Trivia: The daughter of Canadian actor Christopher Plummer and American stage actress Tammy Grimes, Amanda Plummer grew up on the East Coast with a love of horseback riding and literature. After studying at Middlebury College and the Neighborhood Playhouse, she settled into an acting company in Massachusetts. Plummer made her film debut in the 1981 Western Cattle Annie and Little Britches opposite Burt Lancaster. Working on Broadway, she won the Tony and the Drama Desk award for her performance as Agnes in the 1982 stage production of Agnes of God. She lost the role in the film version to Meg Tilly and stayed in the theater. Some of her stage credits include The Glass Menagerie, You Never Can Tell, and A Taste of Honey. She earned another Tony nomination for her performance in Pygmalion, opposite Peter O'Toole. On television, she earned an Emmy nomination for her recurring role of mentally challenged Alice on L.A. Law.Plummer's feature film work would consist of playing small, fragile, almost invisible characters who nevertheless leave a big impression. On the big screen, Plummer displayed her silent intensity in the non-speaking role of Ellen James in The World According to Garp (1982). She also created the interesting, if little-seen, character of Dagmar in John Patrick Shanley's Joe Versus the Volcano (1990). Her big film breakthrough came about in 1991 in Terry Gilliam's The Fisher King. She played awkward and plain office worker Lydia Sinclair, who inspires the love of a homeless man played by Robin Williams. The next year, she earned her first Emmy award for her role of concentration camp survivor Lusia Weiss in the post-war drama Miss Rose White (1992), a made-for-TV adaptation of an off-Broadway play. In feature films during the late '90s, Plummer often played slightly off-kilter women just on the verge of violent behavior. She was a disturbed sister in So I Married an Axe Murderer and an semi-balanced Castle Rock resident in Needful Things (both 1993). In 1994, she played a partner-in-crime with Tim Roth in Quentin Tarantino's Pulp Fiction. As the gun-pointing Honey Bunny, Plummer gained a lot of exposure with a minimum of screen time. The next year, she played a serial killer in Michael Winterbottom's Butterfly Kiss (1995).Returning to television, Plummer earned another Emmy for the role of Professor Theresa Given in a 1996 episode of Showtime's The Outer Limits. For the rest of the '90s, she continued portraying delicately damaged characters in small independent films like Matthew Bright's Freeway (1996) and Peter Cohn's Drunks (1997). She also appeared in the family film A Simple Wish (1997) and lent her voice to the TV series Stories From My Childhood as well as the animated feature Hercules (1997). In 1999, Plummer revisited her earlier days as a horseback rider to play a member of the title harem in Peter Greenaway's bizarre 8 1/2 Women (1999). In 2003, she played Sarah Polley's food-obsessed co-worker in My Life Without Me. Plummer's projects for 2004 included the horror film Satan's Little Helper and Tobe Hooper's Brew. And while the majority of films Plummer appeared in throughout the early 2000s were generally unremarkable, the veteran actress did make headlines when it was announced that she would play the role of Wiress, a key ally of Katniss Everdeen, in the highly anticipated sequel The Hunger Games: Catching Fire.

Trivia: Actress Kelly McGillis claims to have been a lonely, overweight adolescent who found an escape from her misery through acting. She studied at Pacific Conservatory of Performing Arts and Julliard, making an impressive film debut as the erstwhile lady friend/"savior" of drunken poet Tom Conti in 1983's Reuben, Reuben. McGillis spent considerable time with an Amish family to prepare for her next important film role as a young Amish widow in 1985's Witness; the family wasn't happy in retrospect, claiming that Kelly misrepresented her interest in their lifestyle. The actress's best role since Witness has been as the attorney defending rape victim Jodie Foster in The Accused (1988); during production, McGillis made public the story of her own earlier rape, and became a militant advocate for assault victim' rights. In 1992, McGillis was second-billed in The Babe (1992) as Claire Hodgson, the no-nonsense second wife of baseball great Babe Ruth (John Goodman). She subtly spoofed her breakout role in Witness in the comedy North, and went on to appear in a variety of projects including We the Jury, Perfect Prey, The Settlement, and At First Sight, After appearing in The Monkey's Mask in 200, she disappeared from screens (outside of voiceover work) until 2010's Skate Land, and having a major role in 2011's The Innkeepers.

Trivia: Steely jawed, hard bodied, terse in speech, Charlton Heston was an American man's man, an epic unto himself. While he played modern men, he was at his best when portraying larger-than-life figures from world history, preferably with his shirt off. He was born John Charles Carter on October 4, 1924 and originally trained in the classics in Northwestern University's drama program, gaining early experience playing the lead in a 1941 filmed school production of Peer Gynt. He also performed on the radio, and then went on to serve in the Air Force for three years during WWII. Afterwards, he went to work as a model in New York, where he met his wife, fellow model Lydia Clarke, to whom he remained married until his death. Later the two operated a theater in Asheville, North Carolina where Heston honed his acting skills. He made his Broadway debut in Katharine Cornell's 1947 production of Anthony and Cleopatra and subsequently went on to be a staple of the highly-regarded New York-based Studio One live television anthology where he played such classic characters as Heathcliff, Julius Caesar and Petruchio. The show made Heston a star. He made his Hollywood film debut in William Dieterle's film noir Dark City playing opposite Lizabeth Scott. Even though she was more established in Hollywood, it was Heston who received top billing. He went on to appear as a white man raised in Indian culture in The Savage (1952) and then as a snob who snubs a country girl in King Vidor's Ruby Gentry (1952). His big break came when Cecil B. DeMille cast him as the bitter circus manager Brad Braden in The Greatest Show on Earth (1952). In subsequent films, Heston began developing his persona of an unflinching hero with a piercing blue-eyed stare and unbending, self-righteous Middle American ethics. Heston's heroes could be violent and cruel, but only when absolutely necessary. He began a long stint of playing historical characters with his portrayal of Buffalo Bill in Pony Express and then Andrew Jackson in The President's Lady (both 1953). Heston's star burned at its brightest when DeMille cast him as the stern Moses in the lavish The Ten Commandments (1956). From there, Heston went on to headline numerous spectaculars which provided him the opportunity to play every one from John the Baptist to Michelangelo to El Cid to General "Chinese" Gordon. In 1959, Heston won an Academy Award for the title role in William Wyler's Ben Hur. By the mid-1960s, the reign of the epic film passed and Heston began appearing in westerns (Will Penny) and epic war dramas (Midway). He also did sci-fi films, the most famous of which were the campy satire Planet of the Apes (1968), The Omega Man (1970) and the cult favorite Soylent Green (1973). The '70s brought Heston into a new kind of epic, the disaster film, and he appeared in three, notably Airport 1975. From the late '80s though the '90s, Heston has returned to television, appearing in series, miniseries and made-for TV movies. He also appeared in such films as Kenneth Branagh's Hamlet (1996) and 1998's Armageddon (as the narrator).Outside of his film work, Heston served six terms as the president of the Screen Actors Guild and also chaired the American Film Institute. Active in such charities as The Will Rogers Institute, he was awarded the Jean Hersholt Humanitarian Award at the 1977 Oscar ceremony. Known as a conservative Republican and proud member of the National Rifle Association, Heston worked closely with his long-time colleague and friend President Ronald Reagan as the leader of the president's task force on arts and the humanities. He made two of his final film appearances in the disastrous Warren Beatty-Diane Keaton sex farce Town and Country (2001) (in a parodistic role, as a shotgun wielding arsonist who burns Beatty's cabin to the ground) and as himself in Michael Moore's documentary Bowling For Columbine (2002) (in which he stormed out of an interview after Moore pummeled him with gun-related questions). Heston died in the spring of 2008 at age 84; although the cause of death was officially undisclosed, he had revealed several years prior that he was suffering from Alzheimer's Disease.

Trivia: Forceful leading actor Robert Loggia left plans for a journalistic career behind when he began his studies at New York's Actors Studio. His first important Broadway assignment was 1955's The Man with the Golden Arm; one year later, he made his first film, Somebody Up There Likes Me. In 1958 he enjoyed a brief flurry of TV popularity as the title character in "The Nine Lives of Elfego Baca," a multipart western originally telecast on Walt Disney Presents. His next weekly TV assignment was as a good-guy burglar in 1967's T.H.E. Cat. A fitfully successful movie leading man, Loggia truly came into his own when he cast off his toupee and became a character actor, often in roles requiring quiet menace. As Richard Gere's bullying father, Loggia dominated the precredits scenes of An Officer and a Gentleman (1981), and was equally effective as the villain in Curse of the Pink Panther (1982) and as mafia functionaries in Scarface (1983) and Prizzi's Honor (1985). He was nominated for an Oscar for his portrayal of a two-bit detective in The Jagged Edge (1985). The most likeable Robert Loggia screen character thus far is his toy manufacturer in Big (1988), the film in which Loggia and Tom Hanks exuberantly dance to the tune of "Heart and Soul" on a gigantic keyboard. Loggia would remain an active force on screen for decades to come, appearing in movies like Opportunity Knocks, Independence Day, and Return to Me, as well as TV shows like Mancuso, FBI, Wild Palms, and Queens Supreme. Loggia passed away in 2015, at age 85.

Trivia: Stage, screen, and TV actress Swoosie Kurtz's father was a colonel in the U.S. Air Force, and she was named after a plane he flew in World War II. After college she attended a drama school in London, and debuted onstage in a series of regional theater plays in the late '60s. In 1970 she appeared in an off-Broadway production of The Effects of Gamma Rays on Man-in-the-Moon Marigolds, for which she won an Obie Award; she went on to a successful stage career, winning two Tony Awards, a Drama Desk Award, and an Outer Critics' Circle Award. Eventually Hollywood took an interest, and she became a regular on the TV sitcom Love, Sydney, winning an Emmy for her work. She debuted onscreen in a small role in Slap Shot (1977) then appeared in two successive flops; it was four years before her next screen role. Since 1982 she has had an intermittently busy film career, mostly in well-respected but not particularly successful productions. In the '90s she has co-starred in the TV series Sisters.

Trivia: American actor Hal Holbrook broke into performing as a monologist at various esoteric nightspots in San Francisco and Greenwich Village. Holbrook worked on stage in the early 1950s and appeared on the CBS TV soap opera The Brighter Day. He might have spent the rest of his career as a talented but unremarkable performer had Holbrook not decided to bank upon his lifelong fascination with humorist Mark Twain. Donning elaborate Twain makeup and costume and memorizing several hours' worth of the writer's material, Holbrook put together a one man show, Mark Twain Tonight. After touring in small towns, Holbrook brought Mark Twain to an off-Broadway theater, scoring an immediate hit which led to some 2000 subsequent appearances as Twain (one of these in a 1967 CBS one-hour special) and a top-selling record album. The fame attending Mark Twain Tonight enabled Holbrook to flourish as a starring actor in numerous non-Twain projects. Among Holbrook's films are The Group (1966), Wild in the Streets (1968), Magnum Force (1973), The Star Chamber (1987), Wall Street (1987) and The Firm (1993); in 1976 the actor portrayed the shadowy amalgam character "Deep Throat" in All the President's Men. Holbrook has also stayed busy in TV, starring on the weekly series The Senator (1970) and appearing several times as Abraham Lincoln in various network specials. A multi-Emmy winner, Hal Holbrook spent much of the late 1980s and early 1990s appearing as a regular cast member on the CBS sitcoms Designing Women (from 1986 to 1989, alongside real-life wife Dixie Carter) and Evening Shade (1990-94) in the role of Burt Reynolds' father, Evan Evans. Holbrook's big-screen activity also crescendoed during the 1990s and early 2000s; among many other assignments, he resumed his frequent typecast as a shady businessman with a deceptively paternal exterior in Sydney Pollack's blockbuster Grisham thriller The Firm (1993), provided an animated voice for the children's fantasy Cats Don't Dance (1997), and nastily evoked the prejudices of a bigoted commanding naval officer named Mr. Pappy in the military drama Men of Honor (2000). Holbrook also drew on his vast knowledge of Mark Twain as one of the participants in the epic-length documentary Ken Burns' Mark Twain (2001). The distinguished thespian received a Best Supporting Actor Oscar nomination for his work in Sean Penn's critically-acclaimed drama Into the Wild (2007). He starred in the 2009 drama That Evening Sun, and had a major part in the 2011 adaptation of the novel Water for Elephants. In 2012 Steven Spielberg cast him in his long-gestating biopic Lincoln.

Trivia: One of America's most respected dramatic actresses, Cicely Tyson has worked steadily as a television, film, and stage actress since making her stage debut in a Harlem YMCA production of Dark of the Moon in the 1950s. The daughter of Caribbean immigrants, Tyson was raised in Harlem. After working as a secretary and a successful model, she became an actress, landed her first jobs in off-Broadway productions, and eventually made it to the Great White Way in the late '50s.Tyson got her first real break in 1963, playing a secretary to George C. Scott on the TV series East Side/West Side, and in 1966 signed on with the daytime soap The Guiding Light. That same year, she made her credited screen debut starring opposite Sammy Davis Jr. in the drama A Man Called Adam (her first uncredited film role was in 1959's Odds Against Tomorrow). More film, television, and stage work followed, but Tyson did not truly become a star until her Oscar-nominated performance in the Depression drama Sounder (1972). An unusual beauty with delicate features, expressive black eyes, and a full, wide mouth, Tyson next hid her good looks beneath layers of old-age makeup to convincingly portray a 110-year-old former slave who tells her extraordinary life story in The Autobiography of Miss Jane Pittman (1974). A well-wrought effort, it won Tyson her first Emmy for her title role, which required her to age 91 years on the screen. Tyson subsequently had great success on television, particularly with her role in the legendary miniseries Roots (1977) and her work in The Women of Brewster Place (1989). She also continued to do a fair amount of film work, appearing in films like Fried Green Tomatoes (1991), The Oldest Living Confederate Widow Tells All (1994), The Grass Harp (1995), and Hoodlum (1997). In 1997, Tyson again donned old woman's makeup to offer a delightfully crotchety version of Charles Dickens' Scrooge in the 1997 USA Network original production Ms. Scrooge. Two years later, she had another television success -- and another Emmy nomination -- with A Lesson Before Dying, a drama set in the 1940s about a black man sentenced to death for a murder he did not commit. Tyson was later featured in a trio of popular Tyler Perry movies, including Diary of a Mad Black Woman (2005), Madea's Family Reunion (2006) and Why Did I Get Married Too? (2010). She also had a small, but pivotal, role in 2011's Oscar-nominated The Help, as Contstantine, the loving and elderly maid of Skeeter Phelan (Emma Stone).