Trivia: The son of a Wall Street broker, towering (6'5") actor Fred Gwynne was born sucking on the proverbial silver spoon. Gwynne attended the prestigious Groton prep school, where he made his acting bow in a student production of Henry V. He then attended Harvard, where he studying drawing with artist R.S. Merryman and was active in dramatics and as a staffer of the Harvard Crimson. Upon graduation, Gwynne played Shakespeare with the Cambridge repertory before heading to New York City. He appeared in such Broadway plays as Mrs. McThing and was cast in a bit role in the Oscar-winning film On the Waterfront, but for many years his principal source of income was as a book illustrator and commercial artist (his first published work was titled The Best in Show). In 1961, Gwynne was co-starring in the Broadway musical Irma La Douce when TV producer/writer Nat Hiken, who'd cast Gwynne in a handful of guest roles on the 1950s sitcom Sgt. Bilko, hired the actor to play NYPD officer Francis Muldoon on the weekly comedy Car 54, Where are You? A year after the series' cancellation, Gwynne was starred in his most famous TV role: bolt-necked, soft-hearted Herman Munster in The Munsters (1964-66). Afterwards, Gwynne distanced himself from television for the most part. In the 1970s and 1980s, he distinguished himself on Broadway in powerful dramatic roles, often playing autocratic Southerners (e.g. Big Daddy in Cat on a Hot Tin Roof and an elderly Klansman in Texas Trilogy). Fred Gwynne also returned to films during this period, playing key roles in such major productions as The Cotton Club (1984) and Shadows and Fog (1992); he died of pancreatic cancer shortly after completing his critically acclaimed role of the judge in My Cousin Vinny (1993).

Trivia: Born Peggy Yvonne Middleton, Yvonne De Carlo began studying dance in childhood, and in her teens appeared in nightclubs and on-stage. She debuted onscreen in 1942, going on to a number of secondary roles. Finally she was cast in the title role of Salome -- Where She Danced (1945) and played leads in The Song of Scheherazade and Slave Girl (both 1947), after which she was typecast as an Arabian Nights-type temptress in harem attire; she also appeared frequently in Westerns, and occasionally showed talent in comedies. De Carlo was a co-star of the '60s TV sitcom The Munsters. In 1971 she appeared on Broadway in the musical Follies. She married and divorced stuntman and actor Robert Morgan. She continued appearing in occasional films through the '90s and authored Yvonne: An Autobiography (1987). De Carlo died of unspecified causes at age 84 on January 8, 2007.

Trivia: There is more to character actor Al Lewis than meets the eye. Best known to baby boomers for playing the roles of Officer Schnauzer in Car 54 Where Are You? and Grandpa in The Munsters, he holds a doctorate in child psychology from Columbia University, has penned two children's books, produced a kid-oriented home video, and once hosted a series of Saturday morning television shows on WTBS. He has also been a circus performer, a school teacher, and a vaudevillian. Lewis became an actor after earning his degree, teaching, and writing his books. He studied with the Paul Mann Actor's Workshop in New York. On television, he first appeared in "Trouble-In-Law" on The U.S. Steel Hour (1959). The following year, Lewis appeared in the feature film Naked City and then was cast opposite Fred Gwynne in Car 54, Where Are You? The show ran until 1963 and within a year, he was playing the vampiric Grandpa against Gwynne's Frankenstein, Herman Munster. Though The Munsters lasted two years, it has developed a cult following and has re-aired endlessly in syndication and spawned a feature-length sequel, Munster Go Home (1964), and a made-for-TV reunion movie, Munster's Revenge (1981). In 1994, he reprised his role as Schnauzer for the TV-movie version of Car 54 Where Are You? Lewis has gone on to continue making occasional guest appearances on television and a sporadic movie career. In addition to his other endeavors, Lewis has been a high school basketball scout and the owner of a restaurant in New York.

Trivia: On stage from the age of 10 (in a production of Pinkie and the Fairies), British actress Hermione Gingold studied for her craft under famed instructor Rosinna Filippi. Gingold's subsequent stage career was almost exclusively devoted to the classics, particularly Shakespeare. Nearing 40, Gingold switched professional gears to become a singing comedienne, appearing in such West End revues as Sweet and Low, Sweeter and Lower and Sweetest and Lowest. Appearing on Broadway in the 1952 edition of John Murray Anderson's Almanac, Gingold held off making any American films (though she'd been in British pictures since 1934), until she was flattered by produced Mike Todd into playing a cameo role as a London tart in Todd's cinema spectacular Around the World in 80 Days (1956). Delightfully inhibited and doggedly aristocratic all at once, Gingold continued her U.S. film career in a number of eccentric roles; in Gigi (1958), she shared the poignant song "I Remember it Well" with Maurice Chevalier. The actress also blessed American TV with her talents; in a 1960 Mother's Day special she portrayed the mother of The Three Stooges! Gracing such films as Bell, Book and Candle (1962), The Music Man (1962) and even Munster Go Home (1965) with her regally ribald presence, Hermione Gingold was still at her post in the '70s, as sparkling as ever in the otherwise forgettable A Little Night Music (1976).

Trivia: First acting gig was a Kellogg's commercial in 1960. Formed a band called Eddie and the Monsters, who released a single in 1983, recalling his role as Eddie (who looked like a wolf boy) on the 1964-66 sitcom, The Munsters. "Whatever Happened to Eddie?" was followed, in 2007, by another song, "It's Only Halloween." Took part in a motorcycling event in Carthage, NY, in 2010 to benefit the blind. Has frequently appeared at Halloween events in his Eddie Munster costume.

Trivia: For the first three decades of his life, gap-toothed comic actor Terry-Thomas was far from a household name. The London-born performer worked as a clerk, meat salesman, pianist, bandleader, music hall comedian and movie extra before signing with the Royal Signal Corps upon the outbreak of World War II. His film career took off in earnest in 1949, and by 1955 Terry-Thomas was enjoying star billing in a series of officious, twittish roles. Occasionally a sympathetic leading man in such films as Man in the Cocked Hat (1959), the actor was far more effective in roles calling for easily punctured pomposity. Extremely popular in England, Terry-Thomas was comparatively little known in the U.S. outside of the art-house circuit until he starred in the Frank Tashlin-directed farce Bachelor Flat (1961). Though he'd been afforded opportunities to exhibit his versatility in British films, Terry-Thomas was typecast by Hollywood in such broad, unpleasant roles as the jingoistic J. Algernon Hawthorne in It's a Mad Mad Mad Mad World (1963) and the caddish Percival War-Armitage in Those Magnificent Men in Their Flying Machines (1965). On a Tonight Show appearance in the late 1960s, the actor ruefully commented that, while he liked the money he was getting in Hollywood, he wished that his children could see him play a good guy for a change. After 1970, Terry-Thomas accepted whatever parts came his way, with the mediocre outweighing the worthwhile; he was last seen as Dr. Mortimer in a messy parody version of Conan Doyle's Hound of the Baskervilles (1978). Retiring to the Caribbean, he was forced to move back to London when his savings were depleted by his ever-encroaching Parkinson's Disease. The world at large was apprised of the actor's illness and reduced financial circumstance when he was featured on a network-TV documentary about degenerative illnesses. He spent his last painful years living off the charitable contributions of his friends and admirers. Terry-Thomas was the author of two autobiographical books: 1959's Closing the Gap and the posthumously published Terry-Thomas Tells Tales; his mid-1960s comedy record album Terry-Thomas Discovers America is today a much-sought-after collector's item.

Trivia: Though best known to modern filmgoers as a horror star, cadaverous John Carradine was, in his prime, one of the most versatile character actors on the silver screen. The son of a journalist father and physician mother, Carradine was given an expensive education in Philadelphia and New York. Upon graduating from the Graphic Arts School, he intended to make his living as a painter and sculptor, but in 1923 he was sidetracked into acting. Working for a series of low-paying stock companies throughout the 1920s, he made ends meet as a quick-sketch portrait painter and scenic designer. He came to Hollywood in 1930, where his extensive talents and eccentric behavior almost immediately brought him to the attention of casting directors. He played a dizzying variety of distinctive bit parts -- a huntsman in Bride of Frankenstein (1935), a crowd agitator in Les Miserables (1935) -- before he was signed to a 20th Century Fox contract in 1936. His first major role was the sadistic prison guard in John Ford's Prisoner of Shark Island (1936), which launched a long and fruitful association with Ford, culminating in such memorable screen characterizations as the gentleman gambler in Stagecoach (1939) and Preacher Casy ("I lost the callin'!") in The Grapes of Wrath (1940). Usually typecast as a villain, Carradine occasionally surprised his followers with non-villainous roles like the philosophical cab driver in Alexander's Ragtime Band (1938) and Abraham Lincoln in Of Human Hearts (1938). Throughout his Hollywood years, Carradine's first love remained the theater; to fund his various stage projects (which included his own Shakespearean troupe), he had no qualms about accepting film work in the lowest of low-budget productions. Ironically, it was in one of these Poverty Row cheapies, PRC's Bluebeard (1944), that the actor delivered what many consider his finest performance. Though he occasionally appeared in an A-picture in the 1950s and 1960s (The Ten Commandments, Cheyenne Autumn), Carradine was pretty much consigned to cheapies during those decades, including such horror epics as The Black Sleep (1956), The Unearthly (1957), and the notorious Billy the Kid Meets Dracula (1966). He also appeared in innumerable television programs, among them Twilight Zone, The Munsters, Thriller, and The Red Skelton Show, and from 1962 to 1964 enjoyed a long Broadway run as courtesan-procurer Lycus in A Funny Thing Happened on the Way to the Forum. Though painfully crippled by arthritis in his last years, Carradine never stopped working, showing up in films ranging from Everything You Always Wanted to Know About Sex But Were Afraid to Ask (1972) to Peggy Sue Got Married (1984). Married four times, John Carradine was the father of actors David, Keith, Robert, and Bruce Carradine.

Trivia: Bernard Fox was descended from a long line of British stage actors; perhaps his most famous forebear was his uncle, veteran comic actor Wilfred Lawson. Fox made his screen debut in 1956's Soho Incident, appearing in several other British films before he was brought to Hollywood by actor/producer Danny Thomas in 1963. Generally cast in stuffy, old-school-tie roles, the toothbrush-mustached Fox flourished in American films and TV programs well into the late 1980s. Bernard Fox was most widely recognized for his TV work, notably his recurring appearances as gentleman's gentleman Malcolm Merriweather on The Andy Griffith Show and wacky warlock Dr. Bombay on Bewitched; he also played Dr. Watson opposite Stewart Granger's Sherlock Holmes in the 1972 TV-movie adaptation of The Hound of the Baskervilles. He appeared in blockbusters like Titanic (1997) and The Mummy (1999) towards the end of his career; one of his final roles was reprising his Dr. Bombay character on the supernatural soap opera Passions. Fox died in 2016, at age 89.

Trivia: Trained in British repertory, actor Richard Dawson achieved prominence in the late '50s as a cabaret and TV comedian. Arriving in the U.S. in 1961, Dawson made the variety-show rounds with an act consisting largely of quickie celebrity impressions. One of his first acting assignment was as Peter Sellers' takeoff Racy Tracy Rattigan in a 1963 episode of The Dick Van Dyke Show. A solid dramatic role as a military prisoner in King Rat led to a longer stint as resourceful cockney POW Peter Newkirk on the popular sitcom Hogan's Heroes (1965-1971). After appearing as a regular on Rowan & Martin's Laugh-In and The New Dick Van Dyke Show, Dawson settled into his true niche as a wisecracking game-show host. From 1976 through 1985, he emceed TV's The Family Feud, winning an Emmy Award for his troubles (he later resumed his Family Feud hosting chores in the 1994 syndicated version). Fittingly enough, Richard Dawson's first feature-film role after Feud was as the smarmy host of a futuristic life-or-death quiz program in Arnold Schwarzenegger's The Running Man (1989).

Trivia: Cliff Norton was a former disc jockey from Chicago who segued into television during the peak era of the variety show. He found fame with his unique brand of sketch comedy before establishing himself in such classic television series as Studio One and Kraft TV Theater. Norton's early successes included radio's "Fibber McGee and Molly." He would subsequently serve as a World War II bombardier in the Army Air Corps before returning stateside to continue his career in radio. Despite his success in this medium, the talented funnyman's appearances on Garroway at Large lead Norton to New York and eventually a stage and screen career. Films Norton appeared in include It's a Mad Mad Mad Mad World (1963), The Ghost and Mr. Chicken (1966), and Funny Lady (1975). In January of 2003, Cliff Norton died in Los Angeles, CA, following a brief illness. He was 84.

Trivia: British actor Arthur Malet came into prominence in the 1960s, playing old codgers while still relatively young. As banker Dawes Jr. in Disney's Mary Poppins (1964), he shared a funny musical moment with Dick Van Dyke; later on, he appeared on Van Dyke's television show, playing a doddering hotel plumber in the memorable episode wherein Laura Petrie (Mary Tyler Moore) gets her foot stuck in a bathtub faucet. Malet went on to play a village elder in Mel Brooks' Young Frankenstein (1974), and was frequently seen as butlers in both films (Heaven Can Wait) and TV (Dallas, Easy Street). And in the otherwise ponderous Peter Pan sequel Hook (1991), Arthur Malet has a delightful scene in which, as the aged "Lost Boy" Tootles, he regains his childhood flying skills and circles merrily around Big Ben.

Trivia: More familiar for his radio work than his film appearances, American actor Ben Wright was active professionally from the early '40s. Dialects were a specialty with Wright, as witness his two-year hitch as Chinese bellhop Hey Boy on the radio version of Have Gun Will Travel. Most of Wright's film roles were supporting or bit appearances in such productions as A Man Called Peter (1955), Journey to the Center of the Earth (1959), Judgment at Nuremberg (1961), My Fair Lady (1964), and The Fortune Cookie (1964). On TV, Wright was one of Jack Webb's stock company (including fellow radio veterans Virginia Gregg, Stacy Harris, and Vic Perrin) on the '60s version of Dragnet. Ben Wright's most frequently seen film appearance was as the humorless Nazi functionary Herr Zeller in the 1965 megahit The Sound of Music.

Trivia: Character actor Jack Dodson was perhaps best known for playing Howard Sprague, the county clerk on The Andy Griffith Show and its spin-off, Mayberry RFD. Before coming to Hollywood and joining the homespun series in 1967, Dodson was an established player on Broadway, having appeared in productions such as Our Town and You Can't Take It With You. After Mayberry folded in 1971, he went on to guest star on a wide variety of television series. He made his screen debut with a bit part in Munster Go Home (1966). He followed that with a small role in the Andy Griffith vehicle Angel in My Pocket (1968). Dodson's other film credits include The Getaway (1972), Thunderbolt and Lightfoot (1974), and A Climate for Killing (1991).