed by some critics who saw it as a return to grand-scale moviemaking, while others saw it as merely overblown. Regardless of the critics' opinions, Gladiator was undoubtedly wildly popular, earning five Oscars, including Best Picture, at the 73rd Annual Academy Awards.In 2001, Scott applied his icy-cool visual style -- but little else of note -- to Hannibal, the much-anticipated sequel to 1991's Silence of the Lambs. Although the film broke the box-office record for the largest opening weekend for an R-rated film, critics were less than pleased with Hannibal's combination of smug, stuffy disaffection and vomit-bag-worthy gore. Scott's skills as a director of action were better put to the test later that year with Black Hawk Down, the account of the United States' unsuccessful 1993 attempt to take down the regime of a brutal Somalian warlord. Though there was no contesting the helmer's adroit camera and editing choices in the film's visceral, tactically challenging battle scenes, some critics objected to Black Hawk's simplified portrayal of the U.S. military involvement in the region. Still bruised from the tragic events of 9/11, however, the American public lined up in droves for the flag-waving Jerry Bruckheimer production, which would also garner Scott his third Best Director Oscar nomination.Recoiling from the high-profile prestige projects for a spell, Scott turned his focus to the big-screen adaptation of Matchstick Men, a dysfunctional-con-man tale starring a tic-laden Nicolas Cage as well as up-and-comers Sam Rockwell and Alison Lohman. Though hardly a blockbuster, the heist comedy garnered mixed but generally positive reviews, most noting Scott's ability to evince vivid performances from his trio of actors.In 2005, the director helmed the would-be epic Crusades historical film Kingdom of Heaven with a Gladiator-esque budget and all-star cast. Unfortunately, the film was a dud both with critics and audiences, so Scott returned to a more intimate kind of storytelling with the 2006 drama A Good Year. The film starred Russell Crowe as a hotshot broker who finds himself in the depths of a life-crisis when he inherits his beloved uncle's estate and discovers that the simple lifestyle it offers may give him more satisfaction than his fast-paced, high-power job. Over the course of the next few years Scott jumped genres from crime film (American Gangster) to globe-trotting terrorism thriller (Body of Lies) to pop-folklore (Robin Hood), though it was vague whispers of a return to sci-fi that really got some buzz building around the veteran director. In June of 2012, following months of effective viral marketing but precious few leaked details regarding the actual plot, Prometheus arrived in theaters worldwide -- sparking furious fan boy debates that reached to the furthest corners of the internet. Originally conceived as a prequel to Scott's 1979 sci-fi/horror masterpiece Alien, Prometheus ultimately evolved into something that simply "shares DNA" with its influential predecessor thanks in part to the late involvement of screenwriter Damon Lindelof, whose previous work in the genre included penning the screenplay for Cowboys & Aliens, and producing J.J. Abrams Star Trek. Truly epic in scope, the film brought up numerous heady questions about the origins of the human race, and folded them into a tense tale of space exploration highlighted by stunning cinematography and state-of-the-art special effects. The apparent first chapter in a new series of films (Scott voiced interest in directing a sequel during promotional interviews), Prometheus seemed to reinvigorate the director's love of sci-fi, and it wasn't long before Scott announced he was developing a new chapter to another of his most famous works -- the lush 1982 classic Blade Runner.

Trivia: One of the only screenwriters ever to be honored with both an Oscar (for L.A. Confidential) and a Razzie (for The Postman) in the same year, writer/director Brian Helgeland showed remarkably good sportsmanship when he became only the fourth person in the history of the Razzies to voluntarily accept the award in person. Placing both statues on his mantle as a constant reminder of Hollywood's quixotic nature, Helgeland has come a long way from penning the likes of 976-Evil and Highway to Hell. With his critically acclaimed adaptation of the Dennis Lehane novel Mystic River and an undeniable directorial hit with A Knight's Tale, Helgeland left no doubt as to his remarkable versatility. A native of Providence, RI, he began work as a commercial fisherman in New England after graduating from Loyola Marymount University in Los Angeles. It wasn't long before he realized that his true calling lay elsewhere, and the aspiring screenwriter was soon heading for Hollywood to test his skills in show business. Helgeland cut his teeth by collaborating on screenplays for such features as A Nightmare on Elm Street 4: The Dream Master and 976-Evil (both 1988), and then flew solo with his script for Highway to Hell. A chance meeting with filmmaker Richard Donner proved just the break that Helgeland needed, and the resulting collaboration was the disappointing 1995 action film Assassins. Fortunately, Donner was undaunted by the failure of the film, and though a second collaboration with Conspiracy Theory didn't fare much better, Helgeland's Oscar-winning script for L.A. Confidential helped to prove his worth in Hollywood. After testing the waters as a director with a 1989 episode of Tales from the Crypt, Helgeland made his feature directorial debut with the 1999 Mel Gibson crime thriller Payback. Taking the full reigns for the medieval popcorn flick A Knight's Tale, the remarkably fun flick not only proved that he could shift gears with the best of them, but also that he could successfully follow through on his vision no matter how outlandish it might seem at conception. The film helped to launch the career of Heath Ledger, and right around the time of A Knight's Tale's release, filmmaker Clint Eastwood was busy shooting Helgeland's adaptation of Michael Connelly's novel Blood Work. Released the following year, Blood Work drew fair reviews, and a creative spark between Eastwood and Helgeland would soon catch fire when the former asked the latter to adapt Lehane's Mystic River for the screen. A profound meditation on the cycle of violence which results from an unspeakable crime, Mystic River drew rave reviews when released in 2003 and was heralded by critics as one of the best films of the year. Hoping to get back to his roots, Helgeland penned and directed the religious-themed frightener The Order (also 2003); unfortunately, the film was both critically maligned and a box-office bomb. Helgeland's next screenplay, the revenge-themed thriller Man on Fire, would go before the cameras under the direction of Tony Scott for a 2004 release.

Trivia: Dignified, passionate Vanessa Redgrave is widely regarded as one of Great Britain's finest modern dramatic actresses. She is perhaps the most internationally famous of the Redgrave dynasty of actors that includes her father Sir Michael Redgrave, mother Rachel Kempson and siblings Corin and Lynn Redgrave. Born January 30, 1937 in London, Redgrave studied drama at London's Central School of Music and Dance. She made her theatrical debut in 1957 and her film debut the following year in the dreadful Behind the Mask, which starred her father. Redgrave would not venture into films again for another eight years, and during the early '60s established herself as a key member of the distinguished Stratford-Upon-Avon Theater Company. During her time with the repertory, she gave life to Shakespeare's works with some of her country's finest performers and met her future husband, the director Tony Richardson.Redgrave returned to films in 1966, making an unbilled appearance as Anne Boleyn in Fred Zinneman's all-star adaptation of A Man for All Seasons, and co-starring in Karel Reisz's comedy Morgan. In the same year, she played a small but key role as the girl in the photograph in Michelangelo Antonioni's first English language film, Blow-Up. In 1967, Redgrave appeared in the first of several films directed by her husband, Red and Blue and The Sailor from Gibralter. Also in 1967, she made a radiant Guenevere opposite Richard Harris' King Arthur in Joshua Logan's adaptation of the stage musical Camelot. That same year, Redgrave divorced Richardson on grounds of adultery. She had two children, Joely and Natasha Richardson, by him, and in 1969 had a child by her Camelot co-star Franco Nero. During these early years of her career, Redgrave hovered on the brink of stardom, due in large part to the uneven quality of the films in which she appeared. In 1968, she played the title role in Isadora, the biography of avant garde dancer Isadora Duncan, earning her first Oscar nomination and her second best actress award at Cannes (her first was for Morgan). The film represented one of Redgrave's first attempts at creating an independent, strong-willed, feminist character with strong socialist leanings. Throughout the 1970s, Redgrave continued to appear in films of varying quality, although her characters were almost always complex and controversial; the highlights from this period include The Trojan Women (1971), her Oscar-nominated turn in Mary Queen of Scotts (1971) and most notably the tragic Julia (1977), which won Redgrave an Oscar for best supporting actress. At the Oscar ceremony, the actress generated considerable controversy during her acceptance speech by using the ceremony as a forum for her tireless campaign for Palestinian rights in Israel. That, coupled with her outspoken support for the communist-oriented Workers' Revolutionary Party, made life difficult for Redgrave, who at one time was considered the British equivalent to actress/social activist Jane Fonda. Though she continued appearing in mainstream as well as politically oriented films and documentaries such as Roy Battersby's The Palestinians (1977), her views cost Redgrave roles on stage and screen and damaged her popularity, particularly in the U.S. Redgrave's television debut in Playing for Time (1980) generated further controversy when Redgrave won an Emmy for her portrayal of a Jewish violinist interned in a Nazi death camp who is ordered to help serenade women on their way to the gas chambers. Due to her anti-Zionist stand, many, including Fana Fenelon, the real-life violinist whom Redgrave was portraying, objected to her playing a Jewish woman. During the '80s, Redgrave came into her own as a leading character actress. She has subsequently appeared in a number of distinguished television movies, including Second Serve (1986) and a remake of Whatever Happened to Baby Jane (1991), which co-starred her sister Lynn Redgrave. Her film work also remains distinguished and she has received Oscar nominations for James Ivory's The Bostonians (1984) and Howards End (1992). Her taste for playing a variety of characters has not changed, as evidenced by portrayals ranging from Oscar Wilde's mother in Wilde (1997) to her role as a doomed earthling in the 1998 summer blockbuster Deep Impact. Redgrave's television work was singled-out for recognition as she took home the 2000 Golden Globe for Best TV Series Supporting Actress in for her role in If These Walls Could Talk 2.She continued working steadily into the next decade appearing in Sean Penn's drama The Pledge, and the historical drama The Gathering Storm. She joined the cast of Nip/Tuck in 2004, and appeared opposite Peter O'Toole in Venus two years later. She played the grown-up version of the main character in the Oscar-nominated WWII drama Atonement. In 2011 she lent her voice to Cars 2, earned rave reviews for her work as the mother of Ralph Fiennes' Coriolanus, and portrayed Queen Elizabeth in Anonymous.