Trivia: Not wishing to be typecast in Latino roles, actor Henry Thomas Delgado changed his professional name to Henry Darrow -- only to spend his first dozen or so years in show business playing Hispanics. Darrow gained nationwide attention when briefly cast as a Mexican lawyer on the ABC daytime drama General Hospital; he had previously been active in Spanish-language soap operas, and as a Hollywood voice-over artist, dubbing Hispanic films into English. While appearing in an L.A.-based stage play in early 1967, Darrow was spotted by TV producer David Dortort, who was then in the process of casting the upcoming Western series The High Chaparral. Dortort created the character of aristocrat-turned-ranchhand Manolito Montoya with Darrow specifically in mind; the actor remained in this role until High Chapparal completed its four-season run in 1971. Darrow was then seen in a handful of films (Badge 373, Maverick, etc.) and a whole slew of weekly TV programs, including The New Dick Van Dyke Show (1973-1974 season, as stage manager Alex Montenez) and Time Trax (1993). He also returned to the daily-serial grind as Rafael Castillo on Santa Barbara (1984-1992). In 1983, Henry Darrow was starred on the spoofish series Zorro and Son as Zorro Sr. (aka Don Diego de la Vega), a character he'd previously played via voice-over on the Saturday morning cartoon weekly The Tarzan/Lone Ranger/Zorro Adventure Hour (1981); and in 1989, he was seen as the title character's father on the Family Channel cable series Zorro.

Trivia: Jamaican-born Frank Silvera attended Northeastern Law School before inaugurating his acting career. One of the few black actors of the 1950s who was able to avoid being typecast by the color of his skin, Silvera played a wide variety of ethnic types, from Latin to Middle Eastern to Oriental. He made his film bow in 1952's Viva Zapata, and shortly thereafter was prominently cast in two of Stanley Kubrick's seminal films, Fear and Desire (1953) and Killer's Kiss (1955). Silvera was founder of The Theatre of Being, which was devoted to helping young African-American actors get started in show business; he also directed several stage plays in New York and Los Angeles. Frank Silvera was electrocuted in his home at the age of 56, while trying to repair an electrical appliance. At the time of his death, he was a regular on the TV series The High Chapparal.

Trivia: Dan O'Herlihy studied architecture at the National University of Ireland, but his heart was in the acting highlands. After racking up stage credits with the Gate Theater and the Abbey Players, O'Herlihy turned to films in 1946, impressing critics and filmgoers alike with his breakthrough role in Odd Man Out. He made his American movie bow in Orson Welles' MacBeth (1948), playing the not inconsiderable role of MacDuff; shortly thereafter, he appeared with his MacBeth co-star Roddy MacDowall in an economically budgeted adaptation of Robert Louis Stevenson's Kidnapped. In 1952, he earned an Academy Award nomination for his near-solo starring turn in Luis Bunuel's The Adventures of Robinson Crusoe. Maturing into a versatile character player, he could also be seen as FDR in MacArthur (1977), the frothing-at-the-mouth villain in Halloween 3: Season of the Witch (1983), a benign lizardlike alien in The Last Starfighter (1984), and the dark-purposed cyborg-firm exec in the RoboCop films. His TV credits include blarney-spouting Doc McPheeters in The Travels of Jamie McPheeters (1963), town boss Will Varner in The Long Hot Summer (1965), "The Director" in A Man Called Sloane (1979), intelligence agent Carson Marsh in Whiz Kids (1984), and Andrew Packard in Twin Peaks (1990). Dan O'Herlihy was the brother of director Michael O'Herlihy.

Trivia: Born William Anderson, this brawny, blond second lead had the looks of a Viking god. He worked as a band vocalist and trombone player, then gained a small amount of stage experience before debuting onscreen in a bit part (as a corpse) in Wanderer of the Wasteland (1935). Billed by Paramount as Glenn Erickson, he began his screen career as a leading man in Westerns. Because of his Nordic looks he was renamed Leif Erikson, which he later changed to Erickson. He played intelligent but unexciting second leads and supporting parts in many films. Erickson took four years off to serve in World War II and was twice wounded. He made few films after 1965 and retired from the screen after 1977. Also working on Broadway and in TV plays, he played the patriarch Big John Cannon in the TV series High Chaparral (1967-1971). From 1934 to 1942, he was married to actress Frances Farmer, with whom he co-starred in Ride a Crooked Mile (1938); later, he was briefly married to actress Margaret Hayes (aka Dana Dale).

Trivia: Argentinian actress Linda Cristal made her first American film in 1956. Typecast by virtue of her accent and her exotic Latino features, Linda could usually be found in westerns, notably Comanche (1956), The Fiend Who Walked the West (1958), The Alamo (1960) and Two Rode Together (1961). She also showed up in such European sword-and-sandal affairs as The Pharoah's Woman (1961). In 1959, Linda was given a rare opportunity to display her comic know-how as a temperamental Hollywood starlet in the Tony Curtis/Janet Leigh vehicle The Perfect Furlough. From 1967 through 1971, Linda Cristal played Victoria Cannon on the TV western The High Chaparral.

Trivia: The son of a Pennsylvania minister, actor Cameron Mitchell first appeared on Broadway in 1934, in the Lunts' modern-dress version of Taming of the Shrew. He served as a bombardier during World War II, and for a brief period entertained thoughts of becoming a professional baseball player (he allegedly held an unsigned contract with the Detroit Tigers until the day he died). Mitchell was signed to an MGM contract in 1945, but stardom would elude him until he appeared as Happy in the original 1949 Broadway production of Death of the Salesman. He re-created this role for the 1951 film version, just before signing a long-term contract with 20th Century Fox. Throughout the 1950s, Mitchell alternated between likeable characters (the unpretentious business executive in How to Marry a Millionaire [1952]) and hissable ones (Jigger Craigin in Carousel [1956]); his best performance, in the opinion of fans and critics alike, was as drug-addicted boxer Barney Ross in the 1957 biopic Monkey on My Back. Beginning in the 1960s, Mitchell adroitly sidestepped the IRS by appearing in dozens of Spanish and Italian films, only a few of which were released in the U.S. He also starred in three TV series: The Beachcomber (1961), The High Chapparal (1969-1971), and Swiss Family Robinson (1976). Mitchell spent the better part of the 1970s and 1980s squandering his talents in such howlers as The Toolbox Murders, though there were occasional bright moments, notably his performance as a neurotic mob boss in 1982's My Favorite Year. A note for trivia buffs: Cameron Mitchell also appeared in the first CinemaScope film, The Robe (1953). Mitchell was the voice of Jesus in the Crucifixion scene.