Trivia: As an actor, writer, producer, and director of films and stage plays, the New Orleans-born Tyler Perry began his career as a dramatist in 1992. When inspired by Oprah Winfrey to channel his creativity through writing, Perry put pen to paper as a method of healing the wounds that lingered from a painful childhood. His first production, entitled I Know I've Been Changed, hit the stage to rapturous reviews in 1997, and following a collaborative period with Bishop T.D. Jakes that resulted in the plays Woman, Thou Art Loosed and Behind Closed Doors, Perry flew solo to create cantankerous 68-year-old grandmother Mabel "Madea" Simmons (whom Perry played, in full drag) in I Can Do Bad All by Myself around 2000 A slew of Madea-based projects were quick to follow, and shortly thereafter Perry joined Grammy Award-winner Kelly Price for the play Why Did I Get Married?. His plays garnered countless fans thanks to Perry's trademark practice of releasing them on home video. Throughout this period, many credited Perry with resuscitating (and reinventing) African-American theater; in the process, Perry's first eight plays reportedly earned a cumulative gross of over 75 million dollars in ticket and video sales.Perry didn't fully enter the public spotlight, however, until he cropped up in mid-2005 with the oddball A-lister Diary of a Mad Black Woman, self-adapted from his own hit play. This story of an African-American woman Helen McCarter (Kimberly Elise) struggling to rebound after a painful separation, whose life is invaded (in more ways than one) by the obnoxious, loudmouthed, chainsaw-wielding (!) Madea, Diary -- a bizarre combination of domestic melodrama, violent, racially-oriented farce, and Christian proselytizing -- understandably left many critics running for the exit, but, of course, ticket buyers prevailed. The film scored with its intended African-American audience and grossed a healthy 50 million dollars (it ranked as number one at the box office during February 2005), leading to an early 2006 sequel, Madea's Family Reunion, this one written and directed by Perry. Either because Perry's talent had matured within a year or because the press had grown accustomed to the playwright-cum-filmmaker's defiantly unconventional style, critics were slightly kinder about the sophomore Madea outing, which benefits from finely-felt supporting turns by the legendary Cicely Tyson and Maya Angelou. Like its predecessor, Reunion struck box office gold, and even topped Diary's net, reeling in an estimated 63.3 million dollars in international grosses. Perry then scrapped the Madea character for a tertiary cinematic outing, Tyler Perry's Daddy's Little Girls. This romantic dramedy concerns Monty (Idris Elba), a financially strapped African-American mechanic who loses custody of his children to his drug-pushing ex-wife, and then falls in love with the beautiful attorney (Gabrielle Union) whom he hires to get the children back. Increasingly prolific on stage and screen in the following years, Perry continued packing fans into theaters with Madea Goes to Jail (2009), I Can Do Bad All By Myself (also 2009), Good Deeds (2012) and Madea's Witness Protection while simultaneously making a mark on television as creator of the hit sitcom Tyler Perry's House of Payne. Perry also began to take some acting roles in films that he didn't write/direct/producer, like the titular character in Alex Cross (2012) and a supporting role in David Fincher's Gone Girl (2014).

Trivia: A handsome actor with leading-man looks and charisma to spare, one only wonders why it took actor Matthew Fox's career over a decade to finally set sail with his starring role as natural-born leader Jack on the hit ABC series Lost. Commanding the screen as the brave but conflicted organizer of a group of airplane-crash survivors stranded on a mysterious island, Fox played no small part in bringing compelling drama back to the small screen in a time when reality television seemed to dominate the dial. Of course, Lost wasn't Fox's first foray into television drama, having previously established himself as one of five siblings prematurely thrust into adulthood when their parents are killed by a drunk driver in the Golden Globe-winning Party of Five, but it did find him excelling in a manner that could point to a long and fruitful career. Unlike many actors who realize their calling early in life, in the Wyoming native's early years, it seemed as if an acting career was the absolute farthest thing imaginable in terms of future job prospects. Fox was raised on a ranch that raised horses and barley, and when it came time to choose a college, he opted to study economics at Columbia University -- where he also made quite a name for himself on the gridiron. All arrows pointed to a prosperous future career on Wall Street, but when Fox was convinced to try his hand at modeling, the chips seemed to fall into place, and he was soon appearing on television commercials and essaying guest appearances on such popular sitcoms as Wings. In 1992, Fox went back to college for a role in the short-lived TV comedy Freshman Dorm, and though that show itself was decidedly short-lived, it helped his career by leading to roles in the film My Boyfriend's Back, the made-for-television feature If I Die Before I Wake, and, eventually, Party of Five. After his wining performance in Party of Five making Fox a familiar face to television viewers, it seemed only a matter of time before he stuck out on his own. This happened for the actor in 2004, when Lost debuted on ABC to impressive ratings, making Fox a familiar face in households across America. Fox would remain a vital actor henceforth, appearing in feature films like Speed Racer, Vantage Point, Emperor, and World War Z.

Trivia: One of a number of American independent filmmakers launched to prominence in the '90s by virtue of their success at the Sundance Film Festival, writer/director Edward Burns was born in Woodside, Queens, in 1968 and raised on Long Island. After attending Oneonta College and S.U.N.Y.-Albany, he transferred to Hunter College in New York City to study motion pictures; there he helmed a number of short films, including the 15-minute Hey, Sco! Upon graduating, Burns began working at a local news outlet and made Brandy, a 45-minute effort screened as a work in progress at the 1992 Independent Feature Film Market. During the spring of 1993, while working as a production assistant for the television newsmagazine Entertainment Tonight, Burns began conceiving The Brothers McMullen, a comedy focusing on the romantic troubles facing three Irish-Catholic siblings. Shot primarily in his parents' Long Island home, with a cast of unknowns including Burns himself and his then-girlfriend Maxine Bahns, the feature was filmed over eight months' time with a budget of about 25,000 dollars and with the aid of a technical crew comprised largely of fellow Entertainment Tonight staffers. Rejected by a series of distributors, The Brothers McMullen bowed at Sundance in 1995 and won the festival's Grand Jury Prize, becoming one of the most successful independent efforts of the year.For his follow-up, She's the One, Burns retained much of the McMullen cast and crew, including Bahns and actor Mike McGlone; by virtue of his newfound fame, he was also able to cast up-and-coming stars Jennifer Aniston and Cameron Diaz in pivotal roles, and he even solicited an original soundtrack from rocker Tom Petty. Filmed with a comparatively lavish budget of about three million dollars, the romantic comedy premiered during late August 1996. Burns soon began work on his third feature, No Looking Back, a romantic drama set in a coastal town's working-class community. The film co-starred Lauren Holly and was released in 1998; that same year, Burns co-starred in the Steven Spielberg World War II epic Saving Private Ryan. In 1999, he was back on the screen with an appearance in Oliver Stone's football drama Any Given Sunday. In the years that followed, Burns wrote and directed a series of additional comedy-dramas incluing Sidewalks of New York (2001), Ash Wednesday (2002), Looking for Kitty (2004) and The Fitzgerald Family Christmas.

Trivia: With mournful eyes that suggest deep contemplation lurking beneath a sometimes imposing exterior, French actor Jean Reno (born July 30th, 1948) has carved a particular niche in cinema by portraying men who prefer to define themselves through action rather than words. Though his characters may often resort to violence without pause when necessary, that isn't to say that they are without the sort of honor or dignity that has served to define some of the screen's most memorable action stars. Born Juan Moreno Errere y Rimenes in Casablanca, Morocco, the future star spent his early, more carefree days roaming the beaches with friends to escape the searing summer heat. Reno was captivated by the likes of such screen legends as John Wayne, Marlon Brando, and Jean Gabin, who would form the foundation of his screen persona much later in life. An early stint in drama school found Reno exploring his acting abilities, but little did the aspiring talent know that his life would soon take a new and unexpected turn. Though Reno's life to that point had been somewhat idyllic, Morocco's increasing instability forced Reno's family to flee to France to start anew. Unfortunately, his new homeland was in the midst of turbulent civil unrest. In order to gain his citizenship, Reno had to sign up with the national service, and he was quickly recruited into the army. When his superiors noticed that he had previously been to drama school, they placed him in charge of arts and entertainment, and after a year of service, Reno set his sights on Paris. More drama school was soon to follow, and throughout the 1970s, Reno gained experience through stage and television work. After being singled out by critics for memorable appearances in such plays as Costa-Gavras' Clair de Femme (a role that he would later revisit in the 1979 film of the same name) and touring Europe with Didier Flamand's theater troupe, Reno made his screen debut in the 1979 Raúl Ruiz film The Hypothesis of the Stolen Painting. Throughout the 1980s, Reno made a name for himself playing screen heavies with little dialogue, and in 1981, things began to look up for the rising star when he teamed with hot young French director Luc Besson for the short film L'Avant Dernier. In the years that followed, Reno and Besson not only became close personal friends, but Reno would also appear in almost every one of the director's films. With small parts in Le Dernier Combat (1983) and Subway slowly elevating his star status, it was only a matter of time until Reno landed his breakout role. Of course, it came as no surprise to many that that particular role was in one of Besson's films, and with the release of Besson's Le Grand Bleu in 1988, Reno's time finally came. Cast as the comic rival of diver Jacques Mayhol (Jean-Marc Barr), Reno received international exposure when the film became a worldwide hit with both critics and audiences. In his home country of France, Reno was even nominated for a Best Supporting Actor César. He took a somewhat darker turn two years later when he was cast as a taciturn hit man in Besson's art-house action hit Nikita. By the time Reno took the lead in the 1993 time travel comedy Les Visiteurs (which quickly became the most successful film in French box-office history), he had truly established himself as a lucrative box-office draw. Though the film was indeed a massive success in France, it was deemed "too French" for U.S. distribution, and only the most die-hard fans and critics outside of Reno's native country were truly aware of his star power. If Reno's rise in France had been successfully boosted thanks, in part, to old friend Besson, so would his international exposure thanks to Besson's masterful 1994 effort Léon (released stateside as The Professional). With Reno once again cast in the role of a hit man, Léon told the remarkably tender tale of a sympathetic killer who befriends a young orphan named Mathilda (memorably portrayed by screen newcomer Natalie Portman) after her family is wiped out by a corrupt DEA agent (an unhinged Gary Oldman). Despite the fact that the heart of Léon and Mathilda's relationship was edited out of the U.S. release after being deemed too intense for stateside audiences (the film would eventually find release in the U.S. uncut thanks to a 2000 DVD release of the original version), the movie still possessed a soulful display of character generally lacking in the action genre, and audiences took to the film in droves. Reno was now a bankable star worldwide, though his unpredictable film choices continued to surprise audiences while also informing them that he was capable of much more than high-octane gunplay. In the years that followed, Reno made it a point to act in one French film for each American film in which he appeared, and with stateside roles in French Kiss (1995), Mission: Impossible (1996), and Roseanna's Grave (1997), Reno successfully pleased both his testosterone-driven male fan base and his more sensitive female followers. 1998 would prove a remarkably successful year for Reno in both the U.S. and his native France when, after completing the sequel Corridors of Time: The Visitors II, he turned up in both the disastrous wannabe summer blockbuster Godzilla (for which he turned down the role of Agent Smith in The Matrix) and Manchurian Candidate director John Frankenheimer's masterful action thriller Ronin. Holding his own opposite screen legend Robert De Niro, Reno was clearly a talent to be reckoned with. Before adapting The Visitors for U.S. audiences (as Just Visiting), Reno faced unspeakable danger in the Seven-esque French thriller The Crimson Rivers (2000). In between such action efforts as the Besson-produced Wasabi (2001) and the misguided sci-fi remake Rollerball (2002), Reno found time for love in the romantic comedy Jet Lag (also 2002) with Juliette Binoche. Despite the fact that action in such efforts as 2001's Wasabi and 2003's Ruby & Quentin tended to lean toward the comic angle, Reno proved he wasn't afraid to get a little dirty by once again facing danger in Crimson Rivers 2: Angels of the Apocalypse (2004). Roles in the French-language flicks L'Corse Enquête and L'Empire des loups were quick to follow in 2004 and 2005 respectively, and shortly after starring opposite Roberto Benigni and Tom Waits in Benigni's 2005 effort The Tiger and the Snow, Reno would head back into blockbuster territory stateside with supporting performances in The Pink Panther and The Da Vinci Code. In 2006 Reno would take to the skies with some determined American fighter pilots in the World War I war adventure Flyboys. Reno continued to work in films throughout the 2000s, appearing in The Pink Panther 2, Flushed Away, and Couples Retreat.

Trivia: The daughter of a Nigerian businessman and a Scotch tour guide, exotically beautiful British actress Carmen Ejogo grew up in London and won her first part at age 11, but only broke through to international acclaim in 1997, as Eddie Murphy's onscreen paramour in the comic actioner Metro. Later, Ejogo disclosed the full extent of her dramatic range with a skilled portrayal of Sally Hemings -- Thomas Jefferson's mistress -- (a part she inherited from Thandie Newton and others) in the acclaimed television miniseries Sally Hemings: An American Scandal (2000). The crime comedy What's the Worst That Could Happen? (2001), with Danny DeVito and Martin Lawrence, represented a low point, but Ejogo saved face via exemplary supporting work in such pictures as Lackawanna Blues (2005) and The Brave One (2007). In the coming years, Ejogo would find additional success on the small screen, on series like Kidnapped and Chaos.

Trivia: One of America's most respected dramatic actresses, Cicely Tyson has worked steadily as a television, film, and stage actress since making her stage debut in a Harlem YMCA production of Dark of the Moon in the 1950s. The daughter of Caribbean immigrants, Tyson was raised in Harlem. After working as a secretary and a successful model, she became an actress, landed her first jobs in off-Broadway productions, and eventually made it to the Great White Way in the late '50s.Tyson got her first real break in 1963, playing a secretary to George C. Scott on the TV series East Side/West Side, and in 1966 signed on with the daytime soap The Guiding Light. That same year, she made her credited screen debut starring opposite Sammy Davis Jr. in the drama A Man Called Adam (her first uncredited film role was in 1959's Odds Against Tomorrow). More film, television, and stage work followed, but Tyson did not truly become a star until her Oscar-nominated performance in the Depression drama Sounder (1972). An unusual beauty with delicate features, expressive black eyes, and a full, wide mouth, Tyson next hid her good looks beneath layers of old-age makeup to convincingly portray a 110-year-old former slave who tells her extraordinary life story in The Autobiography of Miss Jane Pittman (1974). A well-wrought effort, it won Tyson her first Emmy for her title role, which required her to age 91 years on the screen. Tyson subsequently had great success on television, particularly with her role in the legendary miniseries Roots (1977) and her work in The Women of Brewster Place (1989). She also continued to do a fair amount of film work, appearing in films like Fried Green Tomatoes (1991), The Oldest Living Confederate Widow Tells All (1994), The Grass Harp (1995), and Hoodlum (1997). In 1997, Tyson again donned old woman's makeup to offer a delightfully crotchety version of Charles Dickens' Scrooge in the 1997 USA Network original production Ms. Scrooge. Two years later, she had another television success -- and another Emmy nomination -- with A Lesson Before Dying, a drama set in the 1940s about a black man sentenced to death for a murder he did not commit. Tyson was later featured in a trio of popular Tyler Perry movies, including Diary of a Mad Black Woman (2005), Madea's Family Reunion (2006) and Why Did I Get Married Too? (2010). She also had a small, but pivotal, role in 2011's Oscar-nominated The Help, as Contstantine, the loving and elderly maid of Skeeter Phelan (Emma Stone).

Trivia: Model-turned-actress Rachel Nichols began a plush and lucrative career as one of America's most sought-after cover girls during her late teens and early twenties, then transitioned fluidly from modeling into acting. During her early film career, producers took great advantage of Nichols' appearance, casting her as glamorous eye candy in films such as the 2000 Autumn in New York (at age 19), Dumb and Dumberer (2003), Shopgirl (2005), and The Amityville Horror (2005). In addition to her film work, Nichols also made a splash on the small screen, starting with a guest role on on the popular cable comedy Sex and the City (2002), in which she played an alluring hostess at a chic restaurant, whom Samantha (Kim Cattrall) has a threesome with, along with her boyfriend. A few years later, Nichols starred in the shortlived FBI drama The Inside (2005), as Special Agent Rebecca Locke, the survivor of a kidnapping by a brutal serial killer, who used her disturbing experience to her advantage in profiling other murderers. After that series folded, she quickly followed it up by joining the cast of the popular spy drama Alias, as CIA agent Rachel Gibson, during its last season. Nichols ascended to lead status on the big screen and essayed a second outing as a scream queen in the thriller P2 (2007) -- playing a young woman unwittingly kidnapped and tormented by a maniac one fateful Christmas Eve.

Trivia: Versatile American actor Giancarlo Esposito was born in Copenhagen, Denmark, but grew up in Manhattan from the age of six. His mother was an African-American nightclub singer (who once shared a bill with Josephine Baker) and his father was an Italian stagehand. In show business most of his life, Esposito made his Broadway debut in a 1966 production of Maggie Flynn. His other stage credits include Sacrilege, Miss Moffatt, and Balm in Gilead. He won a 1981 Theatre World Award for his performance in Zooman and the Sign.On the big screen, Esposito started appearing in Spike Lee films during the late '80s in a wide range of roles with great character names. He was the frat leader Julian "Big Brother Almighty" in School Daze, the outspoken reactionary Buggin' Out in Do the Right Thing, the dandy pianist Left Hand Lacey in Mo' Better Blues, and the criminal Thomas Hayer in Malcolm X. Esposito's other film roles include an investigative journalist in Bob Roberts, an activist in Amos & Andrew, and a game show host in Reckless. In 1995, he earned an Independent Spirit award nomination for his supporting role of doting drug dealer Esteban in Boaz Yakin's debut drama Fresh. Esposito also appeared in Wayne Wang and Paul Auster's Smoke, along with the sequel Blue in the Face. The next year, he turned briefly to producing with the independent prison film The Keeper, which premiered at the Sundance Film Festival.On television, Esposito appeared on NYPD Blue, Law & Order, and the short-lived Fox comedy Bakersfield, P.D. In 1999, he earned an Image award nomination for his role as FBI Agent Michael Giardello on Homicide: Life on the Street. He also has contributed to the Fox television dramas The $treet and girls club. While teaching at the Atlantic Theatre Company, Esposito found time to portray real-life figures in the biopics Ali (as Cassius Clay Sr.) and Piñero (as Miguel Algarin). Projects for 2004 included James Hunter's feature Back in the Day and the television movie NYPD 2069. He played a detective in the thriller Derailed, and appeared in the indie drama SherryBaby. In 2008 he directed, starred in, and helped write the drama Gospel Hill. In 2010 he joined the cast of the highly-respected AMC drama series Breaking Bad, and appeared in the 2012 big-screen thriller Alex Cross.

Trivia: John McGinley, often credited as John C. McGinley, has become one of the most prolific character actors in Hollywood since he first got noticed in Oliver Stone's Platoon (1986). The intense, unblinking actor specializes in sarcasm, cynicism, and a used car dealer's unctuous insincerity, meaning he can play either wacky or sinister in both comedies and dramas. Although he has appeared in six Stone films, his breakout performance came in a very different format, as the acerbic and piercingly straightforward Dr. Perry Cox on the hit NBC sitcom Scrubs (2001).McGinley was born on August 3, 1959, in New York City. Growing up in Millburn, NJ, he was more involved in sports than theater. He began studying acting at Syracuse University, continuing at N.Y.U.'s Tisch School of the Arts. McGinley then toiled both on and off-Broadway, as well as two years on the soap opera Another World, scoring his first film role in the Alan Alda-directed Sweet Liberty (1986). It was while he was serving as John Turturro's understudy on the play Danny and the Deep Blue Sea that a casting scout in Stone's employ spotted him and got him an audition for Platoon. McGinley was cast as the sycophantic Sgt. Red O'Neill in the eventual Oscar winner.McGinley followed up Platoon with another one-two punch of Stone movies, Wall Street (1987) and Talk Radio (1988). In interviews, McGinley has described theirs as a "strong working relationship," not a friendship per se with the demanding director. He appeared in a handful of other films before his fourth Stone collaboration, Born on the Fourth of July (1989), which was quickly followed by his first screenwriting effort. McGinley co-scripted and co-starred in the 1990 film Suffering Bastards, alongside Talk Radio's Eric Bogosian.The 1990s were a period of intense work for the actor, who appeared in an average of three movies a year, sometimes as many as seven -- a necessary but no less tricky feat for a character actor earning modest paychecks. The most heralded of these were David Fincher's Seven and Stone's Nixon (both 1995); the most forgettable were Highlander II: The Quickening (1991) and the Steven Seagal starrer On Deadly Ground (1994). For most moviegoers, he remained under the radar.Two showy roles in 1999 ably demonstrated McGinley's facility for comedy. As a callous efficiency expert brought aboard to reorganize (i.e., downsize) the tech firm at the heart of Office Space, McGinley grinned and joked his way through a round of heartless layoffs. A similar oiliness informed his loud, obnoxious, kiss-ass portrayal of a Jim Rome-type sports interviewer in Stone's Any Given Sunday. It was soon after, in 2001, that McGinley was brought aboard for the role destined to identify him beyond any single film. As the default mentor on Scrubs, McGinley alternated hard-knocks frankness, biting wit, and a genuine desire to be left alone, in turn creating a hilarious persona and sealing his fate as an unwitting cult figure to the young surgeons. The sitcom work schedule has given him the necessary stability to spend time with his young son, Max, who has Down's syndrome.

Trivia: Her ethnic background is Portuguese, Chinese, English and Norwegian. Moved to Australia at the age of 12. Added her mother's maiden name, Chaves, to her name as a sentimental gesture. Big break was getting cast on Australian soap Home and Away in 2001. Starred as Kate in a 2002 production of Savage/Love. Moved to Los Angeles in 2007.

Trivia: Is of Iranian-American descent. At six weeks old, began appearing in commercials and print ads with her mother. Spent the first four years of her life in Minneapolis before relocating to California for her father's job. Made her film debut in 2009's Imagine That. Volunteers for the charity Integrative Clinics International.

Trivia: Is of Iranian-American descent. Began appearing in commercials with his mother at 6-months-old. Was featured in a print ad campaign for Tropicana alongside his sister, Yara Shahidi. In 2015, appeared in an IHOP commercial for their summer signature pancakes with his mother and sister. Has acted in the film Alex Cross and television series The First Family alongside his sister.

Trivia: Was a ski champion in West Germany at the age of 8; went on to become a professional beach volleyball player and an Ironman triathlete. Moved to Australia at age 10; helped his family tend a 400-acre ranch and vegetable farm as a teen. Made his acting debut as Sean Hayden in the Australian soap opera Paradise Beach, which aired in the U.S. in 1993. Landed the role of Jax on General Hospital in 1996. Briefly left General Hospital in 2000 to star in Aaron Spelling's prime-time soap Titans, but the series was short-lived and he returned to GH the following year. Moved to Hawaii in 2012 to pursue the sport of stand-up paddle board racing. In 2013, competed on Dancing with the Stars; partnered with Kym Johnson and was eliminated in the semifinals. Is a board member of Heal the Bay, a nonprofit environmental group dedicated to restoring Santa Monica Bay.