Trivia: A Chicagoan from head to toe, American comedian Bob Newhart started his workaday life as a certified public accountant after flunking out of law school. As a means of breaking his job's monotony, Newhart would call his friend Ed Gallagher, and improvise low-key comedy sketches. A mutual friend of Newhart and Gallagher's, Chicago deejay Dan Sorkin, tape-recorded some of these off-the-cuff routines and played them for Warner Bros. records. Newhart suddenly found himself booked into a Houston nightclub -- his first-ever public appearance. Armed with telephone-conversation routines which delineated how Abe Lincoln would be handled by a publicity agent, or how Abner Doubleday would have fared trying to sell baseball to a modern-day novelty firm, Newhart recorded his first comedy album in 1960 -- which evidently struck a nerve with fellow white-collar workers, since it sold 1,500,000 copies. The hottest young comic on the club-and-TV circuit, Newhart was offered starring roles in situation comedies, but felt he wasn't a good enough actor to make a single character interesting week after week. Instead, he signed in 1961 for NBC's The Bob Newhart Show, a comedy-variety series which nosedived in the ratings but won an Emmy. Fearing that TV would eat up all his material within a year or so, Newhart went back to nightclubs after his one-season series was cancelled. Sharpening his acting skills in TV guest spots and in several films (his first, 1962's Hell is For Heroes, was so unnerving an experience that Bob repeatedly begged the producers to kill his character off before the fadeout), Newhart felt emboldened enough to attempt a regular TV series again in 1972. This Bob Newhart Show cast the comedian as psychologist Bob Hartley - an ideal outlet for his "button-down" style of dry humor. Six seasons and several awards later, Newhart was firmly established as a television superstar; this time around he wasn't cancelled, but ended the series on his own volition, feeling the series had exhausted its bag of tricks. Most popular sitcom personalities had come acropper trying to repeat their first success with a second series, but Newhart broke the jinx with Newhart in 1982, wherein Bob played author Dick Loudon, who on a whim decided to open a New England colonial inn. Newhart was every bit as popular as his earlier sitcom, and, like the previous show, the series ended (in 1990) principally because Newhart chose to end it. This he did with panache: Newhart's final scene suggested the entire series had been a bad dream experienced by Bob Newhart Show's Bob Hartley! A third starring sitcom, 1992's Bob, found Newhart playing a cult-figure comic book artist; alas, despite excellent scriptwork and the usual polished Newhart performance, this new series fell victim to format tinkering and poor timeslots. Over teh course of the next few decades, Newhart would frequently turn up in guest roles on shows like Murphy Brown, ER, and Desperate Housewives, and though his 1997 odd couple sitcom George & Leo failed to find its footing, he did appear in all three installments of TNT's popular fantasy trilogy The Librarian, starring Noah Wyle. Meanwhile, cameos in such films as Elf and Horrible Bosses continually offered a gentle reminder that comedy's nicest funnyman could still crack us up.

Trivia: Landed earliest acting gigs on a few soap operas during the 1970s, including Gerry Brayley on CBS's daytime sudser Love of Life, Penny Davis on the NBC serial The Doctors and Karen Wolek on the ABC soap One Life to Live. Made her Broadway debut in 1978's acclaimed revival of Once in a Lifetime. Breakout role was as Stephanie Vanderkellen, a former rich girl-turned-maid, in the popular sitcom Newhart, which she joined in its sophomore season. Joined the cast of the Designing Women as Allison Sugarbaker, the cousin of Julia and Suzanne, in the sixth season. Played the wife of Peter Scolari in two shows; first on Newhart, then later on the Jason Alexander sitcom Listen Up!

Trivia: José Ferrer (born José Vincente Ferrer de Otero y Cintron in Puerto Rico) decided to become an actor while in college. Early in his career he appeared with James Stewart and Joshua Logan at the Triangle Theater. In 1935 he debuted on Broadway with a walk-on part; he soon began to land bigger roles and quickly established his reputation as a highly versatile actor, performing in roles ranging from the comic title role in Charlie's Aunt to the evil Iago in Othello, and he began directing Broadway productions in 1942. Ferrer debuted onscreen as the Dauphin opposite Ingrid Bergman in Joan of Arc (1948), for which he received a "Best Supporting Actor" Oscar nomination. He later became internationally famous, and won a "Best Actor" Oscar for reprising his theatrical lead in the film version of Cyrano de Bergerac (1950). Ferrer earned another Oscar nomination for his portrayal of painter Toulouse-Lautrec in Moulin Rouge (1952). While both roles definitely enhanced his career, he later complained that they lead him to become typecast, and sometimes went years between film offers. In the mid-'50s he began directing films (usually ones in which he appeared), starting with The Shrike (1955). Also in the mid-'50s he made several successful recordings with his third wife, singer Rosemary Clooney. After 1962 he gave up directing and concentrated on stage and screen character acting, usually being typecast in his films as a swarthy foreigner. He continued to appear frequently in films into the '90s, meanwhile doing much TV work. His first wife was actress Uta Hagen.

Trivia: Supporting actress Priscilla Morrill spent most of her career on television, appearing in telemovies, as a semi-regular, and a guest star. Fans of The Mary Tyler Moore Show may remember her for playing Edie, the estranged wife of newsroom chief Lou Grant. She made her first professional appearance on stage in an off-Broadway production of Julius Caesar opposite John Carradine. While on Broadway, Morrill appeared in such dramas as Still Life, Night of the Iguana, and The Relapse. Though she had been on television since the early '60s, she did not make her feature film debut until she landed a small role in Clint Eastwood's Breezy (1973). After that, she rarely appeared in feature films; she did, however, appear in many television movies, including The Love Canal and The Trial of Jean Harris. Morrill's guest-starring appearances include such shows as Newhart, The Outer Limits, and Bagdad Cafe. Morrill occasionally landed regular roles on television sitcoms such as And Baby Makes Five, but none of these lasted more than a few months.

Trivia: Gangly American character actor William Sanderson has done all right by himself in "Bubba" roles. He was seen in such bucolic characterizations as Lee Dollarhide in Coal Miner's Daughter (1980), Sleets in Rocketeer (1989), Zeke in Wagons East (1994), and Lippy in the first two Lonesome Dove TV miniseries. He rose to prominence in the early 1980s as one-third of the backwoods trio Larry, Daryl and Daryl on the TV sitcom Newhart (1982-90); Sanderson was Larry, the interpreter for his two tight-lipped, dull-witted siblings. Despite the illusion created by his specialty, Sanderson is no hayseed. Following his military discharge, Sanderson graduated from Memphis State University and after that became a law student until the acting bug bit and led him to drop out of school to launch a successful theater career in New York; Sanderson moved into television and feature films. As a change of pace, William Sanderson was heard as urbane, authoritative robotmaster Karl Rossum in the daily Fox TV Network attraction Batman: The Animated Series (1992). In 1998, William Sanderson co-starred opposite Beau Bridges in the satirical television series Maximum Bob.