Trivia: Born Leonard Rosenberg, Randall moved to New York at age 19 and studied theater with Sanford Meisner and at the Neighborhood Playhouse. His stage debut was in The Circle of Chalk (1941). From 1942-46 he served with the U.S. Army, following which he acted on radio and TV. He began appearing onscreen in 1957 and was a fairly busy film actor through the mid '60s. He is best known for his work on TV, particularly for his portrayal of fastidious Felix Unger on the sitcom "The Odd Couple." He also starred or costarred in the series "One Man's Family," "Mr. Peepers," "The Tony Randall Show," and "Love, Sidney." He frequently appears on TV talk shows, where he is witty, erudite, and urbane. In 1991 he created the National Actors Theater, a repertory company; its purpose is to bring star-filled classic plays to broad-based audiences at low prices.

Trivia: Commenting on his notorious on-set irascibility in 1977, Jack Klugman replied that he was merely "taking Peter Falk lessons from Robert Blake," invoking the names of two other allegedly hard-to-please TV stars. Klugman grew up in Philadelphia, and after taking in a 1939 performance by New York's Group Theatre, Klugman decided that an actor's life was right up his alley. He majored in drama at Carnegie Tech and studied acting at the American Theatre Wing before making his (non-salaried) 1949 stage-debut at the Equity Library Theater. While sharing a New York flat with fellow hopeful Charles Bronson, Klugman took several "grub" jobs to survive, at one point selling his blood for $85 a pint. During television's so-called Golden Age, Klugman appeared in as many as 400 TV shows. He made his film debut in 1956, and three years later co-starred with Ethel Merman in the original Broadway production of Gypsy. In 1964, Klugman won the first of his Emmy awards for his performance in "Blacklist," an episode of the TV series The Defenders; that same year, he starred in his first sitcom, the 13-week wonder Harris Against the World. Far more successful was his next TV series, The Odd Couple, which ran from 1970 through 1974; Klugman won two Emmies for his portrayal of incorrigible slob Oscar Madison (he'd previously essayed the role when he replaced Walter Matthau in the original Broadway production of the Neil Simon play). It was during Odd Couple's run that the network "suits" got their first real taste of Klugman's savage indignation, when he and co-star Tony Randall threatened to boycott the show unless the idiotic laughtrack was removed (Klugman and Randall won that round; from 1971 onward, Odd Couple was filmed before a live audience). It was but a foretaste of things to come during Klugman's six-year (1977-83) reign as star of Quincy, M.E.. Popular though Klugman was in the role of the crusading, speechifying LA County Coroner's Office medical examiner R. Quincy, he hardly endeared himself to the producers when he vented his anger against their creative decisions in the pages of TV Guide. Nor was he warmly regarded by the Writer's Guild when he complained about the paucity of high-quality scripts (he wrote several Quincy episodes himself, with mixed results). After Quincy's cancellation, Klugman starred in the Broadway play I'm Not Rappaport and co-starred with John Stamos in the 1986 sitcom You Again?. The future of Klugman's career -- and his future, period -- was sorely threatened when he underwent throat surgery in 1989. He'd been diagnosed with cancer of the larynx as early as 1974, but at that time was able to continue working after a small growth was removed. For several years after the 1989 operation, Klugman was unable to speak, though he soon regained this ability. He continued working through 2011, and died the following year at age 90.

Trivia: Elinor Donahue's mother, a theatrical costumer, moonlighted as a department store saleswoman in order to pay for her daughter's dancing lessons. Appearing in dancing-chorus film roles from the age of five, Donahue was at one point a ballet-school classmate of future Fred Astaire partner Barrie Chase. Striking out on her own at 12, Donahue attained work as a Las Vegas showgirl at 14; the fact that she was underage was discreetly covered by her agent and her co-workers, who took a paternal interest in the impressionable young dancer's career. Breaking her ankle at 16, Donahue decided to forego dancing in favor of acting; she was almost immediately cast in the role of sensitive teenager Betty Anderson in the long-running (1954-60) sitcom Father Knows Best. It was the first of many TV stints for Donahue; over the next three decades she would appear as a regular on such series as The Andy Griffith Show, Many Happy Returns, The Odd Couple, Mulligan's Stew, Please Stand By and Doctor's Private Lives. She became a special favorite of writer/director Savage Steve Holland, who cast Donahue as the ditsy mother of a teen-aged secret agent on the 1987 Fox network series The New Adventures of Beans Baxter, and as the voice of a suburban mom who spends her waking hours trying to learn an indecipherable foreign language on Holland's cartoon series Eek! The Cat. This fey, eccentric quality was carried over into Donahue's performance as the eternally bathrobe-clad wife of Bob Elliot and mother of 30-year-old paperboy Chris Elliot on the 1990 Fox sitcom Get a Life. Donahue's film appearances have been less frequent; when she showed up in a cameo as a department store clerk in Gary Marshall's Pretty Women (1987), there was an audible appreciative sigh of recognition from movie audiences everywhere. Elinor Donahue was the wife of Columbia TV executive Harry Ackerman from 1961 to Ackerman's death in 1991.

Trivia: American actor Wally Cox looked and played the role of the bespectacled, introverted intellectual both before the cameras and in life. Fascinated with all things scientific and devoted to the study of insects, Cox seemed as unlikely a candidate for major stardom as he was an improbable roommate for Marlon Brando. In fact, he was both. While building his reputation in small clubs as a monologist, Cox shared quarters with Brando, his best friend since childhood. Cox didn't really tell jokes in his club act; he would relate the offbeat exploits of his boyhood pal Dufo or do a dead-on imitation of his humorless, doltish Army drill sergeant; these were characterizations rather than routines, a gentler version of the sort of work done years later by Whoopi Goldberg. Playing occasional small parts on TV (he appeared very briefly as a baker in the 1952 film The Sniper, minus his familiar eyeglasses), Cox was tapped by producer Fred Coe to appear in a 1952 summer-replacement comedy series on NBC, Mr. Peepers, where he played Robinson Peepers, the shy, knowledgeable high school teacher at Jefferson High. Mr. Peepers garnered excellent ratings and won numerous awards, including an Emmy for Cox. As big a star as he would ever be, Cox was rushed into numerous nightclub engagements, which unfortunately fell flat because of inappropriate bookings and because audiences didn't want to see Cox as anyone other than Peepers. A 1955 sitcom, The Adventures of Hiram Holliday, starred Wally as an unlikely globe-trotting adventurer; alas, it was scheduled directly opposite ABC's powerhouse Disneyland. Cox would spend most of the rest of his career playing variations of Peepers on other star's sitcoms and variety series, occasionally breaking the mold by playing a murderer or bon vivant. He also tried his hand as a playwright, a field in which he displayed considerable skill. Once again under contract to NBC in the mid '60s, Cox became a regular on the comedy quiz show Hollywood Squares, where he adopted the image of a bored know-it-all. It is this Wally Cox that most viewers remember, not the brilliant comic actor who convinced his '50s fans that he was Mr. Peepers, not just a man playing a part. Wally Cox died of a sudden heart attack in 1973; he was cremated, and his ashes were discreetly scattered at an undisclosed spot (and in defiance of municipal laws) by his old friend and ex-roommate Marlon Brando.

Trivia: Trained for an acting career at various Manhattan professional children's schools, Elliot Reid was hired for the CBS radio announcer's staff while still a teenager. His work on the airwaves led to Reid's being hired by Orson Welles for the latter's 1937 modern-dress production of Julius Caesar. Reid was subsequently featured in such Broadway hits as My Sister Eileen and Ladies in Retirement. Uncomfortably cast as a two-fisted hero in his first film, the 1950 anti-Red opus The Whip Hand, Reid was seen to better advantage in comedy roles. Highlights in the actor's film career included the part of Jane Russell's erstwhile suitor in Gentleman Prefer Blondes (1954) and Fred MacMurray's snotty romantic rival in Disney's The Absent-Minded Professor (1960) and Son of Flubber (1963). In the 1960s, Elliot Reid gained a reputation as a sharp-witted political satirist on such programs as The Jack Paar Program and That Was the Week That Was, fracturing audiences with his on-target impressions of such pundits as Lyndon Johnson and Paul Harvey. Other TV work in Reid's resumé included the role of Darleen Carr's father on the weekly sitcom Miss Winslow and Son (1979). Even in the later stages of his career, Elliot Reid would occasionally return to his dramatic-radio roots in such audio series as "Theater 5" and "The CBS Radio Mystery Theater."

Trivia: Diminutive American actor Phil Leeds has been trafficking in comedy character roles for well over 50 years. When not showing up on Broadway or on tour, Leeds has been a regular visitor to television. He was seen on a weekly basis as an ensemble player on the DuMont Network's 1950 variety series Front Row Center; as Moscow apartment dweller Vladimir in Ivan the Terrible (1976); as delicatessen habitue Lou Gold in Singer and Sons (1990); and as "The Kid," a 75-year-old con man, in Double Rush (1995). A relative latecomer to films, Phil Leeds has made up for lost time with a steady stream of select character roles; notably his poignantly amusing cameo as the long-dead husband in the hospital emergency room in Ghost (1990), eagerly anticipating a reunion with his about-to-die widow.

Trivia: Leading lady Tracy Reed received her first major professional break when she was hired as one of the ensemble players for the 1969 TV anthology Love, American Style. This led to Reed's being cast as Corey Bratter in the all-black, weekly-series version of Neil Simon's Barefoot in the Park (1970). Two decades later, she co-starred as Charlotte Anderson in Knot's Landing (1990-91). In between her series assignments, Tracy Reed appeared in several theatrical and made-for-TV movies; she owns the dubious distinction of having played opposite both Bill Cosby (in 1978's Top Secret) and O.J. Simpson (in 1983's Cocaine and Blue Eyes). Tracy Reed should not be confused with the British actress of the same name.