Trivia: One of Hollywood's most prominent strong, silent types, Kevin Costner was for several years the celluloid personification of the baseball industry, given his indelible mark with baseball-themed hits like Bull Durham, Field of Dreams, and For Love of the Game. His epic Western Dances with Wolves marked the first break from this trend and established Costner as a formidable directing talent to boot. Although several flops in the late '90s diminished his bankability, for many, Costner remained one of the industry's most enduring and endearing icons.A native of California, Costner was born January 18, 1955, in Lynnwood. While a marketing student at California State University in Fullerton, he became involved with community theater. Upon graduation in 1978, Costner took a marketing job that lasted all of 30 days before deciding to take a crack at acting. After an inauspicious 1974 film debut in the ultra-cheapie Sizzle Beach USA, Costner decided to take a more serious approach to acting. Venturing down the usual theater-workshop, multiple-audition route, the actor impressed casting directors who weren't really certain of how to use him. That may be one reason why Costner's big-studio debut in Night Shift (1982) consisted of little more than background decoration, and the same year's Frances featured the hapless young actor as an off-stage voice.Director Lawrence Kasdan liked Costner enough to cast him in the important role of the suicide victim who motivated the plot of The Big Chill (1983). Unfortunately, his flashback scenes were edited out of the movie, leaving all that was visible of the actor -- who had turned down Matthew Broderick's role in WarGames to take the part -- to be his dress suit, along with a fleeting glimpse of his hairline and hands as the undertaker prepared him for burial during the opening credits. Two years later, a guilt-ridden Kasdan chose Costner for a major part as a hell-raising gunfighter in the "retro" Western Silverado (1985), this time putting him in front of the camera for virtually the entire film. He also gained notice for the Diner-ish buddy road movie Fandango. The actor's big break came two years later as he burst onto the screen in two major films, No Way Out and The Untouchables; his growing popularity was further amplified with a brace of baseball films, released within months of one another. In Bull Durham (1988), the actor was taciturn minor-league ballplayer Crash Davis, and in the following year's Field of Dreams he was Ray Kinsella, a farmer who constructs a baseball diamond in his Iowa cornfield at the repeated urging of a voice that intones "if you build it, he will come."Riding high on the combined box-office success of these films, Costner was able to make his directing debut. With a small budget of 18 million dollars, he went off to the Black Hills of South Dakota to film the first Western epic that Hollywood had seen in years, a revisionist look at American Indian-white relationships titled Dances With Wolves (1990). The supposedly doomed project, in addition to being one of '90s biggest moneymakers, also took home a slew of Academy Awards, including statues for Best Picture and Best Director (usurping Martin Scorsese's Goodfellas).Costner's luck continued with the 1991 costume epic Robin Hood: Prince of Thieves; this, too, made money, though it seriously strained Costner's longtime friendship with the film's director, Kevin Reynolds. The same year, Costner had another hit -- and critical success -- on his hands with Oliver Stone's JFK. The next year's The Bodyguard, a film which teamed Costner with Whitney Houston, did so well at the box office that it seemed the actor could do no wrong. However, his next film, A Perfect World (1993), directed by Clint Eastwood and casting the actor against type as a half-psycho, half-benign prison escapee, was a major disappointment, even though Costner himself garnered some acclaim. Bad luck followed Perfect World in the form of another cast-against-type failure, the 1994 Western Wyatt Earp, which proved that Lawrence Kasdan could have his off days.Adding insult to injury, Costner's 1995 epic sci-fi adventure Waterworld received a whopping amount of negative publicity prior to opening due to its ballooning budget and bloated schedule; ultimately, its decent box office total in no way offset its cost. The following year, Costner was able to rebound somewhat with the romantic comedy Tin Cup, which was well-received by the critics and the public alike. Unfortunately, he opted to follow up this success with another large-scaled directorial effort, an epic filmization of author David Brin's The Postman. The 1997 film featured Costner as a Shakespeare-spouting drifter in a post-nuclear holocaust America whose efforts to reunite the country give him messianic qualities. Like Waterworld, The Postman received a critical drubbing and did poorly with audiences. Costner's reputation, now at an all-time low, received some resuscitation with the 1998 romantic drama Message in a Bottle, and later the same year he returned to the genre that loved him best with Sam Raimi's baseball drama For Love of the Game. A thoughtful reflection on the Cuban missile crisis provided the groundwork for the mid-level success Thirteen Days (2000), though Costner's next turn -- as a member of a group of Elvis impersonating casino bandits in 3000 Miles to Graceland -- drew harsh criticism, relegating it to a quick death at the box office. Though Costner's next effort was a more sentimental supernatural drama lamenting lost love, Dragonfly (2002) was dismissed by many as a cheap clone of The Sixth Sense and met an almost equally hasty fate.Costner fared better in 2003, and returned to directing, with Open Range, a Western co-starring himself and the iconic Robert Duvall -- while it was no Dances With Wolves in terms of mainstream popularity, it certainly received more positive feedback than The Postman or Waterworld. In 2004, Costner starred alongside Joan Allen in director Mike Binder's drama The Upside of Anger. That picture cast Allen as an unexpectedly single, upper-middle class woman who unexpectedly strikes up a romance with the boozy ex-baseball star who lives next door (Costner). Even if divided on the picture as a whole, critics unanimously praised the lead performances by Costner and Allen.After the thoroughly dispiriting (and critically drubbed) quasi-sequel to The Graduate, Rumor Has It..., Costner teamed up with Fugitive director Andrew Davis for the moderately successful 2006 Coast Guard thriller The Guardian, co-starring Ashton Kutcher and Hollywood ingenue Melissa Sagemiller.Costner then undertook another change-of-pace with one of his first psychological thrillers: 2007's Mr. Brooks, directed by Bruce A. Evans. Playing a psychotic criminal spurred on to macabre acts by his homicidal alter ego (William Hurt), Costner emerged from the critical- and box-office failure fairly unscathed. He came back swinging the following year with a starring role in the comedy Swing Vote, playing a small town slacker whose single vote is about to determine the outcome of a presidential election. Costner's usual everyman charm carried the movie, but soon he was back to his more somber side, starring in the recession-era drama The Company Men in 2010 alongside Chris Cooper and Tommy Lee Jones. As the 2010's rolled on, Costner's name appeared often in conjunction with the Quentin Tarantino film Django Unchained prior to filming, but scheduling conflicts would eventually prevent the actor from participating in the project. He instead signed on for the latest Superman reboot, playing Clark Kent's adoptive dad on Planet Earth in Man of Steel.

Trivia: While landing a guest spot on a hit television series would be a welcome event for most up-and-coming actresses, Jennifer Garner's brief run on Felicity proved especially fortunate for her -- thanks to her appearance on the show, she met her future husband, and the producer who would cast her in the leading role of the successful action/adventure series Alias. Jennifer Garner was born in Houston, TX, in 1972; when she was very young, her family relocated to Charleston, WV, where she grew up. Garner was the second of three daughters, and early on developed an interest in ballet. After graduating from George Washington High School in Charleston, Garner attended Denison University in Granville, OH, where she became interested in drama, and eventually received a degree in theater. After college, Garner moved to New York and began auditioning for stage roles, landing her first part only a month after arriving in town in 1995 as an understudy in the Broadway production of A Month in the Country. Later that same year, Garner moved to Los Angeles and began working in television, making her screen debut in the made-for-TV movie Zoya. Over the next two years, Garner landed guest roles on several television shows, including Spin City and Law & Order, and small parts in several motion pictures, among them Deconstructing Harry, In Harm's Way, and Mr. Magoo. 1998 found Garner cast as the female lead on the short-lived Fox drama Significant Others, and while the show only aired for a little over a month, Garner fared much better with a showy recurring role on Felicity, where she played Hannah, the former girlfriend of Noel Crane, played by Scott Foley. Though Garner claims she had to go through five rounds of auditions before she was given the role, she certainly made an impression on co-star Foley; they soon began dating, and were married in the fall of 2000. Garner's work on Felicity helped win her a major supporting role on the television series Time of Your Life, a spin-off of Party of Five starring Jennifer Love Hewitt. The heavily promoted series was a ratings disappointment, but Garner received enthusiastic notices, and began winning film roles in high-profile projects such as Pearl Harbor and Dude, Where's My Car? In 2000, J.J. Abrams, who produced Felicity, was preparing a new series for ABC about a female spy living a triple life as a college student and supposed bank employee, who is also a double agent working for the CIA. Abrams remembered Garner's impressive performance as Hannah, and cast her as Sydney Bristow in Alias. The show quickly became a success when it premiered in 2001, earning respectable ratings, strong reviews, and a devoted fan following who tuned in each week to see Garner beat up bad guys and don an impressive collection of slinky outfits. That same year, Garner also appeared opposite her then-husband, Foley, in a supporting role in the independent drama Rennie's Landing. Riding high on the success of Alias with a Golden Globe Award in hand, Garner continued to grow as a big-screen presence. After a memorable appearance in Steven Spielberg's Catch Me If You Can, Garner displayed the butt-kicking skills she honed on Alias, appearing as Elektra in the 2003 comic-book adaptation Daredevil. The next year, she took on her first big-screen starring role, playing an adolescent girl who wakes up to suddenly find herself all grown up in the romantic comedy 13 Going on 30. Garner would star on Alias until it ended its run in 2006, and subsequently enjoyed her career as a movie star, appearing in such films as Juno, The Kingdom, The Invention of Lying, Arthur, and Butter. She took a supporting role in the drama Dallas Buyers Club in 2013, before returning to family fare with Alexander and the Terrible, Horrible, No Good, Very Bad Day.

Trivia: Boston-born Denis Leary is the sneering, tousle-haired comedian who popularized the cautionary phrase "two words." (His routine went something like this: "Regarding Bill Clinton's foreign policy, two words: Jimmy...Carter.") Best known for his many MTV appearances, Leary excels in playing characters who wavered between quiet sarcasm and howling insanity. His one-man show No Cure for Cancer premiered in New York in 1991, scoring a hit with its "intellectual guerilla" comedy. Among Leary's numerous films were National Lampoon's Loaded Weapon (1993), Judgment Night (1993), and Operation Dumbo Drop (1995). His best screen showing was as the beleaguered burglar and reluctant kidnapper in The Ref (1994). He later starred in Wag the Dog (1997), Jesus' Son (1999), and Joe Mantegna's directorial debut, Lakeboat (2000). Leary also served as a producer of the 2001 film Blow. In 2001, he starred as a New York detective in a night time drama called The Job. The series was cancelled before the end of the second season, but Leary was soon back in the movies, lending his voice to the character of Diego in the animated feature Ice Age. Then in 2004, Leary took on the character that would come to define the second leg of his career, accepting the lead role of firefighter Tommy Gavin on the FX series Rescue Me. Critically acclaimed and renowned for pushing the borders of cable television, the show proved to be a huge hit, and Leary won an Emmy for his performance. After the show wrapped in 2011, Leary would spend the followng years appearing in projects like The Amazing Spider Man.

Trivia: Actress Ellen Burstyn enjoyed her greatest prominence during the '70s, a decade during which she was a virtual fixture of Academy Award voters' ballots. Born Edna Rae Gillooly in Detroit, MI, on December 7, 1932, as a teen she studied dancing and performed in an acrobatic troupe. She later became a model for paperback book covers, subsequently dancing in a Montréal nightclub under the name "Keri Flynn." In 1954, she was tapped to appear as a Gleason Girl on television's Jackie Gleason Show, and in 1957, she made her Broadway debut in Fair Game, again with a new stage name, "Ellen McRae." While in New York, Burstyn studied acting under Stella Adler, and later married theatrical director Paul Roberts. She briefly relocated to Los Angeles for television work but soon returned east to work at the Actors' Studio. She made her film debut in 1964's For Those Who Think Young, quickly followed by Goodbye Charlie. The cinema did not yet suit her, however, and she spent the remainder of the decade appearing on the daytime soap opera The Doctors.It was after marrying her third husband, actor Neil Burstyn, that she adopted the name most familiar to audiences, and was so billed in 1969's film adaptation of Henry Miller's Tropic of Cancer. While the picture was unsuccessful, it did attract the notice of director Paul Mazursky, who cast her in his 1970 project Alex in Wonderland. Burstyn then began a string of high-profile films which established her among the preeminent actresses of the decade: The first, Peter Bogdanovich's 1971 masterpiece The Last Picture Show, earned her a Best Supporting Actress Academy Award nomination, but she lost out to co-star Cloris Leachman. Burstyn next appeared opposite Jack Nicholson in Bob Rafelson's acclaimed The King of Marvin Gardens before starring in William Friedkin's 1973 horror hit The Exorcist, a performance which earned her a Best Actress nomination. For Mazursky, she co-starred in the whimsical 1974 tale Harry and Tonto, and then appeared in a well-received TV feature, Thursday's Game.However, it was 1974's Alice Doesn't Live Here Anymore which truly launched Burstyn to stardom. Warner Bros. had purchased the screenplay at her insistence two years earlier, but her efforts to bring it to the screen were met with considerable resistance. Her first choice for director was Francis Ford Coppola, who declined, but he suggested she approach Martin Scorsese. In the wake of Mean Streets, Scorsese was eager to attempt a "woman's film," and agreed to take the project on. The result was a major critical and commercial success, and on her third attempt Burstyn finally won an Oscar. That same year, she won a Tony for her work on Broadway in the romantic drama Same Time, Next Year, the first actress to score both honors during the same awards season since Audrey Hepburn two decades prior. However, upon wrapping up her theatrical run, Burstyn was not besieged by the offers so many expected her to receive. In fact, she did not appear onscreen for three years, finally resurfacing in Alain Resnais' Providence.The film was not a success, nor was 1978's Jules Dassin-helmed A Dream of Passion. With co-star Alan Alda, Burstyn reprised her Broadway performance in a 1978 feature version of Same Time, Next Year, but it too failed to meet expectations, although she was again Oscar-nominated. After a two-year hiatus, she starred in Resurrection, followed in 1981 by Silence of the North, which went directly to cable television. For the networks, she starred in 1981's The People vs. Jean Harris, based on the notorious "Scarsdale diet" murder. After 1984's The Ambassador, Burstyn co-starred in the following year's Twice in a Lifetime, which was to be her last feature film for some years. She instead turned almost exclusively to television, appearing in a series of TV movies and starring in a disastrously short-lived 1986 sitcom, The Ellen Burstyn Show. Finally, in 1988, she returned to cinemas in Hanna's War, followed three years later by Dying Young. Other notable projects of the decade included 1995's How to Make an American Quilt, The Spitfire Grill (1996), and the 1998 ensemble drama Playing by Heart, in which she played the mother of a young man dying of AIDS. If her success and talents had eluded younger audiences for the past decade all of that would change with Burstyn's role as the delusional mother of a heroin addict in Darren Aranofsky's grim addiction drama Requiem for a Dream. An adaptation of Hubert Selby, Jr.'s novel of the same name, Burstyn's heartbreaking performance as an abandoned mother whose dreams come shattering down around proved an Oscar nominated performance. She subsequently appeared in such made-for-television dramas as Dodson's Journey and Within These Walls (both 2001) and such films as Divine Secrets of the Ya-Ya Sisterhood and Cross the Line (both 2002). Burstyn appeared in a variety of well-received television films including Mrs. Harris and The Five People You Meet in Heaven, and had a role in the short-lived series The Book of Daniel. She maintained her presence on the big screen by reteaming with Arronofsky in his big-budget tale The Fountain, and she appeared in Neil La Bute's remake of The Wicker Man. Burstyn was soon gearing up to reteam with Aranofsky for the time travel fantasy thriller The Fountain. She continued to work steadily in various projects such as the political biopic W.; Lovely, Still; and played a stern matriarch in the indie drama Another Happy Day.

Trivia: An imposing and highly memorable presence on the Broadway stage, actor Frank Langella has won only a fraction of the acclaim he's received in the theater for his film career; still, his brooding good looks and his ability to play both villains and comic foils with a touch of menace has made him a welcome (and increasingly familiar) fare to film buffs. Frank Langella was born in Bayonne, NJ, on New Year's Day, 1940. Langella caught the acting bug when he was 11, after playing an elderly man in a school play on the life of Abraham Lincoln, and he went on to earn a degree in Theater from Syracuse University. After studying acting with Elia Kazan, Langella began working with regional theater companies in the East Coast and the Midwest, and in 1963, made his New York stage debut when he landed the leading role in an off-Broadway revival of The Immoralist. Between 1964 and 1966, Langella would win three Obie awards for his work in off-Broadway theater, and in 1969, he received a Drama Desk award for his work in the drama A Cry of Players. In 1974, he made his Broadway debut in Edward Albee's Seascape, and, the following year, won another Drama Desk award as well as a Tony for his performance. Langella made his film debut in 1970 with a supporting role in Diary of a Mad Housewife, and later that same year, scored a larger part in The Twelve Chairs, written and directed by Mel Brooks. While Langella landed occasional television and film roles through much of the 1970s, he was still busiest as a stage actor. In 1977, Langella was cast in the leading role of a Broadway revival of Dracula, and his con brio performance as the bloodthirsty count earned rave reviews, turning the production into an unexpected hit. Langella was tapped to reprise his performance for a film version of Dracula released in 1979, but he was forced to tone down his unique take on the role for the screen, and what would have seemingly been the perfect screen vehicle for his talents became a critical and box-office disappointment. However, Langella maintained a busy schedule of stage work, and in the 1990s, finally scored a breakthrough screen role in the comedy Dave as the deceitful political puppet master Bob Alexander. A busy schedule of character roles in such films as Junior, Lolita, and The Ninth Gate followed, though Langella still remained a frequent and distinguished presence in the New York theatrical community. He worked steadily at the beginning of the twenty-first century in films as diverse as the romantic drama Sweet November, and David Duchovny's directorial debut House of D. He scored an artistic and critical success in 2005 playing William Paley in George Clooney's historical docudrama about Edward R. Murrow Good Night, and Good Luck. He was then tapped by Bryan Singer to embody Daily Planet editor Perry White in the 2006 summer blockbuster Superman Returns. In 2007, Langella earned strong reviews and some awards buzz for his starring role in Starting Out in the Evening, but it was actually the next year, 2008 when he captured a Best Actor Academy Award nomination, a well as a SAG nomination, for his portrayal of disgraced former president Richard Nixon in Ron Howard's big-screen adaptation of Frost/Nixon. Over the next several years, Langella would appear in many more films, includign The Box, All Good Things, Unknown, and Robot and Frank.

Trivia: Was an athlete as a child; involved with Little League baseball but primarily played basketball. Studied acting at the British American Drama Academy in Oxford after graduating from Howard University in Washington, United States. Originally aspired to be a director. Made his TV debut in a 2003 episode of Third Watch. Trained for five months with baseball coaches to prepare for his role as Jackie Robinson in 42 (2013).

Trivia: A native of Flint, MI, who played in the NFL for seven years before segueing into film, athlete-turned-actor Terry Crews made his television debut on the small-screen sports entertainment show Battle Dome and has since moved on to appear in films by such disparate directors as David Lynch, Mike Judge, and David Ayer.During high school, Crews studied at Interlochen Art Academy, and he continued on to Western Michigan University for college; it was during his freshman year that he first took to the gridiron, and after making an impression as a Mid-American Conference defensive end, he solidified his reputation as a star player by leading his team to the Mid-American Conference championship in 1988. Crews married longtime wife Rebecca the day before his 21st birthday, and later went on to have an impressive professional football career while playing for the L.A. Rams, the San Diego Chargers, and the Washington Redskins. Though he had originally intended to become a special-effects artist, Crews gradually became aware of the power of his onscreen charisma when he accepted a role in the short-lived television series Battle Dome in 1999. Despite the fact that only a few episodes of the seires ever made it to the airwaves, the experience left Crews convinced that he had found his calling.Few lifelong actors could even dream of landing roles in such major motion pictures as The 6th Day, Training Day, and Friday After Next so early in their careers, but that's precisely what Crews did, and he has never looked back since. The actor's hulking frame made him an ideal candidate for intimidating onscreen figures, and his disarming sense of humor has found him developing a distinct comic persona in such films as Starsky & Hutch, Soul Plane, White Chicks, and The Longest Yard while also winning over viewers on the small screen with his role as Chris Rock's father on Everybody Hates Chris. As a supporting player, Crews consistently impresses, with his little-seen role as former professional wrestler-turned-President of the United States in Beavis and Butt-Head creator Judge's Idiocracy (2006) offering a telling example of how far he is willing to go to get a laugh. That same year, Crews showed his impressive range by making a brief appearance in surrealist specialist Lynch's Inland Empire, with comic roles in Norbit, Who's Your Caddy?, and Balls of Fury following in short order.2008 proved a busy year for Crews. In addition to his continued work on Everybody Hates Chris, he co-starred in the police drama Street Kings, as well as director Peter Segal's revamp of the classic comedy series Get Smart. Crews played a member of a motley gang of mercenaries in 2010's action blockbuster The Expendables (he reprised this role for the film's sequel in 2012).

Trivia: Initially rising to fame thanks to his skillful rhymes and savvy business skills, rapper-turned-actor Sean Combs surprised audiences who may have doubted his dramatic abilities by turning in a moving and unforgettable appearance as a death-row inmate whose wife seeks solace in the arms of the man who executed him in Marc Foster's acclaimed 2001 drama Monster's Ball. Though subsequent roles in the 2003 musical comedy Death of a Dynasty and the 2004 made-for-television drama Love in Vain give testament that Combs' Hollywood aspirations are still very much in tact, he continues to hold on to his status as one of hip-hop's most powerful players thanks to a series of hit albums and collaborations, as well as a successful clothing line which bears his namesake. Born to a working class couple in Harlem, NY, the murder of Combs' father when the future superstar was a mere two years old prompted his mother to relocate to Mount Vernon to provide a safer environment for young Sean and his sister, Keisha. Combs' skills for paying the bills was evident early on when the entrepreneurial youngster landed a paper route at 12, and not long after that the aspiring businessman was receiving his higher education at the esteemed Howard University. An internship at Uptown Entertainment found Combs' connections expanding and real-world experience growing, with Combs achieving the status of director of A&R for the company by the age of just nineteen. In the years that followed, Combs would not only shape the careers of such popular artists as Mary J. Blige and Jodeci, but also build a successful career as a recording artist himself with such albums as his debut No Way Out and the follow-up Forever. Combs' performance in Monster's Ball opposite Halle Berry may have been the first feature performance that brought him widespread recognition in film, though to that point, the multifaceted rapper had made numerous cameos and personal appearances on multiple talk shows and awards programs.Although he maintained a successful music career, he also wanted to make it as an actor. To that end, he appeared in the sequel to Carlito's Way and earned positive reviews for his work in a 2008 version of A Raisin in the Sun. In 2010 he had an excellent supporting turn in the comedy Get Him to the Greek and spoofed himself in I'm Still Here. He also executive produced the high-school football documentary Undefeated which won the Oscar for best Documentary Feature.

Trivia: Actress Rosanna Arquette, the granddaughter of actor Cliff Arquette (aka "Charley Weaver"), was born into a theatrical family; her father was a founding member of the Committee, an improvisational theater troupe. As a youth she moved often with her family. At age 17 she appeared on the Los Angeles stage in Metamorphosis. Her family settled in Virginia, where she worked in local theater where she was spotted by a casting director. She soon had much work in TV movies in the late '70s. She debuted onscreen in More American Graffitti (1979). Her breakthrough came with her portrayal of condemned murderer Gary Gilmore's girlfriend in the TV movie The Executioner's Song (1982), which earned her much praise. That success led to a lead role in John Sayles's Baby, It's You (1983). She gained her greatest fame in the hit film Desperately Seeking Susan (1985), co-starring Madonna. From there she has maintained a steady screen career, usually playing kooky, off-beat, spacey, slightly eccentric women. She is the sister of actress Patricia Arquette.

Trivia: Started acting in college as a member of the Maine Masque, the University of Maine's student theater group. Spent several years after college in Chicago's independent-theater scene before moving to Los Angeles in 2008. Early acting work in Los Angeles included commercials for Best Buy, Honda and Bank of America. An appearance as Abe Lincoln in a 2010 spot for Geico Insurance was seen by a casting director, which led to an audition for HBO's Veep.

Trivia: Practices martial arts, including kung fu and the Bruce Lee-founded jeet kune do. Worked with Jimmy Smits on the film Mother and Child and the NBC series Outlaw. Took guitar lessons for his role on Dexter. Is a motorcycle enthusiast.

Trivia: With his bald, burly, and threatening presence and "tough guy" appearance, character actor Wade Williams (sometimes billed as Wade Andrew Williams) built a substantial career for himself playing thugs and hoods, initially on American television series. Early series credits, which extend back into the late '90s, include guest-starring appearances on such programs as NYPD Blue, Profiler, and Night Man. In time, Williams extended himself into different genres -- he appeared on HBO's show-business satire The Larry Sanders Show, for instance, on Star Trek: Voyager (in the episode "One"), and in the big-screen Jim Belushi cop comedy K-911. Williams drew greatest attention, however, for his portrayal of psychopath Capt. Brian Bellick, one of the administrators of the penitentiary on the Fox serialized drama Prison Break. Williams reportedly expressed some reservations before taking the role, due to the depraved nature of the character. Wade Williams the actor is not to be confused with the director and producer Wade H. Williams III, known for his high output (and extensive rights ownership) of science fiction titles.

Trivia: Pronounced "shy," like the colloquial term for his hometown of Chicago, Chi McBride didn't get into acting until he was 30 years old. He is probably most recognized for his role as principal Steven Harper on Fox's Boston Public. Before his first movie, he worked for a phone company, trained as a gospel singer, and joined the hip-hop band Covert. With McBride as a producer and vocalist, the band released their first and only album For Your Bootay Only in 1991. Not soon after, he started appearing as a guest star on Fox sitcoms, including The Fresh Prince of Bel-Air. His feature-length debut happened a year later in Revenge of the Nerds III: The Next Generation. Billed as simply Chi, he then gained small roles for the Eddie Murphy movie The Distinguished Gentleman and the Tina Turner story What's Love Got to Do With It? In 1993, McBride found a spot for himself on NBC for The John Larroquette Show, playing the janitor Heavy Gene. Teaming up next with the Hudlin brothers, he then appeared in the HBO Twilight Zone-style trilogy Cosmic Slop, hosted by George Clinton. His next few diverse projects were supporting roles in Peter Jackson's horror comedy The Frighteners, Bill Duke's period crime flick Hoodlum, and the action thriller Mercury Rising. McBride's first leading role came in the form of the short-lived and controversial UPN sitcom The Secret Diary of Desmond Pfeiffer, playing the stuffy English title character who was mistakenly enslaved to Abraham Lincoln. After appearances in Gone in 60 Seconds and Disney's The Kid, he found his well-known spot on Boston Public. While gaining high marks for his role on the David E. Kelley drama, McBride parlayed his increased notoriety into a number of higher-profile big-screen roles.2002 found McBride as a police captain in the intense cop-thriller Narc, and the over-the-top Chief in the comedy Undercover Brother. And while the following year saw Boston Public cancelled, the free-time afforded to McBride by the show's end only allowed him to sign on to roles in two of 2004's most anticipated films, the Steven Spielberg/Tom Hanks dramedy The Terminal and I, Robot, an action sci-fi flick starring Will Smith. Over the course of the next decade the reliable McBride became increasingly active on the small screen, essaying recurring roles on such hit shows as House and Pushing Daisies. Later, in 2012, he voiced the role of Nick Fury in the animated superhero series Ultimate Spider-Man.

Trivia: Attended The Theatre School at DePaul University at the same time as Gillian Anderson; the pair performed together in Scenes From American Life while both at school. Appeared in a Steppenwolf Theatre production of A View From the Bridge shortly after graduating from DePaul. Was a vocal coach on Backdraft. Wrote and produced the film Bloodworth (2011). Appears in the 2012 music video for Miranda Lambert's "Fastest Girl in Town." Plays the guitar in a bluegrass band called Sacred Cowboy.

Trivia: The genial, slightly stocky Hollywood character actor Kevin Dunn graced the casts of some of the highest grossing and most enjoyable A-listers of the '80s, '90s, and 2000s. With a pleasant (if unremarkable) countenance, this brother of Second City veteran (and onetime Saturday Night Live mainstay) Nora Dunn cut his chops playing everymen in American movies and one-shot television episodes. Kevin Dunn lacked the sketch comedy background of his arguably more famous sibling but quickly chalked up an equally extensive resumé at about the same time.Dunn debuted on camera in the mid-'80s, with a recurring role on the series comedy drama Jack & Mike (1986), co-starring Shelley Hack and Tom Mason, but Alan Parker's harrowing civil-rights drama Mississippi Burning (in which he played Agent Bird) marked his first real breakthrough. From that point on, he became ever-present in such blockbusters as Ghostbusters 2 (1989), Blue Steel (1990), Only the Lonely (1991), Hot Shots! (1991), Chaplin (1992), and Dave (1993). Directors often cast Dunn as an emotional (or political) support to a heavy, such as his brief evocation of Nixon aide (and eventual Christian spokesperson) Chuck Colson in Oliver Stone's biopic Nixon (1995), that of Lou Logan (opposite Nicolas Cage) in Brian De Palma's muddled, flawed paranoid thriller Snake Eyes (1998), and that of Alex (alongside Sean Penn) in the political drama All The King's Men (2006). In 2007, Dunn appeared in the blockbuster action hit Transformers as Ron Witwicky, the father of lead actor Shia LaBeouf's character, Sam. Dunn also had a role in the underperforming Tom Cruise/Robert Redford/Meryl Streep drama Lions for Lambs. In the fall of that year, Dunn found success on the sitcom Samantha Who? as the father of the amnesia-afflicted main character (Christina Applegate).He was part of the cast of Woody Allen's Vicky Cristina Barcelona, and played a bad guy in the runaway train thriller Unstoppable. In 2011 he appeared in the well-reviewed MMA drama Warrior, and the blockbuster Transformers: Dark of the Moon. The next year he was cast in the one and only season of HBO's racetrack set drama series Luck.

Trivia: Undrafted out of college, he signed with the Tennessee Titans as a free agent in 2009. Rushed for 231 yards in the 2010 season opener, the second highest ever in a season-opening game. Writes poetry and rap lyrics. Known for taking a bow after scoring a touchdown.

Trivia: HBO enthusiasts will invariably remember character actor Wallace Langham for his winning multi-season portrayal of Phil, the conceited head writer of Larry Sanders' late-night talk show, on the Garry Shandling-headlined sitcom The Larry Sanders Show. Langham (who first received billing in projects as Wally Ward) grew up in Los Angeles; his parents divorced at an early age and his mother, Sunni, designed costumes for the musical variety series Donny and Marie. Langham was, by all accounts, drawn magnetically to showbusiness; he enrolled in acting classes, signed with an agent, and landed a string of television commercials beginning at age 16 (in 1981). After high school, Langham enrolled briefly in Cal State Northridge, but dropped out after snagging a bit part in John Hughes' teenage sci-fi comedy Weird Science (1985). Scattered appearances on such series as Murder, She Wrote and Star Trek: Voyager followed -- as well as the recurring role of Josh, smart-alecky assistant to lingerie proprietor Veronica on the Kirstie Alley sitcom Veronica's Closet. It was the Shandling turn, however, that put Langham on top of his game. He made occasional feature appearances in such pictures as the Nora Ephron comedy-fantasy Michael (1996) opposite John Travolta, the Eddie Murphy vehicle Daddy Day Care (2003), the ensemble comedy drama Little Miss Sunshine (2006), the award-winning The Social Network and 2012's Ruby Sparks but -- outside of Larry Sanders -- he is probably best known for his fine work on the series drama CSI: Crime Scene Investigation. On that program, Langham sustained a multi-season portrayal as lab technician David Hodges.

Trivia: Was working in sports talk radio at a station in Westbury, CT, for $23 a night when hired by ESPN in 1979. Has appeared in various motion pictures, including Little Big League (1994), Kingpin (1996) and The Longest Yard (2005). Has sung onstage with Huey Lewis and the News and appeared in the Hootie and the Blowfish video for "Only Want to Be With You." Won the pro-am portion of golf's Franklin Templeton Shootout in 2005 with partners Peter Jacobsen and Greg Norman. Received a star on the Hollywood Walk of Fame in 2010. Received the Pete Rozelle Radio-Television Award given by the Pro Football Hall of Fame in 2010. While known for giving sports personalities nicknames during his broadcasts, he is also frequently referred to by his nicknames, Boomer and The Swami.

Trivia: Began charting the NFL draft at age 12 and compiled his first comprehensive guide to college-football talent in 1979, sending it to every NFL team and getting positive feedback from the likes of Bill Walsh and Don Shula. Also spoke on up to 20 radio shows a day leading up to the draft while still in college. Founded Draft Publications Inc. in 1981, selling his 96-page draft preview for $20 (to 130 subscribers). Business grew into Kiper Enterprises Inc., adding expanded periodic reports throughout the year and a 900 number. Runs the entire operation with his wife, Kim, from their Maryland home. Recruited to work for the Baltimore Colts by then-general manager Ernie Accorsi, who shortly thereafter left the team and advised Kiper to stick with his draft-guide business because of the Colts' pending move out of Baltimore. Viewed as the original "draft expert" of the NFL and has dispensed his obsessive, encyclopedic knowledge of each year's college-football talent on ESPN's coverage of the draft since 1984. Appeared in several video games, including ESPN NFL 2K5, NFL Head Coach and Madden NFL 07-08.

Trivia: Nicknamed "Chucky," because of resemblance to killer doll in Child's Play movie series. Served as head coach for both the Oakland Raiders and the Tampa Bay Buccaneers. In 2003, at age 39, was the youngest head coach to ever win the Super Bowl. Fired by Tampa Bay Buccaneers in 2009. Hired to work in Monday Night Football broadcast booth for 2009 season.

Trivia: Lettered in baseball, football and track in high school. Nicknamed "Prime Time" and "Neon Deion." Played in both a World Series and a Super Bowl. Also, hit a home run in MLB action and scored a touchdown in the NFL in the same week. Has said he attempted suicide in a car crash in 1997. Selected for the Pro Bowl eight times in his NFL career. Coached the Dallas Fury, a women's pro basketball team. Hosted the Miss America Pageant in 2002. Owner of the Austin Wranglers, an Arena Football League team. Elected to the Pro Football Hall of Fame in 2011.

Trivia: Played football and baseball at Boston College, and was captain of both teams. Twice intercepted John Elway in a game versus Stanford in 1980. Was drafted by the Pittsburgh Steelers in 1981. Played for the New York Giants in the NFL. Inducted into the Boston College Athletic Hall of Fame in 2001. Serves as an NFL Draft expert for NFL Network.

Trivia: Born April 26th, 1977, actor Tom Welling is a former construction worker and soccer player who admits his indifference to comic books. After a few modeling jobs, he guest starred opposite Amy Brenneman on a few episodes of the CBS drama Judging Amy. In 2001 he was cast as the teenaged Clark Kent on the WB series Smallville. As the awkward young superhero with many opportunities to bear his chiseled chest, Welling won a Teen Choice award and was consequently branded a breakthrough star. He made his film debut in the 2003 remake Cheaper by the Dozen, along with fellow teen star Hilary Duff. He would also appear in the film's sequel in 2005, as well as a remake of John Carpenter's The Fog that same year, but mostly kept busy with his trademark role on Smallville, until the series ended its decade run in 2011. Welling took some time off once the show ended, but soon returned in the 2013 film Parkland (playing a secret service agent) and 2014's Draft Day (playing a professional quarterback).

Trivia: Through a cruel twist of fate, American actor Sam Elliott came to films at just the point that the sort of fare in which he should have thrived was dying at the box office. A born cowboy star if ever there was one, the stage-trained Elliot made his debut in a tiny role in the 1969 western Butch Cassidy and the Sundance Kid. Within a few years, the western market had disappeared, and Elliot had to settle for standard good-guy roles in such contemporary films as Lifeguard (1976). Never tied down to any one type, Elliot's range has embraced sexy "other men" (Sibling Rivalry [1989]) and vicious rapist/murderers (the TV movie A Death in California [1986]). Still, one yearned to see Elliot playing frontiersmen; fortunately, the western genre had not completely disappeared on television, and Elliot was well-served with such hard-riding projects as The Sacketts (1977), I Will Fight No More Forever (1981), The Shadow Riders (1982), Houston: The Legend of Texas (1986) and Conagher (1991), in which he appeared with his wife, actress Katherine Ross. When westerns began showing up on the big screen again in the 1990s, Elliot was there, prominently cast as Virgil Earp in Tombstone (1993) and the made-for-cable sagebrusher The Desperate Trail (1995). Awarded Bronze Wrangler trophies for his involvement in Conagher, The Hi-Lo Country, and You Know My Name, Elliot also made an impression on Cohen Brothers fans with a memorable performance as the laid back Stranger in the cult hit The Big Lebowski. A featured role in the 2000 made for television remake Fail Safe found Elliot hanging up his duster to revisit rising Cold War tensions, and later that same year he would finally make the leap into the new millennium with his role as a presidential aid in Rod Lurie's Oscar-nominated hit The Contender. Rewarded with a double hernia as a result of his intense training efforts to prepare for a role in the 2002 Vietnam War drama We Were Soldiers, the then fifty-seven-year-old endured the pain through the entire production and put of surgery until shooting had wrapped. Though Elliot would remain in the armed forces to portray a military general hell-bent on destroying the Hulk in 2003, his onscreen authority would weaken somewhat when he was cast as a cancer-riddled Marlboro Man in the 2005 comedy Thank You for Smoking. After traveling to the far corners of the globe to carry out a little vigilante justice in the 2006 made for television thriller Avenger, Elliot would next break a little new ground by venturing into the world of animation by lending his distinctive voice to the character of Ben the Cow in Steve Oedekerk's rural family romp Barnyard. He co-starred with Nicole Kidman and Daniel Craig in The Golden Compass (2007), a film adaptation of the first installment of the wildly successful book series from author Philip Pullman. In 2009 he took on a role in the award winning comedy drama Up in the Air, and co-starred as an eccentric billionaire in director Tony Krantz's The Big Bang in 2011. He joined Robert Redford and Julie Christie to play a supporting role in 2012's comedy drama The Company You Keep.

Trivia: Father, Charles, was appointed to replace assassinated U.S. Sen. Robert F. Kennedy in 1968. Captained the football, basketball and baseball teams in high school, but an injury kept him from playing football at Washington & Jefferson College. Worked as a bartender in Washington, PA, during college. Began his career with a yearlong internship in the NFL's public relations department, followed by a stint with the New York Jets' promotions department. Named the NFL's ninth commissioner after the owners' fifth balloting session; Goodell prevailed 23-8 over the league's outside counsel, Gregg Levy. Established a hard line on player behavior with a new personal-conduct policy that was enforced through the 2007 suspensions of Chris Henry, Adam Jones, Terry Johnson and Michael Vick.

Trivia: While attending University of Michigan, served as co-sports editor of the school newspaper, the Michigan Daily. Before joining ESPN, worked as a staff writer for the Staten Island Advance and later the Chicago Tribune; sports anchor and reporter for KRCR-TV in Redding, CA, from 1994 to '96. Was a production assistant for the CBS Evening News with Dan Rather and Connie Chung in 1994. Joined ESPN as a SportsCenter anchor and reporter in 1996; while moderating on a bevy of ESPN programs including Baseball Tonight, Baseball 2Day, RPM Tonight; also hosted the reality series, Beg, Borrow & Deal and was a frequent guest on various ESPN Radio programs. Earliest on-air talent to commit to the NFL Network during its inception in 2003; hosts the station's flagship program NFL Total Access. Authored the book Total Access: The Journey to the Center of the NFL Universe documenting the entire NFL season from start to finish.

Trivia: As a respected American supporting player in film, television, and theater who occasionally moonlights as a screenwriter, Patrick Breen first culled recognition in the American press in 1991. That spring, the then-30-year-old delivered a bravura performance as an emotionally damaged son in Jon Robin Baitz's disappointing play The Substance of Fire. Breen hit his zenith as a film actor during the mid-'90s, with turns in several memorable (if uneven) Hollywood movies. These included For Love or Money (1993), Barry Sonnenfeld's Get Shorty (1995) and Men in Black (1997), and Carl Franklin's One True Thing (1998). Breen's generally nondescript, albeit pleasant, appearance enabled him to fill practically any role, from a doctor (in the Sonnenfeld picture) to Mr. Tweedy (in the Franklin film).Breen first branched off into screenwriting just after the turn of the new millennium, with back-to-back indie features which he both acted in and scripted. The 2000 picture East of A constitutes a slice-of-life drama about a trio of New York City roommates over the course of ten years. Unfortunately, East of A received extremely limited distribution and was reviewed by very few mainstream critics. Its follow-up, the 2002 ensemble comedy Just a Kiss (directed by the character actor and comic Fisher Stevens and starring Ron Eldard, Kyra Sedgwick, and Marisa Tomei) provides a surrealistic exploration of the romantic vicissitudes among a group of swinging singles. That film fared better in terms of pedigree, but demonstrated an extremely unstable overtone, meandering between lighthearted romantic comedy and darker, more cynical black comedy; perhaps as a result, it premiered in 2002 to almost unanimously devastating reviews, opening and closing practically overnight, and effectively turning Breen away from produced screenwriting work for quite some time. In 2004, he returned to A-list acting as a character player in the holiday comedy Christmas with the Kranks, starring Tim Allen and Jamie Lee Curtis. He was away from movie screens for five years, returning next in 2009's Cirque Du Freak: The Vampire's Assistant and had the leading role two years later in the horror film The Bleeding House.

Trivia: Born in Georgia and raised in a black Long Island ghetto, Jim Brown distinguished himself in high school athletics. Recruited from Syracuse University, Brown was signed with the Cleveland Browns in 1957, remaining with that organization as star fullback for ten years. Breaking any number of NFL records, Brown was named Rookie of the Year in 1958 and Player of the Year in 1960; he played in every Pro Bowl game from 1958 through 1965, and in 1971 was elected to the Football Hall of Fame. While still with Cleveland, Brown made his film debut in the 1963 Western Rio Conchos, an event deemed worthy of a four-page color spread in Life magazine. He became a full-time actor upon his retirement from the NFL in 1967, co-starring that year in The Dirty Dozen. Though he had trepidation about the climactic scene in which he blew dozens of helpless Nazi officers and their sweethearts to bits with hand grenades, it was this uncompromising sequence that truly "socked" Brown over with the audience. He rapidly rose to leading roles in such actioners as Ice Station Zebra (1968) and 100 Rifles (1969); in the latter film, he stirred up controversy by sharing several steamy scenes with white actress Raquel Welch. Brown also headlined the above-average crime capers Kenner (1969) and Black Gunn (1972) as well as the ultraviolent Slaughter series. He cut down on his film appearances in the late '70s, devoting most of his time to his many civic activities and business concerns; during this period, he also founded the Black Economic Union. After several years' absence from the screen, Jim Brown co-starred with fellow blaxploitation icons Fred Williamson, Pam Grier, and Richard Roundtree in the delightfully "retro" action-fest Original Gangstas (1996).

Trivia: Born in Czechoslovakia, producer/director Ivan Reitman was raised in Canada by his concentration camp-survivor parents. After majoring in music at McMasters University, Reitman got his first taste of the line of work that was to bring him fame and fortune when he attended summer classes at the National Film Board. Here he directed his first short subjects, one of which received mainstream distribution. Encouraged by the Film Board to follow his own creative muse, Reitman was irresistibly attracted to "dangerous," cutting-edge material. His first feature-length directorial project, a 1970 adaptation of the notorious sub rosa Victorian sex novel My Secret Life, nearly landed him in jail. He went on to direct, produce, edit, and score the mildly exploitive Foxy Lady (1971), then directed and produced the horror semi-spoof Cannibal Girls (1973); the latter project represented his first cinematic contact with the famed Second City comedy troupe. In between handling the producing chores on several early David Cronenberg movie projects, Reitman produced Doug Henning's 1974 Broadway musical The Magic Show, then renewed his acquaintance with the Second City folk by producing The National Lampoon Show (1975). He helped elevate John Belushi to film stardom with his spectacularly successful 1978 production National Lampoon's Animal House, then did the same for Bill Murray in his 1979 directorial effort Meatballs, which ended up the biggest-grossing Canadian film of the year. After flirting with the Cinema of the Fantastic in his productions Heavy Metal (1981) and Spacehunter: Adventures in the Forbidden Zone (1983), Reitman deftly combined fantasy and comedy with his direction of the 1984 cash cow Ghostbusters (once more populated with Second City stalwarts, notably Dan Aykroyd, Bill Murray, Rick Moranis, and Harold Ramis). Though he has earned his comic stripes as a director, Reitman continues to produce and executive produce other director's projects, notably the runaway hit Beethoven (1991). While he seems to have an unerring Midas touch, not every Reitman project has turned to box-office gold: After helping to give Arnold Schwarzenegger a lighter, more amusing image in Kindergarten Cop (1990), he failed to do same with Sylvester Stallone in Stop! Or My Mom Will Shoot (1991); nor was the Schwarzenegger-Danny De Vito vehicle Junior (1994) able to match the success of the stars' earlier pairing in Reitman's Twins (1988). After a few ups and downs in the early '90s, Reitman was way back up with Dave (1993), an uncharacteristically low-key political satire. In the summer of 2001, the man who brought fans Ghostbusters was back with another summer sci-fi comedy extravaganza, Evolution. With the exception of the television comedy pilot Cooking Lessons, Reitman would mainly stick to producing in the early years of the new millennium, though after playing a kew role in bringing such comedy hits as Old School and Road Trip to the screen, it was finally time to step back into the director's chair for the 2006 comedy My Super Ex-Girlfriend. A fun-filled fantasy comedy detailing the revenge of a needy superhero against the man who dumped her, My Super Ex-Girlfriend starred Uma Thurman as the eponymous dumpee, and Luke Wilson as the man who had to let her go.

Trivia: Composer John Debney penned his first film score for the actioner The Wild Pair (1987). Since then, he has scored numerous major features and even a few television efforts. He has worked closely with director Steven Spielberg and Amblin Entertainment on a number of projects, including the Spielberg-produced sci-fi TV drama Seaquest DSV. After scoring the Disney comedy Hocus Pocus (1993), Debney signed a three-film contract with the Mousefactory that included Houseguest (1995). His other film credits include Cutthroat Island (1995), The Relic (1996), and Paulie (1998)

Trivia: Canada-born executive producer Joe Medjuck has been behind many popular large-budget feature films, including Dave (1993), Space Jam (1996), and Commandments (1996). Before heading south to Hollywood in 1980, he spent 12 years teaching at his alma mater, the University of Toronto. Prior to that, he had studied at Toronto's McGill University. As a producer, Medjuck has also spent much time on television shows, including the Emmy-nominated The Real Ghostbusters. He has also been an associate producer on Broadway.

Trivia: Attended the University of Arizona on a football scholarship. Played for the Denver Broncos in 1989. Made his film debut in the 1996 Ellen DeGeneres comedy Mr. Wrong. Taught classes for the acting coach Ivana Chubbuck; later opened his own acting studio.