Trivia: Hailed as "Mr. Showbiz," Liberace was the personification of hedonism at its most extreme. Billing himself a pianist, Liberace liked to think of himself as a reincarnation of Franz Listz -- truly he was exceptionally proficient at the keyboards, but he was far more the classic entertainer, punctuating his popularized versions of light classics with lively patter and jokes, many of which were aimed at himself. Music was his bread and butter, but Liberace's real passion was for excess and flash. Liberace loved rhinestones, expensive cars, priceless pianos, and anything rococo, but it was his outrageous costumes and jewelry that immediately spring to mind when thinking of him. During some performances, he sported lavish spangled costumes weighing over 200 pounds. Born Wladziu Valentino Liberace (his friends called him "Lee") in Milwaukee, he learned much about piano playing from the legendary Paderwski, a friend of his mother. Though best remembered for his many Las Vegas appearances, his tours, and his long-running television series during the '50s, Liberace also appeared in a few feature films including South Sea Sinner and Sincerely Yours.

Trivia: Best remembered as the "sock it to me" girl from the popular 1960s NBC television show Rowan and Martin's Laugh-In (1968), Judy Carne also played leads in a few films and on television. She was once married to actor Burt Reynolds. Carne largely retired from acting after a 1978 car accident. She died in 2015, at age 76.

Trivia: Diminutive (5'4"), bespectacled, sandy-haired Arte Johnson built up his early reputation in musical comedy revues. He began toting up film and TV credits in 1955, usually playing goggle-eyed nerds. Johnson was a regular and semi-regular in several sitcoms of the 1950s and 1960s, including It's Always Jan (1955), Sally (1958), Hennessey (1959-62) and Don't Call Me Charlie (1962). Though established as a comedian, Johnson found himself taking more and more villainous supporting roles as the '60s progressed, in films like The Third Day (1965) and The President's Analyst (1967). Considering himself washed up by 1967, Johnson accepted a slight salary cut to appear as a regular in a new NBC TV project called Rowan and Martin's Laugh-In. Within a year, Johnson was a bigger name than ever before, fracturing audiences with a seemingly inexhaustible variety of characterizations, ranging from his helmeted, chain-smoking German soldier ("Verrrrry interesting") to hirsute, overcoated dirty old man Tyrone Horneigh ("Wanna walnetto?"). In 1970, Johnson starred in his own TV special, spotlighting his "other selves," and in later years revived many of his Laugh-In characters in such summer-stock productions as Little Me. Though his popularity dipped dramatically following the cancellation of Laugh-In in 1973, Johnson has never wanted for work, be it such movies as Love at First Bite (1979, in which Johnson played Dracula's number one toady Renfield) or such TV series as The Love Boat, Fame, Glitter and Games People Play. He also provided the voice for his "Tyrone" character in the 1977 Saturday morning animated weekly Baggy Pants and the Nitwits. In 1996, Arte Johnson was reunited with several of his Laugh-In colleagues on an episode of the TV sitcom Mad About You.

Trivia: Though most of Ruth Buzzi's official biographies list her birthplace as Westerly, RI, she herself was fond of claiming that she was born in Wequetequock, CT, perhaps because it sounded funnier. Whatever the case, Buzzi was the daughter of an immigrant Italian stone sculptor who specialized in cemetery monuments. After attending dancing school, 17-year-old Buzzi studied for an acting career at the Pasadena Playhouse. A well-established West Coast character actress by 1959, Buzzi came to Broadway to appear in the short-lived revue Misguided Tour; it was here that she created the first of her many memorable "alter egos," half-witted magician's assistant Shakuntula. It was while playing the woebegone Agnes Gooch in a 1961 stock-company production of Auntie Mame that Buzzi developed the character that would reach full maturity as the whining schlumper Gladys Ormphby. In 1965, she joined the cast of the CBS TV variety series The Entertainers, and that same year provided the voice of Granny Goodwich on the Linus the Lionhearted cartoon weekly. She went to make recurring appearances on That Girl and the 1967 Steve Allen Comedy Hour; and in January of 1968, she began a seven-year hitch on the immensely popular Rowan and Martin's Laugh-In. Together with Laugh-In co-star Arte Johnson, Buzzi provided the voice for her cartoon likeness in the 1977 Saturday morning animated series Baggy Pants and the Nitwits. Under the aegis of Sid and Marty Krofft, Buzzi starred on the weekend kiddie shows Far Out Space Nuts (1975) and The Krofft Supershow (1976). On the big screen, Ruth Buzzi has been seen in such Disney fare as Freaky Friday (1977), The North Avenue Irregulars (1978), and The Apple Dumpling Gang Rides Again (1979).

Trivia: American comic actor Henry Gibson acted professionally since childhood, but didn't gain prominence until his discovery by Jerry Lewis for a role in The Nutty Professor (1963). Gibson quickly developed a comedy act for TV variety shows, in which he passed himself off as a fey, Southern-accented "blank verse" poet. So convincing was this persona that many viewers believed Gibson was a genuine Southerner, though he actually hailed from Pennsylvania. He played a cruder variation of his yokel character as a patron of the "Belly Button" bar in Billy Wilder's Kiss Me Stupid (1964), and was hilarious as a hip-talking Indian in the Three Stooges' feature film The Outlaws is Coming (1965). Gibson might have continued in small roles indefinitely had he not been catapulted to stardom in 1968 as part of the ensemble on TV's Rowan and Martin's Laugh-In, where his introductory "A poem...by Henry Gibson" became a national catchphrase. Gibson stayed with Laugh-In until 1971, whereupon he launched a reasonably successful career as a straight character actor. One of his best film roles of the '70s was Haven Hamilton, a hard-driving, flag-waving country-western star in Nashville (1975). Gibson not only delivered an expert performance but also co-wrote the songs sung by Haven Hamilton, including the deliberately banal Bicentennial ballad, "200 Years", in one of the film's early scenes. Henry Gibson continued throughout the next two decades playing strong movie character parts (the neo-Nazi commander in 1980's The Blues Brothers) and bright little cameos (the closet-smoking security guard in 1990's Gremlins 2). Gibson was also ubiquitously available as a guest star on such cable-TV reruns as Bewitched (he played a leprechaun) and F Troop (he was jinxed Private Wrongo Starr). He died of cancer in September 2009, about a week before his 74th birthday.

Trivia: A goggle-eyed, ditzy blonde, Goldie Hawn's looks alone make her a natural for the kind of breathless comedy in which she originally made her name. Though she has built a lucrative career with her screen persona of a vivacious, giggly, and befuddled naif, Hawn's onscreen antics conceal her real-life level-headedness: Beneath the wide expanse of her blue eyes lies a shrewd, intelligent, and multi-talented woman. Born November 21st, 1945, Hawn was the daughter of a musician in Washington, D.C., though she grew up in a Jewish neighborhood in suburban Maryland. At the age of three, she took her first dance lesson, and by the age of 17, she was managing a dance studio while studying drama at American University. In 1964, she danced professionally at the Texas Pavilion of the New York World's Fair, and then began appearing in chorus lines in such musicals as Kiss Me Kate, Guys and Dolls, and The Boyfriend. She eventually moved to California, where her first break came when an agent saw her dancing on the Andy Griffith Show and cast her in Good Morning World, a short-lived comedy series. From there she was cast as a dancer in an innovative comedy-variety show hosted by comedians Dan Rowan and Dick Martin. It was on Laugh-In (1968-1970) that Hawn became popular. Originally a dancer on the show, her bikini-clad body painted with funny slogans and designs, she was given a few lines and proved herself a talented performer in a winning, air-headed way.Hawn made her first foray into feature films as a dancer in The One and Only, Genuine, Original Family Band (1968). Her acting debut came a year later playing Walter Matthau's ditzy, bohemian mistress in Cactus Flower (1969); she won an Oscar for her role, making it an inarguably auspicious debut. Later that year she appeared opposite Peter Sellers in There's a Girl in My Soup. These first two films and the subsequent Dollars (1971) utilized Hawn's "blonde" persona, but in 1972, she hinted that she concealed more than a talent for perkiness and comedy when she played a young woman who helps her blind lover deal with his past in Butterflies Are Free. Hawn showed even more depth as a wife who springs her husband from jail in hopes of keeping her child in Sugarland Express, Steven Spielberg's 1973 feature-film directorial debut. Two years later, she starred as Warren Beatty's girlfriend in Shampoo, further exhibiting her capacity as both a comedic and dramatic actress.Subsequently, Hawn continued to work steadily throughout the '80s and '90s, appearing in films of widely varying quality. Some highlights include the successful Private Benjamin (1980), for which Hawn earned her second Best Actress Oscar nomination, Seems Like Old Times (1982), and The First Wives Club (1996), in which she co-starred with Diane Keaton and Bette Midler. Hawn has two children by her second husband, comedian Bill Hudson, and one by her companion since 1986, actor Kurt Russell. She and Russell met on the set of Swing Shift (1984) and have since starred together in such films as Overboard (1987). Following daughter Kate Hudson's success in the wake of Almost Famous (2000), Hawn hit the big screen again in the notorious box-office bomb Town and Country (2001). Though that film did little to re-ignite her appeal as a box office draw, her turn as a free spirited former groupie in the following year's The Banger Sisters drew favorable reviews from critics and audiences and proved a solid indicator that the talented comic actress still had what it takes to bring in the laughs.

Trivia: Mother chose to give birth to him in Canada in order to reduce the medical costs for his delivery. Injured himself in a bicycle accident at age 12, and developed a comedy-and-magic act while recuperating. Served in the Air Force and was stationed in North Africa; performed a magic show for the king of Libya during that time. First dated his second wife Sandra while they were in college, but married her 40 years later. Published an autobiography in 2007 titled Reuben on Wry: The Memoirs of Dave Madden.

Trivia: Comedienne/singer Muriel Landers had a 20 year career in television and movies, the most memorable aspects of which were built around the mixture of her plump physique, sexy voice, and seemingly boundless energy. Born in Chicago in 1921, she made her small-screen performing debut in 1950, surprisingly -- given her subsequent established flair for comedy -- in a pair of dramas on the anthology series The Clock and Lux Video Theater. In the years immediately following, she would exploit her gifts for humor working on the big screen with the Three Stooges (#"Sweet And Hot") and on series such as Make Room For Daddy and The Jack Benny Program, as well as one Bob Hope special. Her girth was, of course, a frequent source of humor surrounding her performances -- she could have been the Totie Fields or the Wendie Jo Sperber of her era -- but Landers carried it well, and could look extremely attractive, and also had a sultry singing voice that she used on occasion to great effect. Jules White, the producer/director in charge of Columbia Pictures' B-movie unit, even proposed a new line of short subjects built around Landers, to be called "Girlie Whirls," but ended the project after a single such effort and, instead, put her to work alongside the Three Stooges. Landers continued performing until the start of the 1970s, when ill-health, caused by hyper-tension, forced her retirement. She passed away in 1977 age 55.

Trivia: Comic supporting actor, onscreen (and in voice-over) from the '60s.

Trivia: Born to a well-to-do Southern family, Joseph Cotten studied at the Hickman School of Expression in Washington D.C., and later sought out theater jobs in New York. He made his Broadway debut in 1930, and seven years later joined Orson Welles' progressive Mercury Theatre company, playing leads in such productions as Julius Caesar and Shoemaker's Holiday. He briefly left Welles in 1939 to co-star in Katharine Hepburn's Broadway comeback vehicle The Philadelphia Story. Cotten rejoinedWelles in Hollywood in 1940, making his feature-film debut as Jed Leland in Welles' Citizen Kane (1941). As a sort of private joke, Jed Leland was a dramatic critic, a profession which Cotten himself had briefly pursued on the Miami Herald in the late '20s. Cotten went on to play the kindly auto mogul Eugene Morgan in Welles' The Magnificent Ambersons in 1942, and both acted in and co-wrote Journey Into Fear, the film that Welles was working on when he was summarily fired by RKO. Cotten remained a close friend of Welles until the director's death in 1985; he co-starred with Welles in Carol Reed's The Third Man (1949) and played an unbilled cameo for old times' sake in the Welles-directed Touch of Evil (1958). A firmly established romantic lead by the early '40s, Cotten occasionally stepped outside his established screen image to play murderers (Alfred Hitchcock's Shadow of a Doubt [1943]) and surly drunkards (Under Capricorn [1949]). A longtime contractee of David O. Selznick, Cotten won a Venice Film Festival award for his performance in Selznick's Portrait of Jennie (1948). Cotten's screen career flagged during the 1950s and '60s, though he flourished on television as a guest performer on such anthologies as Alfred Hitchcock Presents, Fireside Theatre, The Great Adventure, and as host of The 20th Century-Fox Hour (1955), The Joseph Cotten Show (1956), On Trial (1959), and Hollywood and the Stars (1963). He also appeared in several stage productions, often in the company of his second wife, actress Patricia Medina. In 1987, Cotten published his engagingly candid autobiography, Vanity Will Get You Somewhere. He died of pneumonia in 1994 at the age of 88.

Trivia: Comic lead actor, onscreen from the '80s; he has also produced.

Trivia: Peter Lawford was a bushy-browed, slender, aristocratic, good-looking British leading man in Hollywood films. At age eight he appeared in the film Poor Old Bill (1931); seven years later he visited Hollywood and appeared in a supporting role as a Cockney boy in Lord Jeff (1938). In 1942 he began regularly appearing onscreen, first in minor supporting roles; by the late 1940s he was a breezy romantic star, and his studio promised him (incorrectly) that he would be the "new Ronald Colman." His clipped British accent, poise, looks, and charm made him popular with teenage girls and young women, but he outgrew his typecast parts by the mid '50s and spent several years working on TV, starring in the series Dear Phoebe and The Thin Man. Off screen he was known as a jet-setter playboy; a member of Frank Sinatra's "Rat Pack," he married Patricia Kennedy and became President John F. Kennedy's brother-in-law. From the 1960s he appeared mainly in character roles; his production company, Chrislaw, made several feature films, and he was credited as executive producer of three films, two in co-producer partnership with Sammy Davis Jr. In 1971-72 he was a regular on the TV sitcom The Doris Day Show. He divorced Kennedy in 1966 and later married the daughter of comedian Dan Rowan. He rarely acted onscreen after the mid-'70s.

Trivia: The scion of a prosperous California ranching family, actor Cliff Robertson took up drama in high school simply because it was the only "legal" way to cut classes. After wartime service, Robertson entered Ohio's Antioch College, beginning his professional career as a radio announcer. His first extensive stage work consisted of two years with the touring company of Mister Roberts. He made it to Broadway in 1952 in a play directed by Joshua Logan, and in 1955 made his film debut in the Logan-directed movie version of Picnic. As Joan Crawford's schizophrenic boyfriend in Autumn Leaves (1955), Robertson achieved the critical acceptance that would enable him to seek out choice film roles. In 1963, Robertson became the first American actor to portray a living American president when he was selected to play John F. Kennedy in PT 109; one year later, he showed up as a paranoid Nixon type in The Best Man. Equally busy on television, Robertson was universally applauded for his grueling performance as an alcoholic in the 1958 TV staging of Days of Wine and Roses, and in 1965 won an Emmy for a guest appearance on the dramatic anthology Bob Hope Chrysler Theatre. Having lost the film version of Wine and Roses to Jack Lemmon, Robertson made certain that he'd star in the filmization of his 1961 TV drama The Two Worlds of Charly Gordon by buying up the story rights. The result was the 1968 film Charly, in which Robertson played a retarded adult turned into a genius by a scientific experiment -- for which he won an Academy Award. In 1977, Robertson made headlines when he was one of the whistle-blowers in the embezzlement scandal involving Columbia executive David Begelman -- a fact that did more harm to Robertson's career than Begelman's. Robertson continued to act into the 2000s, including the recurring role of Ben Parker in the Spider-Man franchise reboot. He died of natural causes a day after his 88th birthday in 2011.