Mr. Deeds Goes to Town

Gary Cooper (Actor) .. Longfellow Deeds

Born: May 07, 1901
Died: May 13, 1961
Birthplace: Helena, Montana, United States

Trivia: American actor Gary Cooper was born on the Montana ranch of his wealthy father, and educated in a prestigious school in England -- a dichotomy that may explain how the adult Cooper was able to combine the ruggedness of the frontiersman with the poise of a cultured gentleman. Injured in an auto accident while attending Wesleyan College, he convalesced on his dad's ranch, perfecting the riding skills that would see him through many a future Western film. After trying to make a living at his chosen avocation of political cartooning, Cooper was encouraged by two friends to seek employment as a cowboy extra in movies. Agent Nan Collins felt she could get more prestigious work for the handsome, gangling Cooper, and, in 1926, she was instrumental in obtaining for the actor an important role in The Winning of Barbara Worth. Movie star Clara Bow also took an interest in Cooper, seeing to it that he was cast in a couple of her films. Cooper really couldn't act at this point, but he applied himself to his work in a brief series of silent Westerns for his home studio, Paramount Pictures, and, by 1929, both his acting expertise and his popularity had soared. Cooper's first talking-picture success was The Virginian (1929), in which he developed the taciturn, laconic speech patterns that became fodder for every impressionist on radio, nightclubs, and television. Cooper alternated between tie-and-tails parts in Design for Living (1933) and he-man adventurer roles in The Lives of a Bengal Lancer (1935) for most of the 1930s; in 1941, he was honored with an Oscar for Sergeant York, a part for which he was the personal choice of the real-life title character, World War I hero Alvin York. One year later, Cooper scored in another film biography, Pride of the Yankees. As baseball great Lou Gehrig, the actor was utterly convincing (despite the fact that he'd never played baseball and wasn't a southpaw like Gehrig), and left few dry eyes in the audiences with his fade-out "luckiest man on the face of the earth" speech. In 1933, Cooper married socialite Veronica Balfe, who, billed as Sandra Shaw, enjoyed a short-lived acting career. Too old for World War II service, Cooper gave tirelessly of his time in hazardous South Pacific personal-appearance tours. Ignoring the actor's indirect participation in the communist witch-hunt of the 1940s, Hollywood held Cooper in the highest regard as an actor and a man. Even those co-workers who thought that Cooper wasn't exerting himself at all when filming were amazed to see how, in the final product, Cooper was actually outacting everyone else, albeit in a subtle, unobtrusive manner. Consigned mostly to Westerns by the 1950s (including the classic High Noon [1952]), Cooper retained his box-office stature. Privately, however, he was plagued with painful, recurring illnesses, and one of them developed into lung cancer. Discovering the extent of his sickness, Cooper kept the news secret, although hints of his condition were accidentally blurted out by his close friend Jimmy Stewart during the 1961 Academy Awards ceremony, where Stewart was accepting a career-achievement Oscar for Cooper. One month later, and less than two months after his final public appearance as the narrator of a TV documentary on the "real West," Cooper died; to fans still reeling from the death of Clark Gable six months earlier, it seemed that Hollywood's Golden Era had suddenly died, as well.

Jean Arthur (Actor) .. Babe Bennett

Born: October 17, 1900
Died: June 19, 1991
Birthplace: Plattsburgh, New York, United States

Trivia: The daughter of a commercial artist, Jean Arthur became a model early in life, then went on to work in films. Whatever self-confidence she may have built up was dashed when she was removed from the starring role of Temple of Venus (1923) after a few days of shooting. It was the first of many disappointments for the young actress, but she persevered and, by 1928, was being given co-starring roles at Paramount Pictures. Arthur's curious voice, best described as possessing a lilting crack, ensured her work in talkies, but she was seldom used to full advantage in the early '30s. Dissatisfied with the vapid ingenue, society debutante, and damsel-in-distress parts she was getting (though she was chillingly effective as a murderess in 1930's The Greene Murder Case), Arthur left films for Broadway in 1932 to appear in Foreign Affairs. In 1934, she signed with Columbia Pictures, where, at long last, her gift for combining fast-paced verbal comedy with truly moving pathos was fully utilized. She was lucky enough to work with some of the most accomplished directors in Hollywood: Frank Capra (Mr. Deeds Goes to Town [1936], You Can't Take It With You [1938], Mr. Smith Goes to Washington [1939]); John Ford (The Whole Town's Talking [1935]); and Howard Hawks (Only Angels Have Wings [1937]). Mercurial in her attitudes, terribly nervous both before and after filming a scene -- she often threw up after her scene was finished -- and so painfully shy that it was sometimes difficult for her to show up, she was equally fortunate that her co-workers were patient and understanding with her . Arthur could become hysterical when besieged by fans, and aloof and nonresponsive to reporters. In 1943, she received her only Oscar nomination for The More the Merrier (1943), the second of her two great '40s films directed by George Stevens (Talk of the Town [1942] was the first). After her contract with Columbia ended, she tried and failed to become her own producer. She signed to star in the 1946 Broadway play Born Yesterday -- only to succumb to a debilitating case of stage fright, forcing the producers to replace her at virtually the last moment with Judy Holliday. After the forgettable comedy The Impatient Years in 1944, Arthur made only two more films: Billy Wilder's A Foreign Affair (1948), and George Stevens' classic Shane (1952). She also played the lead in Leonard Bernstein's 1950 musical version of Peter Pan, which co-starred Boris Karloff as Captain Hook. In the early '60s, the extremely reclusive Arthur tentatively returned to show business with a few stage appearances and as an attorney on ill-advised 1966 TV sitcom, The Jean Arthur Show, which was mercifully canceled by mid-season. Surprisingly, the ultra-introverted Arthur later decided to tackle the extroverted profession of teaching drama, first at Vassar College and then the North Carolina School of the Arts; one of her students at North Carolina remembered Arthur as "odd" and her lectures as somewhat whimsical and rambling. Retiring for good in 1972, she retreated to her ocean home in Carmel, CA, steadfastly refusing interviews until her resistance was broken down by the author of a book on her one-time director Frank Capra. She died in 1991.

George Bancroft (Actor) .. Mac Wade

Born: September 30, 1882
Died: October 02, 1956

Trivia: A graduate of the United States Naval Academy at Annapolis, 6'2," 195-pound George Bancroft briefly served in the Navy before entering show business as a theater manager. He worked in a minstrel show for a time then tried his luck (which turned out to be very good indeed) on Broadway. In 1921, he made his first film appearance, but it wasn't until his standout performance as likeable reprobate Jack Slade in James Cruze's Pony Express (1925) that Paramount Pictures executives began grooming him for stardom. He was especially effective in the ultra-stylish gangster pictures of Josef Von Sternberg, notably Underworld (1977) (as outlaw-with-a-heart Bull Weed) and Thunderbolt (which earned him a 1929 Academy Award nomination). Budd Schulberg, son of Paramount executive B. P. Schulberg, recalled in his autobiography Moving Pictures how fame and fortune inflated Bancroft's ego to monumental proportions. Schulberg particularly treasured the moment when the actor refused to obey his director's orders that he fall down after being shot by the villain, explaining, "One bullet can't kill Bancroft!" When his particular screen "type" became commonplace in the early '30s, Bancroft's stardom faded. By the middle of the decade, he was reduced to character roles, though some of them (the editor in Mr. Deeds Goes to Town, the sheriff in Stagecoach, and the title character's father in Young Tom Edison) represent his best work in talkies. George Bancroft retired in 1942 to become a rancher, a profession he pursued until his death 14 years later.

Ruth Donnelly (Actor)

Born: May 17, 1896
Died: November 17, 1982

Trivia: The daughter of a New Jersey newspaper reporter/ critic/ editor, Ruth Donnelly made her first stage appearance at 17, in the chorus of the touring show The Quaker Girl. Shortly afterward, she essayed the first of hundreds of comedy roles in a theatrical piece called Margie Pepper. Her Broadway debut occurred in 1914's A Scrap of Paper, which brought her to the attention of showman George M. Cohan, who cast Ruth in choice comic-relief roles for the next five years. Her first film was 1927's Rubber Heels, but Ruth didn't pursue a Hollywood career until the Wall Street crash reduced her opportunities in "live" theatre. From 1932's Blessed Event onward, Ruth was one of Tinseltown's favorite wisecracking matrons, brightening many a sagging scene in such films as Wonder Bar (1934), Mr. Deeds Goes to Town (1936) and Mr. Smith Goes to Washington (1939). She was proudest of her performance as a lively middle-aged nun in Leo McCarey's The Bells of St. Mary's; unfortunately, most of that performance ended up on the cutting-room floor. Closing out her film career with Autumn Leaves (1956) and her stage career with The Riot Act (1963), Ruth Donnelly retired to a Manhattan residential hotel, politely but firmly refusing all offers to appear in TV commercials and soap operas.

Lionel Stander (Actor) .. Cornelius Cobb

Douglas Dumbrille (Actor) .. John Cedar

Born: October 13, 1890
Died: April 02, 1974

Trivia: Silver-tongued actor Douglas Dumbrille played just about every type in his long screen career, but it was as a dignified villain that he is best remembered. Born in Canada, Dumbrille did most of his stage work in the United States, breaking into films with His Woman in 1931. He bounced between supporting parts and unbilled bits in the early 1930s, usually at Warner Bros., where his sleek brand of skullduggery fit right in with the gangsters, shysters and political phonies popping up in most of the studio's 1930s product. Superb in modern dress roles, Dumbrille also excelled at costume villainy: it is claimed that, in Lives of the Bengal Lancers (1935), he was the first bad guy to growl, "We have ways of making you talk." The actor's pompous demeanor made him an ideal foil for such comedians as the Marx Brothers, with whom he appeared twice, and Abbott and Costello, who matched wits with Dumbrille in four different films. Sometimes, Dumbrille's reputation as a no-good was used to lead the audience astray; he was frequently cast as red-herring suspects in such murder mysteries as Castle in the Desert (1942), while in the Johnny Mack Brown western Flame of the West (1945), Dumbrille piqued the viewer's interest by playing a thoroughly honest, decent sheriff (surely he'd turn bad by the end, thought the audience -- but he didn't). In real life a gentle man whose diabolical features were softened by a pair of spectacles, Dumbrille mellowed his image as he grew older, often playing bemused officials and judges who couldn't make head nor tails of Gracie Allen's thought patterns on TV's The Burns and Allen Show. Late in life, a widowed Douglas Dumbrille married Patricia Mobray, daughter of his close friend -- and fellow screen villain -- Alan Mowbray.

Raymond Walburn (Actor) .. Walter

Born: September 09, 1887
Died: July 28, 1969

Trivia: Born in Indiana, Raymond Walburn began his theatrical career in Oakland, California, where his actress mother had relocated. Walburn was 18 when he made his stage debut in MacBeth, for the princely sum of $5 a week; he immediately, albeit inadvertently, established himself as a comic actor when his line "Fillet of a fenny snake" came out as "Fillet of a funny snake." The following year, Walburn was acting in stock in San Francisco, where the old adage "the show must go on" was tested to the utmost when one of his performances was interrupted by the 1906 earthquake (at least, that was his story). In 1911, he made his Broadway bow in Greyhound; it was a flop, as were Walburn's subsequent New York appearances over the next five years. He finally managed to latch onto a hit when he was cast in the long-running Come Out of the Kitchen. Following his World War I service, Walburn hit his stride as a Broadway laughgetter, starring in the original production of George Kelly's The Show Off. After a tentative stab at moviemaking in 1928, Walburn settled in Hollywood full-time in 1934, where his bombastic, lovable-fraud characterizations made him a favorite of such directors as Frank Capra and Preston Sturges. Usually relegated to the supporting-cast ranks, Walburn was given an opportunity to star in Monogram's inexpensive "Henry" series in 1949, an assignment made doubly pleasurable because it gave him the opportunity to work with his lifelong pal Walter Catlett. Retiring after his final screen appearance in The Spoilers (1955), Raymond Walburn revived his Broadway career in 1962 when he was persuaded by producer Harold Prince to play Erronious in A Funny Thing Happened On the Way to the Forum.

Margaret Matzenauer (Actor) .. Madame Pomponi

Born: January 01, 1881
Died: January 01, 1963

H. B. Warner (Actor) .. Judge Walker

Born: October 26, 1876
Died: December 21, 1958

Trivia: H.B. Warner was the son of Charles Warner and the grandson of James Warner, both prominent British stage actors. A tentative stab at studying medicine was abandoned when the younger Warner took drama lessons in Paris and Italy, then joined his father's stock company. After touring the British empire, Warner made his first American stage appearance in 1905. A leading man in his younger days, Warner starred in the first stage and screen versions of that hardy perennial The Ghost Breaker. His most celebrated silent film role was as Christ in Cecil B. DeMille's The King of Kings (1927). Though Warner sometimes complained that this most daunting of portrayals ruined his career, in point of fact he remained extremely busy as a character actor in the 1930s and 1940s. A favorite of director Frank Capra, Warner appeared as Chang in Lost Horizon (1937) (for which he was Oscar-nominated) and as old man Gower in the Christmas perennial It's a Wonderful Life (1946). Warner also played Inspector Nielsen in several of the Bulldog Drummond B-pictures of the 1930s, and had a cameo as one of Gloria Swanson's "waxworks" in Sunset Boulevard. H.B. Warner's final screen appearance was in DeMille's 1956 remake of The Ten Commandments.

Warren Hymer (Actor) .. Bodyguard

Born: February 25, 1906
Died: March 25, 1948

Trivia: Though he appeared to be an illiterate, streetwise plug-ugly, American actor Warren Hymer was actually the son of two affluent stage performers, John B. Hymer and Elsie Hunt. Hymer was also a graduate of Yale University, and a moderately successful Broadway stage actor before coming to Hollywood in 1928. Because of his rough-hewn facial features and his ability to feign incredible stupidity, Hymer was much in demand in gangster parts, from his first talking picture, This Cockeyed World (1929), onward. So popular was Hymer during the early-talkie period that he shared co-starring status with Spencer Tracy in two films, and was billed over Humphrey Bogart in Up the River (1932). Unfortunately, Hymer's love of acting took second place to his love of liquor. Things went from bad to worse as Hymer's condition deteriorated; at one point he began filming a scene, opened his mouth to speak, and collapsed cold on the floor. Producers were willing to overlook this in view of Hymer's talent, but the actor also suffered from an uncontrollable temper. The axe fell on the day that Hymer, arguing with Columbia Pictures chieftan Harry Cohn, punctuated his tirade by urinating on Cohn's desk. After that, Hymer was virtually blackballed from Hollywood, resurfacing from time to time for an unbilled bit or a barely coherent supporting role. Warren Hymer died in 1948, not having worked in two years; he was only 42.

Muriel Evans (Actor) .. Theresa

Born: July 20, 1910
Died: October 26, 2000

Trivia: A child actress in her hometown of Minneapolis, Muriel Evans began her screen career in 1927 as a leading lady to comedian Lupino Lane. Her parents, however, demanded that she finish her education and she was offscreen until 1932. Blonde and, according to at least one reviewer, "unspoiled," Evans enjoyed a busy career in mainly B-films, including no less than 13 series Westerns with the likes of John Wayne, Buck Jones, and Tex Ritter. In the late 1930s, her career came full circle when she starred in two-reel comedies opposite James Finlayson.

Spencer Charters (Actor) .. Mal

Born: January 01, 1875
Died: January 25, 1943

Trivia: Burly, puffy-cheeked American actor Spencer Charters entered films in 1923, after decades of stage experience. In his first talkie appearances (Whoopee [1930], The Bat Whispers [1931], etc.), Charters was often seen as an ill-tempered authority figure. Traces of this characterization continued into such mid-'30s efforts as Wheeler and Woolsey's Hips Hips Hooray, but before the decade was over Charters was firmly locked into playing such benign types as rustic sheriffs, bucolic hotel clerks and half-asleep justices of the peace. Advancing age and the attendant infirmities made it difficult for Charters to play anything other than one-scene bits by the early '40s. At the age of 68, he ended his life by downing an overdose of sleeping pills and then inhaling the exhaust fumes of his car.

Emma Dunn (Actor) .. Mrs. Meredith

Born: February 26, 1875
Died: December 14, 1966

Trivia: Matronly British-born actress Emma Dunn was typed as mothers, grandmothers and housekeepers even during her earliest years in the theater. She was 41 when she played her first starring role on stage in 1916's Old Lady 31. She made her first film in 1919, and her last in 1948, changing very little physically during those three decades. Emma Dunn's best-remembered film assignments included the housekeeper of "pixillated" Gary Cooper in Mr. Deeds Goes to Town (1936) and the mother of Lew Ayres in several installments of MGM's Dr. Kildare series.

Wyrley Birch (Actor) .. Psychiatrist

Born: May 07, 1883

Wryley Birch (Actor) .. Psychiatrist

Born: January 01, 1883
Died: January 01, 1959

Arthur Hoyt (Actor) .. Budington

Born: May 19, 1873
Died: January 04, 1953

Trivia: Stage actor/director Arthur Hoyt first stepped before the movie cameras in 1916. During the silent era, Hoyt played sizeable roles in such major productions as Four Horsemen of the Apocalypse (1921) and The Lost World (1925). In sound films, he tended to be typecast as a henpecked husband or downtrodden office worker. One of his mostly fondly remembered talkie performances was as befuddled motel-court manager Zeke in It Happened One Night (1934). Despite advancing age, he was busy in the late 1930s, appearing in as many as 12 pictures per year. In his last active decade, Arthur Hoyt was a member of writer/director Preston Sturges' unofficial stock company, beginning with The Great McGinty (1940) and ending with The Sin of Harold Diddlebock (1947).

Stanley Andrews (Actor) .. James Cedar

Born: August 28, 1891
Died: June 23, 1969

Trivia: Actor Stanley Andrews moved from the stage to the movies in the mid 1930s, where at first he was typed in steadfast, authoritative roles. The tall, mustachioed Adrews became familiar to regular moviegoers in a string of performances as ship's captains, doctors, executives, military officials and construction supervisors. By the early 1950s, Andrews had broadened his range to include grizzled old western prospectors and ageing sheriffs. This led to his most lasting contribution to the entertainment world: the role of the Old Ranger on the long-running syndicated TV series Death Valley Days. Beginning in 1952, Andrews introduced each DVD episode, doing double duty as commercial pitchman for 20 Mule Team Borax; he also became a goodwill ambassador for the program and its sponsor, showing up at county fairs, supermarket openings and charity telethons. Stanley Andrews continued to portray the Old Ranger until 1963, when the US Borax company decided to alter its corporate image with a younger spokesperson -- a 51-year-old "sprout" named Ronald Reagan.

Pierre Watkin (Actor) .. Arthur Cedar

Born: December 29, 1889
Died: February 03, 1960

Trivia: Actor Pierre Watkin looked as though he was born to a family of Chase Manhattan executives. Tall, imposing, imbued with a corporate demeanor and adorned with well-trimmed white mustache, Watkin appeared to be a walking Brooks Brothers ad as he strolled through his many film assignments as bankers, lawyers, judges, generals and doctors. When director Frank Capra cast the actors playing US senators in Mr Smith Goes to Washington (1939) using as criteria the average weight, height and age of genuine senators, Watkin fit the physical bill perfectly. Occasionally Watkin could utilize his established screen character for satirical comedy: in W.C. Fields' The Bank Dick, he portrayed Lompoc banker Mr. Skinner, who extended to Fields the coldest and least congenial "hearty handclasp" in movie history. Serial fans know Pierre Watkin as the actor who originated the role of bombastic Daily Planet editor Perry White in Columbia's two Superman chapter plays of the late '40s.

John Wray (Actor) .. Farmer

Born: February 13, 1887
Died: April 05, 1940

Trivia: Lovers of '30s films enjoy pointing out their favorite obscure character actors and identifying them by name. One such actor, Philadelphia-born John Wray, is almost instantly recognizable for his grim countenance, piggish eyes, and chunky frame. He was one of the many Broadway actors to descend on Hollywood in the aftermath of the sound revolution, and as such, made an indelible impression on moviegoers. Though seldom playing anything more than a bit or minor role, Wray was lucky enough to have several indelible screen performances to his credit. In 1930, he played Himmelstoss, the meek postman who becomes a cruel Army drill instructor in the opening scenes of All Quiet on the Western Front; restored prints of this Oscar-winning classic have revealed that Wray's part was originally much larger, including a colorful "mad scene" when the sadistic Himmelstoss finds himself under enemy fire for the first time.Wray also played the Arnold Rothstein-like gangster in The Czar of Broadway (1930); and the contortionist the Frog in the remake of The Miracle Man (1932). Wray's portrayals of proletarian nastiness grew increasingly smaller as the decade progressed but he was very visible as the starving farmer threatening to kill Gary Cooper for throwing his money away in mid-Depression in Mr. Deeds Goes to Town (a scene that ends with Wray breaking down sobbing apologetically, inspiring Deeds to set up a financial incentive program to put down-and-outers back on their feet). Avid cinephiles may also remember Wray's portrayal of the warden in Fritz Lang's You Only Live Once (1937). This Wray is not to be confused with the American silent film director and playwright John Griffith Wray of the 1920s.

Christian Rub (Actor) .. Swenson

Born: April 13, 1887
Died: April 14, 1956

Trivia: Wispy-looking, soft-spoken Austrian character actor Christian Rub made his first Hollywood film appearance in 1932. For the next 20 years, Rub played a variety of functional roles (innkeepers, peasant farmers, musicians, janitors) in a variety of accents (usually German or Swedish). Many of his roles were small but memorable, such as his brief turn as the melodic coachman who inspires Johann Strauss (Fernand Gravet) to compose Tales From the Vienna Woods in The Great Waltz (1938). Christian Rub's most lasting contribution to cinema was as the voice and physical inspiration for Geppetto in the 1940 Disney cartoon feature Pinocchio.

Jameson Thomas (Actor) .. Mr. Semple

Born: March 24, 1889
Died: January 10, 1939

Trivia: A London stage actor from the early 1900s, Jameson Thomas made his film debut in 1923's Chu Chin Chow. With such exceptions as Hitchcock's The Farmer's Wife (1928), Thomas was dissatisfied with the British phase of his film career, though he remained philosophical, observing, "If one wants to live by playing in British films, it is better to be miscast than never to be cast at all." Moving to Hollywood in the early talkie era, he was largely confined to minor roles until his death in 1939. His larger assignments included the role of Claudette Colbert's fortune-hunting husband King Westley in It Happened One Night (1934) and Charles Craig in the 1934 version of Jane Eyre. Jameson Thomas was married to actress Dorothy Dix.

Mayo Methot (Actor) .. Mrs. Semple

Born: January 09, 1904
Died: June 09, 1951

Trivia: The latter-day fame of actress Mayo Methot is so inextricably bound up with that of her one-time husband Humphrey Bogart that it's easy to forget she had a fairly substantial film career on her own. A hard-boiled blonde both onscreen and off, Methot snarled her way through supporting parts in such films as Corsair (1931), Jimmy the Gent (1933), Dr. Socrates (1933), Mr. Deeds Goes to Town (1936), and, best of all, Marked Woman (1937). Upon marrying Bogart in 1936, Methot began cutting down on her movie appearances. By the time of her divorce from Bogart following his affair and subsequent marriage to Lauren Bacall, Methot's film career was virtually inactive. Although she received a substantial divorce settlement, her personal problems continued. She died in 1951, at the age of 47.

Margaret Seddon (Actor) .. Jane Faulkner

Born: November 18, 1872
Died: April 17, 1968

Trivia: An established stage actress, Margaret Seddon made the transition to films in 1915. During the silent era, Seddon alternated between motherly roles and haughty matronly types; one of her best parts of the 1920s was Miss Trafalgar Gowes in The Actress, a 1927 adaptation of Arthur Wing Pinero's Trelawny of the Wells. Active until 1951, she essayed minor roles in everything from Gone With the Wind (1939) to the Dr. Kildare films. Margaret Seddon earned an honored spot in the annals of film history as Jane Faulkner, one of the two "pixilated" Faulkner sisters, in Frank Capra's Mr. Deeds Goes to Town (1936); she later toured with her Deeds co-star Margaret McWade in a vaudeville act called "the Pixilated Sisters."

Margaret McWade (Actor) .. Amy Faulkner

Born: January 01, 1872
Died: January 01, 1956

Russell Hicks (Actor) .. Dr. Malcolm

Born: June 04, 1895
Died: June 01, 1957

Trivia: Trained in prep school for a career as a businessman, Baltimore-born Russell Hicks chucked his predestined lifestyle for a theatrical career, over the protests of his family. As an actor, Hicks came full circle, spending the bulk of his career playing businessmen! Though he claimed to have appeared in D.W. Griffith's Birth of a Nation (1915) and Intolerance (1916), Hicks' earliest recorded Hollywood job occured in 1920, when he was hired as an assistant casting director for Famous Players (later Paramount). Making his stage debut in It Pays to Smile, Hicks acted in stock companies and on Broadway before his official film bow in 1934's Happiness Ahead. The embodiment of the small-town business booster or chairman of the board, the tall, authoritative Hicks frequently used his dignified persona to throw the audience off guard in crooked or villainous roles. He was glib confidence man J. Frothingham Waterbury in W.C. Fields' The Bank Dick (1940) ("I want to be honest with you in the worst way!"), and more than once he was cast as the surprise killer in murder mysteries. Because of his robust, athletic physique, Hicks could also be seen as middle-aged adventurers, such as one of The Three Musketeers in the 1939 version of that classic tale, and as the aging Robin Hood in 1946's Bandit of Sherwood Forest (1946). Russell Hicks continued accepting film assignments until 1956's Seventh Cavalry.

Gustav von Seyffertitz (Actor) .. Dr. Frazier

Born: January 01, 1863
Died: January 01, 1943

Trivia: Satanic-featured Austrian actor/director Gustav von Seyffertitz not only looked like a villain, but with that three-barrelled name he sounded like one -- even in silent pictures. After a lengthy stage career in both Germany and New York, Seyffertitz began appearing in World War One films as the very embodiment of the "Hideous Hun" -- America's notion of the merciless, atrocity-happy German military officer. Allegedly to avoid persecution from the anti-German organizations of the era, Seyffertitz changed his professional name to G. Butler Cloneblough -- a monicker so satiric in its timbre that one can't help that the "rechristening" was the concoction of a clever press agent. Returning to his own name after the war, Seyffertitz remained busy as a "villain of all nations:" He was British criminal mastermind Moriarty in John Barrymore's Sherlock Holmes (1922), a torturer for the Borgias in Barrymore's Don Juan (1926), and the evil American backwoods farmer Grimes in Mary Pickford's Sparrows (1926). Nearly always a supporting actor, Seyffertitz was given his full head with a mad-scientist leading role in the 1927 horror flick The Wizard. Offscreen, Seyffertitz was a kindly, temperate man, patient enough to direct Vitagraph star Alice Calhoun in three back-to-back vehicles in 1921: Princess Jones, Closed Doors and Peggy Puts It Over. In talking pictures, Seyffertitz' deep, warm voice somewhat mitigated his horrific demeanor. Though few of his talkie roles were billed, Gustav von Seyffertitz made the most of such parts as the High Priest in the 1935 version of She and the pontificating court psychiatrist in Capra's Mr. Deeds Goes to Town (1936).

Edward Le Saint (Actor) .. Dr. Fosdick

Born: January 01, 1871
Died: September 10, 1940

Trivia: White-maned, saintly American actor Edward LeSaint became a familiar figure in B-westerns of the '30s. He was almost invariably cast as the frail but courageous father of the heroine, who refused to sell his land (water, oil, gold) rights to the villains -- and equally invariably received a bullet in the back for his brave stance. A stage actor since the 19th century and in films since at least 1915, LeSaint was engaged as a staff director by the Fox Studios in 1918, where he was billed as E.J. LeSaint. Switching back to acting in the talkie era, LeSaint showed up in brief roles as college professors, judges, generals, city officials and the like. Edward LeSaint is best known to modern viewers as one of the "yes-men" professors in The Marx Brothers' Horse Feathers, and as judges in both the Three Stooges' Disorder in the Court (1936) and the anti-pot camp classic Reefer Madness (1936).

Charles Lane (Actor) .. Hallor

Born: January 26, 1905
Died: July 09, 2007

Trivia: Hatchet-faced character actor Charles Lane has been one of the most instantly recognizable non-stars in Hollywood for more than half a century. Lane has been a familiar figure in movies (and, subsequently, on television) for 60 years, portraying crotchety, usually miserly, bad-tempered bankers and bureaucrats. Lane was born Charles Levison in San Francisco in 1899 (some sources give his year of birth as 1905). He learned the ropes of acting at the Pasadena Playhouse during the middle/late '20s, appearing in the works of Shakespeare, Chekhov, and Noel Coward before going to Hollywood in 1930, just as sound was fully taking hold. He was a good choice for character roles, usually playing annoying types with his high-pitched voice and fidgety persona, encompassing everything from skinflint accountants to sly, fast-talking confidence men -- think of an abrasive version of Bud Abbott. His major early roles included the stage manager Max Jacobs in Twentieth Century and the tax assessor in You Can't Take It With You. One of the busier character men in Hollywood, Lane was a particular favorite of Frank Capra's, and he appeared in Mr. Deeds Goes to Town, Mr. Smith Goes to Washington, Arsenic and Old Lace, It's a Wonderful Life -- with a particularly important supporting part in the latter -- and State of the Union. He played in every kind of movie from screwball comedy like Ball of Fire to primordial film noir, such as I Wake Up Screaming. As Lane grew older, he tended toward more outrageously miserly parts, in movies and then on television, where he turned up Burns & Allen, I Love Lucy, and Dear Phoebe, among other series. Having successfully played a tight-fisted business manager hired by Ricky Ricardo to keep Lucy's spending in line in one episode of I Love Lucy (and, later, the U.S. border guard who nearly arrests the whole Ricardo clan and actor Charles Boyer at the Mexican border in an episode of The Lucy-Desi Comedy Hour), Lane was a natural choice to play Lucille Ball's nemesis on The Lucy Show. Her first choice for the money-grubbing banker would have been Gale Gordon, but as he was already contractually committed to the series Dennis the Menace, she hired Lane to play Mr. Barnsdahl, the tight-fisted administrator of her late-husband's estate during the first season of the show. Lane left the series after Gordon became available to play the part of Mr. Mooney, but in short order he moved right into the part that came very close to making him a star. The CBS country comedy series Petticoat Junction needed a semi-regular villain and Lane just fit the bill as Homer Bedloe, the greedy, bad-tempered railroad executive whose career goal was to shut down the Cannonball railroad that served the town of Hooterville. He became so well-known in the role, which he only played once or twice a season, that at one point Lane found himself in demand for personal appearance tours. In later years, he also turned up in roles on The Beverly Hillbillies, playing Jane Hathaway's unscrupulous landlord, and did an excruciatingly funny appearance on The Odd Couple in the mid-'70s, playing a manic, greedy patron at the apartment sale being run by Felix and Oscar. Lane also did his share of straight dramatic roles, portraying such parts as Tony Randall's nastily officious IRS boss in the comedy The Mating Game (1959), the crusty River City town constable in The Music Man (1962) (which put Lane into the middle of a huge musical production number), the wryly cynical, impatient judge in the James Garner comedy film The Wheeler-Dealers (1963), and portraying Admiral William Standley in The Winds of War (1983), based on Herman Wouk's novel. He was still working right up until the late '80s, and David Letterman booked the actor to appear on his NBC late-night show during the middle of that decade, though his appearance on the program was somewhat disappointing and sad; the actor, who was instantly recognized by the studio audience, was then in his early nineties and had apparently not done live television in many years (if ever), and apparently hadn't been adequately prepped. He seemed confused and unable to say much about his work, which was understandable -- the nature of his character parts involved hundreds of roles that were usually each completed in a matter or two or three days shooting, across almost 60 years. Lane died at 102, in July 2007 - about 20 years after his last major film appearance.

Irving Bacon (Actor) .. Frank

Born: September 06, 1893
Died: February 05, 1965

Trivia: Irving Bacon entered films at the Keystone Studios in 1913, where his athletic prowess and Ichabod Crane-like features came in handy for the Keystone brand of broad slapstick. He appeared in over 200 films during the silent and sound era, often playing mailmen, soda jerks and rustics. In The Amazing Dr. Clitterhouse (1938) it is Irving, as a flustered jury foreman, who delivers the film's punchline. In the late 1930s and early 1940s, Irving played the recurring role of Mr. Crumb in Columbia's Blondie series; he's the poor postman who is forever being knocked down by the late-for-work Dagwood Bumstead, each collision accompanied by a cascade of mail flying through the air. Irving Bacon kept his hand in throughout the 1950s, appearing in a sizeable number of TV situation comedies.

George Cooper (Actor) .. Bob

Born: December 12, 1892
Died: December 09, 1943

Gene Morgan (Actor) .. Waiter

Born: January 01, 1892
Died: August 13, 1940

Trivia: Pudgy character actor Gene Morgan started out as a utility player in Pathe's Folly comedies in the late teens, then worked for several years at Hal Roach studios. From 1935 to 1940, Morgan was under contract to Columbia Pictures, where he was usually cast as a perplexed cop or city detective. He was fleetingly but memorably seen in such Columbia's as She Couldn't Take It (1935), Meet Nero Wolfe (1936), The Devil's Playground (1937), and Mr. Smith Goes to Washington (1939). Gene Morgan made his last appearance in Warner Bros.' Meet John Doe (1941) under the direction of another longtime Columbia contractee, Frank Capra.

Walter Catlett (Actor) .. Morrow

Born: February 04, 1889
Died: November 14, 1960

Trivia: Walter Catlett began his acting career in stock companies in his hometown of San Francisco. After attending St. Ignacious College, he reached New York in 1911 in the musical The Prince of Pilsen. Catlett's dithering comic gestures and air of perpetual confusion won him a legion of fans and admirers when he starred in several editions of The Ziegfeld Follies, and in the Ziegfeld-produced musical comedy Sally, in which he appeared for three years. Catlett made a handful of silent film appearances, but didn't catch on until the advent of talking pictures allowed moviegoers to see and hear his full comic repertoire. Usually sporting horn-rimmed spectacles or a slightly askew pince-nez, Catlett played dozens of bumbling petty crooks, pompous politicians and sleep-benumbed justices of the peace. Hired for a few days' work in Howard Hawks' Bringing Up Baby (1938), Catlett proved so hilarious in his portrayal of an easily befuddled small-town sheriff that his role was expanded, and he was retained off-screen to offer advice about comic timing to the film's star, Katharine Hepburn. In addition to his supporting appearances, Catlett starred in several 2-reel comedies, and was co-starred with his lifelong friend Raymond Walburn in the low-budget "Henry" series at Monogram. Busy until a few short years before his death, Walter Catlett appeared in such 1950s features as Davy Crockett and the River Pirates (1956), Friendly Persuasion (1956) and Beau James (1957) (as New York governor Al Smith).

Edward Gargan (Actor) .. 2nd Bodyguard

Born: July 17, 1902

Paul Hurst (Actor) .. 1st Deputy

Born: January 01, 1889
Died: February 22, 1953

Trivia: When American actor Paul Hurst became the comedy sidekick in the Monte Hale western series at Republic in the early '50s, he came by the work naturally; he had been born and bred on California's Miller and Lux Ranch. While in his teens, Hurst attained his first theatre job as a scenery painter in San Francisco, making his on-stage debut at age 19. In 1911, Hurst ventured into western films, wearing three hats as a writer, director and actor. He worked ceaselessly in character roles throughout the '20s, '30s and '40s, most often in comedy parts as dim-witted police officers and muscle-headed athletes. He also showed up in leading roles in 2-reelers, notably as a punchdrunk trainer in Columbia's Glove Slingers series. On at least two memorable occasions, Hurst eschewed comedy for villainy: in 1943's The Ox-Bow Incident, he's the lynch-mob member who ghoulishly reminds the victims what's in store for them by grabbing his collar and making choking sounds. And in Gone with the Wind, Hurst is Hell personified as the Yankee deserter and would-be rapist whom Scarlet O'Hara (Vivien Leigh) shoots in the face at point blank range. Paul Hurst kept busy into the early '50s; at the age of 65, he ended his career and his life in suicide.

Paul Porcasi (Actor) .. Italian

Born: January 01, 1880
Died: August 08, 1946

Trivia: A former opera singer in his native Sicily, bull-necked, waxed-moustached character actor Paul Porcasi made his screen bow in 1917's Fall of the Romanoffs. Porcasi flourished in the talkie era, playing innumerable speakeasy owners, impresarios, chefs, and restaurateurs. The nationalities of his screen characters ranged from Italian to French to Greek to Spanish; most often, however, he played Greeks with such onomatopoeic monikers as Papapopolous. Porcasi's best-remembered film roles include Nick the Greek in Broadway (1929), the obsequious garment merchant in Devil in the Deep (1932), dour border guard Gonzalez in Eddie Cantor's The Kid From Spain (1932), and the apoplectic apple vendor ("Hey! You steal-a!") in King Kong (1933). Paul Porcasi was also starred in the first three-strip Technicolor short subject, La Cucaracha (1934), wherein his face turned a deep crimson after he ingested one too many hot chili peppers.

Jay Eaton (Actor) .. Writer

Born: January 01, 1899
Died: January 01, 1970

Franklin Pangborn (Actor) .. Tailor

Born: January 23, 1893
Died: July 20, 1958

Trivia: American actor Franklin Pangborn spent most of his theatrical days playing straight dramatic roles, but Hollywood saw things differently. From his debut film Exit Smiling (1926) to his final appearance in The Story of Mankind (1957), Pangborn was relegated to almost nothing but comedy roles. With his prissy voice and floor-walker demeanor, Pangborn was the perfect desk clerk, hotel manager, dressmaker, society secretary, or all-around busybody in well over 100 films. Except for a few supporting appearances in features and a series of Mack Sennett short subjects in the early 1930s, most of Pangborn's pre-1936 appearances were in bits or minor roles, but a brief turn as a snotty society scavenger-hunt scorekeeper in My Man Godfrey (1936) cemented his reputation as a surefire laugh-getter. The actor was a particular favorite of W.C. Fields, who saw to it that Pangborn was prominently cast in Fields' The Bank Dick (1940) (as hapless bank examiner J. Pinkerton Snoopington) and Never Give a Sucker An Even Break (1941). Occasionally, Pangborn longed for more dramatic roles, so to satisfy himself artistically he'd play non-comic parts for Edward Everett Horton's Los Angeles-based Majestic Theatre; Pangborn's appearance in Preston Sturges' Hail the Conquering Hero (1942) likewise permitted him a few straight, serious moments. When jobs became scarce in films for highly specialized character actors in the 1950s, Pangborn thrived on television, guesting on a number of comedy shows, including an appearance as a giggling serial-killer in a "Red Skelton Show" comedy sketch. One year before his death, Pangborn eased quietly into TV-trivia books by appearing as guest star (and guest announcer) on Jack Paar's very first "Tonight Show."

George "Gabby" Hayes (Actor) .. Farmers' Spokesman

Born: May 07, 1885
Died: February 09, 1969

Trivia: Virtually the prototype of all grizzled old-codger western sidekicks, George "Gabby" Hayes professed in real life to hate westerns, complaining that they all looked and sounded alike. For his first few decades in show business, he appeared in everything but westerns, including travelling stock companies, vaudeville, and musical comedy. He began appearing in films in 1928, just in time to benefit from the talkie explosion. In contrast to his later unshaven, toothless screen persona, George Hayes (not yet Gabby) frequently showed up in clean-faced, well groomed articulate characterizations, sometimes as the villain. In 1933 he appeared in several of the Lone Star westerns featuring young John Wayne, alternating between heavies and comedy roles. Wayne is among the many cowboy stars who has credited Hayes with giving them valuable acting tips in their formative days. In 1935, Hayes replaced an ailing Al St. John in a supporting role in the first Hopalong Cassidy film, costarring with William Boyd; Hayes' character died halfway through this film, but audience response was so strong that he was later brought back into the Hoppy series as a regular. It was while sidekicking for Roy Rogers at Republic that Hayes, who by now never appeared in pictures with his store-bought teeth, earned the soubriquet "Gabby", peppering the soundtrack with such slurred epithets as "Why, you goldurned whipersnapper" and "Consarn it!" He would occasionally enjoy an A-picture assignment in films like Dark Command (1940) and Tall in the Saddle (1944), but from the moment he became "Gabby", Hayes was more or less consigned exclusively to "B"s. After making his last film appearance in 1952, Hayes turned his attentions to television, where he starred in the popular Saturday-morning Gabby Hayes Show ("Hullo out thar in televisium land!") and for a while was the corporate spokesman for Popsicles. Retiring after a round of personal appearance tours, Hayes settled down on his Nevada ranch, overseeing his many business holdings until his death at age 83.

Mary Lou Dix (Actor) .. Shop Girl

Harry Holden (Actor) .. Guard

Born: January 01, 1868
Died: January 01, 1944

George Meeker (Actor) .. Brookfield

Born: January 01, 1889
Died: January 01, 1958

Trivia: Tall, handsome, wavy-haired character actor George Meeker was never in the upper echelons of Hollywood stardom; off-camera, however, he was highly regarded and much sought after -- as an expert polo player. Meeker switched from stage to screen in the silent era, playing leading roles in such important features as Four Sons (1928). In talkies, Meeker seemingly took every part that was tossed his way, from full secondary leads to one-line bits. In his larger roles, Meeker was frequently cast as a caddish "other man," a spineless wastrel who might be (but seldom was) the mystery killer, or the respectable businessman who's actually a conniving crook. He showed up frequently in the films of Humphrey Bogart, most memorably as the white-suited gent in Casablanca (1942) who turns to Bogart after the arrest of Peter Lorre and sneers "When they come to get me, Rick, I hope you'll be more of a help." Other significant George Meeker credits include the role of Robespierre in Marie Antoinette (1938) (cut down to a sniff and a single line -- "Guilty!" -- in the final release print), the supercilious dude who wins Mary Beth Hughes away from Henry Fonda in The Ox-Bow Incident (1943), and the smarmy would-be bridegroom of heiress Dorothy Lamour in The Road to Rio (1947).

Barnett Parker (Actor) .. Butler

Born: September 11, 1886
Died: August 05, 1941

Trivia: A busy supporting actor of the 1930s who was often cast as the quintessential English manservant, tall, dapper-looking Barnett Parker had appeared with such British stage stars as George Alexander and Fred Terry prior to making his Broadway debut opposite Billie Burke in Mind the Paint Girl. The year was 1912 and the busy Parker immediately established himself as the typical "silly ass" British comic, "silly ass" being a description favored by the actor himself. Parker, who went on to appear opposite such legendary stage stars as Lew Fields and Lou Tellegen, moonlighted in movies from 1915 to 1920, chiefly for the New Rochelle-based Thanhouser company, where he scored quite a hit playing Astorbilt, the millionaire hero of the comedy Prudence the Pirate (1916). Parker spent the next decade or so on the boards but returned to films in 1936 to play a seemingly endless series of butlers, servants, and waiters. His death was attributed to a heart attack.

Patricia Monroe (Actor) .. Hat Check Girl

Eddie Kane (Actor) .. Henneberry

Born: August 12, 1889
Died: April 30, 1969

Trivia: Tall, distinguished-looking Eddie Kane was never remotely a star in movies or television, but he played just about every kind of important supporting and bit role that there was to portray in a Hollywood career that stretched over a quarter century. Born in 1889, Kane entered show business by way of vaudeville and rose to the top of that field as a member of the team of Kane & Herman. Hollywood beckoned with the coming of sound and his first role was typical of the kind of work that he would do for the next 25 years. In MGM's The Broadway Melody, although uncredited, Kane played the important supporting role of Francis Zanfield (a thin burlesque of Ziegfeld), the theatrical producer whose interest in one of the two sisters, played by Anita Page and Bessie Love, gets the backstage plot rolling. In later films, the actor's parts varied from anonymous head waiters and hotel managers to essential supporting roles, small but telling in the plot. He was apparently at least a nodding acquaintance of James Cagney, playing important bit parts in two of Cagney's movies: in Something To Sing About, Kane portrayed the San Francisco theater manager who shelters Cagney from the crowds swarming around him on his return from an ocean voyage; in Yankee Doodle Dandy he played the actor in Little Johnny Jones who tells Cagney's George M. Cohan, in the title role of Jones, of the plan to fire a rocket from the ship when the evidence clearing him has been found. Kane's range of roles ran from business executives and impressarios to maitre d's and as he grew older and more distinguished-looking, his delivery grew even sharper onscreen. Kane is probably best known to audiences from the 1950s and beyond for his portrayal (uncredited, as usual) of Mr. Monahan, Ralph Kramden's boss at the Gotham Bus Company, in The Honeymooners' episode in which Kramden impersonates a bus company executive to impress an old rival. Kane retired from movies and television after the 1950s and died in 1969 of a heart attack at his home.

Edward Keane (Actor) .. Board member

Born: May 24, 1884
Died: October 12, 1959

Trivia: American actor Edward Keane was eminently suitable for roles requiring tuxedos and military uniforms. From his first screen appearance in 1921 to his last in 1952, Keane exuded the dignity and assurance of a self-made man of wealth or a briskly authoritative Armed Services officer. Fortunately his acting fee was modest, enabling Keane to add class to even the cheapest of poverty-row "B"s. Generations of Marx Bros. fans will remember Edward Keane as the ship's captain (he's the one who heaps praise upon the three bearded Russian aviators) in A Night at the Opera (1935).

Lillian Ross (Actor) .. Hat Check Girl

Peggy Page (Actor) .. Cigarette Girl

Janet Eastman (Actor) .. Shop Girl

Dennis O'Keefe (Actor) .. Reporter

Born: March 29, 1908
Died: August 31, 1968

Trivia: Born Edward Flanagan, O'Keefe was a lithe, brash, charming, tall, rugged lead actor. The son of vaudevillians, he began appearing onstage in his parents' act while still a toddler. By age 16 he was writing scripts for "Our Gang" comedy shorts. He attended some college and did more work on vaudeville before entering films in the early '30s, appearing in bit roles in more than 50 films under the name Bud Flanagan. His work in a small role in the film Saratoga (1937) impressed Clark Gable, who recommended that he be cast in leads. MGM agreed, so he changed his name to Dennis O'Keefe and went on to play leads in numerous films, beginning with Bad Man of Brimstone (1938). Besides many light action-oriented films, he also appeared in numerous '40s comedies, and later specialized in tough-guy parts. Later in his career he directed a film or two and also wrote mystery stories. In the late '50s O'Keefe starred in the short-lived TV series "The Dennis O'Keefe Show." He was in only two films in the '60s. He died at 60 of lung cancer. His widow is actress Steffi Duna.

Dale Van Sickel (Actor) .. Lawyer

Born: November 29, 1907
Died: January 25, 1977

Trivia: A University of Florida football star, Dale Van Sickel entered films in the very early '30s as an extra. Playing hundreds of bit parts at almost every studio in Hollywood, Van Sickel earned his true fame as one of Republic Pictures' famous stuntmen, specializing in fisticuffs and car stunts. He appeared in nearly all the studio's serials in the 1940s, including The Tiger Woman (1944), The Purple Monster Strikes (1945), and The Black Widow (1947), almost always playing several bit roles as well. Often the studio cast their leading men because of their resemblance to Van Sickel and the other members of the serial stunt fraternity that included Tom Steele, Dave Sharpe, and Ted Mapes. A founding member and the first president of the Stuntmen's Association of Motion Pictures, Van Sickel later performed in innumerable television shows as well as such diverse feature films as Spartacus (1960), It's a Mad Mad Mad Mad World (1963), and The Love Bug (1969).

Harry C. Bradley (Actor) .. Anderson

Born: April 15, 1869

Trivia: Slightly built, snowy-haired American actor Harry C. Bradley had a long career on stage before his film bow in 1931's The Smiling Lieutenant. Usually sporting a well-tailored suit and a pair of rimless spectacles, Bradley played dozens of bookkeepers, court clerks, conductors and pharmacists. Two of his more visible screen roles were the justice of the peace in the 1936 comedy classic Libelled Lady and Keedish in the 1940 serial Flash Gordon Conquers the Universe. He was also a member in good standing of the Frank Capra stock company, showing up fleetingly in such Capra productions as It Happened One Night (1934) and Mr. Smith Goes to Washington (1939). Harry C. Bradley's last film assignment included a pair of Henry Aldrich "B"-pictures, in which he was cast as a tweedy high school teacher named Tottle.

James Millican (Actor) .. Interne

Born: January 01, 1910
Died: November 24, 1955

Trivia: Signed up by MGM's dramatic school directly after graduating from the University of Southern California, American actor James Millican was groomed for that studio's stable of young leading men. Instead, he made his first film, Sign of the Cross (1932), at Paramount, then moved on to Columbia for his first important role in Mills of the Gods (1934). Possessor of an athletic physique and Irish good looks, Millican wasn't a distinctive enough personality for stardom, but came in handy for secondary roles as the hero's best friend, the boss' male secretary, and various assorted military adjutants. According to his own count, Millican also appeared in 400 westerns; while such a number is hard to document, it is true that he was a close associate of cowboy star "Wild Bill" Elliott, staging a number of personal-appearance rodeos on Elliott's behalf. Fans of baseball films will recall James Millican's persuasive performance as Bill Killefer in the Grover Cleveland Alexander biopic The Winning Team.

Edwin Maxwell (Actor) .. Douglas

Born: January 01, 1886
Died: August 12, 1948

Trivia: After a considerable career on stage as an actor and director, Dublin-born Edwin Maxwell made his screen debut as Baptista in the Doug Fairbanks-Mary Pickford version of Taming of the Shrew (1929). The stocky, balding Maxwell spent the 1930s specializing in oily bureaucrats, crooked businessmen and shyster lawyers. Once in a while, he'd play a sympathetic role, notably the scrupulously honest Italian-American detective in Scarface. More often (especially in the films of director Frank Capra), his characters existed merely as an easily deflatable foil. One of Maxwell's most flamboyant performances was as the maniacal serial killer, in Night of Terror(1933), who rose from the dead at fade-out time to warn the audience not to reveal the end of the film or else! Essaying more benign characters in 1940s, he was seen as William Jennings Bryan in Wilson (1944) and as Oscar Hammerstein in The Jolson Story (1946). From 1939 to 1942, Maxwell served as dialogue director for the films of Cecil B. DeMille. Edwin Maxwell holds the distinction of appearing in four Academy Award-winning films: All Quiet on the Western Front (1930), Grand Hotel (1932), The Great Ziegfeld (1936) and You Can't Take It With You (1938).

Billy Bevan (Actor) .. Cabby

Born: September 29, 1887
Died: November 26, 1957

Trivia: Effervescent little Billy Bevan commenced his stage career in his native Australia, after briefly attending the University of Sydney. A veteran of the famous Pollard Opera Company, Bevan came to the U.S. in 1917, where he found work as a supporting comic at L-KO studios. He was promoted to stardom in 1920 when he joined up with Mack Sennett's "fun factory." Adopting a bushy moustache and an air of quizzical determination, Bevan became one of Sennett's top stars, appearing opposite such stalwart laughmakers as Andy Clyde, Vernon Dent and Madelyn Hurlock in such belly-laugh bonanzas as Ice Cold Cocos (1925), Circus Today (1926) and Wandering Willies (1926). While many of Bevan's comedies are hampered by too-mechanical gags and awkward camera tricks, he was funny and endearing enough to earn laughs without the benefit of Sennett gimmickry. He was particularly effective in a series of "tired businessman" two-reelers, in which the laughs came from the situations and the characterizations rather than slapstick pure and simple. Bevan continued to work sporadically for Sennett into the talkie era, but was busier as a supporting actor in feature films like Cavalcade (1933), The Lost Patrol (1934) and Dracula's Daughter (1936). He was frequently cast in bit parts as London "bobbies," messenger boys and bartenders; one of his more rewarding talkie roles was the uncle of plumbing trainee Jennifer Jones (!) in Ernst Lubitsch's Cluny Brown (1946). Among Billy Bevan's final screen assignments was the part of Will Scarlet in 1950's Rogues of Sherwood Forest.

Jack Mower (Actor) .. Reporter

Born: September 01, 1890
Died: January 06, 1965

Trivia: Silent film leading man Jack Mower was at his most effective when cast in outgoing, athletic roles. Never a great actor, he was competent in displaying such qualities as dependability and honesty. His best known silent role was as the motorcycle cop who is spectacularly killed by reckless driver Leatrice Joy in Cecil B. DeMille's Manslaughter (1922). Talkies reduced Jack Mower to bit parts, but he was frequently given work by directors whom he'd befriended in his days of prominence; Mower's last film was John Ford's The Long Gray Line (1955).

Ann Doran (Actor) .. Girl on Bus

Born: July 28, 1911
Died: September 19, 2000
Birthplace: Amarillo, Texas

Trivia: A sadly neglected supporting actress, Ann Doran played everything from Charley Chase's foil in Columbia two-reelers of the late '30s to James Dean's mother in Rebel Without a Cause (1955) and also guest starred in such television shows as Superman, Petticoat Junction, Bewitched, and The A Team. A former child model and the daughter of silent screen actress Rose Allen (1885-1977), Doran made her screen bow in Douglas Fairbanks' Robin Hood (1922) but then spent the next 12 years or so getting herself an education. She returned to films in 1934 and joined the Columbia short subject department two years later. While with Columbia, Doran worked on all of Frank Capra's films save Lost Horizon (1937) and she later toiled for both Paramount and Warner Bros., often receiving fine reviews but always missing out on the one role that may have made her a star. Appearing in more than 500 films and television shows (her own count), Doran worked well into the 1980s, often unbilled but always a noticeable presence.

Cecil Cunningham (Actor)

Born: August 02, 1888
Died: April 17, 1959

Trivia: Statuesque, foghorn-voiced comedienne Cecil Cunningham at one time pursued an operatic career. After extensive training, Cunningham made her stage debut in the chorus of a Fritzi Scheff musical. She played her first important role in the 1911 production Will o' the Wisp, then enjoyed her greatest success as a serious singer in the 1913 operetta Pink Lady. Alas, nervous tension robbed Cunningham of her glorious singing voice, whereupon she cut her losses and went into comedy. For many years she was a headliner in vaudeville, performing first-rate material written for her by her then-husband Jean Havez. When vaudeville went into decline in 1930, she headed to Hollywood. Signed by Paramount, she played roles of varying sizes, usually portraying a mannish society matron or show-business diva. Cunningham can be seen as a brutally frank party hostess in Paramount on Parade (1930), as supercilious opera star Madame Swempski in the Marx Brothers' Monkey Business (1932), as a outraged dowager whose beauty treatment has left her totally bald in Kiss and Make Up (1934) and as Jack Benny's dry-witted secretary in Artists and Models (1937). Comedy fans hold a special place in their hearts for two of Cunningham's 1930s appearances: in If I Had a Million, she plays the haughty ex-trapeze artist who is put down in short order by W.C. Fields; and in Leo McCarey's The Awful Truth, she enjoys one of her juiciest parts as Irene Dunne's waspish Aunt Patsy. Even in her briefest appearances, Cecil Cunningham managed to draw attention to herself, usually through such simple expedients as a firmly planted tongue in cheek and a withering, all-knowing glare.

Bess Flowers (Actor)

Born: January 01, 1900
Died: July 28, 1984

Trivia: The faces of most movie extras are unmemorable blurs in the public's memory. Not so the elegant, statuesque Bess Flowers, who was crowned by appreciative film buffs as "Queen of the Hollywood Dress Extras." After studying drama (against her father's wishes) at the Carnegie Inst of Technology, Flowers intended to head to New York, but at the last moment opted for Hollywood. She made her first film in 1922, subsequently appearing prominently in such productions as Hollywood (1922) and Chaplin's Woman of Paris (1923). Too tall for most leading men, Flowers found her true niche as a supporting actress. By the time talkies came around, Flowers was mostly playing bits in features, though her roles were more sizeable in two-reel comedies; she was a special favorite of popular short-subject star Charley Chase. Major directors like Frank Lloyd always found work for Flowers because of her elegant bearing and her luminescent gift for making the people around her look good. While generally an extra, Flowers enjoyed substantial roles in such films as Frank Capra's It Happened One Night (1934), Gregory La Cava's Private Worlds and Leo McCarey's The Awful Truth (1937). In 1947's Song of the Thin Man, the usually unheralded Flowers was afforded screen billing. Her fans particularly cherish Flowers' bit as a well-wisher in All About Eve (1950), in which she breaks her customary screen silence to utter "I'm so happy for you, Eve." Flowers was married twice, first to Cecil B. DeMille's legendary "right hand man" Cullen Tate, then to Columbia studio manager William S. Holman. After her retirement, Bess Flowers made one last on-camera appearance in 1974 when she was interviewed by NBC's Tom Snyder.

John Picorri (Actor) .. Board member

Born: August 04, 1895
Died: July 01, 1976

Trivia: A bit player from England in scores of Hollywood productions from 1935-1943, diminutive, weasel-like John Picorri became a regular supporting villain in Republic serials: the High Priest in Robinson Crusoe of Clipper Island (1936), Rackerby the mad scientist in SOS Coast Guard (1937), Dr. Moloch in Dick Tracy (1937), and Professor Krantz in Drums of Fu Manchu (1940).

Beatrice Curtis (Actor)

Born: January 01, 1906
Died: January 01, 1963

Beatrice Blinn (Actor)

Born: January 01, 1901
Died: January 01, 1979

Pauline Wagner (Actor)

Frank Hammond (Actor)

Born: January 01, 1871
Died: January 01, 1941

Lee Shumway (Actor) .. Bailiff

Born: January 01, 1884
Died: January 04, 1959

Trivia: Stage actor Lee Shumway first gave the upstart movie industry a try in 1909. He returned to picture-making on a more regular basis in the mid-teens, remaining in Hollywood until his retirement in 1947. On both sides of the talkie revolution, Shumway was most gainfully employed in Westerns and serials, switching from comparative heroics to villainy after the movies learned to talk. Lee Shumway may well be the only actor to have ever appeared with both Bela Lugosi (1935's Mystery of Mr. Wong) and Lou Gehrig (1938's Rawhide).

Charles Sullivan (Actor)

Born: January 01, 1898
Died: January 01, 1972

Trivia: A former boxer, Charles Sullivan turned to acting in 1925. Sullivan menaced such comedians as Harold Lloyd and Laurel and Hardy before concentrating on feature-film work. When he wasn't playing thugs (Public Enemy, 1931), he could be seen as a sailor (King Kong, 1933). Most of the time, Charles Sullivan was cast as chauffeurs, right up to his retirement in 1958.

Florence Wix (Actor)

Born: January 01, 1882
Died: January 01, 1956

Hal Budlong (Actor)

Ethel Palmer (Actor)

Vesey O'Davoren (Actor)

Born: January 01, 1888
Died: January 01, 1989

Trivia: Born in Ireland, actor Vesey O'Davoren started out with Dublin's Abbey Theatre. During WWI, he was caught in a mustard gas attack and lost his voice. To help himself heal, he moved to Hollywood and began appearing in silent films. By the time talkies were invented, he had recovered his voice and O'Davoren appeared in over two dozen films before retiring in the late '50s.

John Binns (Actor) .. L'avocat âgé

Charles Wilson (Actor) .. Court Clerk

Born: January 01, 1894
Died: January 07, 1948

Trivia: When actor Charles C. Wilson wasn't portraying a police chief onscreen, he was likely to be cast as a newspaper editor. The definitive Wilson performance in this vein was as Joe Gordon, reporter Clark Gable's apoplectic city editor in the 1934 multi-award winner It Happened One Night. Like many easily typecast actors, Wilson was usually consigned to one-scene (and often one-line) bits, making the sort of instant impression that hundreds of scripted words could not adequately convey. Shortly before his death in 1948, Charles C. Wilson could once more be seen at the editor's desk of a big-city newspaper -- this time as the boss of those erstwhile newshounds the Three Stooges in the two-reel comedy Crime on Their Hands (1948).

John Austin (Actor)

Bobbie Beal (Actor)

William Boardway (Actor)

Douglass Dumbrille (Actor) .. John Cedar

Born: October 13, 1889

Frank Austin (Actor) .. George Rankin

Born: October 09, 1877
Died: May 13, 1954

Trivia: His hangdog expression gracing scores of Hollywood films from 1925 to 1950, Frank Austin (born George Francis Austin) portrayed Abraham Lincoln in the 1928 Jack Holt film Court-Martial. Adept at comedy as well as drama, Austin is memorable as the sinister butler in The Laurel and Hardy Murder Case (1930), the prisoner with the sore tooth in the team's Pardon Us (1931), and the diner with high blood pressure in W.C. Fields' Never Give a Sucker an Even Break (1941). Making his mark on B-Westerns as well, Austin delivered standout performances as the coroner in Reb Russell's Outlaw Rule (1935), the ill-fated Chuckwalla in the serial Riders of Death Valley (1941), and the assayer in Whip Wilson's Arizona Territory (1950), his final screen performance.

Georgie Billings (Actor) .. Le petit garçon

Katherine Block (Actor) .. L'infirmière

Sammy Blum (Actor) .. Le journaliste

Louise Bates (Actor)

Hank Bell (Actor)

Born: January 21, 1892
Died: February 04, 1950

Trivia: From his first film, Don Quickshot of the Rio Grande (1923), to his last, Fancy Pants (1950) American supporting player Hank Bell specialized in westerns. While still relatively young, Bell adopted the "grizzled old desert rat" characterization, that sustained him throughout his career, simply by removing his teeth and growing a thick, inverted handlebar mustache. Though occasionally given lines to speak, he was usually consigned to "atmosphere roles:" if you'll look closely at the jury in the Three Stooges 2-reeler Disorder in the Court, you'll see Bell in the top row on the left, making swimming motions when Curly douses the jurors with a fire hose. A fixture of "B"-pictures, Hank Bell occasionally surfaced in "A" films like Abraham Lincoln (1930), Trail of the Lonesome Pine (1936), The Plainsman (1936), Geronimo (1939) and My Little Chickadee (1940).

Joe Bordeaux (Actor)

Born: March 09, 1886
Died: September 10, 1950

Trivia: French-Canadian actor Joe Bordeaux joined Mack Sennett's Keystone comedy troupe in 1914 as a comedian and prop man. Though a capable performer, Bordeaux never really developed a screen character of his own, and by the late teens had settled into directing. He helmed a number of comedy two-reelers for the Sunshine comedy unit, as well as several lesser operations. During the 1930s, Joe Bordeaux could be seen playing bit roles in such Hal Roach comedies as Charley Chase's On the Wrong Trek and Laurel & Hardy's Our Relations (both 1936).

Barbara Boudwin (Actor)

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