Trivia: As the offspring of producer/writer Naomi Foner and director Stephen Gyllenhaal, it is not surprising that Jake Gyllenhaal has been acting since childhood. Raised in Los Angeles, Gyllenhaal acted in school plays and made his winsome screen debut when he was in the fifth grade, playing Billy Crystal's son in the blockbuster summer comedy City Slickers (1991). Keeping it in the family while acting with some of the industry's most notable talents, Gyllenhaal subsequently appeared in his parents' 1993 adaptation of the novel A Dangerous Woman with Debra Winger, and played Robin Williams' son in a 1994 episode of TV's Homicide that was directed by his father. Poised to make the transition from child to adult actor, Gyllenhaal earned rave reviews, heralding him as a star in the making, for his emotionally sincere performance as real-life rocket builder Homer Hickam in the warmly received drama October Sky (1999). Though he opted to stay in school and attend college at Columbia University, Gyllenhaal continued his creative pursuits, playing in a rock band and starring as the oddball title character alongside Drew Barrymore in the Barrymore-produced Sundance Film Festival entrant Donnie Darko (2001). Gyllenhaal could be seen later that same year as the titular character in the ill-fated Bubble Boy.After co-starring on the London stage in This Is Our Youth in spring 2002, Gyllenhaal was declared one half of Entertainment Weekly's "It Gene Pool" (with sister Maggie Gyllenhaal) for his aversion to taking the easy, teen flick route. In keeping with his preference for off-center work, Gyllenhaal coincidentally played the younger love object of choice in two consecutive indie comedies, appearing as Catherine Keener's sensitive boss in Nicole Holofcener's slyly witty Lovely & Amazing (2002) and Jennifer Aniston's enticing yet disturbed co-worker in Miguel Arteta's sardonic The Good Girl (2002). As further proof that he had the acting chops to go with his sad-eyed good looks, Gyllenhaal subsequently co-starred with Dustin Hoffman and Susan Sarandon as a young man enmeshed in his dead fiancée's family in Moonlight Mile (2002).With his star on the rise and his status as a heartthrob all but cemented, it became impossible for Gyllenhaal to avoid the draw of a big summer blockbuster. In 2004, he starred alongside Dennis Quaid in the mega-budgeted The Day After Tomorrow, and the success of that film put him in another league altogether. What followed was an interesting, challenging mix of roles for the young actor. He could be seen in the fall of 2005 starring in no less than three high-profile prestige films, all of them adaptations: the delayed big-screen version of the Pulitzer-prize winning play Proof, with Gwyneth Paltrow; the Gulf War memoir Jarhead, directed by American Beauty wunderkind Sam Mendes; and Ang Lee's cowboy romance Brokeback Mountain. The first two films received an indifferent response by critics, even though Jarhead's opening-weekend gross confirmed Gyllenhaal's bankability. Lee's film, however, garnered the most acclaim of 2005, and offered him perhaps his riskiest, most rewarding role to date. Playing the closeted, romantically frustrated rancher Jack Twist, Gyllenhaal added heartbreaking shades of vulnerability to his usual frat-boy cockiness, and more than held his own opposite a memorably gruff, taciturn Heath Ledger. As praise was heaped out upon the film and its two male leads, Gyllenhaal found himself the recipient of a BAFTA award, a National Board of Review notice, and an Oscar nomination for Best Supporting Actor. Gyllenhaal would spend the next several years enjoying his status as a leading man, appearing in projects like Zodiac, Brothers, Love and Other Drugs, and Source Code.

Trivia: One of the most popular African-American comedians of the late 1990s, TV star turned screen actor Jamie Foxx was born Eric Marlon Bishop in the small town of Terrell, Texas, on December 13, 1967. Foxx was raised by his grandparents after his parents separated. He enjoyed a happy upbringing, going to church every day with his grandparents and excelling at everything from academics to music to football. During his teen years he had his first taste of the entertainment business as his church's choir director and music director, and also started his own R&B band. Foxx studied music while a student at the U.S. International University in San Diego; it was during his college days that he got his start as a stand-up comedian. Attending a comedy club one night with some friends, he was encouraged to take the stage and perform some impersonations, which proved incredibly popular with the audience. Foxx's enthusiastic reception led to his decision to move to L.A. and pursue a comedy career. At the age of 22 he was hired for In Living Color, and he subsequently landed a recurring role on Charles Dutton's sitcom Roc. Foxx eventually broke through onto the big screen with small appearances in movies like The Truth About Cats and Dogs, The Great White Hype, and Booty Call. Foxx's big break in film came in 1999 with Any Given Sunday, and he would henceforth find himself on a short list of bankable dramatic actors in Hollywood. He would go on to star in Michael Mann's Ali and Collateral, before playing legendary musician Ray Charles for the biopic Ray, which found Foxx taking home a Golden Globe and an Oscar for his performance. Foxx would continue to remain a top-tier actor, starring in major films like Stealth, Jarhead, Miami Vice, Dreamgirls, The Soloist, Law Abiding Citizen, Django Unchained, The Amazing Spider-Man 2 and the 2014 remake of Annie.

Trivia: An actor who has demonstrated a fearless capacity for exploring the darker side of human nature, Peter Sarsgaard became synonymous with the term "edgy young performer." With looks that allow him to either play soft-skinned pretty boys or greasy-haired white trash refuse, Sarsgaard has used his malleable features and brooding charisma to great effect in such films as Kimberly Peirce's Boys Don't Cry.A graduate of St. Louis' Washington University, where he was a co-founder of the improvisational group Mama's Pot Roast, Sarsgaard studied at the Actors' Studio in New York. After he completed his studies, he was cast in the off-Broadway production of Horton Foote's Laura Dennis, and, as a member of Douglas Carter Beane's Drama Department, he appeared in John Cameron Mitchell's off-Broadway production of Kingdom of Earth.Sarsgaard made his screen debut in Tim Robbins' Dead Man Walking (1995) but had his first substantial role in The Man in the Iron Mask (1998), which cast him as the ill-fated son of John Malkovich's dueling Muskateer. He then appeared in a series of largely unseen independent features, including Larry Clark's Another Day in Paradise and Morgan J. Freeman's Desert Blue (both 1998). In 1999, Sarsgaard broke out of obscurity with his role in Kimberly Peirce's Boys Don't Cry. Cast as a violent yet charismatic ex-con, the actor managed to stand out in a film saturated with strong performances, and the film's unanticipated success provided him with an introduction to a wide audience. His increased profile was reflected in the number of projects he was involved with the following year, including P.J. Hogan's Unconditional Love, a drama about a woman (Kathy Bates) who joins forces with the lover of a dead pop star to track down the star's murderer.Sarsgaard reached a new level of critical acclaim with his supporting performances in two little-seen but highly praised features: 2003's journalist drama Shattered Glass and 2004's biopic Kinsey. In the former, he played dedicated, soft-spoken New Republic editor Chuck Lane, who becomes increasingly more agitated as he catches hotshot reporter Steven Glass fabricating stories. Racking up scores of Best Supporting Actor nods from critics' groups and the Golden Globes, it seemed inevitable that the Academy would recognize Sarsgaard, but he was passed over. A similar fate occurred with Kinsey, in which the actor convincingly played the curious, bisexual assistant - and occasional lover - of the sex researcher.Though ignored by the Oscars, Sarsgaard found his profile rising with powerful casting directors, and in turn, the public. After memorably essaying the role of a stoner gravedigger in the popular 2004 indie Garden State, the actor broke through to mass audiences in 2005 with a trio supporting performances in big-budget genre films: the supernatural thriller The Skeleton Key, the blockbuster Flighplan, and the war memoir Jarhead. Bringing his distinctively low-key delivery to a range of parts that were by turns mystical, sinister and conflicted, Sarsgaard secured his place in the pantheon of great Hollywood character actors.Saarsgard delivered solid performances in Year of the Dog and Rendition (both 2007), and co-starred with Dennis Hopper and Patricia Clarkson for the psychological drama Elegy in 2008. The following year he played the role of a man who becomes increasingly concerned about the behavior of his adoptive daughter for The Orphan, and took on the part of the much-older boyfriend of a 16-year-old girl (Carey Mulligan) for the coming of age drama An Education. Saarsgard joined Cameron Diaz and Tom Cruise for a supporting role in the action comedy Knight and Day (2010), and joined the cast of The Green Lantern in 2011.

Trivia: Having spent much of his youth on his father's Missouri cattle ranch, it is not surprising that supporting and leading actor of stage, screen, and television Chris Cooper has specialized in playing cowboys, ranchers, and other hardworking men. His rugged Everyman demeanor has best been put to use by filmmaker John Sayles, who cast him in a number of his films, beginning with 1987's Matewan.Cooper's interest in the theater began in his late teens, when he designed and constructed sets for a community group. Following high school, he studied agriculture and acting at the University of Missouri before moving to New York City in hopes of making it on the stage. It took awhile, but by 1980 he was starring in productions like Of the Fields Lately, The Ballad of Soapy Smith, and Cobb, in which he played the title role. His film debut came in 1980, in Nicholas Roeg's Bad Timing: A Sensual Obsession. He didn't get his big break until seven years later, when Sayles cast him as Joe Kenehan, a member of the coalminer's union who is sent to a tiny mountain town to organize the workers in Matewan (1987). He again worked with Sayles in City of Hope (1991) and then in Lone Star (1996), for which he won great acclaim playing the enigmatic Sam Deeds, the prodigal son of a tiny Texas town's sheriff who solves a mystery and comes to grips with his relationship with his late father. Subsequently, Cooper -- who had also made his mark on the small screen as cowboy July Johnson in Lonesome Dove (1989) -- appeared as a deputy in a A Time to Kill (1996), Robert Redford's younger brother in The Horse Whisperer (1998), and Ethan Hawke's brother-in-law in Great Expectations. In 1999, the actor again demonstrated his impressive range, first playing a coalminer in October Sky and then turning in a chilling performance as Kevin Spacey's unbalanced neighbor in American Beauty. If Cooper was somewhat lost in the shuffle of 2002's Interstate 60, his Oscar winning performance in that same years' Adaptation would find Cooper receiving lavish praise for his portrayal of a lively orchid hunter. Cast opposite Meryl Streep, Cooper's toothless performance was in turns hilarious, sad and poetic, providing the perfect showcase for his impressive range. In 2003, Cooper was nominated for Best Supporting Actor by the Screen Actors Guild for his turn as a soft-spoken horse trainer in Seabiscuit. Cooper worked steadily through the early 2000s, largely in a supporting capacity. He won no small amount of praise for his work in Syriana and Capote (both 2005), and showed demonstrated his range as an actor in 2007, when he co-starred in The Kingdom, Married Life, and Breach. Cooper lent his voice to Spike Jonze's remake of Maurice Sendak's classic children's novel Where the Wild Things Are, and joined Ben Affleck for a supporting role in The Town, a 2010 crime thriller based on author Chuck Hogan's novel Prince of Thieves. Cooper found more success, however, for his role in Amiga (2010) John Sayles' war drama, in which he played an American military colonel deeply prejudiced against Filipinos. The actor took on a decidedly less serious role as a dastardly villain extraordinaire in The Muppets (2011).

Trivia: Born to a first-generation Cuban immigrant couple and raised in the Washington, D.C., area, Laz Alonso gravitated to acting interests at an early age, but temporarily forsook the arts in favor of a more practical and well-grounded education, studying business at nearby Howard University's marketing program. After graduation, Alonso left the District of Columbia and took off for the Big Apple, where he worked as an investment banker, but footlights and soundstages beckoned, and with the encouragement of friends, Alonso began auditioning for acting assignments and soon landed appearances in a string of commercials, then guest roles on series programs including CSI, The Practice, and Navy: NCIS, before gracing the casts of theatrically released features. Meanwhile, the young performer -- who had studied classical piano formally for nearly a decade -- parlayed his melodic interests into reggaeton performances and also involved himself in a big way with altruism, launching a nonprofit group for children of single-parent households.Alonso's big-screen projects included the 2003 urban horror comedy Leprechaun: Back 2 tha Hood; the 2005 Constantine (with a role as a security guard in a morgue), and the 2005 Jarhead (as a soldier stationed in the Gulf War). He worked for Roland Joffé (The Killing Fields) as a detective hot on the trail of a serial killer, in that filmmaker's critically despised torture porn outing Captivity (2007), then essayed a small supporting turn in the same year's Dirty Sexy Money on ABC. Also in 2007, Alonso played a frat boy at an African American college in Atlanta in director Sylvain White's teen comedy-cum-dance film Stomp the Yard. At about the same time, the young actor worked under the aegis of Spike Lee in that helmer's World War II-era period drama Miracle at St. Anna (2008), and signed to act in director James Cameron's hotly anticipated, mega-budgeted science fiction epic Avatar (2009).

Trivia: Though he has proven to be a natural, allegedly Lucas Black's ambition is not to be an actor when he grows up. Born and raised in Alabama, Black became a professional actor when an open casting call landed him a bit part in Jon Avnet's The War (1994). After starring on TV's American Gothic (1995), Black definitively caught the audience's attention with his pivotal role in Billy Bob Thornton's award-winning drama Sling Blade (1996). Resisting child actor treacle, Black turned in a genuinely charming and moving performance as the young boy who befriends Thornton's mentally challenged ex-con. Despite the acclaim, however, Black opted to stay home in Alabama rather than go Hollywood. Black continued to act throughout his high school years, playing supporting roles in the racial drama Ghosts of Mississippi (1996) and the big-screen version of The X-Files (1998), and starring in the TV movie Flash (1997) and as the politically aware Peejoe in Crazy in Alabama (1999). In Thornton's second directorial effort All the Pretty Horses (2000), Black's performance as the young drifter who gets Matt Damon into trouble once again revealed his ability to hold his own against -- indeed outshine -- Hollywood's best. Black, however, has asserted that his ultimate goal is to become a professional fisherman. High profile roles as everything from a piano savant in Killer Diller to a high school football star in Friday Night LIghts and a fresh-faced Marine in Jarhead proved without question that Black had the acting range needed to craft and impressive and enduring career, and in 2006 Black put the peddle to the metal as a troubled teen whose trip to Tokyo finds him mastering the art of the drift in the adrenaline-charged sequel The Fast and the Furious: Tokyo Drift.

Trivia: New Jersey-born actor Brian Geraghty owed his love of acting -- and concomitant celebrity -- to one role that provided him with depthless inspiration: Sean Penn's turn as convicted murderer Matthew Poncelet in Dead Man Walking. After viewing that performance, Geraghty -- unclear after high school about where he wanted to go or what he wanted to do -- made a beeline from his home of Toms River, NJ, to New York City's Neighborhood Playhouse, where he plunged headfirst into classical theater -- and subsequently received a bid to audition for HBO's organized crime drama The Sopranos. Though Geraghty's turn in that blockbuster constituted a small one at best (he played a bumbling counterman who plugs himself in the foot), it caught the attention of Hollywood producers and casting agents, and helped Geraghty immeasurably during a brief period during which he taught surfing in Los Angeles and attended auditions on the side. Feature roles soon followed, in such pictures as Jarhead (2005), We Are Marshall (2006), and Bobby (2006). He ascended to higher billing (but descended several dozen notches in terms of picture quality) as a quarterback smitten with Lindsay Lohan in the critically reviled horror outing I Know Who Killed Me (2007).

Trivia: Actor Jocko Sims caught audiences' attention with a role on an episode of the gritty crime drama The Shield. He continued to build on his career following the appearance with roles in the screen adaptation of the musical Dreamgirls as well as the war drama Jarhead.

Trivia: African American actor Dennis Haysbert first appeared on the TV scene as "Stuff" Wade on the weekly actioner Code Red (1981). Haysbert went on to play such TV-series roles as Cletus Maxwell in Off the Rack (1985) and Coach Duane Johnson in Just the Ten of Us (1988-89). He was also featured as Cherokee Jack in the 1993 miniseries Return to Lonesome Dove. Dennis Haysbert's best-loved film assignment was as voodoo-worshipping ballplayer Pedro Cerrano in the two Major League movies.

Trivia: Best known to small-screen devotees as sales representative Jim Halpert, the eternally patient, undeclared admirer of Pam Beesly (Jenna Fischer) on Greg Daniels' hit NBC sitcom/mockumentary The Office, Massachusetts native John Krasinski graduated from Rhode Island's Brown University in 2001 as an honors playwright, but quickly segued into acting. Within three years launched himself into films, predominantly with bit roles and supporting parts, but consistently echoing the promise that he would soon find himself among number-one box-office draws and Tinseltown heartthrobs. By 2006, in fact, People Magazine featured Krasinski in its "Sexiest Men" issue, a testament to the actor's rapidly growing recognition in the eyes of the public.Born October 20, 1979, Krasinski grew up and attended high school in Newton, an affluent western suburb of Boston. After receiving his degree from Brown, Krasinski studied at the National Theater Institute. 2004 marked the actor's "breakthrough year," with fleeting appearances in no less than four A-list productions. That year, he had bit parts as Ben in the American Zoetrope film Kinsey, a biopic of sex researcher Alfred Kinsey, directed by Bill Condon and starring Liam Neeson; Bob Flynn in Matt Mulhern's finely wrought (and underappreciated) alcoholism drama Duane Hopwood starring David Schwimmer; Messenger #3 in Tim Story's urban comedy Taxi, with Queen Latifah and Jimmy Fallon; and the British CG-animated fantasy Doogal (aka, The Magic Roundabout), which didn't find U.S. release until early 2006. The first two of these films were widely lauded sleepers, the last two critically despised (though they failed to hurt Krasinski's career, given the low profile of his involvement).The Office followed in 2005. Adapted by Daniels from a hit 2001 British series of the same title, the program -- a ratings bonanza on NBC -- stars Daily Show vet Steve Carell as Michael Scott, the tactless, vain, pushy, and loudmouthed (yet well-meaning) director of the Dunder-Mifflin paper company. While Carell's off-the-wall antics spiked the series with a never-ending source of hilarity, the gradually developing relationship between Krasinski's Jim and Fischer's Pam (two straight roles) brought the series weight and solicited interest from those viewers seeking deeper and more meaningful character development. Perhaps sensing this, Daniels opted to stretch their courtship at a snail's pace over the course of several seasons. Krasinski would appear in several movies even as The Office's success continued on the small screen, like Jarhead, The Holiday, For Your Consideration, License to Wed, Leatherheads, Away We Go, and Big Miracle. In 2015, he appeared in Cameron Crowe's Aloha and acted as executive producer on the highly-successful TV series Lip Sync Battle.

Trivia: Moved to California when he was one year old.Began his acting career at the age of 12 when he was cast as a street dancer after being discovered breakdancing in a schoolyard.Won the ALMA Award for Emerging Artist of the Year in 1995.While working on the movie Flight of the Phoenix (2004), helped co-star Hugh Laurie record his audition tape for House.Founder of the production company Third Son Productions, Inc.

Trivia: With his bald, burly, and threatening presence and "tough guy" appearance, character actor Wade Williams (sometimes billed as Wade Andrew Williams) built a substantial career for himself playing thugs and hoods, initially on American television series. Early series credits, which extend back into the late '90s, include guest-starring appearances on such programs as NYPD Blue, Profiler, and Night Man. In time, Williams extended himself into different genres -- he appeared on HBO's show-business satire The Larry Sanders Show, for instance, on Star Trek: Voyager (in the episode "One"), and in the big-screen Jim Belushi cop comedy K-911. Williams drew greatest attention, however, for his portrayal of psychopath Capt. Brian Bellick, one of the administrators of the penitentiary on the Fox serialized drama Prison Break. Williams reportedly expressed some reservations before taking the role, due to the depraved nature of the character. Wade Williams the actor is not to be confused with the director and producer Wade H. Williams III, known for his high output (and extensive rights ownership) of science fiction titles.