Trivia: Born Walter Willis -- an Army brat to parents stationed in Idar-Oberstein, West Germany -- on March 19, 1955, Bruce Willis grew up in New Jersey from the age of two. As a youngster, he developed a stutter that posed the threat of social alienation, but he discovered an odd quirk: while performing in front of large numbers of people, the handicap inexplicably vanished. This led Willis into a certified niche as a comedian and budding actor. After high-school graduation, 18-year-old Willis decided to land a blue-collar job in the vein of his father, and accepted a position at the DuPont Chambers Works factory in Deep Water, NJ, but withdrew, shaken, after a co-worker was killed on the job. He performed regularly on the harmonica in a blues ensemble called the Loose Goose and worked temporarily as a security guard before enrolling in the drama program at Montclair State University in New Jersey. A collegiate role in Cat on a Hot Tin Roof brought Willis back in touch with his love of acting, and he instantly decided to devote his life to the profession.Willis made his first professional appearances on film with minor roles in projects like The First Deadly Sin, starring Frank Sinatra, and Sidney Lumet's The Verdict. But his big break came when he attended a casting call (along with 3000 other hopefuls) for the leading role on Moonlighting, an ABC detective comedy series. Sensing Willis' innate appeal, producers cast him opposite the luminous Cybill Shepherd. The series, which debuted in 1985, followed the story of two private investigators working for a struggling detective agency, with Willis playing the fast-talking ne'er-do-well David Addison, and Shepherd playing the prim former fashion model Maddie Hayes. The show's heavy use of clever dialogue, romantic tension, and screwball comedy proved a massive hit with audiences, and Willis became a major star. The show ultimately lasted four years and wrapped on May 14, 1989. During the first year or two of the series, Willis and Shepherd enjoyed a brief offscreen romantic involvement as well, but Willis soon met and fell in love with actress Demi Moore, who became his wife in 1987.In the interim, Willis segued into features, playing geeky Walter Davis in the madcap 1987 comedy Blind Date. That same year, Motown Records -- perhaps made aware of Willis' experiences as a musician -- invited the star to record an LP of blue-eyed soul tracks. The Return of Bruno emerged and became a moderate hit among baby boomers, although as the years passed it became better remembered as an excuse for Willis to wear sunglasses indoors and sing into pool cues.Then in 1988, Willis broke major barriers when he convinced studios to cast him in the leading role of John McClane in John McTiernan's explosive action movie Die Hard. Though up until this point, action stars had been massive tough guys like Arnold Schwarzenegger and Sylvester Stallone, execs took a chance on Willis' every-guy approach to the genre - and the gamble paid off. Playing a working-class cop who confronts an entire skyscraper full of terrorists when his estranged wife is taken hostage on Christmas Eve, Willis' used his wiseacre television persona to constantly undercut the film's somber underpinnings, without ever once damaging the suspenseful core of the material. This, coupled with a smart script and wall-to-wall sequences of spectacular action, propelled Die Hard to number one at the box office during the summer of 1988, and made Willis a full-fledged movie star.Willis subsequent projects would include two successful Die Hard sequels, as well as other roles the 1989 Norman Jewison drama In Country, and the 1989 hit comedy Look Who's Talking, in which Willis voiced baby Mikey. Though he'd engage in a few stinkers, like the unsuccessful Hudson Hawk and North, he would also continue to strike told with hugely popular movies like The Last Boyscout , Pulp Fiction, and Armageddon.Willis landed one of his biggest hits, however, when he signed on to work with writer/director M. Night Shyamalan in the supernatural thriller The Sixth Sense. In that film, Willis played Dr. Malcolm Crowe, a child psychologist assigned to treat a young boy (Haley Joel Osment) plagued by visions of ghosts. The picture packs a wallop in its final minutes, with a now-infamous surprise that even purportedly caught Hollywood insiders off guard when it hit U.S. cinemas in the summer of 1999. Around the same time, tabloids began to swarm with gossip of a breakup between Willis and Demi Moore, who indeed filed for divorce and finalized it in the fall of 2000.Willis and M. Night Shyamalan teamed up again in 2000 for Unbreakable, another dark fantasy about a man who suddenly discovers that he has been imbued with superhero powers and meets his polar opposite, a psychotic, fragile-bodied black man (Samuel L. Jackson). The movie divided critics but drew hefty grosses when it premiered on November 22, 2000. That same year, Willis delighted audiences with a neat comic turn as hitman Jimmy the Tulip in The Whole Nine Yards, which light heartedly parodied his own tough-guy image. Willis followed it up four years later with a sequel, The Whole Ten Yards.In 2005, Willis was ideally cast as beaten-down cop Hartigan in Robert Rodriguez's graphic-novel adaptation Sin City. The movie was a massive success, and Willis was happy to reteam with Rodriguez again the next year for a role in the zombie action flick Planet Terror, Rodriguez's contribution to the double feature Grindhouse. Additionally, Willis would keep busy over the next few years with roles in films like Richard Donner's 16 Blocks, Richard Linklater's Fast Food Nation, and Nick Cassavetes' crime drama Alpha Dog. The next year, Willis reprised his role as everyman superhero John McClane for a fourth installment of the Die Hard series, Live Free or Die Hard, directed by Len Wiseman. Though hardcore fans of the franchise were not overly impressed, the film did expectedly well at the box office.In the latter part of the decade, Willis would keep up his action star status, starring in the sci-fi thriller Surrogates in 2009, but also enjoyed poking fun at his own persona, with tongue-in-cheek roles in action fare like The Expendables, Cop Out, and Red. He appeared as part of the ensemble in Wes Anderson's quirky Moonrise Kingdom and in the time-travel action thriller Looper in 2012, before appearing in a string of sequels -- The Expendables 2 (2012), A Good Day to Die Hard, G.I. Joe: Retaliation and Red 2 (all 2013) and Sin City: A Dame to Die For (2014).

Trivia: Mos Def may seem, to the casual observer, like a rare example of a musician successfully transitioning into acting, but in truth, his acclaimed music career did not take off until long after he'd cemented himself as a working actor. Nonetheless, the man has built both his music and film careers on a foundation of integrity, earning him critical praise and audience approval for both. His contributions to the underground hip-hop scene started with the 1996 single "Universal Magnetic," a rare example of introspection in a genre dominated by blustering and callousness. Def's film debut, however, came almost ten years before, when he appeared in the 1988 TV movie God Bless the Child at the age of 15. Then going by his birth name, Dante Terrell Smith, Mos Def landed appearances on shows like Here and Now, The Cosby Mysteries, Brooklyn South, Spin City, and NYPD Blue. The spots sustained his career throughout the '90s, as did his roles in feature films like Bamboozled and MTV's Carmen: A Hip Hopera. Slowly but steadily becoming a recognizable face in acting, Mos Def continued to take parts in high-quality films, even if this meant a lower profile for himself as an actor. His supporting roles in Monster's Ball, Brown Sugar, The Italian Job, and The Woodsman, however, garnered him attention on talent alone. In 2004, he co-starred in the HBO movie Something the Lord Made with Alan Rickman and was honored with an Emmy nomination for Outstanding Lead Actor in a Miniseries or Movie, along with Rickman. By the time Def appeared in 2005's Golden Globe award-winning HBO miniseries Lackawanna Blues alongside Terrence Howard and S. Epatha Merkerson, he was a recognized and sought-after face in film. Def soon afterward donned a British accent for a leading role in The Hitchhiker's Guide to the Galaxy, giving audiences a taste of his comedic skills -- which were also on display in his recurring role on the hit Comedy Central series Chappelle's Show, as well as Michel Gondry's retro comedy Be Kind, Rewind -- which found the actor playing a hapless video store clerk opposite Jack Black. Increasingly versatile, Def was just as effective as a key witness hoping to avoid assassination in Richard Donner's 16 Blocks as he was as legendary rock & roller Chuck Berry in 2008's Cadillac Records. Back on the small screen, Def's recurring role as the haunted Brother Sam on Showtime's Dexter found the actor earning even more critical praise in 2011.

Trivia: A fixture of 1980s TV series and movies, prolific character actor David Morse became a reliable and much lauded supporting presence in feature films from the 1990s onward.Raised in Hamilton, MA, Morse began his professional career after high school, joining the Boston Repertory Theater in 1971. Over the next six years, Morse acted in over 30 productions, amply preparing him for a move to New York theater in 1977. Morse subsequently got his first big movie break when he was cast in the drama Inside Moves (1980). Though Morse proved that he could handle lighter films with Neil Simon's comedy Max Dugan Returns (1983), his detour into television in 1982 was initially more fruitful. As Dr. Jack "Boomer" Morrison, Morse spent six seasons on the esteemed hospital drama St. Elsewhere, co-starring with, among others, Denzel Washington. During his stint on St. Elsewhere, Morse also starred in a diverse collection of TV movies. He was a priest in love with Valerie Bertinelli's nun in Shattered Vows (1984), a prisoner attempting a breakout from Alcatraz in Six Against the Rock (1987), a detective in Down Payment on Murder (1987), and a mental hospital escapee in Winnie (1988). Continuing his presence on the small screen after St. Elsewhere, Morse appeared in several more TV movies, including starring as a deranged kidnapper in Cry in the Wild: The Taking of Peggy Ann (1991).Though he co-starred as a drifter in the indie film Personal Foul (1987) and appeared in Michael Cimino's noir remake The Desperate Hours (1990), Morse did not concentrate most of his energies on feature films until the 1990s. After starring as Viggo Mortensen's brother in Sean Penn's directorial debut, The Indian Runner (1991), Morse moved to more mainstream work with supporting roles in The Good Son (1993), the Alec Baldwin-Kim Basinger version of The Getaway (1994), and medical thriller Extreme Measures (1996). While he appeared in Terry Gilliam's thoughtful La Jetée (1962) remake 12 Monkeys (1995), faced off with Jack Nicholson in Penn's The Crossing Guard (1996), and starred as a janitor-turned-rich man in George B. (1997), Morse really captured audience attention in a concurrent string of high-profile projects. Returning to Alcatraz, Morse projected quiet menace as one of Ed Harris renegade Marines in the blockbuster hit The Rock (1996). Morse tapped his bad self again in the action romp The Long Kiss Goodnight (1996), then cemented his versatility with a small yet vital role as Jodie Foster's gentle father in Contact (1997). Notching his third major summer release in a row, Morse played a SWAT team commander up against Samuel L. Jackson's wrongly accused cop in The Negotiator (1998). Returning to serious blockbuster fare, Morse then co-starred with Tom Hanks as prison guards who witness miracles in The Green Mile (1999). After a foray into comedy with Bait (2000), Morse stole hostage drama Proof of Life (2000) from his glamorous tabloid-ready co-stars Meg Ryan and Russell Crowe with his intense performance as Ryan's kidnapped husband. Even as he became a popular Hollywood second lead, however, Morse wasn't afraid to veer away from the multiplex, winning an Obie Award for Paula Vogel's acclaimed play How I Learned to Drive and putting a believably human face on an utterly hateful character in Lars von Trier's bleak, award-winning musical Dancer in the Dark (2000). Continuing his protean career, Morse appeared in another gentle Stephen King adaptation Hearts of Atlantis (2001) and starred in Diary of a City Priest (2001) for PBS. Morse followed the ill fated Hearts of Atlantis with a lead role in the indie drama The Slaughter Rule (2002), which was well received on the film festival circuit. Morse subsequently returned to series television, and received top billing, in the CBS drama Hack (2002). Starring Morse as an ex-cop-turned-cab driver, Hack was pummeled by critics, but audiences took to Morse's well intentioned, marginalized law enforcer and Hack became a modest ratings success. He had a recurring part on the medical drama House as a police detective driven to put the title character behind bars. In 2007 he played the bad guy in the teen thriller Disturbia. He appeared in a pair of award-winning projects in 2008 - he was a military man in The Hurt Locker, and tackled the role of George Washington in the Emmy-winning miniseries John Adams for HBO. In 2011 he had a major part in Drive Angry, and the next year he was in the family-oriented fantasy film The Odd Life of Timothy Green.

Trivia: A former New York City police officer who was inspired to take up acting after seeing a performance of A Few Good Men on Broadway, David Zayas subsequently enrolled in Ernie Martin's acting classes and began honing his craft while he wasn't fighting crime. Later, Zayas would sign on with the Labyrinth Theater Company alongside Philip Seymour Hoffman and John Ortiz and appear in a variety of groundbreaking productions including In Arabia We'd All Be Kings and Jesus Hopped the "A" Train. Thirty plays later, Zayas was discovered by Tom Fontana and cast in the hit HBO series Oz. Zayas would stick with the series for three seasons, his role as the leader of the Latino prison population gradually drawing the eye of such acclaimed filmmakers as Martin Scorsese and James Gray. While roles in Bringing Out the Dead, The Yards, Bristol Boys, and 16 Blocks all served well to advance Zayas' career on the big screen (where he could usually be found playing a detective or police officer), he remained faithful to the stage by appearing in a Broadway production of Anna in the Tropics at the Royal Theater and could later be seen opposite Michael C. Hall in the Golden Globe-nominated Showtime series Dexter.

Trivia: Born in Jaffa, Israel, his family moved to Montreal, Canada when he was 7. Parents are Russian Jewish immigrants, and they all still speak Russian at home. Was at one time the drummer for the indie-rock band Tricky Woo, based in Montreal. Studied history before pursuing drama. Role in the pilot for the television series Caprica was originally a guest spot, but was later expanded to be included as a regular character. Indicating his traditional Russian Jewish background, he claims that his father still plays the accordion and "a lot of things get pickled." Is trilingual (English, French and Russian).

Trivia: Played on the varsity football team in high school. Competed in a Golden Gloves amateur boxing competition at Madison Square Garden at the age of 17, but was soon after diagnosed with elbow tendinitis, ending his boxing career. Made his stage debut in his high school's production of Kismet. In 1999, played the role of Mitch in the Hartford Stage's production of A Streetcar Named Desire. Performed on Broadway as Mike in the Roundabout Theatre Company's production of Pal Joey in 2009.

Trivia: Grew up in communist East Germany, where he only had one TV channel.The fall of the Berlin Wall happened when he was 17.Traveled to the United States as an exchange student when he was 17, he stayed there for a year studying English and acting in theater.Started his acting career in theater.Has performed at the Theater Junge Generation, the Schauspielhaus Zürich and the Schauspiel Frankfurt.Speaks multiple languages, including German, Russian, English, Italian and French.He dubs his Game of Thrones character in German.

Trivia: Working briefly as an actor in the late 1950s, American director Richard Donner first wielded the megaphone for a group of TV commercials, then graduated to the weekly western Wanted: Dead or Alive. Some of Donner's best early work was concentrated on the fantasy anthology Twilight Zone, including the imperishable 1963 episode "Nightmare at 20,000 Feet." Donner also worked for Hanna-Barbera, directing several episodes of "Danger Island", a component of the 1968 kid's series The Banana Splits; there was, however, very little that was "kiddie" about "Mystery Island," a hallucinatory symphony of hand-held camerawork. A film director since 1961 Donner turned to movie work full time with 1968's Salt and Pepper. The Omen (1976), a demonic-possession opus, was Donner's first major moneymaker, leading to his directing assignment on the first Superman film in 1978. Superman was popular enough to inspire three sequels, the first of which contained so much uncredited Donner-directed footage that the director was compelled to sue. Donner has struck gold at the box office several times since 1978, notably with the three action-packed Lethal Weapon films starring Mel Gibson and Danny Glover, and more recently with another Gibson vehicle, Maverick (1994).