Trivia: Anyone who watched the old TV sitcom Make Room for Daddy will remember that it was produced by a company called Marterto. This corporate name was an amalgam of the names of Danny Thomas' children: Margaret, Terry, and Tony. By 1959, Margaret Thomas had undergone a little cosmetic surgery, changed her name to Marlo Thomas, and launched an acting career on stage and TV. After guest starring in dozens of programs, she starred in her own series, That Girl, in which she played an aspiring actress with a benevolent despot of a father (where did that concept come from?). That Girl ran from 1966 through 1970, after which Thomas concentrated on Broadway appearances and occasional films like Thieves (1971). Extremely active in social and political causes during the next two decades, Thomas nonetheless found time to star in several made-for-TV movies and also co-produce the Emmy-winning children's TV special Free to Be...You and Me. She won additional Emmys for producing the 1988 follow-up Free to Be...a Family; for hosting the 1980 special The Body Human: Facts for Girls; and for her outstanding dramatic performance as an institutionalized mental patient in the TV film Nobody's Child (1986). Long a marital holdout, Marlo Thomas closed out the 1970s by walking down the aisle with talk-show host Phil Donahue. She continued to appear intermittently on the big and small screens over the next thirty years on a variety of projects including Consenting Adults, Reunion, Friends, Deuce Bigelow: Male Gigolo, Ally McBeal, In the Woods, and LOL.

Trivia: After five years of playing uptight Donald Hollinger, the boyfriend of Marlo Thomas in her groundbreaking proto-feminist sitcom That Girl for five years, Ted Bessell as an actor was hopelessly typecast as the perennial second fiddle. This was a shame for despite the bland image he projected on the show, he was a vital, creative, talented, and passionate man who excelled at painting, music, directing, and acting. A native of Flushing, NY, Bessell was a piano prodigy and at age 12 performed a recital at Carnegie Hall. By the time he graduated from college in 1958, he had decided to become an actor and launched his career in 1961, playing an elevator operator in the feature film Lover Come Back. The following year he was cast as a college student on the series It's a Man's World. The series only lasted a season and Bessell went on to become a semi-regular on Gomer Pyle, U.S.M.C. in 1966, the year That Girl went into production. Though the role of Donald made Bessell a television star, the actor stated that the role "took away the heart of me." During its run, he also played small roles in a few feature films, including Don't Drink the Water (1969). Following the end of the series, Bessell starred opposite a chimpanzee in the short-lived Me and the Chimp (1972) in which he played an uptight dentist/father of two forced to contend with the tame ape his children found abandoned in a park one day. The '70s were a slow time for him -- but for a few memorable appearances as the boyfriend of Mary Tyler Moore on her proto-feminist sitcom -- and he only appeared in a couple of films. The '80s continued in a similar vein, but included two unsuccessful attempts at TV sitcoms: Good Time Harry (1980) and Hail to the Chief (1985) in which he played Patty Duke's husband. By the late '80s, Bessell had largely abandoned acting and become a television director. In 1989, he shared an Emmy for directing an episode of Fox television's Tracey Ullman. In early October 1996, Bessell had just reunited with Marlo Thomas to present at the Emmys and was discussing a That Girl reunion movie with her. He was also busy preparing to direct a feature-film version of the '60s sitcom Bewitched (produced by himself and Penny Marshall through their jointly owned Parkway Productions, which they established in 1991) when he was felled by a fatal aortal aneurysm.

Trivia: Universally recognized as Ship's Doctor Adam Bricker on the blockbuster prime-time sitcom The Love Boat (1977-1986) -- a part he held for the entire nine-season run of the series -- actor Bernie Kopell entered the doors of show business via a most unlikely route. Born in Brooklyn, Kopell attended Erasmus High and then New York University (with a dramatic art major). After a stint at sea aboard the naval vessel USS Iowa, Kopell signed on to drive a taxicab in Southern California -- and achieved his big break on the day that Oregon Trail (1959) film producer Dick Einfeld hitched a ride in the back of his cab. In a span of minutes, Kopell reportedly managed to convince Einfeld that he was not really a cab driver but an actor in serious need of work. The effort paid off, and Kopell snagged his first part -- a two-line part in Oregon as an aide to president James K. Polk. In the early '60s, Kopell joined the Actors' Ring Theatre in Los Angeles, where he developed a knack for characterizations and voices; this led, in turn, to character-type roles on a myriad of television programs including The Dick Van Dyke Show, The Steve Allen Show, and My Favorite Martian (which often, though not always, cast the wiry Kopell as a Hispanic). By the early '70s, Kopell had landed steady assignments on Get Smart, Bewitched, That Girl, and other series. The Love Boat, however, embodied his breakthrough. He followed it up with an emcee assignment on The Travel Channel (hosting its Railway Adventures Across Europe) and a surge in theatrical work, with portrayals in regional productions of such plays as Rumors, A History of Shadows, and Death of a Salesman.