Trivia: Once relegated to decorative parts for years and long acknowledged as the wife of Tom Cruise, Nicole Kidman spent the latter half of the 1990s and the first decade of the new millennium earning much-deserved critical respect. Standing a willowy 5'11" and sporting one of Hollywood's most distinctive heads of frizzy red hair, the Australian actress first entered the American mindset with her role opposite Cruise in Days of Thunder (1990), but it wasn't until she starred as a homicidal weather girl in Gus Van Sant's 1995 To Die For that she achieved recognition as a thespian of considerable range and talent. Though many assume that the heavily-accented Kidman hails from down under, she was actually born in Honolulu, Hawaii, on June 20, 1967, to Australian parents. Her family, who lived on the island because of a research project that employed Kidman's biochemist father, then moved to Washington, D.C. for the next three years. After her father's project reached completion, Nicole and her family returned to Australia.Raised in the upper-middle-class Sydney suburb of Longueville for the remainder of the 1970s and well into the eighties, Kidman grew up infused with a love of the arts, particularly dance and theatre. Kidman took refuge in the theater, and landed her first professional role at the age of 14, when she starred in Bush Christmas (1983), a TV movie about a group of kids who band together with an Aborigine to find their stolen horse. Brian Trenchard-Smith's BMX Bandits (1983) -- an adventure film/teen movie -- followed , with Kidman as the lead character, Judy; it opened to solid reviews. Kidman then worked for the gifted John Duigan (The Winter of Our Dreams, Romero) twice, first as one of the two adolescent leads of the Duigan-directed "Room to Move" episode of the Australian TV series Winners (1985) and, more prestigiously, as the star of Duigan's acclaimed miniseries Vietnam (1987).In 1988, Kidman got another major break when she was tapped to star in Phillip Noyce's Dead Calm (1989). A psychological thriller about a couple (Kidman and Sam Neill) who are terrorized by a young man they rescue from a sinking ship (Billy Zane), the film helped to establish the then-21-year-old Kidman as an actress of considerable mettle. That same year, her starring performance in the made-for-TV Bangkok Hilton further bolstered her reputation. By now a rising star in Australia, Kidman began to earn recognition across the Pacific. In 1989, Tom Cruise picked her for a starring role in her first American feature, Tony Scott's Days of Thunder (1990). The film, a testosterone-saturated drama about a racecar driver (Cruise), cast Kidman as the neurologist who falls in love with him. A sizable hit, it had the added advantage of introducing Kidman to Cruise, whom she married in December of 1990.Following a role as Dustin Hoffman's moll in Robert Benton's Billy Bathgate (1991), and a supporting turn as a snotty boarding school senior in the masterful Flirting (1991), which teamed her with Duigan a third time, Kidman collaborated with Cruise on their second film together, Far and Away (1992). Despite their joint star quality, gorgeous cinematography, and adequate direction by Ron Howard, critics panned the lackluster film.Kidman's subsequent projects, My Life and Malice ( both 1993), were similarly disappointing, despite scattered favorable reviews. Batman Forever (1995), in which she played the hero's love interest, Dr. Chase Meridian, fared somewhat better, but did little in the way of establishing Kidman as a serious actress even as it raked in mile-high returns at the summer box office. Kidman finally broke out of her window-dressing typecasting when Gus Van Sant enlisted her to portray the ruthless protagonist of To Die For (1995). Directed from a Buck Henry script, this uber-dark comedy casts Kidman as Suzanne Stone, a television broadcaster ready and eager to commit one homicide after another to propel herself to the top. Displaying a gift for impeccable comic timing, she earned Golden Globe and National Broadcast Critics Circle Awards for Best Actress. Further critical praise greeted Kidman's performance as Isabel Archer in Jane Campion's 1996 adaptation of Henry James' The Portrait of a Lady. Now regarded as one of the hottest actresses in Hollywood, Kidman starred opposite George Clooney in the big-budget action extravaganza The Peacemaker (1997) and opposite Sandra Bullock in the frothy Practical Magic (1998). In 1999, Kidman starred in one of her most controversial films to date, Stanley Kubrick's Eyes Wide Shut. Adapted from Arthur Schnitzler's Traumnovelle and cloaked in secrecy from the beginning of its production, the film also stars Cruise as Kidman's physician husband. During the spring and summer of 1999, the media unsurprisingly hyped the couple's onscreen pairing as the two major selling points. However, despite an added measure of intrigue from Kubrick's death only weeks after shooting wrapped, Eyes Wide Shut repeated the performance of prior Kubrick efforts by opening to a radically mixed reaction.As the new millennium arrived, problems began to erupt between Kidman and Tom Cruise; divorce followed soon after, and the tabloids swirled with talk of new relationships for the both of them. She concurrently plunged into a string of daring, eccentric film roles much edgier than what she had done before. The trend began with a role in Jez Butterworth's Birthday Girl (2001) as a Russian mail order bride, and Baz Luhrmann's Moulin Rouge (2001), which cast her, in the lead, as a courtesan in a 19th century Paris hopped up with late 20th century pop songs. The picture dazzled some and alienated others, but once again, journalists flocked to Kidman's side.Following this success (the picture gleaned a Best Picture nod but failed to win), Kidman gained even more positive notice for her turn as an icy mother after the key to a dark mystery in Alejandro Amenabar's spooky throwback, The Others. When the 59th Annual Golden Globe Awards finally arrived, Kidman received nominations for her memorable performances in both films. Though it couldn't have been any further from her flamboyant turn in Moulin Rouge, Kidman's camouflaged role as Virginia Woolf in the following year's The Hours (2002) (she wears little makeup and a prosthetic nose), for which she delivered a mesmerizing and haunting performance, kept the Oscar and Golden Globe nominations steadily flowing in for the acclaimed actress. The fair-haired beauty finally snagged the Best Actress Oscar that had been so elusive the year before. Post-Oscar, Kidman continued to take on challenging work. She played the lead role in Lars von Trier's Dogville, although she declined to continue in Von Trier's planned trilogy of films about that character. She swung for the Oscar fences again in 2003 as the female lead in Cold Mountain, but it was co-star Renee Zellweger who won the statuette that year. Kidman did solid work for Jonathan Glazer in the Jean-Claude Carriere-penned Birth, as a woman revisited by the incarnation of her dead husband in a small child's body, but stumbled with a pair of empty-headed comedies, Frank Oz's The Stepford Wives and Nora Ephron's Bewitched (both 2005), that her skills could not save. She worked with Sean Penn in the political thriller The Interpreter in 2005. For the most part, Kidman continued to stretch herself with increasingly demanding and arty roles throughout 2006. In Steven Shainberg's Fur: An Imaginary Portrait of Diane Arbus, Kidman plays controversial housewife-cum-photographer Diane Arbus. Meanwhile, Kidman returned to popcorn pictures by playing Mrs. Coulter in Chris Weitz's massive, $150-million fantasy adventure The Golden Compass (2007), adapted from Philip Pullman's His Dark Materials series of books. She also headlined the sci-fi thriller The Invasion, a loose remake of the classic Invasion of the Body Snatchers. Also in 2007, Kidman teamed up with Noah Baumbach for a starring role as a supremely dysfunctional mother in Margot at the Wedding (2007). The actress then set out to recapture her Moulin Rouge musical success with a turn in director Rob Marshall's 8 1/2 remake Nine (2009), teamed up with indie cause-célèbre John Cameron Mitchell and Aaron Eckhart for the psychologically-charged domestic drama Rabbit Hole (2010), and starred opposite Jennifer Aniston and Adam Sandler in the Dennis Dugan-helmed comedy Go With It (2011). Kidman would spend the next few years continuing her high level of activity, appearing in movies like Trespass and The Paperboy.

Trivia: Long the bad boy of Hollywood, Sean Penn is also among the most fiercely talented actors of his generation. He was born August 17, 1960, in Burbank, CA, the second son of actress Eileen Ryan and director Leo Penn. He grew up in Santa Monica, in a neighborhood populated by future celebrities Charlie Sheen and Emilio Estevez, the sons of actor Martin Sheen. Penn's older brother, Michael, is a singer/songwriter-turned- director, while younger sibling Chris is a noted character actor. The children spent much of their free time together, making a number of amateur films shot with Super-8 cameras. Still, Penn's original intention was to attend law school, although he ultimately skipped college to join the Los Angeles Repertory Theater. After making his professional debut on an episode of television's Barnaby Jones, he relocated to New York, where he soon appeared in the play Heartland. A TV-movie, The Killing of Randy Webster, followed in 1981 before he made his feature debut later that same year in Taps.Penn shot to stardom with 1982's Fast Times at Ridgemont High; as the stoned surfer dude Jeff Spicoli, he stole every scene in which he appeared, helping to elevate the picture into a classic of the teen comedy genre; however, the quirkiness which would define his career quickly surfaced as he turned down any number of Spicoli-like roles to star in the 1983 drama Bad Boys, followed a year later by the Louis Malle caper comedy Crackers and the period romance Racing With the Moon. While none of the pictures performed well at the box office, critics consistently praised Penn's depth as an actor. A turn as a drug addict turned government spy in John Schlesinger's 1985 political thriller The Falcon and the Snowman earned some of his best notices to date, but Penn's performance was quickly lost in the glare of the media attention surrounding his very public romance with pop singer Madonna, which culminated in the couple's 1985 media-circus wedding.While Madonna actively courted press attention, the private Penn made his loathing for the media quite clear; his run-ins with the paparazzi quickly became the stuff of legend, and the notoriety of his temper began to eclipse even his immense acting ability. His penchant for fisticuffs, combined with other civil infractions, ultimately resulted in a 30-day jail sentence; more seriously, his marriage to Madonna began to buckle under the weight of media scrutiny, and, as the couple's star collaboration in the 1987 movie Shanghai Surprise met with box-office disaster, their private relationship was also over. Soured by the Hollywood experience, Penn did not resurface prior to 1988's Colors, which proved to be his biggest hit in some time. He next appeared in Brian DePalma's Vietnam tale Casualties of War, followed by a turn opposite his idol, Robert De Niro, in the 1989 comedy We're No Angels.After starring in the gangster melodrama State of Grace, Penn wrote and directed 1991's The Indian Runner, a film inspired by a Bruce Springsteen song and shaped in the image of the films of John Cassavetes. After an almost unrecognizable turn as a troubled attorney in the 1993 DePalma thriller Carlito's Way, Penn announced his intention to retire from acting in order to focus his full attentions on directing; however, after helming 1995's The Crossing Guard with Jack Nicholson and Anjelica Huston, he was back onscreen, winning an Academy Award nomination for his gut-wrenching portrayal of a death-row inmate in Tim Robbins' Dead Man Walking. By 1997, Penn's wishes for retirement were but a memory as he enjoyed his busiest year yet: In addition to starring opposite second wife Robin Wright in Nick Cassavetes' She's So Lovely -- roles which won both spouses acting honors at the Cannes Film Festival -- he also appeared in the David Fincher thriller The Game and in Oliver Stone's U-Turn. He found further acclaim the following year for his roles in the adaptation of David Rabe's Hurlyburly and Terrence Malick's The Thin Red Line. In 1999, he had a cameo appearance in Spike Jonze's Being John Malkovich and earned his second Oscar nomination as a callous '30s jazz guitarist in Woody Allen's Sweet and Lowdown, while 2000s adaptation of Anita Shreve's novel, The Weight of Water, starred Penn as a poet embroiled in a small town murder mystery. In 2001, Penn would play a fame-craving impressionist in The Beaver Trilogy, serve as narrator in director Stacy Peralta's skateboarding documentary Dogtown and Z-Boys, and direct the psychological drama The Pledge, which marked Penn's second collaboration with Jack Nicholson. In 2002, Penn would once again win critical praise with his Oscar-nominated portrayal of a developmentally disabled man struggling to retain custody of his daughter in I Am Sam.After the 2001 terrorist attacks on the World Trade Center and Pentagon, the left-leaning actor's outspoken political views garnered a great deal of attention from right-wing pundits, including the much aggrieved Bill O'Reilly, who found himself on the receiving end of Penn's animosity in a controversial interview with Talk magazine. Though O'Reilly demanded his viewers boycott any of Penn's future films, it appears his career has remained relatively unscathed. In 2002, Penn directed a segment for the French-produced 9'11"01, which was met with mixed reviews, while his participation in Burkowski: Born Into This (2002) helped the film win a nomination for the Grand Jury Prize at the 2003 Sundance Film Festival. The year 2003 was, in fact, an eventful year for Penn; he participated in two small but nonetheless critically acclaimed films -- Michael Almereyda's documentary This So-Called Disaster and Alejandro González Iñárritu's low-key urban drama 21 Grams -- while managing to claim yet another Hollywood success in actor/director Clint Eastwood's highly lauded Mystic River. In 2004, it was this third film that garnered Penn his fourth Academy Award nomination and, ultimately, his first win. The Oscar, coupled with a standing ovation by the audience, showed once and for all that Penn's unorthodox approach to his acting career hadn't had an adverse effect on his popularity.The following year Penn would return to the screen to document one man's chilling descent into madness in the fact-based psychological drama The Assassination of Richard Nixon, but despite generally favorable reaction from critics the grim feature failed to make much of an impression at the box office. Subsequently sticking to politics with Sydney Pollock's 2005 thriller The Interpreter, Penn would this time find his character attempting to prevent the assassination of a high profile political leader rather than personally carry one out. By the time Penn essayed the role of a populist Southern politician modeled loosely on Depression-era Louisiana governor Huey Long, it seemed as if the serious-minded actor's career had finally become as political as the boat-rocking rhetoric that often found him sailing into the headlines. The third screen adaptation of Robert Penn Warren's influential novel, All the King's Men featured an impressive list of top-name Hollywood talent including Jude Law, Kate Winslet, Anthony Hopkins, Patricia Clarkson, James Gandolfini, and Mark Ruffalo. In 2008, Penn received the Academy Award for Best Actor for his performance in Milk, a biopic starring Penn in the role of politician and civil rights activist Harvey Milk. Shortly afterwards, Penn starred in Fair Game, an adaptation of author Valerie Plame's novel of the same name, and co-starred with Brad Pitt and Jessica Chastain in director Terrence Malick's critically acclaimed drama The Tree of Life in 2011. In 2013, he had a small role as gangster Mickey Cohen in Gangster Squad and a supporting role in The Secret Life of Walter Mitty.

Trivia: Catherine Keener ranks with Parker Posey as one of the queens of 1990s American independent cinema. A muse for director Tom Di Cillo (Johnny Suede, Living in Oblivion, Box of Moonlight, The Real Blonde), she is married to one of her peers, the also-underrated Dermot Mulroney. Keener graduated from Wheaton College in 1983 and in 1986 she landed her first film role, a small part in About Last Night. She appeared in a string of independent films throughout the 1990s, in addition to all the aforementioned Di Cillo titles; she had the lead, opposite Anne Heche, in the acclaimed Walking and Talking (1996), written and directed by Nicole Holofcener, a role which earned her an Independent Spirit Award nomination for Best Actress. In 2000, Keener received an Oscar nomination for her supporting role in Being John Malkovich. Appearing in Simpatico and giving birth to a baby boy the same year, the tireless actress continued to turn up in such quirky films as Death to Smoochy, Full Frontal, and eccentric director Spike Jonze, follow-up to Being John Malkovich, Adaptation. Keener would spend the next several years enjoying her reputation as a both charming and well respected actress, appearing in movies like The 40 Year-Old Virgin, Capote, Into the Wild, Synechdoche, New York, Where the Wild Things Are, Cyrus, and Peace, Love, and Misunderstanding.

Trivia: Hawaii-born actor Clyde Kusatsu has appeared in roles calling for a variety of indeterminate ethnic origins. Early film appearances included unbilled bits in Airport 75 (1975) and Alex and the Gypsy (1976). With his minor role as the Freighter Captain in Black Sunday (1977), Kusatsu began working his way up the featured-player ladder. On series television, Kusastu has had plenty of opportunity to display his talent in the roles of Ali in Bring 'Em Back Alive (1982) and Dr. Kenji Fushida in the Hawaii-based Richard Chamberlain vehicle Island Son (1989). In 1994, Clyde Kusastu was sixth-billed in the psychological nailbiter Dream Lover.

Trivia: Moved to London after his success in The Full Monty but returned to North Yorkshire after 15 years. Struggled to find any work after The Full Monty (1997) because people thought he was a stripper, not an actor. Banned from driving for 18 months after crashing his car while under the influence of alcohol in 2009. Made his directorial debut with the short film Mam in 2010, which was scripted by his future wife Vivienne Harvey and won Best Foreign Film at the 2011 Williamsburg Independent Film Festival. Was the narrator of a charity performance of Prokofiev's Peter and the Wolf in 2013. Public supporter of cancer charity Team Verrico.

Trivia: His parents moved to California when he was six years old. Part of the Axis of Evil comedy group. Is a member of the board of the Persian American Cancer Institute. Works with International Society for Children with Cancer

Trivia: Played on the varsity football team in high school. Competed in a Golden Gloves amateur boxing competition at Madison Square Garden at the age of 17, but was soon after diagnosed with elbow tendinitis, ending his boxing career. Made his stage debut in his high school's production of Kismet. In 1999, played the role of Mitch in the Hartford Stage's production of A Streetcar Named Desire. Performed on Broadway as Mike in the Roundabout Theatre Company's production of Pal Joey in 2009.

Trivia: Beginning his career as a stuntman, Terry Serpico discovered his acting talent while performing dangerous scenes for other actors. He began taking on acting roles around 1997, when he landed a role in the gangster film Donnie Brasco. A long string of minor appearances followed, and Serpico's tough appearance frequently landed him parts as members of the military, police force, and criminal underworld. He appeared in movies like Frequency, Hannibal, The Departed, and Michael Clayton, and has also enjoyed recurring roles on the TV series Rescue Me and Army Wives.

Trivia: A former New York City police officer who was inspired to take up acting after seeing a performance of A Few Good Men on Broadway, David Zayas subsequently enrolled in Ernie Martin's acting classes and began honing his craft while he wasn't fighting crime. Later, Zayas would sign on with the Labyrinth Theater Company alongside Philip Seymour Hoffman and John Ortiz and appear in a variety of groundbreaking productions including In Arabia We'd All Be Kings and Jesus Hopped the "A" Train. Thirty plays later, Zayas was discovered by Tom Fontana and cast in the hit HBO series Oz. Zayas would stick with the series for three seasons, his role as the leader of the Latino prison population gradually drawing the eye of such acclaimed filmmakers as Martin Scorsese and James Gray. While roles in Bringing Out the Dead, The Yards, Bristol Boys, and 16 Blocks all served well to advance Zayas' career on the big screen (where he could usually be found playing a detective or police officer), he remained faithful to the stage by appearing in a Broadway production of Anna in the Tropics at the Royal Theater and could later be seen opposite Michael C. Hall in the Golden Globe-nominated Showtime series Dexter.

Trivia: Was the lead singer for rock band The Ottoman Bigwigs in Seattle. Won an Obie award for an off-Broadway production of A Streetcar Named Desire in 1999. Played Reverend Parris in the 2002 Broadway revival of The Crucible, opposite Laura Linney and Liam Neeson. Died of cancer after shooting five episodes of Silicon Valley; he was posthumously nominated for a Critics' Choice Award for his work.

Trivia: Attended first audition for a role in the television series Unsolved Mysteries. The audition was a literal race which Martinez won. Performed in Mail Order Bridge, a film which was almost entirely improvised. Won a screenwriting competition and earned an invitation to a conference for the National Association of Latino Independent Producers in 2009. One of only a handful of actors to have worked in the United Nations building on two separate occasions. A vocal advocate of self-empowerment for people of color, and frequently speaks on the importance of generating one's own opportunities.

Trivia: Sydney Pollack was born to first generation Russian-Jewish Americans on July 1, 1934. After graduating from his Indiana high school, he went to New York and became a student at the Neighborhood Playhouse, a celebrated Greenwich Village school, where he studied under Sanford Meisner. He served two years in the army before returning to the Neighborhood Playhouse in 1958 as a teacher, and began appearing as an actor in live television dramas. His appearance in a John Frankenheimer-directed television production led him to a job as dialogue coach in the filmmaker's 1961 crime drama The Young Savages. He quickly moved into television, directing on programs such as "The Defenders," "The Naked City," "The Fugitive," "Dr. Kildare," and "Ben Casey" during the early and mid 1960s, and in 1965 made his feature film debut in the director's chair with The Slender Thread.Pollack established himself as a competent, if unexceptional, director in such works as This Property Is Condemned, and one sequence of the Frank Perry-directed drama The Swimmer (based on a work of John Cheever). However, his real breakthrough came in 1969 with the downbeat period drama They Shoot Horses, Don't They?, a brutal Depression-era piece set against the backdrop of a dance marathon contest, starring Jane Fonda and Gig Young. Young won the Oscar for Best Supporting Actor while Pollack and Fonda were nominated for Best Director and Best Actress, respectively. (Fonda was said to have lost only because of the controversy surrounding her anti-Vietnam War activities.) Pollack again proved his skill at handling period drama four years later with The Way We Were, a romantic drama starring Barbra Streisand and Robert Redford that became one of the most popular serious movies of the decade. During the mid 1970s, Pollack also delved into the action genre with The Yakuza, about a kidnapping committed by Japanese gangsters. He achieved much greater success in 1975 with Three Days of the Condor, a post-Watergate suspense thriller starring Redford, Cliff Robertson and Faye Dunaway that proved an enduring favorite among genre fans as well as a hit with general audiences. Four years later, The Electric Horseman united his two top leads, Fonda and Redford, in a predictable but very successful update of the '30s screwball comedy, while Absence of Malice (1981), starring Paul Newman and Sally Field, took a much more serious tone in dealing with a story of an innocent man whose career is ruined by an ambitious reporter. In 1982, Pollack returned to comedy in top form with Tootsie, the story of an out-of-work actor (Dustin Hoffman) who achieves success by masquerading as a woman. The film scored a Best Director Oscar nomination for Pollack, as well as a win in the same category from the New York Critics Film Circle, and became the second highest grossing film of its year after E.T.. More success followed for the director with Out Of Africa (1985); starring Redford, it was one of a dwindling number of serious romantic dramas aimed at middle-class, middle-brow, middle-aged audiences that scored big at the box office. Unfortunately, another such outing with Redford, the 1990 Havana, was a notorious failure. Pollack was back on top in 1993 with The Firm, a wildly successful adaptation of John Grisham's thriller that starred Tom Cruise. However, mirroring the unpredictable fluctuations of fortune in Hollywood, his next directorial effort, a 1995 remake of Sabrina starring Harrison Ford, proved to be a colossal critical and financial flop. In 1999, Pollack and Ford reunited to make Random Hearts, a drama about a man and a woman Kristin Scott Thomas who discover that their respective spouses--who died in a plane crash--were lovers.In addition to directing, Pollack has also served as a producer on a number of films (including The Fabulous Baker Boys, Presumed Innocent, Dead Again and Sense and Sensibility) and frequently appears as an actor, both in his own films and those of other directors (he had a starring role in Woody Allen's Husbands and Wives). In 1999, he could be seen portraying a wealthy man with some questionable pastimes in Stanley Kubrick's Eyes Wide Shut.The 21st century found Pollack working far more often as a producer than as a director thanks in part to the production company he ran with director Anthony Minghella, Mirage. Those credits include such award-winning films as Iris, The Quiet American, and the big-screen adaptation of the novel Cold Mountain. After a layoff of over five years, Pollack returned to the director's chair twice in 2005. He created both his first documentary, Sketches of Frank Gehry about the famous architect, and The Interpreter, an old-fashioned political thriller with Sean Penn and Nicole Kidman. In 2006 Pollack handled the producing duties on Anthony Minghella's drama Breaking & Entering, which reunited them with Cold Mountain star Jude Law. Pollack died of cancer at age 73 in May 2008.

Trivia: Citizen of United States, France and Spain Translator for the French Chamber of Commerce, the Canadian Embassy, and for the film industry Played the part of Françoise "Fuffi" Drou in the film, Chocolat Received the 2017 International Book Award in Poetry for Life in Suspension Has authored 7 books as of 2019