Trivia: The son of an Oklahoma carpet layer, James Garner did stints in the Army and merchant marines before working as a model. His professional acting career began with a non-speaking part in the Broadway play The Caine Mutiny Court Martial (1954), in which he was also assigned to run lines with stars Lloyd Nolan, Henry Fonda, and John Hodiak. Given that talent roster, and the fact that the director was Charles Laughton, Garner managed to earn his salary and receive a crash course in acting at the same time. After a few television commercials, he was signed as a contract player by Warner Bros. in 1956. He barely had a part in his first film, The Girl He Left Behind (1956), though he was given special attention by director David Butler, who felt Garner had far more potential than the film's nominal star, Tab Hunter. Due in part to Butler's enthusiasm, Garner was cast in the Warner Bros. TV Western Maverick. The scriptwriters latched on to his gift for understated humor, and, before long, the show had as many laughs as shoot-outs. Garner was promoted to starring film roles during his Maverick run, but, by the third season, he chafed at his low salary and insisted on better treatment. The studio refused, so he walked out. Lawsuits and recriminations were exchanged, but the end result was that Garner was a free agent as of 1960. He did quite well as a freelance actor for several years, turning in commendable work in such films as Boys' Night Out (1962) and The Great Escape (1963), but was soon perceived by filmmakers as something of a less-expensive Rock Hudson, never more so than when he played Hudson-type parts opposite Doris Day in Move Over, Darling and The Thrill of It All! (both 1963).Garner fared rather better in variations of his Maverick persona in such Westerns as Support Your Local Sheriff (1969) and The Skin Game (1971), but he eventually tired of eating warmed-over stew; besides, being a cowboy star had made him a walking mass of injuries and broken bones. He tried to play a more peaceable Westerner in the TV series Nichols (1971), but when audiences failed to respond, his character was killed off and replaced by his more athletic twin brother (also Garner). The actor finally shed the Maverick cloak with his long-running TV series The Rockford Files (1974-1978), in which he played a John MacDonald-esque private eye who never seemed to meet anyone capable of telling the truth. Rockford resulted in even more injuries for the increasingly battered actor, and soon he was showing up on TV talk shows telling the world about the many physical activities which he could no longer perform. Rockford ended in a spirit of recrimination, when Garner, expecting a percentage of the profits, learned that "creative bookkeeping" had resulted in the series posting none. To the public, Garner was the rough-hewn but basically affable fellow they'd seen in his fictional roles and as Mariette Hartley's partner (not husband) in a series of Polaroid commercials. However, his later film and TV-movie roles had a dark edge to them, notably his likable but mercurial pharmacist in Murphy's Romance (1985), for which he received an Oscar nomination, and his multifaceted co-starring stints with James Woods in the TV movies Promise (1986) and My Name Is Bill W. (1989). In 1994, Garner came full circle in the profitable feature film Maverick (1994), in which the title role was played by Mel Gibson. With the exception of such lower-key efforts as the noir-ish Twilight (1998) and the made-for-TV thriller Dead Silence (1997), Garner's career in the '90s found the veteran actor once again tapping into his latent ability to provoke laughs in such efforts as Space Cowboys (2000) while maintaining a successful small-screen career by returning to the role of Jim Rockford in several made-for-TV movies. He provided a voice for the popular animatedfeature Atlantis: The Lost Empire (2001) and appeared in the comedy-drama The Divine Secrets of the Ya-Ya Sisterhood (2002). Garner enjoyed a career resurgance in 2003, when he joined the cast of TV's 8 Simple Rules, acting as a sort of replacement for John Ritter, who had passed away at the beginning of the show's second season. He next appeared in The Notebook (2004), which earned Garner a Screen Actors Guild nomination and also poised him to win the Guild's Lifetime Achievement Award. His last on-screen role was a small supporting role in The Ultimate Gift (2007). In 2008, Garner suffered a stroke and retired acting. He died in 2014, at age 86.

Trivia: The son of actress Nan Kelly Yorke, Jack Kelly was the younger brother of stage and film star Nancy Kelly. Like Nancy, Jack was a professional from an early age, acting in radio and on stage before the age of 10, and in films from 1937 (he is quite prominent in a brace of 1939 20th Century-Fox films, Young Mr. Lincoln and The Story of Alexander Graham Bell). He reemerged as a leading man in the early 1950s, appearing in such films as Forbidden Planet (1956, as the ill-fated Lieutenant Farnam). Signed by Warner Bros. in 1955, Kelly starred as Dr. Paris Mitchell in the weekly TV version of the 1942 film King's Row. He went on to play gamblin' man Bart Maverick on the longer-running Warners western series Maverick. Though his popularity never matched that of his co-star James Garner, Kelly still developed a fan following as Bart; he remained with the series from 1957 until its cancellation in 1962, appearing opposite such Garner successors as Roger Moore and Robert Colbert. Kelly dabbled in a little bit of everything after that: hosting the anthology series NBC Comedy Playhouse (1973), emceeing the game show Sale of the Century (1969-71), and playing hard-nosed Lt. Ryan on the Teresa Graves series Get Christie Love (1974) and Harry Hammond on The Hardy Boys/Nancy Drew Mysteries (1977-79). He revived the Bart Maverick character on 1978's The New Maverick and the 1990 TV movie The Gambler Returns: Luck of the Draw. Chances are that, had he lived, Jack Kelly would have been invited to co-star again with Garner in the 1994 Mel Gibson theatrical-feature version of Maverick.

Trivia: When bandleader Ina Ray Hutton launched her TV series in 1956, much was made of the fact that the entire on-camera cast was female -- right down to the announcer, a lovely newcomer named Diane Brewster. Signed to a Warner Bros. contract shortly after the inauguration of the Hutton show, Brewster appeared in several decorative film roles, the best of which was Kate Lawrence in The Young Philadelphians (1959). She also showed up sporadically as bewitched confidence trickster Samantha Crawford on the Warner Bros. TV series Maverick (1957-1962), and later starred as Wilhelmina "Steamboat Willie" Vanderveer in the weekly Warners actioner The Islanders (1960). Devotees of Leave It to Beaver will remember Brewster as Beaver's teacher Miss Canfield during the series' inaugural 1957-1958 season (she'd played an entirely different role in the 1956 Beaver pilot episode, "It's a Small World"). Thirty-five years later, the still-gorgeous Diane Brewster reprised her Miss Canfield characterization in the 1983 TV-movie Still the Beaver.

Trivia: The only child of a London policeman, Roger Moore started out working as a film extra to support his first love, painting, but soon found he preferred acting, and so enrolled in the Royal Academy of Dramatic Art. He began his film, radio and stage career just after World War II (his early credits are often confused with American actor Roger Moore, a minor Columbia contractee of the 1940s), and also performed with a military entertainment unit. Though in childhood Moore had been mercilessly teased by friends and family alike for being fat, by the time he was ready to start his career, he had become an exceptionally handsome man with a toned, well-muscled body. Signed on the basis of his good looks to an MGM contract in 1954, Moore began making appearances in American films, none of which amounted to much dramatically; his biggest success of the 1950s was as star of the British-filmed TV series Ivanhoe. Signed by Warner Bros. Television for the 1959 adventure weekly The Alaskans, Moore became the latest of a long line of James Garner surrogates on Maverick, appearing during the 1960-1961 season as cousin Beau. After a few years making European films, Moore was chosen to play Simon Templar in the TV-series version of Leslie Charteris' The Saint (an earlier attempt at a Saint series with David Niven had fallen through). Moore remained with the series from 1963-1967, occasionally directing a few episodes (he was never completely comfortable as simply an actor, forever claiming that he was merely getting by on his face and physique). After another British TV series, 1971's The Persuaders, Moore was selected to replace Sean Connery in the James Bond films. His initial Bond effort was 1973's Live and Let Die, but the consensus (in which the actor heartily concurred) was that Moore didn't truly "grow" into the character until 1977's The Spy Who Loved Me. Few of Moore's non-Bond movie appearances of the 1970s and 1980s were notably successful, save for an amusing part as a Jewish mama's boy who thinks he's Bond in Burt Reynolds' Cannonball Run (1981). Moore's last 007 film was 1985's A View to a Kill. In 1991, he was made a special representative of UNICEF, an organization with which he'd been active since the 1960s. Relegated mainly to a series of flops through the 1990s, Moore appeared in such efforts as The Quest (1996) and Spice World (1997) and gained most of his exposure that decade as a television talk show and documentary host. In early May of 2003, fans were dismayed to hear that Moore collapsed onstage during a Broadway performance of The Play That I Wrote. Rushed to a nearby hospital afer insisting on finishing his performance in the small role, reports noted that Moore's subsequent recovery seemed to be coming along smoothly. He lent his distinctive voice to family films such as Here Comes Peter Cottontail and Cats & Dogs, The Revenge of Kitty Galore. Moore died in 2017, at age 89.

Trivia: American leading man Robert Colbert made his first screen appearances as a Columbia contract player in the late '50s. His most thankless role during this period was as the romantic lead in the Three Stooges feature Have Rocket, Will Travel (1959). Seven years later, Colbert had another crack at the sci-fi genre as adventuresome scientist Dr. Doug Phillips on TV's The Time Tunnel. Each week, Colbert and co-star James Darren were plunked down into a crucial moment in world history, courtesy of the 20th Century-Fox stock footage department. In between these two assignments, Colbert played Brent Maverick, one of the stop-gap characters created to cover the defection of James Garner on the western series Maverick (1957-62). Daytime drama devotees are most familiar with Robert Colbert's decade-long tenure as Stuart Brooks on The Young and the Restless.

Trivia: The son of world-famous violinist Efrem Zimbalist and opera star Alma Gluck, Efrem Zimbalist Jr. received an expensive prep-school education in New England, and at age 16 he briefly studied at Yale University. He became a page at the NBC radio studios in New York City, then took acting lessons at Neighborhood Playhouse. Just before serving in World War II (in which he earned a Purple Heart), Zimbalist married another aspiring performer, Emily McNair. After the war, he began toting up Broadway acting credits, and in 1949 made his film debut as Richard Conte's brutish brother in House of Strangers (1949). After his wife died of cancer in 1950, Zimbalist briefly retired from acting, moving with his two children to Philadelphia; there he became a researcher at the Curtis Institute of Music, where his father was director. Shortly after returning to acting in 1954 with a recurring role on the TV soap opera Concerning Miss Marlowe, Zimbalist married East Coast socialite Stephanie Spaulding; the union produced a daughter, also named Stephanie, who grew up to become a popular actress in her own right (Zimbalist's son, Efrem III, has likewise earned a place in "Who's Who" as a publishing company executive). Signed to a long-term Warner Bros. contract, Zimbalist achieved full stardom in the role of suave private detective Stuart Bailey on the weekly TV series 77 Sunset Strip (1958-1964). He went on to another popular Warners series in 1965, playing inspector Lew Erskine in the long-running (nine seasons) The FBI. His later TV roles included Charles Cabot in the 1986 episodes of Hotel, Don Alejandro de la Vega in the first-season installment of the Family Channel's Zorro (1990-1992), and silver-tongued con artist Daniel Chalmers on his daughter Stephanie's weekly series Remington Steele (1982-1987). Generally cast in sophisticated or serious roles, Efrem Zimbalist Jr. has on occasion been permitted to display his flair for zany comedy, as witness his villainous portrayal in the 1990 action-flick satire Hot Shots! In his later years, he voiced a number of animated characters, such as Dr. Octopus in Spider-Man and Alfred Pennyworth in The New Batman Adventures and Justice League. Zimbalist's final acting role was in the 2008 short film The Delivery. He died in 2014 at age 95.

Trivia: Though she reportedly played a bit in the 1937 version of A Star Is Born, actress Joan Shawlee's first confirmed professional work was as a model, singer, and nightclub performer. While appearing in New York, Shawlee was discovered by comedian Lou Costello, who put her under personal contract. She was billed as Joan Fulton in her first appearance with Abbott and Costello in the 1947 film Buck Privates Come Home. She reverted to "Shawlee" once she'd gained a reputation as a wisecracking, gum-chewing comedienne, a reputation enhanced by her many appearances on the popular TV sitcom The Abbott and Costello Show. Her films ranged from trash like Prehistoric Women (1950) to treasures like From Here to Eternity. Her best screen role was as dictatorial bandleader Sweet Sue in the Billy Wilder classic Some Like It Hot (1959); Wilder would cast Shawlee in choice supporting roles in his later films, The Apartment (1960), Irma La Douce (1963), and Buddy Buddy (1981). Outside of her work on Abbott and Costello's various television ventures, Joan Shawlee's TV career included regular roles on such series as The Betty Hutton Show, McHale's Navy, The Dick Van Dyke Show (as Morey Amsterdam's wife Pickles), and The Feather and Father Gang.

Trivia: A tough-looking character actor in Grade-Z Westerns of the 1940s, Terry Frost's screen career was highly affected by a role he didn't get to play. In 1945, Frost, who had been portraying henchmen in Westerns since 1941, was signed to star the title role in Dillinger, a low-budget but highly publicized melodrama depicting the exploits of real life gangster and Public Enemy Number One, John Dillinger. The proposed screenplay, however, came in for intense scrutiny by the Production Code censors and when the cameras finally rolled, the part had been re-cast with newcomer Lawrence Tierney, who thus embarked on a long and profitable career portraying public enemies. Frost, in contrast, returned to the realm of low-budget oaters, laboring rather anonymously in countless Western melodramas for also-ran studios Monogram and PRC. He was even busier on television in the 1950s, appearing in seemingly every Western series ever produced, from The Gene Autry Show to Gunsmoke to Rawhide. In his later years, the erstwhile vaudevillian and coffee shop owner became a popular guest speaker at various B-Western conventions, where he would reminisce about everyone from Johnny Mack Brown to Whip Wilson. His death was attributed to a heart attack.

Trivia: Hailing from Illinois, young silent actor Charles Morton was already a veteran trouper when signed to a contract with Fox in 1927. Female audiences first discovered the handsome youth opposite the studio's leading flapper, Madge Bellamy, in Colleen (1927), one of the era's many comedy-dramas with a decided influence of blarney. Morton was one of the Four Sons (1928), fighting World War I on opposite sides in John Ford's sadly lost anti-war drama, and a member of the ultimately tragic circus troupe in F.W. Murnau's near-classic Four Devils (1928). Sound, unfortunately, had an ill affect on Morton's career and he was playing bit parts by 1935.

Trivia: Michigan-born Jack Perrin moved to California with his family in the early 1900s. Perrin launched his film career in 1914 as a bit player and extra, working his way up to leading roles by 1917. After serving on a submarine in WWI, he resumed his movie work, attaining stardom in the 1919 Universal serial Lion Man. Handsome and athletic, Perrin became a popular Western star in the 1920s. Throughout the silent era, he worked for most of the major Western units (Universal, Pathe, First National) and not a few of the minor ones (Rayart, Mascot). In 1929, he was starred in the first all-talkie B-Western, Overland Bound. Perrin spent the early '30s laboring away for such Poverty Row concerns as Aywon and Big Four, where, despite shabby production values and substandard sound recording, he and his "wonder horse" Starlight remained Saturday-matinee favorites. He also briefly co-starred with Ben Corbett in a series of three-reel Westerns, released under the blanket title Bud and Ben. After his final starring series for producer William Berke in 1936, Perrin settled into character roles, both large (Davy Crockett in the 1937 serial The Painted Stallion) and small (the prison guard who escorts James Cagney to the hot seat in 1938's Angels With Dirty Faces). In 1956, Jack Perrin, together with several other former B-Western favorites, rode alongside Col. Tim McCoy in the "Cavalry rescue" sequence in Around the World in 80 Days (1956).

Trivia: A real life horse wrangler from Missouri, burly George Sowards claimed to have entered the film industry as a stunt man/stunt driver as early as 1911. Rarely, if ever, billed in the earliest years, Sowards played a few supporting roles in very inexpensive Westerns of the 1920s: one of the henchmen in Bill Patton's The Battlin' Kid (1921) and heroine Florence Gilbert's wayward brother in Jack Hoxie's Backfire (1922). More often than not merely a face in the crowd, an unnamed "dog heavy," or a stage driver with no dialogue, Sowards appeared in literally hundreds of sound Westerns as well, his screen career lasting well into the 1950s. A brother, Len Sowards (1895-1962), also appeared in Westerns.

Trivia: American actor Harry Tyler wasn't really as old as the hills when he started his film career in 1929; in fact, he was barely 40. Still, Tyler's wizened, gimlet-eyed face was his fortune, and he spent most of his movie years playing variations of the Spry Old Timer. Tyler began his stage career as a boy soprano in 1901, under the aegis of producer Flo Ziegfeld and Ziegfeld's wife Anna Held. He married Gladys Crolius in 1910, and for the next twelve years they toured vaudeville in a precursor to Burns and Allen's smart guy/dumb dora act. Returning to the legitimate stage in 1925, Tyler journeyed to Hollywood when talking pictures took hold four years later. His inaugural screen appearance was a recreation of his stage role in The Shannons on Broadway. Harry Tyler played bits and featured roles as janitors, sign painters, philandering businessmen, frontier farmers and accident victims from 1929 until his farewell appearance in John Ford's The Last Hurrah (1958).