Trivia: Best remembered for his high-profile acting roles on two 1970s television sitcoms -- that of genial news writer Murray Slaughter on CBS's The Mary Tyler Moore Show (1970-1977) and that of sweet-natured Captain Merrill Stubing on ABC's The Love Boat (1977-1986), stage-trained actor Gavin MacLeod in fact began his career typecast as a villain. He landed parts in Hollywood features including The Sand Pebbles (1966), Deathwatch (1966), and The Comic (1969), and enjoyed a tenure as Joseph "Happy" Haines on the sitcom McHale's Navy from 1962 through 1964. After The Love Boat permanently laid anchor in the mid-'80s, MacLeod signed on as a spokesperson and pitchman for Princess Cruises and returned to regional theatrical work. He also tackled guest spots on programs including Touched by an Angel and (in a move that surprised everyone) the HBO prison drama Oz. Off-camera, MacLeod is an outspoken born-again Christian. He hosted a popular talk show on the Trinity Broadcasting Network, along with his wife, Patti (whom he divorced in 1982 and remarried three years later), called Back on Course, and personally funded many of the Greatest Adventure Stories from the Bible animated videos for children.

Trivia: Universally recognized as Ship's Doctor Adam Bricker on the blockbuster prime-time sitcom The Love Boat (1977-1986) -- a part he held for the entire nine-season run of the series -- actor Bernie Kopell entered the doors of show business via a most unlikely route. Born in Brooklyn, Kopell attended Erasmus High and then New York University (with a dramatic art major). After a stint at sea aboard the naval vessel USS Iowa, Kopell signed on to drive a taxicab in Southern California -- and achieved his big break on the day that Oregon Trail (1959) film producer Dick Einfeld hitched a ride in the back of his cab. In a span of minutes, Kopell reportedly managed to convince Einfeld that he was not really a cab driver but an actor in serious need of work. The effort paid off, and Kopell snagged his first part -- a two-line part in Oregon as an aide to president James K. Polk. In the early '60s, Kopell joined the Actors' Ring Theatre in Los Angeles, where he developed a knack for characterizations and voices; this led, in turn, to character-type roles on a myriad of television programs including The Dick Van Dyke Show, The Steve Allen Show, and My Favorite Martian (which often, though not always, cast the wiry Kopell as a Hispanic). By the early '70s, Kopell had landed steady assignments on Get Smart, Bewitched, That Girl, and other series. The Love Boat, however, embodied his breakthrough. He followed it up with an emcee assignment on The Travel Channel (hosting its Railway Adventures Across Europe) and a surge in theatrical work, with portrayals in regional productions of such plays as Rumors, A History of Shadows, and Death of a Salesman.

Trivia: Actor Fred Grandy enjoyed two distinct careers -- an initial career as an actor and a proverbial second wind on the political stage. As a thespian, Grandy signed for guest spots on early-'70s series including Maude and Phyllis, but built his reputation via his nine-season portrayal of Yeoman-Purser Burl "Gopher" Smith, right-hand man to Captain Merrill Stubing (Gavin MacLeod), on the popular television sitcom The Love Boat (1977-1986). He proved popular with audiences, but by the mid-'80s reportedly grew tired of acting and gravitated to the political arena because he found it more challenging. Indeed, in 1986 -- the year of Boat's cancelation -- Grandy was elected as a Republican member of the House of Representatives from Iowa.

Trivia: For millions of Americans, the prime-time situation comedy The Love Boat will be forever inseparable from the image of Ted Lange, an actor cast for nine seasons as the genial Isaac the Bartender on the Pacific Princess luxury liner and trademarked by his iconic "two-finger drop" greeting. Yet Lange's portrayal of Isaac scarcely hinted at the actor's dexterity or dramatic range. In truth, this actor received classical dramatic training at London's Royal Academy of Dramatic Arts, and would go on, after the Princess took its final voyage in September 1986, to establish himself as a revered creative force in regional theater.Lange initially broke into films with many portrayals in Hollywood programmers during the early '70s, including Trick Baby (1972), Blade (1972), and Black Belt Jones (1974), and landed a regular role in the one-season ethnic sitcom That's My Mama (1974), as a streetwise philosopher opposite Clifton Davis (Amen) and Theresa Merritt. The Love Boat, of course, brought Lange his most widespread recognition; nonetheless (as indicated), he hearkened back to his theatrical roots beginning in the late '80s and divided his time between writing, directing, and stage acting roles. His resumé as a scribe sports at least 17 original plays including Lemon Meringue Facade, Behind the Mask -- An Evening with Paul Laurence Dunbar, and Evil Legacy -- The Story of Lucretia Borgia, while he has appeared dramatically in productions including Hair and Taming of the Shrew and has directed plays ranging from Othello to the rock & roll musical Born a Unicorn.

Trivia: Pennsylvania-born actress Lauren Tewes achieved broadest recognition for her stint as Cruise Director Julie McCoy on the long-running ABC situation comedy The Love Boat. Unfortunately, Tewes (unlike many of her fellow cast members) left the program prior to the final voyage of the Pacific Princess -- reportedly spiraling into a much-publicized bout of severe cocaine addiction from which she eventually fully recovered, but which cost her the role on the series. Tewes nevertheless demonstrated admirable resilience by returning for at least two Love Boat telemovies and remained active in television and film. Subsequent projects included guest appearances on the small-screen series dramas Hunter and Murder, She Wrote, and roles in features such as The Doom Generation (1995) and It Came From Outer Space 2 (1996).

Trivia: While known primarily for her role as Marcia Brady, the eldest child on the girls' side of The Brady Bunch clan, Maureen McCormick has gone on to become a reality-show participant (VH1's Celebrity Fit Club) and recording artist, as well as having continued her career as an actress. McCormick has made multiple appearances on sitcoms (Happy Days, Scrubs, and The Amanda Show, to name a few), and portrayed the role of Rebecca Hotchkiss for ten episodes of NBC's Passions. McCormick has also written an autobiography chronicling her life experiences before, during, and after The Brady Bunch. In addition to returning to various Brady-related projects over the years, McCormick competed on the fifth season of the reality series Celebrity Fit Club.

Trivia: With that fabricated name and those Malibu-beach good looks, Tab Hunter really couldn't hope to be taken seriously as an actor, but he certainly worked hard -- and at times was very good indeed. An early starter, Hunter lied his way into the Coast Guard at the age of 15. Three years later, he was selected on the basis of his physique to appear in a supporting role in the 1950 tale of racial prejudice The Lawless. At 21, Hunter became a major "beefcake" personality after shedding most of his clothes in the low-budget Island of Desire (1952). He was signed to a Warner Bros. contract in 1953, which didn't bring him much in the way of substantial roles but which gave him leeway to work on live television, where he turned in a few creditable performances. Critics wailed when he was selected to star opposite Gwen Verdon and Ray Walston in the 1958 film version of Damn Yankees, but his presence brought in a lot more business from the teenage filmgoing contingent than might otherwise have been possible; besides, he looked like a young Mickey Mantle, which was qualification enough for his role as a baseball player. In 1960, Hunter starred as a bachelor newspaper cartoonist in his own sitcom, The Tab Hunter Show, which opened in an excellent timeslot but failed to please the masses. By the mid-1960s, Hunter was considered something of a "Sonny Tufts" type, best suited for campy, self-mocking roles. Happily, he survived on these terms, proving he could kid himself better than any wiseguy scriptwriter. He was co-starred in several films starring the corpulent female impersonator Divine, including the deathless Lust in the Dust (1985). In 1977, Tab Hunter replaced Philip Bruns on the satirical TV series Forever Fernwood; to answer those who might wonder how the still-handsome Hunter could possibly replace the wizened, chinless Bruns, the scripters contrived to have Bruns fall into a chemical vat, require plastic surgery...and then emerge from the bandages looking just like Tab Hunter.

Trivia: American actor Phil Foster started out as a stand-up comedian when he was quite young. Most of his early routines were slapstick, and the material was drawn from his life growing up in a Brooklyn neighborhood. After working the nightclub circuit through the 1940s, Foster began appearing on television variety shows such as Ed Sullivan. In the 1970s, he became a regular on Laverne and Shirley. Beginning in 1954, he made infrequent journeys into feature films. Foster made his final feature film, Sno-Line in 1985.

Trivia: The daughter of a former ship captain, Ruth Gordon knew what she wanted to do with her life after witnessing a performance by stage actress Hazel Dawn. Over the initial objections of her father, Gordon decided upon a stage career, studying at the American Academy of Dramatic Arts. After the usual deprivations and barnstorming (and a few extra roles in such films as Camille [1916]), she got her first positive newspaper notice for her Broadway debut in a 1915 production of Peter Pan. "Ruth Gordon was ever so gay as Nibs," wrote influential critic Alexander Woollcott, who became a valued and powerful friend to Gordon, and did what he could to encourage her and promote her career. With such stage hits as Seventeen, Serena Blandish, and Ethan Frome, Gordon was one of Broadway's biggest stars of the 1920s and '30s; privately, however, her life was blotted by the premature death of her first husband, actor Gregory Kelly. She remarried in 1942 to the brilliant playwright Garson Kanin, some 16 years her junior -- a union that lasted more than four decades.Combining stage work with appearances in such films as Abe Lincoln in Illinois (1940) and Action in the North Atlantic (1943), Gordon began to collaborate with Kanin on writing projects, with such delightful results as the Spencer Tracy-Katharine Hepburn comedies Adam's Rib (1949) and Pat and Mike (1952), as well as the Judy Holliday feature The Marrying Kind (1952). Long absent from movies, Gordon returned to the cameras for Inside Daisy Clover in 1966, before taking on the kinky role of an elderly witch in Rosemary's Baby (1968). Upon receiving an Oscar for her performance, the 72-year-old Gordon brought down the house by saying, "You have no idea how encouraging a thing like this can be." Although few of her subsequent film roles were as prestigious, Gordon managed to enter cult-film Valhalla with unforgettable roles in two films: Where's Poppa? (1970), in which she played the obscenely senile mother of George Segal, and Harold and Maude (1972), as the freewheeling soul mate of death-obsessed teen Bud Cort.

Trivia: American actress Patty Duke (born December 14, 1946) was groomed almost from infancy for a starring career by her manager/guardian John Ross. She studied at the Quintano School for Young Professionals and earned her Equity card at age seven, appearing in numerous TV productions and in such Hollywood films as I'll Cry Tomorrow (1955), The Goddess (1958) (playing young Kim Stanley, the "Marilyn Monroe" character in that film), and Happy Anniversary (1959). Duke also appeared as a quiz-show contestant, and was later compelled to testify as to her honesty during the cheating scandals of 1958 and 1959. Just before her 13th birthday, Duke made her stage debut in the role of Helen Keller in The Miracle Worker; the production won the girl instant stardom and later an Academy Award for the film version of Miracle Worker (1962). Manager John Ross very carefully monitored Duke's public appearances, making certain the world saw her as a sweet, uncomplicated young lady. The truth was that Duke was terribly unhappy, feeling pressured into performing and into suppressing her own emotions. That's not what the world saw in the three seasons of The Patty Duke Show (1963-1966), a sitcom wherein the young actress literally talked to herself in the dual role of cousins Patty and Cathy Lane. She became cynical with stardom in a hurry, and in a bold act of defiance, 18-year-old Duke married a man twice her age, director Harry Falk Jr. Her first grown-up role as a Judy Garland type in Valley of the Dolls (1967) was panned, and it was suggested that she'd lost her talent. The next few years she was cast in a series of unsuccessful films but made a strong comeback with the 1969 TV movie My Sweet Charlie, which won her the first of three Emmys; the others being for the miniseries Captains and the Kings(1976) and a remake of The Miracle Worker (1979) in which she played the role of Annie Sullivan, co-starring with Melissa Gilbert as Helen Keller. In 1972 she married actor John Astin. He raised her son, Sean Astin (actually the biological son of music promoter Michael Tell), as his own; they had Mackenzie Astin together. Duke also briefly changed her professional name to Patty Duke Astin. The Astins worked together prolifically for the duration of their marriage (which eventually ended in divorce). Building up her self-confidence and completely rebuilding her reputation in the '80s, Patty Duke served from 1985 through 1988 as president of the Screen Actor's Guild (the second woman to do so), starred in three separate network sitcoms, and wrote her harrowing best-selling memoirs, Call Me Anna, which in 1990 was adapted into a TV movie that she co-produced and starred in.In 2002, Duke returned to the stage to play Aunt Eller in a production of Oklahoma!, and appeared as a guest on The Oprah Winfrey Show in 2007 to discuss living with bipolar disorder. The actress replaced Carol Cane as Madame Morrible in the San Francisco production of Wicked in 2009, and joined the cast of The Protector (a short-lived drama from Lifetime) in 2011. Her final role was in a 2015 episode of the Disney channel show Liv and Maddie, fittingly playing a set of identical twins. Duke died in 2016, at age 69.