Trivia: She is best known for creating a multitude of memorable comic characters, including Ernestine the telephone operator and the rotten five-year-old rugrat Edith Ann, on television and in her stage shows, but let it not be forgotten that Lily Tomlin is also a talented dramatic actress, something she has thus far only demonstrated in two films. She was born Mary Tomlin in Detroit, MI. She was studying premed at Wayne State University when she heard the stage calling and so dropped out to perform skits and characterizations in cabarets and coffeehouses. Tomlin made her television debut on The Garry Moore Show but didn't get her first real break until she became a regular on Rowan and Martin's Laugh-In in 1970 and stayed through 1973. The series' machine gun pace proved the perfect outlet for Tomlin's offbeat humor and gave her the opportunity to hone her skills and develop her characters. She made an auspicious film debut with a touching dramatic role as a troubled gospel singer trying to deal with her hearing-impaired children and a womanizing Keith Carradine in Robert Altman's Nashville (1975), winning an Oscar nomination for Best Supporting Actress and a New York Film Critics award for the same category. Her next film, The Late Show (1977), was also more dramatic than comic and Tomlin again won kudos, though not in the form of awards, for her work. While she started off strongly in films, her subsequent output has been of uneven quality ranging from the entertaining All of Me (1984) to the abysmal Big Business (1988). But while her film career has never quite taken flight, Tomlin remained successful on-stage, in clubs, and on television. On Broadway, Tomlin has had two successful one-woman shows, Appearing Nitely (1976) and The Search for Signs of Intelligent Life in the Universe (1986), which Tomlin made into a film in 1991. In 1996, Tomlin became a regular on the cast of the long-running sitcom Murphy Brown playing a canny news producer and foil for Candice Bergan's Murphy. That same year she would work for the first time with director David O. Russell on the film Flirting With Disaster. After returning to film with the demise of Murphy Brown, Tomlin took on supporting roles in a variety of films, such as Tea with Mussolini and Disney's The Kid. But television soon came calling again in the form of a recurring role on NBC's The West Wing as The President's eccentric personal secretary.In 2004, Tomlin teamed with Russell again for the ensemble comedy I Heart Huckabees. A subsequent visit to the animated town of Springfield found Tomlin dropping in on The Simpsons the following year, withg recurring roles on both Will and Grace and The West Wing preceding a turn as one-half of a sisterly singing act along with Meryl Streep in the 2006 Robert Altman radio-show adaptation A Prairie Home Companion. At the Oscar telecast in 2006 Streep and Tomlin presented Altman with a lifetime achievement award, delivering their speech in a style that emulated the distinctive rhythms of his films. That same year she leant her vocal talents to an animated film for the first time in her career providing the voice for Mommo in The Ant Bully, which coincidently also featured her Prairie Home Companion cohort Meryl Streep. She had a major role in Paul Schrader's The Walker, and provided a voice in the English-language version of Ponyo. She joined the cast of the award-winning cable series Damages in 2010 for that show's third season and was a series regular on Malibu Country in 2012-13, playing Reba McEntire's mother.

Trivia: Sweet, Southern Faith Ford is perhaps best known as perky anchorwoman Corky from the long-running sitcom Murphy Brown. After growing up in Virginia, where she honed her passion for acting in school plays, Ford headed off to New York at the age of 17 to pursue a career in show business. She began landing appearances on shows like Webster and the soap opera Another World before changing coasts and trying her luck in Hollywood. She landed a recurring role on the drama thirtysomething, and shortly following, she landed the now-iconic role of Corky on Murphy Brown. Ford stayed with the show through all of its nine seasons, using her downtime to try out other projects like the family movie North. When Murphy Brown ended its run, Ford executive produced and starred in the series Maggie Winters, which got excellent reviews but sadly lasted for only one season. Ford had no shortage of projects, however; she was cast in the hit show Norm in 1999, and in 2003, she took a starring role in the ABC series Hope & Faith, playing a typical, Midwestern mom whose world is turned upside down when her movie-star sister shows up at her door. The popular series lasted until 2006, when Ford started looking for a new project. She found what she was looking for with 2007's comedy series Carpoolers, a show about the hilarious and strange goings-on between a group of men who drive to work together.

Trivia: Joe Regalbuto has been seen in films since 1982, when he played an investigative reporter in Costa-Gavras' Missing. Before his big-screen debut, Regalbuto played shifty Wall Street lawyer Elliot Streeter in the 1979 TV series The Associates. His other TV roles included Toomey, the CPA assistant to bumbling detective Tim Conway in Ace Crawford, Private Eye (1982), and Harry Fisher in Knots Landing (1985-86 series). Regalbuto also labored in what one journalist described as "relative obscurity" on the TV-movie circuit, playing such roles as William C. Sullivan in 1987's J. Edgar Hoover. In his most famous characterization, Joe Regalbuto travelled full circle from his Missing days, playing investigative reporter Frank Fontana on the TV sitcom Murphy Brown (1988- ).

Trivia: Tall, bookish-looking American actor Charles Kimbrough attended Indiana University and Yale before his first off-Broadway appearances in All for Love and Struts and Frets. Beginning in 1966, Kimbrough and then-wife Mary Jane were principal players of the Milwaukee Repertory Theatre, a troupe which included such celebrities-to-be as Michael Tucker and Judith Light. Kimbrough briefly abandoned Milwaukee for Broadway in 1969, garnering excellent revues for his appearance in the 1970 Stephen Sondheim musical Company. He returned to the Milwaukee Rep in the early '70s; so popular were Charles and his wife that, when they left Milwaukee for good in 1972, an original musical was specially commissioned for the Kimbrough's final rep appearance. Remaining active in plays, commercials, and films (The Front [1976], The Seduction of Joe Tynan [1977]), Kimbrough established himself as a reliable if not overly famous presence. Charles Kimbrough finally became a fullfledged celebrity in 1988 with his weekly appearances as newsmagazine anchorman Jim Dial on the Candice Bergen sitcom Murphy Brown.

Trivia: Actor Robert Costanzo is generally typecast an urban Italian-American, prone to mouthing such lines as "You gotta problem with that?" Costanzo began popping up with regularity in such films as Saturday Night Fever in the late '70s. The first of his many TV-series stints was as plumber Vincent Pizo, the blue-collar father of Travolta clone Joe Piza (Paul Regina), in 1978's Joe and Valerie. He retained his man-of-the-people veneer as maintenance engineer Hank Sabatino in the weekly series Checking In (1980), Lt. V.T. Krantz in the 1990 TVer Glory Days, and the voice of Detective Bullock in Warner Bros.' Batman: The Animated Series (1992). In 1995, Robert Costanzo joined the cast of television's NYPD Blue as Detective Giardella.

Trivia: Erik Palladino was supposed to join the family's heat contracting business. Raised in Yonkers by his schoolteacher mother and contractor father, the 12-year-old Palladino caught the acting bug from Robert De Niro's famed performance as Jake La Motta in Raging Bull. He quickly joined a local children's repertory company and soon began hosting a heavy metal television show in New York. But like many actors, the adult Palladino took the long road to success. He built an arrest record, struggled through New York's Marymount Manhattan College, sang in a mediocre indie rock band, and survived several canceled television shows. By the late '90s, Palladino had a familiar face -- as a regular on Comedy Central, a voluble MTV video jockey, an indolent stepson on Murphy Brown, and Jennifer Love Hewitt's unctuous cousin in Can't Hardly Wait (1998) -- but not a well-known name. However, perseverance and ubiquity will lead to stardom and, in 1999, Palladino scored two plum roles: the part of an American sailor opposite Matthew McConaughey in U-571 and a coveted slot as Dr. Dave Malucci on NBC's top-rated ER. Both characters are Italian-American; both characters pigeonhole Palladino as the insolent, self-important bastard. Yet, his performances project the strength of an actor who has been around the bend and can create brazen men that are not simply ogres, but refreshingly forthright, occasionally tender, and always heroic. Despite a public outcry and an Internet petition to keep him on the show, Palladino left ER in 2001. He then added to his movie credits -- which already included This Space Between Us (2000) with fellow ER star Alex Kingston and Finder's Fee (2000) with James Earl Jones -- by starring in the "Disco Inferno" segment of the VH1' Strange Frequency (2001). He also began racing cars in the Toyota Pro/Celebrity Race of the Toyota Grand Prix of Long Beach. Though his career forced him to relocate to California, Palladino remains a die-hard New Yorker and a loyal Yankees fan.